ARRI SIGNATURE PRIME 18mm
ARRI SIGNATURE PRIME 25mm
ARRI SIGNATURE PRIME 35mm
ARRI SIGNATURE PRIME 58mm
ARRI SIGNATURE PRIME 95mm
ARRI Signature Primes are a premium line of full-frame cine lenses designed to complement the ARRI Large Format camera system. Known for their timeless, organic look and exceptional optical performance, these lenses provide smooth focus fall-off, natural skin tones, and beautiful bokeh. Built with precision engineering and advanced materials, they support the LPL mount and ARRI’s LDS-2 lens data system, making them a top choice for high-end cinema productions.
Key Features and Benefits:
Full-Frame Coverage: Designed for large-format cinematography with wide image circles.
Organic Aesthetic: Soft textures, gentle highlight roll-off, and smooth bokeh.
Lightweight Magnesium Housing: Durable yet lightweight construction.
LDS-2 Lens Data System: Enables real-time lens metadata for VFX and post-production.
Wide Focal Range: 12mm to 280mm with consistent T1.8 aperture (except longest focal lengths).
Magnetic Rear Filter Holder: Allows creative customization without optical compromise.
Precise Mechanics: Ideal for manual focus pulls and professional camera setups.
Cost $ 107,000
Joab Carlos
321-663-0551
joabcrls <[email protected]>
———-
Newlifecine has one in 130,000 dollars
Justcinemagear has Arri Signature Prime 5 Lens set new $117,500.00Price
Zeiss Compact Prime EF 21mm
Zeiss Compact Prime EF 35mm
Zeiss Compact Prime EF 85mm
Key Features and Benefits:
Interchangeable Mount System: The lenses feature an interchangeable mount system, allowing you to switch between different camera mounts (like Canon EF, Nikon F, PL, Sony E, and MFT) to use them with various cameras. This makes them a flexible and future-proof investment.
Full-Frame Coverage: They cover a full-frame image format (24 x 36 mm), making them compatible with a wide range of modern cameras without vignetting.
Cine Look and Quality: Known for the signature “Zeiss look”, these lenses offer high contrast, rich blacks, and saturated colors. They have a 14-blade iris that creates a smooth, round bokeh, and an advanced coating to reduce glare and flares.
Consistent Design: The lenses have a consistent front diameter (95mm for CP.3 and 114mm for CP.2) and the same focus and iris gear positions. This consistency is a major benefit for filmmakers, as it allows for quick lens changes on rigs, gimbals, or drones without needing to adjust accessories like matte boxes or follow focus systems.
Enhanced Ergonomics: They are designed with a robust cine-style housing, a long 300° focus rotation for precise focus pulls, and smooth, temperature-stable mechanics. This makes them a durable and reliable choice for professional filmmaking.
eXtended Data (XD) Technology: The CP.3 XD series includes Zeiss eXtended Data technology, which provides real-time information about lens distortion and shading. This data can simplify and speed up post-production workflows, especially for visual effects (VFX) work.
Our cost 1,350 each: 4,050 confirmed via Whastapp on 8/13/2025
David Garcia
[email protected]
Mi teléfono / whatsapp
5491137678825
Leica R Super Speed MKIV Rehoused GL Optics 19mm
Leica R Super Speed MKIV Rehoused GL Optics 28mm
Leica R Super Speed MKIV Rehoused GL Optics 35mm
Leica R Super Speed MKIV Rehoused GL Optics 50mm
Leica R Super Speed MKIV Rehoused GL Optics 80mm
Leica R Super Speed MKIV Rehoused GL Optics 135mm
Leica R lenses are a series of manual-focus, 35mm lenses designed for Leica’s R-series of single-lens reflex (SLR) cameras. They are known for their exceptional optical quality, durable all-metal construction, and a unique rendering style. Many of these lenses are highly sought after by both photographers and cinematographers for their “cinematic” look, which is often described as sharp but not clinical, with smooth bokeh and a pleasing warmth.
Key Features and Benefits
Exceptional Build Quality: The lenses feature durable, all-metal construction, ensuring longevity and a premium feel.
High Optical Performance: Many Leica R lenses, especially later APO- and ASPH-corrected models, are renowned for their sharpness and ability to control aberrations.
Cinematic “Look”: They are prized for their distinctive image rendering, which includes beautiful bokeh and a slightly lower contrast wide open, which can be desirable for cinematic applications.
Adaptability: The Leica R mount has a relatively long flange distance, which makes these lenses easily adaptable to a variety of modern mirrorless and digital cinema cameras.
Closer Focusing: Unlike their Leica M-mount counterparts, R-series SLR lenses can focus closer, which is a significant advantage for portraiture and close-up photography.
