The Zeiss Super Speed S16 lenses are legendary prime lenses specifically designed for the Super 16mm (S16) film format. Originally introduced in the 1970s and refined through Mark II and Mark III versions, they remain a top choice for cinematographers seeking a vintage, “filmic” aesthetic on modern digital sensors like the Blackmagic Pocket Cinema Camera 4K or the Arri Alexa 35 (in S16 mode).
Key Features:
Ultra-Fast T1.3 Aperture: Allows for exceptional low-light performance and a shallow depth of field rarely seen in the S16 format.
Signature “Zeiss Look”: Features the famous T multicoating*, which offers high contrast and vibrant color reproduction while maintaining a gentle, vintage fall-off.
Minimal Focus Breathing: Designed for cinema, these lenses exhibit almost no change in focal length when racking focus.
Compact & Lightweight: Their small form factor makes them ideal for handheld shooting, gimbal work, and tight spaces.
Vintage Character: Wide open, they produce a soft, dreamy glow and beautiful flares; stopped down, they become impressively sharp and clinical.
Professional Housing: Mk II and Mk III versions feature integrated 0.8 pitch gears and consistent 80mm front diameters for easy use with follow focus systems and matte boxes.
Cost: TBD / 15,000 USD
(t)
Harper Lai
shk99318@gmail.com
12-29-2025
Optex 4mm T2 is a legendary ultra-wide prime lens, specifically designed for the Super 16mm (S16) format. Despite its extreme focal length, it is a rectilinear lens—meaning it maintains straight lines rather than producing the “fisheye” effect typically associated with such wide angles. It is particularly famous for its “vintage” character, characterized by unique flare patterns and organic rendering.
Ultra-Wide Rectilinear Field of View: Provides an expansive perspective (approx.4 $180^\circ$ diagonal) without the spherical distortion of a fisheye lens.
Fast T2 Aperture: Offers exceptional low-light performance for its focal length, allowing for filming in dim environments.
Fixed-Focus Design: Due to the massive depth of field, almost everything from a few inches to infinity remains in focus, making it ideal for handheld or “run-and-gun” shooting.
Unique Vintage Flares: Its older coatings produce a distinct, organic flare character that is highly sought after by cinematographers wanting to avoid the “clinical” look of modern glass.
Compact & Lightweight: Despite its large 150mm–156mm front diameter, it is relatively light and easy to integrate into gimbal or handheld rigs.
Integrated Iris Gear: Features standard cine-style gearing for precise iris control via wireless motors or follow focus systems.
Cost: TBD
Taywan
Harper Lai
Tel：+886 928 057 358
E-mail：shk99318@gmail.com”
R-12.29/25 賴梓卉
——
Prices:
Newlifecine: does not have any
Justcinemagear: does not have any
AI says:
Based on recent listings and historical sales data from specialized cinema equipment brokers (such as FJS International, Alan Gordon, and CML):
Average Price Range: $2,500 – $4,500 USD
Low End ($2,000 – $2,500): Typically for units with minor cosmetic wear, older mounts (like Arri B-mount), or those sold in private forum listings (e.g., Cinematography.com or CML).
High End ($4,000 – $5,000+): For pristine copies with a native PL Mount, recent servicing/collimation, and original flight cases.
The Cooke SP3 is a purpose-built prime lens series designed specifically for full-frame mirrorless cameras. It is based on the legendary Speed Panchro™ optical design, bringing the iconic “Cooke Look”—characterized by organic warmth, gentle focus fall-off, and high dimensionality—to modern digital sensors.
Key Features:
Focal Lengths: A comprehensive set including 18mm, 25mm, 32mm, 50mm, 75mm, and 100mm.
Fast Aperture: Consistent T2.4 maximum aperture across the entire range for uniform exposure.
Interchangeable Mounts: User-changeable mount system supporting Sony E (fitted), Canon RF, Leica L, and Leica M.
Full-Frame Coverage: Optimized for a 43.3mm image circle, covering full-frame and Super35 sensors.
