This Leica Lens Set of 6 offers a versatile, high-performance collection designed for photographers and filmmakers who demand exceptional optical precision and creative flexibility. Covering a wide range of focal lengths from ultra-wide to telephoto, this set delivers Leica’s renowned image quality, sharpness, and color accuracy across diverse shooting scenarios. Whether capturing sweeping landscapes, detailed portraits, or cinematic compositions, these lenses provide consistent performance, robust build quality, and reliable results suited for professional workflows and advanced enthusiasts alike.
Key Features:
Complete six-lens set covering 24mm, 35mm, 50mm, 60mm, 90mm, and 135mm focal lengths
Legendary Leica optical performance with outstanding sharpness and contrast
Wide-to-telephoto coverage for landscapes, portraits, macro-style detail, and distant subjects
Precision-engineered construction for durability and long-term reliability
Ideal for professional photography, filmmaking, and high-end creative projects
cost: 60,000 EURO
January 11, 2026
(M)
Marko Procházka
Slovakia?
marko@filmsupport.sk
Sigma 20mm f/1.4 DG HSM Art is a landmark lens in the photography world, notable for being the first ultra-wide-angle lens to achieve a maximum aperture of f/1.4. Designed for full-frame DSLRs (Canon EF mount), it sits within Sigma’s “Art” line, which prioritizes optical excellence and creative expression over compact size.
Key Features and Benefits
World-First Aperture: The f/1.4 brightness at a 20mm focal length is ideal for astrophotography, allowing for pinpoint stars and low-light shooting without high ISO noise.
Advanced Optical Design: Features 15 elements in 11 groups, including two FLD (“F” Low Dispersion) and five SLD (Special Low Dispersion) elements to virtually eliminate chromatic aberration and distortion.
Hyper Sonic Motor (HSM): Provides fast, quiet, and snappy autofocus with full-time manual focus override for precise adjustments.
Premium Build Quality: Constructed with Thermally Stable Composite (TSC) material and a brass bayonet mount, ensuring durability across varying temperatures.
Artistic Bokeh: A rounded 9-blade diaphragm produces smooth, natural background blur, which is rare for such a wide-angle lens.
USB Dock Compatibility: Allows for firmware updates and micro-adjustments to the autofocus calibration to suit specific camera bodies.
Important Considerations
Bulbous Front Element: The curved front glass prevents the use of standard screw-on filters and requires a specialized adapter for filter systems.
Fixed Lens Hood: The petal-style hood is built-in to protect the front element and reduce flare.
Weight: At approximately 950g (2.1 lbs), it is a substantial lens that may feel front-heavy on smaller camera bodies.
cost: 500 EURO
Marko Procházka
marko@filmsupport.sk
R-01-09-2026
Prices Investigation
Justcinemagear and newlifecine doesn´t have one
AI says:
Market Price Summary (Used)
Condition Price Range (USD) Price Range (GBP/EUR)
Excellent / Mint $520 – $640 £440 – £540 / €515 – €630
Good / Average $450 – $500 £380 – £430 / €450 – €500
Bargain / Heavily Used $375 – $425 £300 – £360 / €350 – €420
Sigma 85mm f/1.4 DG HSM Art (Canon EF mount) is widely regarded as one of the highest-performing portrait lenses ever produced. Designed to outresolve the most demanding high-megapixel sensors, it offers a “no-compromise” approach to optical quality. It is particularly famous for achieving a DxOMark score that surpassed many of its more expensive first-party competitors upon its release.
Key Features and Benefits
Ultimate Sharpness: Specifically engineered to handle 50MP+ sensors, providing tack-sharp results even when shooting wide open at f/1.4.
Exceptional Bokeh: A rounded 9-blade diaphragm combined with a large f/1.4 aperture creates a creamy, compressed background that makes subjects “pop” with a 3D effect.
Redesigned HSM Motor: Features an updated Hyper Sonic Motor with 1.3x the torque of previous models for snappy, reliable, and nearly silent autofocus.
Advanced Optics: Includes two FLD (low dispersion) elements and one high-refractive index element to virtually eliminate chromatic aberration and color fringing.
Robust Build: Constructed with Thermally Stable Composite (TSC) and a brass bayonet mount, featuring a dust- and splash-resistant rubber gasket at the mount.
