The ARRI Signature Primes are a modern, ultra-high-end cine prime lens series designed by ARRI. They were developed to complement ARRI’s Large Format (LF) camera system, such as the ALEXA LF and Mini LF, though they are camera-independent and cover all image sensors up to a 46mm large format image circle. They are built with a unique LPL mount (Large Positive Lock), an open standard for large-format lenses. The lenses are renowned for their combination of high optical performance and a distinctively timeless, organic look that is flattering to skin tones.
Key Features:
Large Format (Full-Frame) Coverage: Covers image circles up to 46mm, maximizing the potential of large-format sensors for a distinct, immersive look.
Fast Maximum Aperture (T1.8): Most lenses in the series are T1.8, providing excellent low-light performance and achieving a very shallow depth of field.
Unique “Timeless” Look: Renders images with warm, smooth skin tones, open shadows, and exceptionally soft bokeh for a cinematic, non-clinical aesthetic.
Tuneable Rear Filter Holder: Features a magnetic rear filter holder for quick, tool-less customization (using nets, voile, etc.) of the lens’s flare and texture.
Minimal Aberrations: Engineered to have virtually no visible focus breathing or distortion, simplifying visual effects and complex focus pulls.
Lightweight and Robust Build: Constructed with magnesium alloy barrels, making them relatively light for large-format lenses, which is ideal for gimbal and handheld use.
Next-Gen Lens Data: Incorporates LDS-2 (Lens Data System) for high data rates and absolute encoders, which is crucial for modern virtual production and VFX workflows.
TBD
(T)
Isidro Parrondo
Mob: +34 627 115 765
contacto@aksmedia.es
18-11-2025
Canon K35 TLS Rehoused 18mm
Canon K35 TLS Rehoused 24mm
Canon K35 TLS Rehoused 35mm
Canon K35 TLS Rehoused 55mm
Canon K35 TLS Rehoused 85mm
The Canon K35 lenses, originally high-speed cinema primes from the 1970s (winning an Academy Award in 1977), have been rehoused by True Lens Services (TLS) to provide modern mechanical reliability while preserving their distinctive vintage optical qualities for contemporary filmmaking.
Vintage Cinematic Look: Known for their unique aesthetic, including low contrast, warm color rendition, gentle focus fall-off, and sought-after, beautiful lens flares.
High Speed: Feature fast T-stops, often as low as T1.3/T1.4, enabling excellent low-light performance and shallow depth of field.
Modern Mechanicals (TLS Rehousing): Upgraded with robust, chassis-style housings (aluminum alloy/stainless steel) for professional use, including:
PL Mount for compatibility with modern cinema cameras.
Cam Driven Focus System with an extended focus scale (approx. 300-330° rotation) for precise, repeatable focus pulls.
Uniform 110mm Front Diameter across the set for quick accessory changes (matte boxes, filters).
Full Frame/Large Format Coverage: Most focal lengths (24mm-85mm) cover Full Frame sensors, which is rare for vintage high-speed glass.
COST: $200,000
Owner Tony Bringas
Tony Bringas
323-683-4225
Tony4fx@gmail.com abd
Cine Visuals – Rentals
rentals@cinevisuals.com
ZEISS Super Speed lenses are classic, high-performance cinema primes known for their exceptionally fast apertures (T1.3), compact build, and signature vintage look. Originally developed in the late 1970s and widely used throughout the film industry, they deliver smooth focus falloff, gentle contrast, and pleasing bokeh—making them a favorite for narrative filmmaking that aims for a warm, cinematic aesthetic.
Key Features:
Ultra-Fast Maximum Aperture (T1.3/T1.4): Provides exceptional low-light performance and shooting flexibility in dim conditions without excessive camera ISO.
Shallow Depth of Field: Allows for a pronounced cinematic look with beautiful, selective focus and bokeh (the pleasing blur of out-of-focus areas).
Compact and Lightweight Design: Ideal for demanding shooting scenarios like handheld, Steadicam, and gimbal work, offering excellent portability.
