Includes:
Arri Signature Prime 21mm
Arri Signature Prime 25mm
Arri Signature Prime 35mm
Arri Signature Prime 47mm
Arri Signature Prime 75mm
Arri Signature Prime 95mm
Features:
Large-Format Coverage: Designed to cover large-format sensors, including full-frame, ensuring compatibility with modern cinema cameras like the ARRI ALEXA LF.
Organic, Timeless Look: Deliver a pleasing, natural image with warm skin tones, crisp blacks, and a subtle, artistic flair. They aim for a “natural” rather than overly sharp or sterile look.
Fast T-Stop: Most lenses in the series feature a fast T1.8 maximum aperture, allowing for shallow depth of field and excellent low-light performance.
Smooth Bokeh: Equipped with an 11-blade iris, producing exceptionally smooth and rounded out-of-focus areas.
Subtle Flares: Designed to create attractive, subtle flares without excessive veiling, adding character to the image.
Minimized Aberrations: Exhibit minimal chromatic aberration and imperceptible focus breathing, contributing to a clean and high-quality image.
Rear Filter Holder: Feature a unique magnetic rear filter holder, enabling cinematographers to easily add custom diffusion or other effects to tailor the look.
LDS-2 Lens Data System: Integrate ARRI’s next-generation LDS-2 (Lens Data System), providing precise metadata for lens control and post-production. It’s also compatible with LDS-1 and Cooke /i Technology.
Lightweight & Durable Construction: Built with magnesium housings and aluminum gear rings, making them remarkably lightweight yet robust and water-resistant.
Consistent Mechanics: Maintain a common 114mm front diameter across most of the prime set, simplifying matte box and filter use.
Extensive Focal Lengths: Available in a wide range of focal lengths, from 12mm to 280mm, offering versatility for various shooting scenarios.
Cost: $100,000 USD
Jack Barton
Jack Barton Film
Austrailia
Email: jackbartonfilm@gmail.com
Telephone: +8201026161980
Includes:
Arri Signature Prime 21mm
Arri Signature Prime 25mm
Arri Signature Prime 35mm
Arri Signature Prime 47mm
Arri Signature Prime 75mm
Arri Signature Prime 95mm
Features:
Expansive Coverage: They’re designed to cover large-format sensors, including full-frame, making them ideal companions for modern cinema cameras like the ARRI ALEXA LF.
Organic, Timeless Aesthetic: Expect natural-looking images with warm skin tones, rich blacks, and a subtle artistic touch. They lean into a “natural” feel rather than being overly sharp or clinical.
Blazing Fast T-Stop: Most lenses in the series boast a T1.8 maximum aperture, which means super shallow depth of field and fantastic performance in low light.
Silky Smooth Bokeh: Thanks to an 11-blade iris, out-of-focus areas are rendered exceptionally smooth and round.
Beautiful, Subtle Flares: Designed to produce appealing, gentle flares that add character without excessive veiling.
Minimal Imperfections: They exhibit very little chromatic aberration and virtually no focus breathing, contributing to a clean, high-quality image.
Innovative Rear Filter Holder: A unique magnetic rear filter holder lets cinematographers easily add custom diffusion or other effects to fine-tune the look.
Advanced Lens Data System: Equipped with ARRI’s LDS-2 (Lens Data System), these lenses provide precise metadata for lens control and post-production. They’re also compatible with LDS-1 and Cooke /i Technology.
Lightweight Yet Robust: Built with magnesium housings and aluminum gear rings, they’re surprisingly light, durable, and water-resistant.
Consistent Mechanics: Nearly all primes in the set share a common 114mm front diameter, simplifying matte box and filter changes.
Broad Focal Length Range: Available in a wide array of focal lengths, from 12mm to 280mm, offering versatility for any shooting scenario.
Cost: $100,000 USD
THIS IS THE SECOND SET
June 26, 2025
Jack Barton
Jack Barton Film
Austrailia
Email: jackbartonfilm@gmail.com
Telephone: +821026161980
Tokina Vista Lens Set of 7
Tokina Vista 18mm
Tokina Vista 25mm
Tokina Vista 35mm
Tokina Vista 50mm
Tokina Vista 85mm
Tokina Vista 105mm
Tokina Vista 135mm
Features:
Large Format Coverage: Designed with a generous 46.7mm image circle, they cover full-frame, VistaVision, and even Red Dragon 8K VV sensors, making them versatile for modern cinema cameras.
Fast T1.5 Aperture: A super-fast T1.5 maximum aperture allows for excellent low-light performance and the creation of shallow depth of field with pleasing bokeh.