Full-Time Manual Override: Large, textured focus ring allows for instant manual fine-tuning even while the AF is engaged.
Important Considerations
Significant Weight: Weighing approximately 1,130g (2.5 lbs), it is a substantial lens that balances best on professional-sized DSLR bodies or gripped mirrorless cameras.
Large Filter Size: Uses an 86mm front filter thread, which may require purchasing new, larger filters if you are coming from standard 77mm or 82mm kits.
cost: 500 EURO
Marko Procházka
R-01-09-2026
Price Investigation:
newlifecine: no
Usedcinemagear; no
AI says:
Market Price Summary (Used)
Condition Price Range (USD) Price Range (GBP/EUR)
Excellent / Mint $820 – $925 £680 – £790 / €820 – €930
Good / Average $650 – $750 £570 – £660 / €650 – €720
Bargain / Heavily Used$480 – $600£400 – £520 / €450 – €580
Sigma 35mm f/1.4 Art (Sony E-mount) is one of the most celebrated prime lenses in modern photography. As the pioneer of Sigma’s “Art” line, it is engineered for extreme resolution and artistic expression. For the Sony E-mount version, Sigma optimized the autofocus algorithm to ensure native-level performance with Sony’s mirrorless systems, making it a favorite for environmental portraits, weddings, and street photography.
Key Features and Benefits
Outstanding Optical Resolution: Utilizes FLD (“F” Low Dispersion) and SLD (Special Low Dispersion) glass elements to minimize aberrations, delivering tack-sharp images even at f/1.4.
Bright f/1.4 Aperture: Provides exceptional low-light capability and a very shallow depth of field for professional-grade subject separation.
Artistic Bokeh: A rounded 9-blade diaphragm produces smooth, circular out-of-focus highlights, perfect for high-end portraiture.
Optimized AF for Sony E: Specifically tuned to support Sony’s advanced features, including Fast Hybrid AF, Eye-AF, and in-body image stabilization.
Hyper Sonic Motor (HSM): Ensures quick, quiet, and accurate focusing with full-time manual focus override for fine-tuning.
Rugged Build Quality: Features a brass bayonet mount and Thermally Stable Composite (TSC) materials for high durability in varying environments.
Important Considerations
Size and Weight: At approximately 665g (1.46 lbs), it is significantly larger and heavier than most native mirrorless 35mm f/1.8 alternatives.
No Physical Aperture Ring: Unlike the newer “DG DN” (mirrorless-exclusive) version, this “DG HSM” version relies on the camera body for aperture control.
cost: 500 EURO
Marko Procházka
marko@filmsupport.sk
Price Investigation
newlifecine one PL Mount in 2,450
Justcinemagear doesnot have one
AI says
Market Price Summary (Used)
Condition Price Range (USD) Price Range (GBP/EUR)
Excellent / Mint$450 – $510£350 – £390 / €420 – €480
Good / Average$340 – $410£280 – £330 / €350 – €400
Bargain / Heavily Used $275 – $320£210 – £260 / €280 – €330
The ARRI Ultra 16 series represents the pinnacle of optical engineering for the Super 16mm format. Developed in partnership between ARRI and Zeiss, these lenses were designed to provide the same high-end performance found in 35mm “Master Primes” but specifically optimized for the smaller S16 image circle.
They are the primary choice for filmmakers seeking a modern, sharp, and high-contrast look on 16mm film or digital sensors, effectively elevating the format to its highest possible image quality.
Key Features:
Super Fast T1.3 Aperture: All lenses in the set share a consistent, ultra-fast T1.3 stop, allowing for exceptional low-light performance and a shallow depth of field rarely seen in the 16mm format.
Complete Focal Range: The set typically includes nine focal lengths: 6mm, 8mm, 9.5mm, 12mm, 14mm, 18mm, 25mm, 35mm, and 50mm.
Precision Optics: Features T* XP anti-reflex coating for high contrast, minimal flare, and rich blacks.5 Aspherical elements are utilized to eliminate geometric distortion, even on the widest lenses.
Superior Ergonomics: Each lens features a uniform 95mm front diameter and identical gear positioning, allowing for rapid lens changes without moving matte boxes or follow-focus motors.
Super Color Matched: Their color profile is precisely calibrated to match ARRI Master Primes and Ultra Primes, making it easy to intercut 16mm footage with 35mm footage in the same production.