High Contrast and Vintage Aesthetic: Known for a high-contrast, slightly cool color rendition that produces a filmic look; wide-open use can add a desirable, softer “glow” to highlights.
Minimal Focus Breathing: Ensures the image framing remains relatively consistent when adjusting focus, which is highly valued in professional film work.
Consistent T-Stop: Most lenses in a set maintain a uniform T1.3 aperture, simplifying exposure consistency during lens changes.
cost: $60k
(T)
Alain Rappoport
arappoport@planipresse.com
Tél : 06 09 55 94 25
11-17-2025
Includes:
Zeiss Super 16 High Speed 9.5mm
Zeiss Super 16 High Speed 12mm
Zeiss Super 16 High Speed 16mm
Zeiss Super 16 High Speed 25mm
The Used Zeiss Super 16 High Speed Lens Set offers exceptional optical performance for filmmakers seeking classic Zeiss clarity, smooth focus action, and fast apertures optimized for Super 16 cinematography. This 4-lens kit delivers remarkable sharpness, beautiful contrast, and reliable build quality, making it ideal for documentary, commercial, and narrative productions using Super 16 cameras or digital bodies with appropriate adapters.
Features;
Fast apertures allow excellent low-light performance and cinematic depth of field.
Rugged, all-metal construction ensures durability for professional use.
Matched color and contrast across all focal lengths for consistent visual results.
Compact and lightweight design ideal for handheld or gimbal setups.
Proven Zeiss optical quality with smooth, precise manual focus.
Cost: 8000 USD
November 14, 2025
AkFilmEquipmentBooking
(M)
My WhatsApp no. +91 98678 54710
Gmail ID akfilmequipmentboooking@gmail.com
Includes:
8 Cine Magic Lenses and what is seen in the pictures:
Cine Magic 9.8mm
Cine Magic 12mm
Cine Magic 16mm
Cine Magic 20mm
Cine Magic 24mm
Cine Magic 32mm
Cine Magic 40mm
Cine Magic 60mm
Dual Swivel Module – Mini-PL
Horizon Tracking
The CINE MAGIC REVOLUTION PACKAGE is a versatile, high-end snorkel lens system used in professional filmmaking and specialized photography, such as tabletop and food shooting. It is designed to capture unique perspectives and offer unprecedented control over the camera’s angle relative to the image horizon.
Horizon Tracking: The world’s first snorkel lens system to allow live panning of the objective lens while maintaining a level horizon (or a desired “dutched” position).
Image Rotation: Built-in optics allow for 360-degree rotation of the image in real-time for creative or corrective purposes.
Dual Swivel Module: Adds a second pan axis, allowing for even greater flexibility in aiming and movement.
Miniature/Tabletop Use: The system can achieve a full 360-degree pan within a six or seven-inch diameter, making it ideal for tight spaces and macro shots.
Versatile Mounting: Includes modules to accommodate both its own specialty Mini-PL lenses and standard PL-Mount lenses.
Comprehensive Kit: Typically includes the Base Module, Borescope, Horizon Tracker, and Dual Swivel Modules in both PL and Mini-PL configurations, along with a set of dedicated Mini-PL prime lenses (e.g., 9.8mm to 60mm).
Cost TBD
Owner: Chester Lilley <chester@creativecameracompany.co.uk>
UK – R-11/13/25
Price Investigation : The price for a full, used CINE MAGIC REVOLUTION PACKAGE (including the Base Module, Borescope, Horizon Tracker, Dual Swivel Modules, and the complete set of Mini-PL prime lenses) typically falls between:
USD $114,900
EUR €138,000 (equivalent to approximately USD $148,000, depending on the current exchange rate)
Note: This range reflects prices observed in international listings from professional equipment brokers and may not represent every transaction.