Cost 41,000 confirmed in Whatsapp
David Garcia – [email protected]
Gandhi Equipos
Castillo 1648 -C A B A
[email protected]
[email protected]
+54 9 11 3767-8825
Date 8/11/2025 11:37:00 AM
Newlife cine has a GL MK IV Rehoused Leica R Set of 6 in 48,000 dollars
Canon FD Rehoused by GL 14mm
Canon FD Rehoused by GL 24mm
Canon FD Rehoused by GL 35mm
Canon FD Rehoused by GL 55mm
Canon FD Rehoused by GL 85mm
Canon FD Rehoused by GL 135mm
Canon FD lenses were a line of manual-focus lenses produced by Canon from 1971 to 1992 for their FD-mount film SLR cameras. Known for their excellent build quality and unique optical character, they have found a new life with modern mirrorless cameras through adapters.
Key Features and Benefits:
Classic Image Quality: FD lenses are celebrated for their distinctive “vintage” look, producing rich colors, soft contrast, and pleasing bokeh. This aesthetic is sought after for portrait, street, and cinematic video work.
Exceptional Build Quality: Constructed with high-quality metal and glass, these lenses are durable and long-lasting, offering a satisfying, tactile feel.
Adaptability: While not natively compatible with modern Canon EF or RF mounts, they can be easily adapted for use on various mirrorless systems from brands like Sony, Fuji, and Nikon, providing access to high-quality glass at a low cost.
Affordability: Many FD lenses are budget-friendly, making them a great option for photographers and filmmakers looking to experiment with vintage optics without a high investment.
Extensive Range: The FD system included an impressive range of lenses, from wide-angle to super-telephoto, including special lenses like macro and tilt-shift, offering versatility for different photographic needs.
Cost Proposed to owner : 53k dólares …. in whatsapp
+ 54 91137678825- David Garcia – [email protected]
Argentina R-08-12-2025
*****************************************************************
Lori: Canon FD Zero Optic rehoused 60,990
Newlife cine has Zero Optic Rehoused 74,500
Zeiss Compact Prime PL 18mm
Zeiss Compact Prime PL 21mm
Zeiss Compact Prime PL 25mm
Zeiss Compact Prime PL 50mm
Zeiss Compact Prime PL 85mm
The ZEISS Compact Prime CP.2 PL lenses are a popular line of cinema lenses known for their versatility and high image quality. They were designed to bridge the gap between traditional cine cameras and modern HDSLRs, offering professional-grade optics in a more accessible and flexible package.
Key Features and Benefits
Interchangeable Mounts 🔄: A major selling point is the interchangeable lens mount system, allowing you to use the same lens with various camera systems. While you asked about the PL mount, these lenses can be easily swapped to EF, F, Micro 4/3, or E mounts. This flexibility saves costs and future-proofs your lens investment.
Full-Frame Coverage 🖼️: The lenses cover a full-frame image format (24x36mm) without vignetting for most focal lengths, making them compatible with a wide range of cameras, including those with large sensors.
High Optical Performance 🔍: These lenses deliver sharp images with high resolution, excellent color rendition, and low distortion. They’re color-matched, ensuring a consistent look across the entire set.
Smooth Bokeh ✨: The iris opening is created by 14 high-precision blades, which maintains a consistently round and symmetrical shape throughout the T-stop range. This results in pleasing, natural-looking out-of-focus highlights and a smooth bokeh.
Cine-Style Mechanics ⚙️: Unlike standard SLR lenses, the CP.2 lenses have a robust, cine-style housing with standard focus and iris gear positions, a consistent front diameter, and a longer focus rotation. This makes them compatible with industry-standard accessories like matte boxes and follow focus systems.
Excellent Flare Suppression ☀️: A T* anti-reflective coating and internal light traps help minimize unwanted flare and glare, preserving contrast and color saturation even in challenging lighting conditions.
Cost ? 4,500 needs to be confirmed but this amount was offered by us.
—
David Garcia
[email protected]
Mi teléfono / whatsapp
5491137678825
Cooke S4i 18mm
Cooke S4i 25mm
Cooke S4i 35mm
Cooke S4i 50mm
Cooke S4i 75mm
Cooke S4/i lenses are a renowned series of professional cinema prime lenses, celebrated for their unique optical qualities and robust design. They are a staple in high-end film and television production, known for delivering the distinctive “Cooke Look.”
Key Features and Benefits:
The “Cooke Look”: The lenses produce a flattering, almost creamy image with a smooth, painterly falloff from sharp focus to blur (bokeh). This look is characterized by natural skin tones, pleasing warmth, and a subtle control of contrast.