Matched Mechanics: Standardized 0.8 MOD focus and iris gears with shared positions across the set for rapid lens swaps.
Lightweight Build: Compact, anodized aluminum shells designed for drones, gimbals (like the Ronin 4D), and handheld rigs.
Benefits for Filmmakers
Emotional Rendering: Combines modern resolution with a “human” aesthetic that renders skin tones naturally and avoids the clinical sharpness of some digital lenses.
Creative Focus Control: Features a non-linear focus scale for precise adjustments at close distances and smooth, round bokeh from a 9-blade iris.
Dynamic Dimensionality: Provides a sharp center with a signature “roll-off” toward the edges, mimicking how the human eye perceives depth.
Seamless Integration: Perfectly color-matched to the Cooke Panchro/i Classic series, making them ideal “B-camera” lenses for larger productions.
Future-Proof: Capable of resolving detail for 8K sensors and beyond.
cost: 19,900 EURO
(t)
Marko Procházka
marko@filmsupport.sk
12-26-2025
The Cooke S7/i Full Frame Plus series is a flagship lineup of spherical prime lenses designed to cover large format sensors up to 46.31mm. Known for delivering the iconic “Cooke Look®,” these lenses strike a balance between modern technical precision and a smooth, organic aesthetic.
Key Features and Benefits
Optimized Full Frame Coverage: Designed to cover sensors up to Red Weapon 8K, Arri Alexa LF, and Sony Venice (VistaVision and beyond).
The “Cooke Look®”: Offers a unique combination of sharpness, smooth contrast, and a pleasing “roundness” to the image.
Exceptional Flare Control: Engineered to minimize veiling glare and control flares even at a wide-open T2.0 aperture.
Organic Bokeh: Features a nine-leaf linear iris for smooth, natural-looking out-of-focus highlights.
Integrated /i Technology: Captures frame-by-frame metadata (focus, iris, and depth-of-field) to streamline post-production and VFX workflows.
Mechanical Precision: Uses an Academy Award-winning cam-style focus mechanism for smooth, backlash-free adjustments and expanded focus scales.
Color Consistency: Meticulously color-matched to work seamlessly with S4/i, Anamorphic/i, and Panchro/i Classic series.
Cost: TBD
Germany
Leonard Schmidt
Manager
+49 178 9317 970
leo@altglas-rental.com
altglas-rental.com
Price Research
NEWLIFECINE: one set for 99,000 dollars
JUSTCINEMAGEAR:one set for 105,950 dollars
AI says:
Standard Market Value $90,000 – $105,000 Good condition; often sold by reputable brokers or smaller rental houses.
Used Single Cooke S7I 180mm for Sale
Cooke S7/i 180mm T2.0 is a high-performance telephoto prime lens designed for the demanding requirements of full-frame cinematography. It delivers the legendary “Cooke Look”—characterized by smooth, organic skin tones and a gentle roll-off—while providing the technical precision needed for 8K resolution.
Full-Frame Plus Coverage: Features a 46.31mm image circle, making it compatible with large-format sensors like the RED V-RAPTOR, ARRI ALEXA Mini LF, and Sony VENICE.
Fast T2.0 Aperture: Provides exceptional low-light performance and a shallow depth of field for beautiful, cinematic bokeh.
Integrated /i Technology: Automatically records vital lens metadata (focus, iris, and depth-of-field) for every frame, significantly streamlining VFX and post-production workflows.
Precision Mechanics: Equipped with an Academy Award-winning cam-style focus mechanism and 270° of rotation for highly accurate focus pulling.
Color-Matched Performance: Specifically engineered to match the color and contrast of other Cooke series (S4/i, 5/i, and Anamorphic/i) for seamless intercutting.
Durable Build: Finished with a scratch-resistant PTFE hard anodized coating to withstand extreme environmental conditions on set.