Minimal Focus Breathing: Engineered to virtually eliminate focus breathing, ensuring that the angle of view remains consistent when pulling focus, crucial for professional cinematography.
High Resolution & Low Distortion: Deliver sharp, clear images with high resolution, minimal chromatic aberration, and well-controlled distortion across the frame.
Consistent Physical Design: All lenses in the Vista series share a consistent 114mm front diameter, 112mm filter thread (excluding 18mm), and identical gear positions for focus and iris rings. This streamlines lens changes and compatibility with matte boxes and follow focus systems.
Smooth, 9-Blade Iris: A 9-bladed, clickless iris provides smooth, continuous aperture adjustments and produces a beautiful, rounded bokeh.
Durable Cine-Style Housing: Built with robust, all-metal cine-style housing for long-term durability and reliability on set.
Dual-Sided Markings: Focus and iris scales are clearly marked on both sides of the lens barrel for easy readability from various camera positions.
Internal Focus: The internal focus design means the lens length doesn’t change during focusing, keeping balance and matte box setups consistent.
Wide Range of Focal Lengths: Available in a comprehensive range of focal lengths, from wide to telephoto, offering flexibility for diverse shooting scenarios.
Cost: $20,000 USD
June 19, 2025
Frank Shaw
+8615011304502
bbosasi.frank@gmail.com
Includes:
B & L Super Balter TLS Rehoused 20mm T2.3 12” CF S35OpenGate Coverage
B & L Super Baltar TLS Rehoused 25mm T2.3 11” CF S35OpenGate Coverage
B & L Super Baltar TLS Rehoused 35mm T2.3 13” CF FF
B & L Super Baltar TLS Rehoused 50mm T2.3 15” CF FF
B & L Super Baltar TLS Rehoused 75mm T2.3 20” CF FF
B & L Super Baltar TLS Rehoused 100mm T2.3 3’6”CF FF
Features:
Preserved Vintage Optics: The original Bausch & Lomb Super Baltar glass is retained, delivering their signature warm tones, low contrast, soft edges, and distinctive flaring.
Modern PL Mount: Equipped with a new stainless steel PL mount, ensuring compatibility with a wide range of modern cinema cameras.
Robust Housing: Housed in high-grade aluminum alloy and stainless steel for enhanced durability and longevity on set.
Smooth Cam Focus Drive: Features a new cam form focus drive, providing incredibly smooth and precise focus pulls with a large rotation (often around 300 degrees). This design minimizes backlash and image shift.
Consistent Mechanics: Uniform 0.8 module gears on both focus and iris rings across the set, making them compatible with modern follow focus units and lens control systems.
Unified Front Diameter: Many sets are rehoused with a standard 110mm front diameter, simplifying matte box and filter changes.
Engraved Dual Scales: Clear, engraved dual focus scales (metric and imperial options) for easy readability by focus pullers.
Improved Close Focus: In some rehousing processes, the minimum object distance (MOD) is improved, allowing for closer focusing.
Optimized for Digital Sensors: While vintage, their characteristics are often praised for “taking the edge off” the sharpness of modern digital sensors, creating a more organic and pleasing image.
Iconic Cinematic Look: Known for their use in classic films like “The Godfather,” they impart a sought-after romantic and dreamy quality to footage.
Eric says “Purchased @ 82K. I would like 72+ but…”
June 17, 2025
Eric D’ Amario
edamario@wanderlustcontent.com
Arri Master Prime 16mm
Arri Master Prime 18mm
Arri Master Prime 21mm
Arri Master Prime 25mm
Arri Master Prime 27mm
Arri Master Prime 32mm
Arri Master Prime 35mm
Arri Master Prime 40mm
Arri Master Prime 50mm
Arri Master Prime 65mm
Arri Master Prime 75mm
Arri Master Prime 100mm
Arri Master Prime 135mm
Arri Master Prime 150mm
The ARRI Master Prime lenses, co-developed by ARRI and Zeiss, are a highly regarded series of cinema prime lenses known for their exceptional optical performance.
Key Features and Benefits:
Unmatched Optical Performance: Delivers superior resolution, contrast, and color rendition across the entire frame, even at wide open apertures.
Extremely Fast T1.3 Aperture: Allows for excellent low-light shooting and the creation of very shallow depth of field for cinematic bokeh.
Virtually No Breathing: Patented Dual Floating Elements technology ensures minimal to no focus breathing, maintaining consistent framing during focus pulls.