Optical and Mechanical Excellence: The S4/i lenses are designed to perform at their best even at wide-open apertures (T2), with superior control of flare, distortion, and spherical aberration. Their cam-style focus mechanism provides a smooth, precise, and repeatable focus movement.
“/i” Technology: A key feature of the S4/i series is the integrated “/i” Technology, which transmits critical lens data (such as focal distance, aperture, and depth of field) to compatible cameras. This metadata is essential for modern post-production, visual effects (VFX), and virtual production workflows.
Color Matched: All lenses in the Cooke S4/i series are meticulously color-matched to ensure a consistent look and feel across different focal lengths, simplifying color grading and allowing for seamless intercutting of shots.
Super35 Coverage: These lenses are designed to cover the Super35 sensor format, a common size in digital cinema, making them a standard for many professional film cameras.
I asked him to accept 41k
Cost to be discused 45,000
[email protected]
David garcia
5491137678825
@gandhiequipos.com
newlifecine has one in 48,000
Lori has one in 37,500 and another in 47,500
R-08/08/2025
COOKE Panchro/i Classic 32mm
COOKE Panchro/i Classic 40mm
COOKE Panchro/i Classic 50mm
COOKE Panchro/i Classic 100mm
COOKE Panchro/i Classic 135mm
COOKE Panchro/i Classic 152mm
The Cooke Panchro/i Classic lenses are a modern re-design of the legendary vintage Cooke Speed Panchro lenses from the 1920s. They combine the sought-after “Cooke Look” with the convenience and durability of modern lens manufacturing.
Key Features and Benefits
Vintage Aesthetic: Recreates the same classic, warm, and subtle rendering of the original Speed Panchros. They are known for producing a gentle, pleasing image with a painterly quality, especially with skin tones.
/i Technology: Equipped with Cooke’s award-winning /i Technology, which provides frame-by-frame lens metadata to compatible cameras. This data includes focal length, aperture, focus distance, and depth-of-field, which streamlines post-production workflows and is crucial for VFX and virtual production.
Modern Construction: Housed in durable, contemporary bodies with a hardened PL mount, providing reliability and consistency that vintage lenses often lack. All lenses in the series have a common 110mm front diameter and standardized 0.8 MOD focus and iris gears for easy swapping on set.
Color Matched: All lenses in the series are precisely color-balanced and color-matched to ensure a consistent look across the entire set. They are also color-matched with other modern Cooke lens series, such as the S4/i, S7/i, and Anamorphic/i.Cinematic Bokeh: Feature a nine-blade iris that creates a smooth, cinematic bokeh (out-of-focus highlights).
Optical Performance: Designed to perform well at full aperture with superior control of flare, distortion, and spherical aberration, while still retaining the vintage character.
Cost 35 000 EUR / 150 000 PLN
Pozdrawiam/Best Regards
Wacław Mączyński
2K4K film rental
tel.: +48 789 076 844
mail: [email protected]
2k4k.eu | facebook
Lori ha s aset of 7 in 53,500 dollars. in 6 lenses the orice would be 45,857
Newlifecine has a set of 7 USD $ 59,000. in 6 lenses the orice would be 50,571
Cooke S7/i 21mm
Cooke S7/i 25mm
Cooke S7/i 32mm
Cooke S7/i 50mm
Cooke S7/i 75mm
Cooke S7/i 100mm
Cooke S7/i 135mm
Key Features & Benefits
Large Format Coverage: The S7/i lenses are designed for full frame, VistaVision, and beyond, with an image circle that covers up to 46.31mm. They are also compatible with 35mm and Super 35mm formats.
The “Cooke Look”: These lenses are renowned for their signature aesthetic, which is characterized by a cinematic, soft, and gentle feel while maintaining sharpness. They provide a pleasing bokeh and are well-balanced for astigmatism, with superior control of flare, distortion, and spherical aberrations.
/i Technology: A key feature of the S7/i series is the inclusion of Cooke’s /i Technology, which automatically captures and records critical lens metadata like focal length, focus distance, and aperture for every frame. This streamlines post-production, VFX, and color grading workflows.
Robust & Consistent Design: The lenses are built with a durable, scratch-resistant finish and feature a consistent 110mm front diameter (with some exceptions) and common gear positions across the set, making them easy to use with accessories. The cam-style focus mechanism provides smooth, precise, and backlash-free adjustments.
