Includes:
Cooke S4i 14mm S/n: 14-0944
Cooke S4i 21mm S/n: 21-0963
Cooke S4i 27mm S/n: 27-0943
Cooke S4i 65mm S/n: 65-0935
Cooke S4i 135mm S/n: 135-0938
Cooke S4i 150mm S/n: 150-0931
2x Cases
The Cooke S4/i Prime Lens Set (14mm, 21mm, 27mm, 65mm, 135mm, 150mm) is a collection of industry-standard cinema glass celebrated for the “Cooke Look.” These lenses are engineered to provide a unique balance of sharpness and organic warmth, specifically optimized for Super 35mm formats. They are renowned for their mechanical reliability and consistent performance across the entire focal range.
Key Features:
The “Cooke Look”: Delivers smooth skin tones and a natural highlight roll-off, providing a cinematic aesthetic that is sharp yet never clinical.
/i Technology Metadata: Automatically records frame-by-frame lens data, drastically reducing costs and labor in VFX and post-production.
Fast T2 Aperture: Maintains a consistent T2.0 stop across the set (except 150mm) for superior low-light performance and shallow depth-of-field.
Precision Mechanics: Features an Award-winning cam-style focus for smooth, backlash-free pulls with clear, dual-sided markings.
Production Efficiency: Uniform front diameters and gear positions allow for lightning-fast lens changes without adjusting follow-focus or matte box setups.
Optical Consistency: Perfectly color-matched and contrast-balanced to ensure seamless intercutting between all focal lengths.
Rugged Reliability: Built with a scratch-resistant PTFE finish, designed to perform in the most demanding on-set environments.
The ZEISS Compact Prime CP.3 28mm T2.1 is a professional cine prime lens designed to meet the rigorous demands of modern film production. Featuring advanced lens coatings and sophisticated internal light traps, it delivers high-contrast images with reduced flare and exceptional color rendering. This lens features a compact form factor, making it ideal for handheld, gimbal, and drone work. The kit includes the lens with a PL or EF mount and protective front and rear caps. With a full-frame sensor coverage and a consistent T2.1 aperture, this wide-angle prime is perfect for narrative filmmaking where reliability and a classic organic look are essential requirements.
Key Features:
* This lens provides full-frame coverage for professional cinema camera sensors.
* Advanced lens coatings significantly improve contrast and reduce internal reflections.
* Standardized gear positions allow for quick and easy lens changes.
* The ultra-smooth focus mechanism provides precise control for focus pullers.
* A compact and lightweight design enables effortless use on stabilized gimbals.
This used ARRI Zeiss Master Prime lens package delivers exceptional cinematic imaging performance for professional digital cinema productions. Featuring advanced optical engineering, ultra-fast T1.3 apertures, consistent color rendition, minimal distortion, and precise focus mechanics, these lenses support demanding high-resolution workflows across modern large-format and Super 35 camera systems. The package includes seven industry-renowned focal lengths: 12mm, 25mm, 28mm, 35mm, 50mm, 75mm, and Master Macro 100mm lenses, all housed in durable protective transport cases with standardized gear positioning for efficient lens changes. Ideal for feature films, commercials, documentaries, and high-end television productions, this lightweight, production-ready set offers versatile framing capabilities and outstanding low-light performance for diverse professional cinematography environments worldwide today.
Key Features
Ultra-fast T1.3 apertures deliver exceptional low-light cinematic imaging performance consistently.
Matched color characteristics ensure seamless integration across every focal-length lens.
Precision focus scales provide reliable operation during professional production environments.
Robust housing construction withstands intensive location shooting and transportation requirements.
Versatile focal selections accommodate commercials, features, documentaries, and television productions.
The TLS Leica Noctilux 50mm T0.95 is a professional cinema rehousing of the legendary Leica M-mount still lens. Developed by True Lens Services (TLS), this conversion transforms a delicate rangefinder optic into a robust, “workhorse” cinema prime. It is world-renowned for having one of the fastest apertures in existence (T0.95), allowing it to “see” in near-total darkness and produce an ethereal, dreamlike aesthetic that is impossible to replicate with standard cinema glass.
Key Features:
Ultra-Fast T0.95 Aperture: Offers unparalleled low-light performance and a razor-thin depth of field for extreme subject isolation.
Artistic Rendering: Known for its “Leica Character,” featuring creamy, swirly bokeh and a gentle, painterly fall-off from sharp to soft.