Cost: $18,000
(R) 12/18/2025
Regina Kao
t00360@cs.chengseng.com.tw
+886 935 088753
12-18-2025
CKS7I-180
S/N. 7180.0827
—
Price Investigation:
Newlifecine: does not have one
Justcienmagear: does not have one
AI says :
Based on current listings in the global secondhand market for cinema equipment, the average price for a Used Cooke S7/i 180mm T2.0 typically ranges between $14,500 and $23,000 USD (approx. €13,800 – €21,800).
Broker/Dealer (CVP, Usedful) $14,500 – $22,000 Often sold as “ex-demo” or on consignment; usually includes a 90-day warranty.
Individual Listing (eBay, FB Groups) $13,500 – $20,000 Potential for lower prices but higher risk; condition varies significantly.
New (MSRP Reference) ~$32,000 For context, a brand-new unit retails around this mark.
Master Prime 16mm
Master Prime 25mm
Master Prime 35mm
Master Prime 50mm
Master Prime 75mm
Master Prime 100mm
Master Prime series is widely considered the gold standard for high-end digital and film cinematography. These lenses are engineered to provide “clinical perfection,” delivering high resolution and contrast even when shot wide open
Ultra-Fast T1.3 Aperture:3 Maintains a consistent 4$T1.3$ to 5$T22$ range across all 16 focal lengths, enabling exceptional low-light performance and a razor-thin depth of field.6
Dual Floating Elements: A patented technology that virtually eliminates “lens breathing” (the change in focal length when focusing), ensuring the frame remains stable during focus pulls.
Aspherical Optics: Greatly reduces chromatic aberration and geometric distortion, making them a preferred choice for heavy VFX and green-screen work.
T*XP Anti-Reflective Coating: Specifically formulated to suppress flares and ghosting while maintaining rich blacks and vibrant color reproduction.
Built-in Lens Data System (LDS): Automatically communicates lens metadata (focus, iris, and zoom) to the camera to streamline post-production and VFX workflows.
Consistent Ergonomics: Uniform gear positions and a standard 114mm front diameter (for most focal lengths) allow for rapid lens changes without moving matte boxes or follow-focus motors.
Cost: USD $49,000
Darryl Wood
smirror@internode.on.net
spinningmirror@hotmail.com
Australia
Mobile: +61 409 690 406
R–12/18-2025
Prices :
newlifecine: 102,000
justcinemageear 55,000
AI
Average Market PricingA standard set of 6 (typically including 18mm, 25mm, 32mm, 50mm, 75mm, and 100mm) generally falls within the following ranges:Market TierEstimated Price Range (USD)Common FactorsAggressive / Private Sale$53,000 – $65,000Direct sales, older sets, or motivated sellers in Asia/India.Standard Market Value$72,000 – $85,000Good condition, often sold by reputable rental houses or niche brokers.Premium / Mint Condition$100,000 – $117,000Recently serviced, near-mint glass, often includes custom flight cases (e.g., Jason Cases).
The Cooke S7/i 40mm T2.0 is a high-performance prime lens designed to exceed the requirements of full-frame cinema sensors, including those found in VistaVision and RED 8K systems. It delivers the legendary “Cooke Look”—characterized by sharp detail, smooth contrast, and a natural, organic bokeh—while offering an expansive 46.31mm image circle. Built with precision mechanical engineering, this lens is a staple for cinematographers seeking a versatile focal length that works equally well for wide-angle perspectives and naturalistic portraits.
Key Features:
The “Cooke Look”: Provides a warm, pleasing aesthetic with smooth roll-off and exceptional dimensionality.
Full Frame Plus Coverage: Designed to cover large-format sensors up to a 46.31mm image circle without vignetting.
Integrated /i Technology: Captures frame-by-frame metadata (focus, iris, and depth-of-field), which is essential for streamlining VFX and post-production workflows.
Fast T2.0 Aperture: Offers excellent low-light performance and shallow depth-of-field control.
Precision Focus Mechanism: Features an Academy Award-winning cam-style focus movement for smooth, backlash-free adjustments.
Matched Color Palette: Precisely color-matched with other Cooke series (S4/i, 5/i, and Anamorphic/i) for seamless intercutting.
Dual Focus Scales: Engraved with large, clear markings on both sides of the barrel to assist focus pullers in various lighting conditions.