Cost 95 000 EUR / 400 000 PLN
Pozdrawiam/Best Regards
Wacław Mączyński
2K4K film rental
tel.: +48 789 076 844
mail: [email protected]
2k4k.eu | facebook
Lori has one in $133,500 dollars
Newlifecine has one of 8 in $174,500
Master Prime 16mm
Master Prime 25mm
Master Prime 32mm
Master Prime 50mm
Master Prime 75mm
Master Prime 100mm
Master Prime 135mm
Arri Master Prime lenses are renowned for their exceptional optical performance and innovative design, making them a top choice for cinematographers. Co-developed by ARRI and ZEISS, these lenses offer unparalleled image quality and creative possibilities.
Key Features and Benefits
Exceptional Speed: With a consistent aperture of T1.3 across the entire focal range, Master Primes excel in low-light conditions, allowing for more natural-looking shots and stunning shallow depth of field.
Superior Optical Performance: They deliver unprecedented resolution and contrast, surpassing standard speed prime lenses. Images are remarkably sharp and clear from the center to the edges of the frame.
Minimal Image Artifacts: These lenses exhibit virtually no geometric distortion, dramatically reduced flare due to advanced coatings, and almost no breathing (changes in image angle during focus adjustments). This ensures clean, precise, and consistent visuals.
Consistent and Versatile: Master Primes are color-matched across the entire set, ensuring a uniform look. They offer a wide range of focal lengths, from 12mm to 150mm, and maintain consistent illumination and resolution even when wide open or at close focus.
Advanced Technology: Equipped with a built-in Lens Data System (LDS), they provide crucial metadata to the camera, streamlining on-set and post-production workflows. Their robust construction ensures reliable performance in challenging environments.
Pleasing Aesthetics: The iris, composed of at least nine high-precision leaves, creates a smooth and natural-looking bokeh (out-of-focus highlights).
Cost 70,000 EURO
Sale: USD $ 75,000 FOB (adam told me on Wasap)
Pozdrawiam/Best Regards
Wacław Mączyński
2K4K film rental
tel.: +48 789 076 844
mail: [email protected]
2k4k.eu | facebook
R-08/04/2025
Canon FD 20mm T2.9 SSC
Canon FD 24mm T1.5 L (asph)
Canon FD 35mm T2.1 SSC (convex version)
Canon FD 45mm T1.5 FDX (Yashika)
Canon FD 55mm T1.3 SSC (asph)
Canon FD 85mm T1.3 SSC (asph)
Canon FD 135mm T2.1 nFD
They have the newest Mark V housing and comes with Custom flight case
The GL Optics Rehoused Canon FD 7-lens set transforms classic Canon FD still photography lenses into modern cinema-ready tools. These lenses are prized for their unique vintage look, distinct from contemporary glass.
Key Features and Benefits:
Vintage Aesthetic: Delivers a warm, organic, and slightly desaturated color rendition with pleasing lens flares and subtle halation, providing a sought-after cinematic feel.
Exceptional Optical Quality: Known for sharpness and resolution, even wide open, with excellent contrast and smooth, creamy bokeh.
Fast Apertures: Many lenses in the set boast wide apertures (e.g., T1.3, T2.1), offering good low-light performance and shallow depth of field control.
Professional Rehousing: GL Optics rehouses the original Canon FD optics into durable, modern cine-style housings with standardized front diameters (typically 95mm or 110mm) and uniform focus/iris gears for easier rigging and consistent operation.
Improved Mechanics: Features often include 330-degree focus throw, inner focus systems, and improved close focus distances compared to the original still lenses.
Full Frame Coverage: Most lenses in the set cover Full Frame and even Vista Vision (RED VV 8K) sensors.
PL Mount Compatibility: Primarily rehoused for PL mount, with interchangeable mounts like EF and Sony E often available.
Similar to Canon K35s: The optical characteristics are often compared to the highly regarded Canon K35 prime lenses, offering a similar artistic signature at a potentially more accessible price point.
Cost: TBD
Matty McClain
Co-founder / Head of Production
RECREATION
www.recreationfilms.com
M: 917.586.9079
50S. Buckhout St. , Suite G103
Irvington, NY 10533 R-07/28/2025
Newlifecine has one set : USD 59,500
Justcinegear has one of SIX : Canon FD GL Optics rehoused 6 lens set
SKU: mm $45,990.00Price
AI : Consolidated Average Price Range for a Used GL Optics Rehoused Canon FD 7-Lens Set
Based on a comprehensive analysis of the available direct sale listings for GL Optics rehoused sets (EUR 83,000 for a 6/7-lens set, and USD $115,000 for an 8-lens set), and considering the robust replacement values provided by leading rental houses ($100,000 – $120,000), the average price for a used GL Optics rehoused Canon FD 7-lens set is estimated to fall within the range of USD $90,000 to USD $110,000.
