Notes:
Glass is Clean
Has quirky image circle as though it has been detuned.
Edges blurry while center is relatively sharp.
Used Cooke S4 21mm prime lens delivers renowned cinematic rendering, smooth focus falloff, and consistent color reproduction for demanding professional productions. Designed with Cooke’s acclaimed optical technology, this lightweight PL-mount lens provides exceptional sharpness, natural skin tones, and controlled distortion across modern digital cinema cameras. The package typically includes front and rear caps, protective flight case, and focus marking rings for reliable transportation and setup. Its compact form factor supports handheld rigs, Steadicam operation, gimbal balancing, and studio configurations without unnecessary weight. Ideal for feature films, commercials, documentaries, and high-end television productions, the Cooke S4 21mm creates immersive wide-angle imagery with classic cinematic character and dependable mechanical precision throughout production.
Key Features
Cooke optics deliver warm cinematic rendering with consistent image reproduction.
Lightweight housing supports handheld, gimbal, Steadicam, and studio shooting configurations.
PL-mount design integrates seamlessly with professional digital cinema camera systems.
Wide 21mm focal length captures immersive environments with optical distortion.
Precision focus mechanics provide reliable operation during professional production schedules.
Cost: USD $4,500
Sell Price: USD $5,050 FOB
May 7, 2026
(M)
Zed Friedman
mynameiszed@gmail.com
Includes:
15mm T3.6 (Distagon)
21mm T2.9 (Distagon)
28mm T2.1 (Distagon)
35mm T1.5 (Distagon)
50mm T1.5 (Planar)
55mm T1.3 (Planar Anniversary Edition)
60mm T2.9 (Makro-Planar)
85mm T1.3 (Planar)
100mm T2.1 (Planar)
135mm T2.1 (Planar)
180mm T2.9 (Sonnar)
Shipping Case
The GL Optics Rehoused Zeiss Contax set is a premier collection of 11 vintage prime lenses, transformed into professional cinema optics. This set utilizes the legendary “C/Y” mount glass—originally manufactured in the 1970s through a partnership between Zeiss and Yashica—providing a bridge between the sharp performance of modern sensors and the organic, soulful aesthetic of vintage cinema.
Key Features:
Cinematic “Super Speed” Heritage: These lenses share design DNA and coatings with the iconic Zeiss Super Speeds, offering beautiful flares and a gentle, natural roll-off.
Full Frame Coverage: All 11 lenses are designed to cover Full Frame (35mm) and VistaVision sensors (e.g., ARRI Alexa Mini LF, Sony Venice), making them future-proof for large-format cinematography.
Modern Cinema Housing: GL Optics replaces the original still-lens barrels with robust, 6063 aluminum cinema housings featuring a standardized 95mm front diameter and unified gear positions for follow-focus motors.
Extended Focus Throw: The focus rotation is significantly increased (up to 330°), allowing for precise pulls that are impossible on the original manual-focus stills versions.
T Multi-Coating:* Features the renowned Zeiss T* anti-reflective coating, which maintains contrast and color punch even when shooting directly into light sources.
Interchangeable Mounts: Typically available with a stainless steel PL mount, but can often be swapped for EF or LPL mounts to fit various camera systems.
Cost: USD $69,500
Sell Price: USD $78,000 FOB
(t)
Maurizio Benazzo
maurizio@scienceandnonduality.com
Sebastopol, California, USA
5-6-2026
Includes:
Arri Signature Prime 15mm
Arri Signature Prime 18mm
Arri Signature Prime 21mm
Arri Signature Prime 25mm
Arri Signature Prime 35mm
Arri Signature Prime 47mm
The ARRI Signature Prime lenses are engineered for large-format digital cinema cameras, delivering exceptional optical performance with ARRI’s advanced lens design technology. This used set includes six focal lengths: 15mm, 18mm, 21mm, 25mm, 35mm, and 47mm, all housed in robust, lightweight bodies with consistent color science and smooth focus falloff. Designed for full-frame sensors, these lenses provide minimal distortion, natural skin tones, and beautiful bokeh. Ideal for high-end film, television, and commercial productions, the set offers versatile focal coverage in a uniform form factor, ensuring seamless lens changes and consistent handling across professional cinematography workflows.