Newlifecine,com does not have one
justcinemagear.com does not have one
FJS INT has one in EUROS 138,000 FOB
Includes:
TLS Super Balter 20mm
TLS Super Balter 35mm
TLS Super Baltar 50mm
TLS Super Baltar 75mm
TLS Super Balter 152mm
The TLS Super Baltars 6-Lens Set (20mm, 25mm, 35mm, 50mm, 75mm, 152 delivers a distinctive vintage look prized by cinematographers for its organic rendering, smooth contrast, and creamy highlights. Originally crafted for classic film production, these lenses have been meticulously rehoused for modern cinema use, offering reliable mechanics, uniform focus and iris gears, and consistent performance across the set. Ideal for narrative, commercial, and music video work, the Super Baltars capture a timeless character with warm tones and gentle falloff, bringing cinematic authenticity to digital workflows.
Features:
Complete 6-lens set: 20mm, 25mm, 35mm, 50mm, 75mm, and 152mm focal lengths
Vintage optical design with rehoused modern mechanics
Smooth, cinematic contrast and natural color rendition
Uniform 0.8 mod focus and iris gears for follow-focus compatibility
Consistent front diameter across the set for easy lens changes
Ideal for achieving a classic filmic aesthetic on digital cameras
Cost: $70,000 USD FOB OBO
November 11, 2025
(M)
Kieran Wheeler
(03) 9968 5883
kieran@hummingbird-rentals.com.au
Leica r Leica R Super Speed Set Full Frame 19mm T2.8 cf 0.29 cm
Leica r Leica R Super Speed Set Full Frame 28mm T2.8 cf 0,25 cm
Leica r Leica R Super Speed Set Full Frame 35mm T1.4 cf 0,5 cm
Leica r Leica R Super Speed Set Full Frame 50mm T1.4 cf 0.5 cm
Leica r Leica R Super Speed Set Full Frame 80mm T1.4 cf 0.7 cm
Leica r Leica R Super Speed Set Full Frame 135mm T2.8 cf 1,5 cm
These lenses are vintage Leica R still-photography primes rehoused (“cine-modded”) by GL Optics for modern professional cinema use. They are highly sought after for their distinct optical character combined with cinema-standard mechanics.
Distinct Optical Character:
Benefit: Delivers a sought-after vintage look with exceptional image quality; sharp yet flattering with excellent skin tone rendering.
Feature: Known for “creamy bokeh,” beautiful flares, and a pleasing fall-off from sharp focus.
Full-Frame Coverage:
Benefit: Covers modern large-format sensors (like ARRI Alexa LF, Sony Venice, RED Raptor) without vignetting.
Feature: Rehoused optics are engineered to cover a full-frame image circle (36mm x 24mm).
Cinema-Ready Mechanics:
Benefit: Enables fast, precise, and standardized use on professional film sets.
Feature: Stainless steel PL mount, uniform 95mm front diameter, cine-standard mod 0.8 gears (consistent position for easy follow focus changes), and de-clicked aperture ring.
Improved Usability:
Benefit: Allows for accurate and smooth focus pulling.
Feature: Long 330° focus rotation (except the 19mm) and often improved closer focusing distances compared to original lenses.
Buenos Aires Argentina
Leonardo Hermo
+5491140240076
leonardo.hermo@gmail.com
Prices Investigation
AI Says : Based on current listings for used or pre-owned sets in the global film and digital video gear marketplace, the average price range for a used 6-lens GL Optics Rehoused Leica R Full Frame Set (similar to the $19, 28, 35, 50, 80, 135\text{mm}$ configuration) falls approximately between:Price Range (USD)Notes$35,000 – $50,000 USDThis range reflects recent asking prices for pre-owned GL Optics-rehoused sets with a similar lens count and Full Frame coverage.
Newlifecine does not have one
Justcinemagear does not have one
R-11-10-2025
Zeiss Super Speed 18mm
Zeiss Super Speed 25mm
Zeiss Super Speed 35mm
Zeiss Super Speed 50mm
Zeiss Super Speed 85mm
A classic set of high-speed prime lenses renowned in the cinematography industry, often used to achieve a sought-after vintage film look. The MK2 and MK3 versions share the same core optics but have mechanical improvements.
Fast Aperture: Uniform maximum aperture of T1.3 across the set, excellent for low-light shooting and achieving a shallow depth of field.