Precision TLS Rehousing: Features a stainless steel PL mount and a rugged aluminum cam-form internal mechanism for smooth, reliable focus pulling.
Standardized Cinema Ergonomics: Includes a 110mm front diameter and integrated 0.8 MOD gearing for compatibility with standard follow-focus units and matte boxes.
Full Frame Coverage: Boasts a 44mm image circle, making it compatible with modern large-format sensors like the Sony VENICE, ARRI Alexa Mini LF, and RED V-Raptor.
Improved Close Focus: The TLS rehousing typically improves the original lens’s minimum focus distance, allowing for tighter, more intimate shots.
The Canon 50mm f/0.95 “Dream Lens”, rehoused by True Lens Services (TLS), is a cinematic rebirth of one of the fastest photographic lenses ever made. Originally released in the 1960s for the Canon 7 rangefinder, its massive f/0.95 aperture earned it the “Dream Lens” moniker for its ethereal, low-contrast rendering and razor-thin depth of field. TLS has transformed this vintage masterpiece into a robust, professional cinema tool, replacing the original proprietary mount with a modern LPL mount and a precision cam-driven focus system.
Key Features:
Ultra-Fast T1.1 Aperture: Retains the legendary light-gathering power and iconic “glow” of the original f/0.95 glass.
Precision TLS Rehousing: Features a durable aluminum alloy and stainless steel chassis with standard 110mm front diameter for easy matte box compatibility.
Cam-Driven Focus System: Offers a smooth, 300-degree focus rotation with zero image shift or backlash, ideal for precise follow-focus pulls.
New Circular Iris: Often fitted with a multi-blade circular iris to ensure perfectly round, “painterly” bokeh highlights across all T-stops.
Full Frame Coverage: Covers large-format sensors (up to 8K VV), making it compatible with modern cinema cameras like the ARRI Alexa Mini LF or RED V-Raptor.
Improved Close Focus: TLS engineering significantly improves the minimum focus distance compared to the original rangefinder version.
LPL Mount: Utilizes the LPL mount to accommodate the large rear optical element without sacrificing the lens’s unique character or image circle.
Includes:
25mm T2 (B02522D01-8291)
32mm T2 (N03219B01-0027)
50mm T2 (N05019B01-0042)
80mm T2 (N08019801-0049)
The Atlas Orion Series is a collection of 2x anamorphic prime lenses designed to blend vintage aesthetic character with modern mechanical reliability. This specific four-lens set (25mm, 32mm, 50mm, and 80mm) provides a comprehensive range from ultra-wide to portrait focal lengths, making it a versatile “workhorse” kit for narrative and commercial cinematography.
Key Features:
Constant 2x Squeeze: Delivers the classic wide-screen cinematic aspect ratio and iconic oval bokeh across the entire focal range.
Fast T2.0 Aperture: Exceptional low-light performance and shallow depth-of-field control for a dreamy, painterly look.
Modern Mechanics: Features a deep 270° focus rotation and standardized 0.8 mod cine gearing for seamless use with follow-focus systems.
Interchangeable Mounts: Native PL mount with the ability to easily swap to EF or mirrorless mounts.
Uniform Physical Profile: Most focal lengths share a 114mm front diameter (with the 25mm having a slightly wider 136mm front) and consistent gear positioning for rapid lens changes.
Super 35+ Coverage: Covers a 31mm image circle, with full-frame coverage possible when using Atlas LF Extenders.
Notes:
Glass is Clean
Has quirky image circle as though it has been detuned.
Edges blurry while center is relatively sharp.
Used Cooke S4 21mm prime lens delivers renowned cinematic rendering, smooth focus falloff, and consistent color reproduction for demanding professional productions. Designed with Cooke’s acclaimed optical technology, this lightweight PL-mount lens provides exceptional sharpness, natural skin tones, and controlled distortion across modern digital cinema cameras. The package typically includes front and rear caps, protective flight case, and focus marking rings for reliable transportation and setup. Its compact form factor supports handheld rigs, Steadicam operation, gimbal balancing, and studio configurations without unnecessary weight. Ideal for feature films, commercials, documentaries, and high-end television productions, the Cooke S4 21mm creates immersive wide-angle imagery with classic cinematic character and dependable mechanical precision throughout production.
Key Features
Cooke optics deliver warm cinematic rendering with consistent image reproduction.
Lightweight housing supports handheld, gimbal, Steadicam, and studio shooting configurations.
PL-mount design integrates seamlessly with professional digital cinema camera systems.