Minimal Focus Breathing: Optical design ensures that the frame size remains stable during focus pulls, preserving the cinematic feel of the shot.
Extreme Close Focus: Engineered to maintain sharpness and contrast at very close distances, with the 6mm lens reaching as close as 8 inches (0.2m).
Cost: TBD
(t)
Max
Spain
Zeiss Distagon and Planar lenses for the Canon EF mount (designated as the ZE series) are world-renowned manual-focus prime lenses. They combine traditional German optical excellence with modern electronic integration, offering a “cinematic” look that has made them favorites for both high-end photography and independent filmmaking.
The ZE (EF-mount) series consists of the Classic and the newer Milvus lines. These lenses use two primary optical designs:
Distagon: Used for wide-angle focal lengths (e.g., 15mm, 21mm, 35mm). It uses a retrofocus design to provide high resolution and low distortion across the frame.
Planar: Used for standard and telephoto lengths (e.g., 50mm, 85mm). This “symmetrical” design is legendary for its natural rendering, high speed (wide apertures), and corrected aberrations.
Key Features:
T Anti-Reflective Coating: A proprietary multi-layer coating that virtually eliminates flare and ghosting while ensuring the famous “Zeiss Color” (vibrant, natural skin tones).
All-Metal Construction: Built with high-precision metal barrels and mounts for extreme durability and a tactile, professional feel.
High-Precision Manual Focus: Features a long-throw focusing ring with dampened movement, allowing for incredibly minute adjustments—essential for video and shallow depth-of-field work.
Electronic Aperture Control: Unlike the Nikon (ZF) versions, the EF (ZE) lenses do not have a physical aperture ring; the iris is controlled directly via the camera body.
Full-Frame Coverage: Designed for 35mm sensors but fully compatible with APS-C (Crop) cameras.
Consistent Aesthetics: The set is color-matched, meaning you can swap lenses during a shoot without needing significant color grading to match the footage.
cost: 2,500 EURO
(t)
Marko Procházka
marko@filmsupport.sk
1-7-2026
The ZEISS ARRI Ultra 16 series represents the pinnacle of Super 16mm cinematography. Developed through the legendary partnership of ARRI and ZEISS, these lenses were designed to bring “Master Prime” quality to the Super 16 format. They are celebrated for their extreme sharpness, high contrast, and remarkably fast T1.3 aperture.
The Ultra 16 set typically consists of nine high-performance prime lenses covering a focal range from 6mm to 50mm. Designed to complement Super 16 film cameras (like the ARRIFLEX 416) and modern digital sensors, they offer a clean, “clinical” look with minimal distortion. Their uniform design makes them a favorite for fast-paced productions, gimbals, and handheld work.
Key Features:
Ultra-Fast T1.3 Aperture: Provides exceptional low-light performance and the ability to achieve a shallow depth of field, which is traditionally difficult in the 16mm format.
Superior Optical Quality: Features T XP multi-layer anti-reflex coating to maximize contrast and drastically reduce flares or internal reflections.
Consistent Ergonomics: All lenses in the set share a 95mm front diameter and identical gear positions, allowing for rapid lens changes without adjusting follow-focus or matte box setups.
Precision Mechanics: Engineered for minimal focus breathing and near-zero chromatic aberration, ensuring straight lines remain straight even at wide angles.
Color Matching: Super Color Matched to intercut seamlessly with ARRI Ultra Primes and Master Primes, providing a consistent look across multi-format shoots.
Close Focus Ability: Optimized to maintain sharpness and resolution even at the minimum object distance (as close as 8 inches for the 6mm).
Cost: 45k Euro
(t)
James Coote
cootejam@gmail.com
+33761366162
1-6-2026
The TLS Cooke Speed Panchro lens set represents the “gold standard” of vintage lens rehousing. True Lens Services (TLS) takes original Cooke Speed Panchro glass (Series II and III) from the 1920s–1960s and transplants it into modern, high-precision cinema housings.
The result is a set of lenses that retains the legendary “Cooke Look”—characterized by warm skin tones, painterly bokeh, and a gentle focus fall-off—while providing the mechanical reliability required for high-end digital cinema productions.
Key Features:
Modern Mechanics: Replaced archaic housings with a robust “cam-driven” focus system, ensuring smooth, repeatable focus pulls with zero image shift or backlash.
