Includes
Zeiss Compact Prime CP.2 18mm
Zeiss Compact Prime CP.2 28mm
Zeiss Compact Prime CP.2 35mm
Zeiss Compact Prime CP.2 50mm
Zeiss Compact Prime CP.2 85mm
Zeiss Compact Prime CP.2 135mm
The ZEISS Compact Prime CP.2 lenses are a professional lineup of cinema lenses designed for filmmakers who need robust build quality, consistent performance, and exceptional optical clarity across multiple focal lengths. With their interchangeable mounts and precise, cinema-grade focus and aperture rings, these lenses offer flexibility for a wide range of camera systems while maintaining ZEISS’s signature contrast, sharpness, and color fidelity. The focal lengths displayed—18mm, 28mm, 35mm, 50mm, 85mm, and 135mm—cover everything from wide establishing shots to tight close-ups, making the CP.2 set a versatile workhorse for narrative, commercial, and documentary productions.
Key Features
Interchangeable PL mount with consistent housing across focal lengths
Smooth, long-throw focus rotation ideal for follow-focus use
T-stop markings for accurate exposure control
Full-frame coverage suitable for modern cinema sensors
Robust all-metal construction for professional durability
Code:
Cost To Be Determined
December 11, 2025
(M)
Roshan Ara
rosh@iconartproduction.com
Mobile: +971501517164
Tel:+97143365577
The Angenieux 25-250mm lens is a renowned cine zoom celebrated for its exceptional versatility, clean optics, and signature Angenieux look. Ideal for documentary, commercial, and narrative production, it offers smooth mechanical operation, consistent sharpness throughout the zoom range, and dependable performance even in demanding shooting environments. As a used unit, it remains a powerful and cost-effective addition to any filmmaker’s kit.
Key Features
Wide 25–250mm zoom range
Signature Angenieux cinematic rendering
Smooth, precise focus and zoom mechanics
Reliable performance for professional productions
Clean optics with excellent contrast
Cost: To be Determined
December 8, 2025
(M)
Harper Lai
Hekuan Equipment Co Ltd.
shk99318@gmail.com
Cooke S5/i Primes 18mm T1.4
Cooke S5/i Primes 25mm T1.4
Cooke S5/i Primes 32mm T1.4
Cooke S5/i Primes 40mm T1.4
Cooke S5/i Primes 50mm T1.4
Cooke S5/i Primes 65mm T1.4
Cooke S5/i Primes 75mm T1.4
Cooke S5/i Primes 100mm T1.4
Cooke S5/i Primes 135mm T1.4
Note: · Packed in 3 cases (2×4 lenses + 1×135mm)
Bonus: an additional case for 3 selected lenses – a convenient and secure option for those who wish to rent or transport smaller sets. Everything is safely packed and ready for production.
The Cooke S5/i Prime lenses are high-speed, modern cinema lenses designed to deliver the classic “Cooke Look” even in extreme low-light conditions. Below is a summary of their capabilities.
Fast T1.4 Aperture: The entire set features a maximum aperture of T1.4, allowing for shooting in very low light and creating an extremely shallow depth of field with beautiful subject separation.
The “Cooke Look”: Known for a sharp but smooth image that renders skin tones naturally and warmly. They provide “creamy” bokeh and a three-dimensional quality that prevents the image from looking clinically harsh.
Illuminated Focus Scale: A unique feature where the focus ring is equipped with a dimmable light, allowing focus pullers to see distance markings clearly in dark environments without external lamps.
S35 Coverage: Designed specifically to cover Super 35mm sensors (approx. 30mm image circle), optimizing performance for this standard format.
Built-in /i Technology: Equipped with Cooke’s /i Technology , which provides frame-by-frame digital metadata (focal length, aperture, focus distance, depth of field) to cameras for VFX and post-production.
Color Matching: Color-balanced to match perfectly with other Cooke series (S4/i, miniS4/i, Anamorphic/i), allowing for seamless mixing of lenses on the same production.
Cam-Style Focus Mechanism: Utilizes a cam-style design for smooth focus adjustments, with a generous 270° of rotation for precise control.
Standardized Design: Most lenses in the set (18mm–100mm) share a common 110mm front diameter for easy swapping of matte boxes and filters.