Wide 21mm focal length captures immersive environments with optical distortion.
Precision focus mechanics provide reliable operation during professional production schedules.
Includes:
15mm T3.6 (Distagon)
21mm T2.9 (Distagon)
28mm T2.1 (Distagon)
35mm T1.5 (Distagon)
50mm T1.5 (Planar)
55mm T1.3 (Planar Anniversary Edition)
60mm T2.9 (Makro-Planar)
85mm T1.3 (Planar)
100mm T2.1 (Planar)
135mm T2.1 (Planar)
180mm T2.9 (Sonnar)
Shipping Case
The GL Optics Rehoused Zeiss Contax set is a premier collection of 11 vintage prime lenses, transformed into professional cinema optics. This set utilizes the legendary “C/Y” mount glass—originally manufactured in the 1970s through a partnership between Zeiss and Yashica—providing a bridge between the sharp performance of modern sensors and the organic, soulful aesthetic of vintage cinema.
Key Features:
Cinematic “Super Speed” Heritage: These lenses share design DNA and coatings with the iconic Zeiss Super Speeds, offering beautiful flares and a gentle, natural roll-off.
Full Frame Coverage: All 11 lenses are designed to cover Full Frame (35mm) and VistaVision sensors (e.g., ARRI Alexa Mini LF, Sony Venice), making them future-proof for large-format cinematography.
Modern Cinema Housing: GL Optics replaces the original still-lens barrels with robust, 6063 aluminum cinema housings featuring a standardized 95mm front diameter and unified gear positions for follow-focus motors.
Extended Focus Throw: The focus rotation is significantly increased (up to 330°), allowing for precise pulls that are impossible on the original manual-focus stills versions.
T Multi-Coating:* Features the renowned Zeiss T* anti-reflective coating, which maintains contrast and color punch even when shooting directly into light sources.
Interchangeable Mounts: Typically available with a stainless steel PL mount, but can often be swapped for EF or LPL mounts to fit various camera systems.
Includes:
Arri Signature Prime 15mm
Arri Signature Prime 18mm
Arri Signature Prime 21mm
Arri Signature Prime 25mm
Arri Signature Prime 35mm
Arri Signature Prime 47mm
The ARRI Signature Prime lenses are engineered for large-format digital cinema cameras, delivering exceptional optical performance with ARRI’s advanced lens design technology. This used set includes six focal lengths: 15mm, 18mm, 21mm, 25mm, 35mm, and 47mm, all housed in robust, lightweight bodies with consistent color science and smooth focus falloff. Designed for full-frame sensors, these lenses provide minimal distortion, natural skin tones, and beautiful bokeh. Ideal for high-end film, television, and commercial productions, the set offers versatile focal coverage in a uniform form factor, ensuring seamless lens changes and consistent handling across professional cinematography workflows.
Key Features
Covers large-format sensors with exceptional sharpness and natural cinematic rendering.
Includes six focal lengths for versatile framing across productions.
Lightweight yet durable housing ensures reliable professional on-set performance.
Consistent color science and contrast across entire lens set.
Smooth focus falloff creates pleasing depth and organic bokeh.
The Zeiss Supreme Prime 135mm T1.5 is a high-performance telephoto cinema lens designed for large-format cinematography. Part of a consistent lens family, it bridges the gap between technical precision and an organic, “gentle” look, making it a staple for high-end digital productions.
Key Features:
Large-Format Coverage: Supports an image circle of 46.3mm, making it fully compatible with Full Frame and VistaVision sensors like those in the Sony VENICE or ARRI ALEXA Mini LF.
Fast T1.5 Aperture: Offers exceptional performance in low-light environments and allows for a shallow depth of field to isolate subjects effectively.
Aesthetic Bokeh & Fall-off: Features an 18-blade iris that ensures a smooth transition between in-focus and out-of-focus areas for a natural, cinematic texture.
ZEISS eXtended Data (XD): Transmits frame-accurate metadata (focal length, T-stop, etc.) via a LEMO port, simplifying VFX workflows and post-production.
Consistent Ergonomics: Shares standardized gear positions and color-matching with the rest of the Supreme Prime line, allowing for rapid lens swaps on set.
Rugged, Compact Build: Though a telephoto lens, it remains relatively lightweight (approx. 5 lbs) and is built to operate reliably in extreme temperatures.
Interchangeable Mount: Features a user-swappable mount system, typically shipping in PL mount but adaptable to LPL for future-proofing.