Standardized Workflow: All lenses in the set feature matching 110mm front diameters and standardized 0.8 MOD gearing for focus and iris, allowing for quick lens changes without moving follow-focus motors or matte boxes.
The “Cooke Look”: Retains the vintage optical soul—specifically the low contrast, pleasing flares, and “creamy” textures that flatter human faces better than modern, “surgically sharp” lenses.
Durability: Constructed from aircraft-grade aluminum, stainless steel, and brass, making these delicate vintage optics tough enough for modern sets.
PL Mount Integration: Native PL mounts with shimmable precision, making them compatible with all professional cinema cameras (ARRI, RED, Sony, etc.).
Super 35mm Coverage: Primarily designed for Super 35mm sensors, though longer focal lengths (like the 75mm and 100mm) can often cover larger formats.
Cost: 45k USD
(t)
Jeremy Chen
jeremychen@mdvision.cn
1-6-2026
Includes:
Leica Summilux-C 18mm
Leica Summilux-C 25mm
Leica Summilux-C 35mm
Leica Summilux-C 40mm
Leica Summilux-C 50mm
Leica Summilux-C 65mm
Leica Summilux-C 100mm
Renowned for their exceptional sharpness, consistent color rendering, and beautiful contrast, Summilux-C lenses are a standard on high-end film and commercial productions. The set offers fast apertures, smooth focus rotation, and precise mechanics, making it ideal for narrative, commercial, and studio work where optical consistency and reliability matter most.
Key features:
Complete 8-lens Summilux-C prime set
Focal lengths: 18, 25, 35, 40, 50, 65, 100mm
Matched color, contrast, and T-stop performance
Smooth, precise cinema focus and iris control
Industry-standard Leica cinema optics
Code:
Cost TBD
December 31, 2025
(M)
Gaurav
Gaurav Gupta??
gaurav.gupta@futureworks.in
Canon FD lenses, produced between 1971 and the early 1990s, are legendary manual-focus optics. Originally designed for Canon’s 35mm SLR film cameras like the AE-1 and F-1, they have seen a massive resurgence in the digital era due to their “vintage” character and high adaptability to mirrorless systems.
Key Features and Benefits
Aesthetic Character: Known for a “lower contrast” look, warm color rendering, and smooth, organic bokeh that feels more “filmic” than modern, ultra-sharp digital lenses.
Mechanical Precision: Features all-metal barrels (especially the older “Chrome Nose” versions) and tactile, mechanical aperture rings and focus throws.
K-35 Heritage: Several high-end FD lenses (like the 24mm f/1.4 and 85mm f/1.2) share optical designs with the Academy Award-winning Canon K-35 cinema lenses, making them a “budget” alternative for filmmakers.
Variety of Mount Styles: * Breech-lock (Original FD): Uses a silver rotating ring at the base to secure the lens.
New FD (nFD): Uses a bayonet-style twist-and-click mechanism for faster lens changes.
Advanced Coatings: Most models feature S.S.C. (Super Spectra Coating), which effectively reduces flare while maintaining a distinct, vintage flare character under direct light.
Excellent Adaptability: Because of their short flange focal distance, they can be easily adapted to Sony E, Canon RF, Nikon Z, and Fujifilm X mirrorless mounts with inexpensive adapters.
cost: TBD
Marko Procházka
marko@filmsupport.sk
R-12/30/25
Price investigation:
Newlifecine: Has a Canon FD Aspherical Set of 6 in 29,800
Justcinemagear: Has a Canon Compact Prime CN-E 6 set in 16,650
AI Says:
As of late 2025, the average price for a used Canon FD 5-lens set varies dramatically based on whether the lenses are in their original “photo” state or have been modified for professional cinematography (Cine-modded).Because “standard” sets are usually built by individual sellers or collectors rather than sold as factory kits, the price is the sum of the most popular focal lengths: 24mm, 28mm, 35mm, 50mm, and 85mm.
Average Price by Set Tier
Budget “Starter” Setf/2.8 Primes (Mixed SC/nFD)$650 – $950
Premium “High-Speed” Setf/1.4 or f/2 Primes (S.S.C. focus)$1,400 – $2,200
Cine-Modded SetEF-converted, Gears, 80mm Rings$3,500 – $6,500
Professional Re-housedTLS or GL Optics (Full Cinema Housing)$45,000 – $120,000+