Key Features
Covers large-format sensors with exceptional sharpness and natural cinematic rendering.
Includes six focal lengths for versatile framing across productions.
Lightweight yet durable housing ensures reliable professional on-set performance.
Consistent color science and contrast across entire lens set.
Smooth focus falloff creates pleasing depth and organic bokeh.
Cost: To be determined
May 5, 2026
(M)
Frank Shaw
bbosasi.frank@gmail.com
The Zeiss Supreme Prime 135mm T1.5 is a high-performance telephoto cinema lens designed for large-format cinematography. Part of a consistent lens family, it bridges the gap between technical precision and an organic, “gentle” look, making it a staple for high-end digital productions.
Key Features:
Large-Format Coverage: Supports an image circle of 46.3mm, making it fully compatible with Full Frame and VistaVision sensors like those in the Sony VENICE or ARRI ALEXA Mini LF.
Fast T1.5 Aperture: Offers exceptional performance in low-light environments and allows for a shallow depth of field to isolate subjects effectively.
Aesthetic Bokeh & Fall-off: Features an 18-blade iris that ensures a smooth transition between in-focus and out-of-focus areas for a natural, cinematic texture.
ZEISS eXtended Data (XD): Transmits frame-accurate metadata (focal length, T-stop, etc.) via a LEMO port, simplifying VFX workflows and post-production.
Consistent Ergonomics: Shares standardized gear positions and color-matching with the rest of the Supreme Prime line, allowing for rapid lens swaps on set.
Rugged, Compact Build: Though a telephoto lens, it remains relatively lightweight (approx. 5 lbs) and is built to operate reliably in extreme temperatures.
Interchangeable Mount: Features a user-swappable mount system, typically shipping in PL mount but adaptable to LPL for future-proofing.
Cost: USD $10,000
(t)
Christian Pedersen
Dynamic Rentals Europe
(+45) 3121 2035
christian@dynamicrentals.com
Germany
5-5-2026
The Leica Summicron-C set of six prime lenses offers an exceptional balance of high-resolution performance and natural, creamy skin tones. Designed to cover Super 35 sensors, these lenses utilize high-performance spherical elements that provide a classic “Leica look” with gentle highlights and deep, rich contrast. This comprehensive kit includes the core focal lengths required for professional cinematography, all featuring a consistent T2.0 aperture across the set. Their compact and lightweight form factor makes them ideal for gimbal work, drones, and handheld configurations without sacrificing mechanical precision. Each lens features matched gear positions and a 95mm front diameter, ensuring fast and efficient lens changes on demanding professional film sets.
Key Features:
– Each lens maintains a consistent T2.0 aperture for low-light versatility.
– The compact design is perfect for lightweight stabilizer and gimbal setups.
– Advanced optical coatings deliver natural color rendering and pleasing skin tones.
– A 95mm front diameter across the set simplifies matte box use.
– Large image circles comfortably cover the most popular Super 35 sensors.
Cost: TBD
Sell Price: MAKE AN OFFER
Caroline Campbell
The Hive Studios
caroline@thehivestudios.org
+1 415 706 5922
SF, CA, US
May 4th 2026
(N)
The Cooke S8/i FF 35mm Prime is a flagship high-speed cinema lens designed for the demands of modern full-frame digital cinematography. As part of the S8/i series, this 35mm lens evolves the legendary “Cooke Look” by prioritizing optimized contrast performance and a fast T1.4 aperture across the entire range. Despite its high speed, it is engineered to be approximately 25% lighter than its S7/i predecessors, making it ideal for handheld, Steadicam, and drone applications.