Compact & Lightweight: Small form factor and low weight, making them ideal for handheld, gimbal, and Steadicam use.
Vintage Aesthetic: Produces a unique, flattering image with a pleasing, gentle fall-off, organic feel, and distinctive flares/bokeh, especially wide open.
Optics & Contrast: Considered sharp and high-contrast (especially when stopped down to T2.8 or above), suitable for modern digital sensors.
Mechanical Improvements (MK3 over MK2):
Focus Scale: Larger, more legible focus marks, often oriented upright (90° rotated) when mounted (a key distinguishing feature).
Focus Rotation: Longer, more precise focus rotation (around 270°), which is preferred by focus pullers.
MK2 lenses often featured dual imperial/metric focus scales, while MK3 typically features a single scale (imperial or metric).
PL Mount: Standard Arri PL mount for compatibility with professional cinema cameras (Super 35 format coverage).
Cost $ 38,000
Indonesia City: jakarta
Owner : chua khay boon
Email: dopboon@gmail.com
Telephone: +62811842084 – R 11-05-25
Sales Price Investigation:
newlifecine has one sest : USD $ 48,900
justcinemagear has two: $ 56,850 and 49,990
AI Says : unrehoused MK2 or mixed sets, the price point generally falls between $45,000 and $50,000 USD
Includes:
Cooke S7i 18mm
Cooke S7i 25mm
Cooke S7i 32mm
Cooke S7i 50mm
Cooke S7i 75mm
Cooke S7i 100mm
Cooke S7i 135mm
This used Cooke S7/i lens set includes lenses known for their signature “Cooke Look”. These lenses deliver warm, natural skin tones, excellent contrast, and smooth focus fall-off. Ideal for high-end film and TV production, this complete set offers consistency in color and performance across all focal lengths, making it a reliable choice for professional cinematographers seeking both quality and character.
Features:
Full-frame coverage (up to 46.31mm image circle)
T2.0 maximum aperture across the set
Consistent color and performance across all focal lengths
/i Technology for lens metadata capture
Classic “Cooke Look” with smooth bokeh and natural rendering
Robust, durable construction for professional use
Standardized focus and iris positions for easy lens swaps
Cost 53000
November 4, 2025
(M)
Adam posted on WhatsApp group chat on 11/03 at 9:22pm
Unsure of who owns
The ZEISS Super Speed Mark II lenses are a set of classic, high-speed prime lenses widely used in professional cinema and filmmaking. Despite the unofficial “Super Speed” moniker given by cinematographers, they are renowned for their exceptional light-gathering capability and distinctive vintage aesthetic.
Key Features
Ultra-Fast Aperture (T1.3): Enables excellent low-light performance and a beautifully shallow depth of field, giving directors and DPs strong creative control over focus and exposure.
Consistent Optical and Mechanical Design: Uniform front diameter (80 mm) and consistent gear positions for focus and iris across the lens set make lens changes fast and easy during shoots.
Cinematic Look & Character: Offers a subtle vintage aesthetic with moderate contrast, warm color tones, and pleasing fall-off — ideal for narrative and commercial work that seeks texture over clinical sharpness.
High Optical Quality: Delivers solid resolution even wide open, with smooth focus roll-off and minimal breathing, maintaining ZEISS’s reputation for reliability and image precision.
Compact & Lightweight Build: Smaller and lighter than many modern primes, which is advantageous for handheld, gimbal, or Steadicam setups.
Super 35 Sensor Coverage: Designed for Super 35 film frames, but also performs well on many modern digital sensors with minimal vignetting.
Professional Cinema Mechanics: PL mount standard, geared focus and iris rings, and dual-scale (metric/imperial) markings for professional use on set.
Durable All-Metal Construction: Engineered for demanding production environments, ensuring longevity and reliable performance over time.
USD $37k
(TH)
Nick Gall
standard camera
rentals@standardcamera.com
(c) 310-919-6202
(o) 818-358-2842
www.standardcamera.com
31-10-2025
(Client not sure of selling, not real pictures used)