Minimal Optical Distortion: Engineered for precise, high-quality images with reduced chromatic aberration, geometric distortion, and color fringing.
Reduced Flare: Advanced T*XP coating significantly minimizes reflections and flare for cleaner visuals.
Consistent Color and Contrast: Maintained across all focal lengths within the set, ensuring seamless matching.
Robust Construction: Designed for professional filmmaking with uniform placement of iris and focus gears for consistent accessory setup.
Integrated Lens Data System (LDS): Provides real-time lens metadata to compatible cameras, streamlining on-set workflow and post-production.
Wide Range of Focal Lengths: The set typically includes 16 lenses, from 12mm to 150mm, offering versatility for various shooting scenarios.
Covers Super 35 Sensors: Optimized for the Super 35 format
Cost $120,000
Danny Saldana – USA
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
danny@dynamicrentals.com
4131 Vanowen Street, Burbank, CA 91505
Newlifecine has a set of 7 in & 119,000
Lori has one set of 14 in $ 129,000
R-06-13-2025
Arri Master Anamorphic 28mm
Arri Master Anamorphic 35mm,
Arri Master Anamorphic 40mm
Arri Master Anamorphic 50mm
Arri Master Anamorphic 60mm
Arri Master Anamorphic 75mm
Arri Master Anamorphic 100mm
Arri Master Anamorphic 135mm
& Flare Kit
The ARRI Master Anamorphic lenses are a series of high-performance prime lenses designed for professional cinema production, known for their exceptional optical quality and characteristic anamorphic look.
Pristine Image Quality: Virtually no chromatic aberration, excellent contrast, and sharpness across the entire image, even wide open.
Minimal Breathing: Very little focus breathing, ensuring stable framing during focus pulls.
Controlled Flares and Bokehs: Designed to produce pleasing, controlled anamorphic flares and a smooth, oval bokeh, characteristic of the format.
Consistent T-stop: All lenses in the series share a fast T2.3 aperture, allowing for consistent exposure and shallow depth of field.
Robust Construction: Durable and reliable build quality, suitable for demanding professional use.
Uniform Size and Weight: Many lenses in the set share similar front diameters and gear positions, simplifying lens changes and accessory rigging on set.
Cinematic Aesthetic: Delivers a classic anamorphic widescreen look with precise optical performance, ideal for high-end film and TV production.
Cost $180,000.00
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
danny@dynamicrentals.com
4131 Vanowen Street, Burbank, CA 91505
NewlifeCine has one in 220,000
Lori does not have one
FJS has one for 255,000 euros, one for 196,000 with Flare set in 196,000 dollars
(R) 06-12-2025
Supremes Radiance 18mm
Supremes Radiance 21mm
Supremes Radiance 25mm
Supremes Radiance 29mm
Supremes Radiance 35mm
Supremes Radiance 40mm
Supremes Radiance 50mm
Supremes Radiance 65mm
Supremes Radiance 85mm
Supremes Radiance 100mm
Supremes Radiance 135mm
The ZEISS Supreme Radiance lenses are a premium line of cinema prime and zoom lenses designed to deliver a distinctive, artistic look characterized by controlled lens flares and a slightly warmer color rendition. They are built upon the foundation of the ZEISS Supreme Prime and Zoom series, offering full-frame coverage and robust cinematic performance.
Controlled Blue Flares: Engineered with a unique T* blue coating that produces consistent and beautiful blue lens flares, adding character and a “filmic” aesthetic directly in-camera.
Warm Color Rendition: Offers a slightly warmer color palette compared to standard cinema lenses, contributing to a rich and expressive image.
Gentle Sharpness with Character: Provides crisp yet organic images with smooth focus fall-off and elegant bokeh, while the flares add a unique visual signature.
Full-Frame & Beyond Coverage: Designed to cover large-format sensors, ensuring compatibility with modern cinema cameras and future-proofing productions.
Consistent Aesthetics: Maintain a cohesive look with the regular ZEISS Supreme Prime and Zoom lenses, allowing for seamless intercutting.
ZEISS eXtended Data: Incorporates advanced lens metadata for efficient post-production workflows, including lens distortion and shading data.
Robust & Ergonomic Design: Built for durability and ease of use on set, with consistent size, weight, and aperture across the series.