Key Features:
Aperture Range (T1.4–T22): Offers exceptional low-light performance and extreme depth-of-field control for an organic, film-like aesthetic.
Full Frame Plus Coverage: Covers an image circle of 46.3mm, ensuring compatibility with the latest large-format sensors like the ARRI Alexa LF and Sony VENICE.
All-Spherical Design: Utilizes only spherical elements to produce smooth, natural bokeh without “onion ring” artifacts.
Advanced /i Technology: Transmits critical metadata—including focus, iris, and inertial data—to the camera for streamlined VFX and post-production workflows.
Precision Mechanics: Features an Academy Award-winning cam-style focus movement with 270° of rotation and dual calibrated scales (Metric/Imperial) for accurate pulling.
Uniform Design: Shares a consistent 104mm front diameter and gear positions with other lenses in the set, allowing for rapid swaps on set.
Color Matching: Professionally balanced to match the profiles of S4/i, S5/i, and Anamorphic/i series lenses for seamless intercutting.
cost: 15,000 USD
(t)
Christian Pedersen
Dynamic Rentals
christian@dynamicrentals.com
(+45) 3121 2035
5-4-2026
Includes:
Canon CN-E Cinema Prime 14mm T3.1
Canon CN-E Cinema Prime 24mm T1.5
Canon CN-E Cinema Prime 35mm T1.5
Canon CN-E Cinema Prime 50mm T1.3
Canon CN-E Cinema Prime 85mm T1.3
Canon CN-E Cinema Prime 135mm T2.2
The Canon CN-E Cinema Prime Set is a professional-grade collection of six lenses (14mm, 24mm, 35mm, 50mm, 85mm, and 135mm) designed to meet the rigorous demands of high-end 4K digital cinema production. These lenses are engineered for full-frame and Super 35mm sensors, offering a distinct “Canon look” characterized by organic warmth, exceptional sharpness, and natural skin tones.
Key Features:
Unified Design Philosophy: All lenses (except the 14mm) share a consistent 114mm front diameter and identical gear positions for focus and iris. This allows for rapid lens swaps without the need to reposition matte boxes or follow-focus motors.
11-Blade Iris: Provides a nearly perfectly circular aperture, resulting in soft, cinematic bokeh and beautiful out-of-focus highlights.
300° Focus Rotation: The ultra-long focus throw enables extremely precise manual focus pulls, a necessity for professional cinematography.
Minimized Focus Breathing: Specifically engineered to prevent the “zooming” effect when changing focus, ensuring the frame remains stable during rack focuses.
Full-Frame Coverage: Unlike many cinema lenses, these cover a full 35mm image circle, making them future-proof for large-format sensors and high-resolution DSLRs.
Optical Consistency: Color and contrast are matched across the entire set, ensuring a seamless visual look when cutting between different focal lengths in post-production.
Update April 29th 2026:
Jenny gave us cost for his set.
Cost is updated from TBD to USD $7,500.
Sell price is USD $16,500 FOB, set by Tomas, not modified.
(J)
Price TBD
(t)
Jenny
jenny@cine-equipment.com.tw
4-28-2026
The Cooke S7/i Full Frame Plus prime set is a comprehensive optical solution designed to cover large format sensors up to 46.3mm, including RED Vista Vision and ARRI Alexa LF. This 11-lens kit features a consistent T2.0 aperture across nearly the entire range, delivering the legendary “Cooke Look” characterized by smooth focus fall-off and natural skin tones. Each lens is color-matched for seamless intercutting and includes advanced /i Technology for capturing vital lens metadata. Engineered with precision cam-style focus mechanisms and a standardized 110mm front diameter, these lenses are the premier choice for high-end features and commercials requiring a classic, organic aesthetic.
Key Features:
Full frame coverage supports large format sensors up to 46.3mm.
Consistent T2 aperture enables uniform exposure across the entire set.