Cost: $12,950
(t)
Regina Kao
t00360@cs.chengseng.com.tw
+886 935 088753
12-18-2025
The Leica Summilux-C is a premier set of high-speed prime cinema lenses known for blending modern technical perfection with a classic, natural aesthetic. Awarded a Scientific and Engineering Award by the Academy in 2014, these lenses are a staple in high-end cinematography, used on films like The Revenant and Zack Snyder’s Justice League. They are specifically designed to deliver “creamy sharpness”—high resolution and contrast for fine details, balanced by a soft, flattering rendition of skin tones and out-of-focus elements.
Key Features:
T1.4 Aperture Across the Set: Provides exceptional low-light performance and shallow depth of field, with performance optimized for shooting wide open.
Compact & Lightweight: Averaging just 1.7 kg (3.7 lbs) per lens and 142mm in length, they are among the smallest high-speed cine primes, ideal for gimbals, drones, and handheld work.
Uniform Physical Dimensions: Almost all focal lengths (16mm to 100mm) share the same length, 95mm front diameter, and geared ring positions, allowing for lightning-fast lens changes without readjusting follow-focus or matte boxes.
Patented Focus Mechanism: Features an expanded focus scale in the most critical range, providing a generous 300° rotation for precision pulling.
Telecentric Optical Design: Uses exotic aspherical elements to ensure light hits the sensor straight-on, minimizing chromatic aberration and providing even illumination from center to corner.
Zero Breathing: Virtually no change in focal length when racking focus, maintaining a stable frame.
Titanium PL Mount: Constructed with high-strength titanium for maximum durability and thermal stability in extreme environments.
cost: 90 000 USD
(t)
Arseni Khachaturan
arsenikhachaturan@gmail.com
12-17-2025
Co-developed by ARRI and ZEISS, are a set of high-performance prime lenses widely used in professional cinema production, known for their versatility and optical excellence.
They offer one of the widest focal ranges of any 35mm prime lens set, ensuring cinematographers have a lens for virtually any cinematic requirement, from extreme wide-angle shots to tight telephoto compositions.
Key Features:
Wide Focal Range: Available in a large number of focal lengths, typically ranging from 8mm (extreme wide-angle) to 180mm (telephoto).
Fast Aperture: Feature a fast maximum aperture of T1.9 across most of the set, providing excellent low-light performance and shallow depth of field control.
Superior Optics: Designed for high image contrast, resolution, and excellent performance even at close focusing distances, with well-controlled distortion and breathing.
Super 35 Coverage: Optimized to cover the Super 35 film and sensor format, the standard for many digital cinema cameras.
Consistent Design: Maintain uniform barrel diameters, geared focus and aperture rings, and a standard PL mount for easy and quick lens changes on set.
Color Match: Optically matched in color and contrast to ARRI/ZEISS Master Prime and ARRI/ZEISS Alura Zoom lenses for seamless intercutting.
Cost: US$19,900
(N)
Darryl Wood
darryl@spinningmirror.com
Australia
+61 409 690 406
12-16-2025
Includes:
Arri Ultra Prime 16mm
Arri Ultra Prime 25mm
Arri Ultra Prime 32mm
Arri Ultra Prime 50mm
Arri Ultra Prime 85mm
The Arri Ultra Prime set—featuring 16mm, 25mm, 32mm, 50mm, and 85mm focal lengths—delivers exceptional optical performance with consistent color, sharpness, and contrast across the range. Designed for demanding cinematic production, these lenses provide precise focus control, minimal distortion, and reliable durability. Their lightweight yet robust build makes them ideal for a wide variety of shooting environments, from handheld work to large-scale studio setups.
Key Features
Consistent look and color across all focal lengths
Exceptional sharpness and contrast
Minimal distortion and breathing
Robust, lightweight construction
Precise, smooth focus mechanics
Cost To Be Determined
December 11, 2025
(M)
Roshan Ara
rosh@iconartproduction.com
Mobile: +971501517164
Tel:+97143365577