Cost: TBD, Owner: Stanislaw Marcinkowski
Steadicam Operator / Camera Stabilization & Optics
📞 +48 603 490 149 / 📞 +48 884 884 681
✉️ steadicam.tete@gmail.com
📍 Warsaw, Poland (working across Europe) / R-11-26-2025
Price investigation
Newlifecine.com has no one and Justcinemagear has no one either
AI says :
Average Price: Used Cooke S5/i Set of 9
The average price for a used set of 9 Cooke S5/i primes is currently between $130,000 USD and $165,000 USD.
Low End: ~$130,000 USD (Typical for older sets or private sales)
High End: ~$165,000 USD (Mint condition, broker-backed, or including accessories)
Specific Market Listings (Recent & Current)
The following are real-world data points found during the research for a 9-lens configuration (typically 18, 25, 32, 40, 50, 65, 75, 100, 135mm):
$165,000 USD: Listed by FJS International (United States). This is a premium retail price for a set in “Mint” condition.
$132,000 USD: A recently sold listing from Stogear (Hong Kong). This represents a more aggressive “street price” for a functional used set.
$120,000 – $125,000 USD (Estimated): Constructed price based on smaller sets. Sets of 8 lenses often sell for $95,000 – $100,000, while the individual 135mm T1.4 lens alone commands a price of $20,000 – $25,000 due to its size and complexity.
Mini Hawk 40mm
Mini Hawk 50mm
Mini Hawk 65mm
Mini Hawk 100mm
The Vantage MiniHawk series is a unique line of “Hybrid Anamorphic” cinema lenses. They are mechanically spherical lenses that utilize a patented oval iris mechanism to mimic specific aesthetic traits of anamorphic glass (like oval bokeh) without the optical distortions or squeeze factor. They are designed to offer the “anamorphic look” with the speed, size, and close-focusing advantages of modern spherical optics.
Hybrid Optics: Delivers classic anamorphic traits (oval bokeh, shallow depth of field) using spherical glass, meaning the footage requires no de-squeezing (1x factor).
Fast Aperture: High-speed T1.7 aperture across almost the entire set, allowing for exceptional low-light performance.
Oval Bokeh: A patented iris shape produces the coveted vertical oval out-of-focus highlights associated with 2x anamorphic lenses.
Zero Breathing: engineered to have virtually no focus breathing, a common issue with traditional anamorphic glass.
Super Close Focus: Capable of focusing extremely close (approx. 10 inches / 0.25m on wider focal lengths), far superior to standard anamorphics.
Compact Form Factor: Significantly smaller and lighter than traditional anamorphic lenses, making them ideal for handheld, gimbal, and drone work.
Geometric Correction: Distortion-free images make them highly suitable for visual effects (VFX) workflows where match-moving is required.
COST : TBD
Owner : Gabriel Mensagem – gabrielmensagem@gmail.com
Visualproducts.com doesn´t have one – NewLifeCine nor Justcinemagear has none
AI says :
The Vantage MiniHawk (also known as Hawk MHX Hybrid) is an extremely rare and specialized item on the second-hand market. Unlike the older Hawk C-Series or V-Lites, these lenses are newer and typically sold only through direct negotiation with high-end cinema lens brokers rather than on open marketplaces like eBay.
Based on current market data for Vantage optics, here is the estimated pricing and market situation for a used set of 4 lenses.
Estimated Market Price: Used MiniHawk Set of 4
Price Range: $90,000 – $115,000 USD (Note: This is an estimate based on a depreciation of ~20–30% from the new price, which is standard for high-demand modern Vantage glass.)
Estimated New Price: ~$30,000 USD per lens (approx. $120k for a set of 4).
The ARRI Signature Primes are a modern, ultra-high-end cine prime lens series designed by ARRI. They were developed to complement ARRI’s Large Format (LF) camera system, such as the ALEXA LF and Mini LF, though they are camera-independent and cover all image sensors up to a 46mm large format image circle. They are built with a unique LPL mount (Large Positive Lock), an open standard for large-format lenses. The lenses are renowned for their combination of high optical performance and a distinctively timeless, organic look that is flattering to skin tones.
Key Features:
Large Format (Full-Frame) Coverage: Covers image circles up to 46mm, maximizing the potential of large-format sensors for a distinct, immersive look.