Built-in /i Technology records essential lens metadata for post-production workflows.
The legendary Cooke Look provides organic texture and pleasing bokeh.
Standardized 110mm front diameters simplify matte box and filter changes.
Cost: USD $70,000
Sell Price: USD $78,500 FOB
Thomas Hencz
thomas@thomashencz.com
4-24-2026
(N)
Sell price confirmed by Jose
Thomas Hencz wants 70k in his pocket.
No exact match on the market and competitors.
Includes:
Canon FD S.S.C. 24mm f/2.8
Canon FD S.S.C.28mm f/2.8
Canon FD S.S.C.35mm f/2
Canon FD S.S.C.55mm f/1.2
Canon FD S.S.C.85mm f/1.8
Canon FD S.S.C.100mm f/2.8
Canon FD S.S.C.135mm f/2.5
Shipping Case
The Canon FD S.S.C. (Super Spectra Coating) lens series is one of the most revered vintage optics sets in cinematography today. Produced primarily in the 1970s, these lenses were Canon’s top-tier professional offerings before the transition to the EF mount. They are famous for providing a “bridge” look—combining the sharpness and contrast of modern glass with the organic textures and warm flares of vintage cinema. This specific 7-lens set (24mm, 28mm, 35mm, 55mm, 85mm, 100mm, and 135mm) covers everything from wide-angle architecture to tight telephoto portraiture.
Key Features:
Super Spectra Coating (S.S.C.): Minimizes ghosting and flare while ensuring a consistent, warm color balance across the entire set.
Floating Element System: Featured in several lenses (like the 24mm and 35mm) to maintain sharpness and minimize aberrations even at close focusing distances.
Full-Frame Coverage: Naturally covers 35mm full-frame sensors, making them compatible with modern mirrorless and cinema cameras (Sony Venice, ARRI Alexa Mini LF, RED V-Raptor).
Aesthetic “K35” DNA: Shares similar optical design and glass elements with the legendary (and far more expensive) Canon K35 cinema primes.
Pleasing Bokeh: Known for smooth, circular out-of-focus highlights and a gentle focus fall-off that is flattering for skin tones.
Mechanical Reliability: Robust “Breech-lock” or “New FD” mounts that are easily adaptable to EF, PL, or E-mounts.
cost: USD $8,000 (11k AUD)
Sell Price: USD: $12,000 FOB
(t)
Ryan Lee
ryan@ryanandrewlee.com
+61 411 461 674
4-27-2026
The ARRI Zeiss Master Macro 100mm T2.0 is a premier cinema lens designed for high-end cinematography, specifically optimized for the Super 35 format. It is part of the prestigious Master Prime family, offering a true 1:1 magnification ratio for extreme close-ups without the typical compromises of macro lenses. Known for its “Master Prime” optical signature, it delivers exceptional sharpness, high contrast, and vibrant color rendition, making it a staple for tabletop, product, and beauty photography.
Key Features:
True 1:1 Magnification: Captures subjects at life-size on the sensor/film plane for incredible detail.
Fast T2.0 Aperture: Provides a wide maximum aperture at infinity for shallow depth of field; adjusts to T4.3 at close focus.
Master Prime Technology: Built with the same glass and coatings as the Master Prime series, ensuring high resolution and dramatically reduced flare.
Integrated Lens Data System (LDS): Electronically transmits lens metadata (focus, iris, and zoom) to the camera to simplify post-production and VFX workflows.
Extended Focus Scale: Features 1.4x more revolutions than standard lenses, allowing for surgical precision during focus pulls.
Super Color Matched: Perfectly matches the color characteristics of ARRI Ultra Primes, Master Primes, and Alura Zooms for seamless multi-lens shoots.
Robust Build: Designed for professional sets with a 114mm front diameter and standardized gear positions for easy motor mounting.
cost: $18K
(t)
Logan Schneider
4-24-2026