Cost: $120,000.00
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
danny@dynamicrentals.com
4131 Vanowen Street, Burbank, CA 91505
New Life Cine has 1 for $ 159,500
FJS has one for 230,000
CamAleon Has 1 for €195,000.00
Lori hs one of 7 lenses for $ 115,950
Summilux 16mm
Summilux 18mm
Summilux 21mm
Summilux 25mm
Summilux 29mm
Summilux 35mm
Summilux 40mm
Summilux 50mm
Summilux 65mm
Summilux 75mm
Summilux 100mm
Summilux 135mm
SUMMILUX lens series by Leica represents a class of high-performance, fast-aperture lenses known for their exceptional optical quality.
Fast Aperture (f/1.4 or T1.4): Excellent for low-light conditions, providing bright viewfinders and enabling shallow depth of field for subject isolation and beautiful bokeh.
Superior Optical Performance: Renowned for sharpness, high contrast, accurate color rendition, and minimal aberrations, delivering a distinct “Leica look.”
Premium Build Quality: Constructed with high-quality materials for durability and precise mechanical operation.
Versatility: Ideal for a wide range of photography genres, including portraiture, street photography, and documentary work, and available in dedicated cinema versions.
Pleasing Bokeh: The wide aperture contributes to smooth and aesthetically pleasing out-of-focus backgrounds.
Cost $160,000.00
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
danny@dynamicrentals.com
4131 Vanowen Street, Burbank, CA 91505
New Life Cine does not have one
Lori has a set of 10 in 240,000 and other in 185,000 and a set of 8 in 175,000
FJS has a Summilux C set of 12 in 265,000 Euros (R) 06-12-2025
Canon K-35 TLS Vintage Cine 14mm
Canon K-35 TLS Vintage Cine 18mm
Canon K-35 TLS Vintage Cine 24mm
Canon K-35 TLS Vintage Cine 35mm
Canon K-35 TLS Vintage Cine 50mm
Canon K-35 TLS Vintage Cine 85mm
Canon K-35 TLS Vintage Cine 100mm
Canon K-35 TLS Vintage Cine 135mm
Key Features and Benefits:
Exceptional Optical Quality: Renowned for their sharp, yet pleasingly rendered images, even wide open. They offer excellent resolution and contrast.
Warm, Organic Look: Deliver a classic, slightly desaturated, and warm color rendition that is highly sought after for its cinematic feel.
Beautiful Flares and Halation: Known for producing attractive, controlled lens flares and a subtle halation around bright light sources, adding character to the image.
Good Low-Light Performance: Generally fast apertures (e.g., T1.4, T2.8) make them suitable for challenging lighting conditions.
Robust Construction: Built to professional standards, they are durable and reliable for on-set use.
Desirable Bokeh: Often praised for their smooth, creamy bokeh, which helps to isolate subjects and create a pleasing sense of depth.
Vintage Aesthetic: Highly valued for their unique “vintage” look, which can be difficult to replicate digitally, providing a distinct artistic signature.
Versatility: While known for their character, they are also versatile enough for a wide range of productions, from narratives to commercials.
Cost:
£240,000.00 with Vat
£200,000.00
Owner: Nic Tomkinson
newlifecine does not have one
Lori has a set of 8: 309,000 dollars / 38,625 each
Lori has a set of 5 : 289,000 dollars / 57,800 each
Lori has a set of 5 : 285,000 dollars / 57,000 each
Average per lens : 51,142 x 8 is
06/03/25 (r)
The Angénieux Optimo EZ series, including the EZ-1 (30-90mm) and EZ-2 (15-40mm), is a pair of versatile zoom lenses designed for both Super 35 and Full Frame/VistaVision formats. These lightweight, compact lenses are ideal for documentary, broadcast, and narrative filmmaking, offering the renowned Angénieux cinematic look with a modern, flexible design. Their modular system allows quick conversion between formats by switching the rear optical group, making them adaptable for multiple production needs.
Features
Dual-format capability: Switchable rear groups for Super 35 (S35) and Full Frame (FF/VV) sensors
EZ-1 focal length: 30–90mm in S35 / 45–135mm in FF
EZ-2 focal length: 15–40mm in S35 / 22–60mm in FF
Fast T-stop: T2.0 (S35) / T3.0 (FF), ensuring excellent low-light performance
Smooth bokeh: 9-blade iris for pleasing out-of-focus rendering
Compact & lightweight: Ideal for handheld, gimbal, and drone use
Consistent color matching: Compatible with other Angénieux lenses for seamless intercutting
User-interchangeable mounts: Available in PL, EF, and other options
Rugged construction: Built for professional use with precision engineering
EUROS 20,000-24,000
MD
Ármin Bús
Vantage Vision Kft
armin.bus@vantagevision.hu
36209657095
Hungary