Fast Maximum Aperture (T1.8): Most lenses in the series are T1.8, providing excellent low-light performance and achieving a very shallow depth of field.
Unique “Timeless” Look: Renders images with warm, smooth skin tones, open shadows, and exceptionally soft bokeh for a cinematic, non-clinical aesthetic.
Tuneable Rear Filter Holder: Features a magnetic rear filter holder for quick, tool-less customization (using nets, voile, etc.) of the lens’s flare and texture.
Minimal Aberrations: Engineered to have virtually no visible focus breathing or distortion, simplifying visual effects and complex focus pulls.
Lightweight and Robust Build: Constructed with magnesium alloy barrels, making them relatively light for large-format lenses, which is ideal for gimbal and handheld use.
Next-Gen Lens Data: Incorporates LDS-2 (Lens Data System) for high data rates and absolute encoders, which is crucial for modern virtual production and VFX workflows.
COST: €86,000
(T)
Isidro Parrondo
Mob: +34 627 115 765
contacto@aksmedia.es
18-11-2025
Canon K35 TLS Rehoused 18mm
Canon K35 TLS Rehoused 24mm
Canon K35 TLS Rehoused 35mm
Canon K35 TLS Rehoused 55mm
Canon K35 TLS Rehoused 85mm
The Canon K35 lenses, originally high-speed cinema primes from the 1970s (winning an Academy Award in 1977), have been rehoused by True Lens Services (TLS) to provide modern mechanical reliability while preserving their distinctive vintage optical qualities for contemporary filmmaking.
Vintage Cinematic Look: Known for their unique aesthetic, including low contrast, warm color rendition, gentle focus fall-off, and sought-after, beautiful lens flares.
High Speed: Feature fast T-stops, often as low as T1.3/T1.4, enabling excellent low-light performance and shallow depth of field.
Modern Mechanicals (TLS Rehousing): Upgraded with robust, chassis-style housings (aluminum alloy/stainless steel) for professional use, including:
PL Mount for compatibility with modern cinema cameras.
Cam Driven Focus System with an extended focus scale (approx. 300-330° rotation) for precise, repeatable focus pulls.
Uniform 110mm Front Diameter across the set for quick accessory changes (matte boxes, filters).
Full Frame/Large Format Coverage: Most focal lengths (24mm-85mm) cover Full Frame sensors, which is rare for vintage high-speed glass.
COST: $200,000
Owner Tony Bringas
Tony Bringas
323-683-4225
Tony4fx@gmail.com abd
Cine Visuals – Rentals
rentals@cinevisuals.com
ZEISS Super Speed lenses are classic, high-performance cinema primes known for their exceptionally fast apertures (T1.3), compact build, and signature vintage look. Originally developed in the late 1970s and widely used throughout the film industry, they deliver smooth focus falloff, gentle contrast, and pleasing bokeh—making them a favorite for narrative filmmaking that aims for a warm, cinematic aesthetic.
Key Features:
Ultra-Fast Maximum Aperture (T1.3/T1.4): Provides exceptional low-light performance and shooting flexibility in dim conditions without excessive camera ISO.
Shallow Depth of Field: Allows for a pronounced cinematic look with beautiful, selective focus and bokeh (the pleasing blur of out-of-focus areas).
Compact and Lightweight Design: Ideal for demanding shooting scenarios like handheld, Steadicam, and gimbal work, offering excellent portability.
High Contrast and Vintage Aesthetic: Known for a high-contrast, slightly cool color rendition that produces a filmic look; wide-open use can add a desirable, softer “glow” to highlights.
Minimal Focus Breathing: Ensures the image framing remains relatively consistent when adjusting focus, which is highly valued in professional film work.
Consistent T-Stop: Most lenses in a set maintain a uniform T1.3 aperture, simplifying exposure consistency during lens changes.
cost: $60k
(T)
Alain Rappoport
arappoport@planipresse.com
Tél : 06 09 55 94 25
11-17-2025
Includes:
Zeiss Super 16 High Speed 9.5mm
Zeiss Super 16 High Speed 12mm
Zeiss Super 16 High Speed 16mm
Zeiss Super 16 High Speed 25mm
The Used Zeiss Super 16 High Speed Lens Set offers exceptional optical performance for filmmakers seeking classic Zeiss clarity, smooth focus action, and fast apertures optimized for Super 16 cinematography. This 4-lens kit delivers remarkable sharpness, beautiful contrast, and reliable build quality, making it ideal for documentary, commercial, and narrative productions using Super 16 cameras or digital bodies with appropriate adapters.
Features;
Fast apertures allow excellent low-light performance and cinematic depth of field.
Rugged, all-metal construction ensures durability for professional use.
Matched color and contrast across all focal lengths for consistent visual results.
Compact and lightweight design ideal for handheld or gimbal setups.
Proven Zeiss optical quality with smooth, precise manual focus.
Cost: 8000 USD
November 14, 2025
AkFilmEquipmentBooking
(M)
My WhatsApp no. +91 98678 54710
Gmail ID akfilmequipmentboooking@gmail.com
Includes:
8 Cine Magic Lenses and what is seen in the pictures:
Cine Magic 9.8mm
Cine Magic 12mm
Cine Magic 16mm
Cine Magic 20mm
Cine Magic 24mm
Cine Magic 32mm
Cine Magic 40mm
Cine Magic 60mm
Dual Swivel Module – Mini-PL
Horizon Tracking
The CINE MAGIC REVOLUTION PACKAGE is a versatile, high-end snorkel lens system used in professional filmmaking and specialized photography, such as tabletop and food shooting. It is designed to capture unique perspectives and offer unprecedented control over the camera’s angle relative to the image horizon.
Horizon Tracking: The world’s first snorkel lens system to allow live panning of the objective lens while maintaining a level horizon (or a desired “dutched” position).
Image Rotation: Built-in optics allow for 360-degree rotation of the image in real-time for creative or corrective purposes.
Dual Swivel Module: Adds a second pan axis, allowing for even greater flexibility in aiming and movement.
Miniature/Tabletop Use: The system can achieve a full 360-degree pan within a six or seven-inch diameter, making it ideal for tight spaces and macro shots.
Versatile Mounting: Includes modules to accommodate both its own specialty Mini-PL lenses and standard PL-Mount lenses.
Comprehensive Kit: Typically includes the Base Module, Borescope, Horizon Tracker, and Dual Swivel Modules in both PL and Mini-PL configurations, along with a set of dedicated Mini-PL prime lenses (e.g., 9.8mm to 60mm).
Cost TBD
Owner: Chester Lilley <chester@creativecameracompany.co.uk>
UK – R-11/13/25
Price Investigation : The price for a full, used CINE MAGIC REVOLUTION PACKAGE (including the Base Module, Borescope, Horizon Tracker, Dual Swivel Modules, and the complete set of Mini-PL prime lenses) typically falls between:
USD $114,900
EUR €138,000 (equivalent to approximately USD $148,000, depending on the current exchange rate)
Note: This range reflects prices observed in international listings from professional equipment brokers and may not represent every transaction.
Newlifecine,com does not have one
justcinemagear.com does not have one
FJS INT has one in EUROS 138,000 FOB
Includes:
TLS Super Balter 20mm
TLS Super Balter 35mm
TLS Super Baltar 50mm
TLS Super Baltar 75mm
TLS Super Balter 152mm
The TLS Super Baltars 6-Lens Set (20mm, 25mm, 35mm, 50mm, 75mm, 152 delivers a distinctive vintage look prized by cinematographers for its organic rendering, smooth contrast, and creamy highlights. Originally crafted for classic film production, these lenses have been meticulously rehoused for modern cinema use, offering reliable mechanics, uniform focus and iris gears, and consistent performance across the set. Ideal for narrative, commercial, and music video work, the Super Baltars capture a timeless character with warm tones and gentle falloff, bringing cinematic authenticity to digital workflows.
Features:
Complete 6-lens set: 20mm, 25mm, 35mm, 50mm, 75mm, and 152mm focal lengths
Vintage optical design with rehoused modern mechanics
Smooth, cinematic contrast and natural color rendition
Uniform 0.8 mod focus and iris gears for follow-focus compatibility
Consistent front diameter across the set for easy lens changes
Ideal for achieving a classic filmic aesthetic on digital cameras
Cost: $70,000 USD FOB OBO
November 11, 2025
(M)
Kieran Wheeler
(03) 9968 5883
kieran@hummingbird-rentals.com.au
