Includes:
Leica Summilux-C 18mm
Leica Summilux-C 25mm
Leica Summilux-C 35mm
Leica Summilux-C 40mm
Leica Summilux-C 50mm
Leica Summilux-C 65mm
Leica Summilux-C 100mm
Renowned for their exceptional sharpness, consistent color rendering, and beautiful contrast, Summilux-C lenses are a standard on high-end film and commercial productions. The set offers fast apertures, smooth focus rotation, and precise mechanics, making it ideal for narrative, commercial, and studio work where optical consistency and reliability matter most.
Key features:
Complete 8-lens Summilux-C prime set
Focal lengths: 18, 25, 35, 40, 50, 65, 100mm
Matched color, contrast, and T-stop performance
Smooth, precise cinema focus and iris control
Industry-standard Leica cinema optics
Code:
Cost TBD
December 31, 2025
(M)
Gaurav
Gaurav Gupta??
gaurav.gupta@futureworks.in
Canon FD lenses, produced between 1971 and the early 1990s, are legendary manual-focus optics. Originally designed for Canon’s 35mm SLR film cameras like the AE-1 and F-1, they have seen a massive resurgence in the digital era due to their “vintage” character and high adaptability to mirrorless systems.
Key Features and Benefits
Aesthetic Character: Known for a “lower contrast” look, warm color rendering, and smooth, organic bokeh that feels more “filmic” than modern, ultra-sharp digital lenses.
Mechanical Precision: Features all-metal barrels (especially the older “Chrome Nose” versions) and tactile, mechanical aperture rings and focus throws.
K-35 Heritage: Several high-end FD lenses (like the 24mm f/1.4 and 85mm f/1.2) share optical designs with the Academy Award-winning Canon K-35 cinema lenses, making them a “budget” alternative for filmmakers.
Variety of Mount Styles: * Breech-lock (Original FD): Uses a silver rotating ring at the base to secure the lens.
New FD (nFD): Uses a bayonet-style twist-and-click mechanism for faster lens changes.
Advanced Coatings: Most models feature S.S.C. (Super Spectra Coating), which effectively reduces flare while maintaining a distinct, vintage flare character under direct light.
Excellent Adaptability: Because of their short flange focal distance, they can be easily adapted to Sony E, Canon RF, Nikon Z, and Fujifilm X mirrorless mounts with inexpensive adapters.
cost: TBD
Marko Procházka
marko@filmsupport.sk
R-12/30/25
Price investigation:
Newlifecine: Has a Canon FD Aspherical Set of 6 in 29,800
Justcinemagear: Has a Canon Compact Prime CN-E 6 set in 16,650
AI Says:
As of late 2025, the average price for a used Canon FD 5-lens set varies dramatically based on whether the lenses are in their original “photo” state or have been modified for professional cinematography (Cine-modded).Because “standard” sets are usually built by individual sellers or collectors rather than sold as factory kits, the price is the sum of the most popular focal lengths: 24mm, 28mm, 35mm, 50mm, and 85mm.
Average Price by Set Tier
Budget “Starter” Setf/2.8 Primes (Mixed SC/nFD)$650 – $950
Premium “High-Speed” Setf/1.4 or f/2 Primes (S.S.C. focus)$1,400 – $2,200
Cine-Modded SetEF-converted, Gears, 80mm Rings$3,500 – $6,500
Professional Re-housedTLS or GL Optics (Full Cinema Housing)$45,000 – $120,000+
The ZEISS Supreme Prime Radiance lenses are high-end cinema optics designed to offer a unique “character” look without sacrificing modern performance. They are essentially a specialized version of the standard Supreme Primes, modified to produce distinct, aesthetic flares while maintaining high contrast and resolution.
Key Features:
T Blue Coating: A specialized lens coating that enables beautiful, blue-tinted flares when aimed at light sources, yet maintains standard high-contrast performance under normal lighting.
Controlled Flaring: Unlike vintage or “uncoated” lenses that can “white out” or lose all contrast, the Radiance set allows for predictable and reproducible flares that you can plan into your shots.
Warmer Color Palette: These lenses provide a slightly warmer skin tone and overall color rendition compared to the neutral look of standard Supreme Primes.
Full-Frame Coverage: Features a large 46.3mm image circle, making them compatible with modern large-format sensors like the Sony VENICE or ARRI ALEXA LF.
High Speed (T1.5): The fast aperture across the set (ranging from 18mm to 135mm) provides exceptional low-light performance and shallow depth of field.
eXtended Data Technology: Records frame-accurate metadata (shading, distortion, and focal distance), which is invaluable for accelerating VFX workflows in post-production.
Uniform Ergonomics: Consistent placement of focus and iris rings across the set ensures fast lens changes and easy integration with follow-focus systems.
Cost: TBD
(t)
Gaurav Gupta
gaurav.gupta@futureworks.in
12-30-2025
Angenieux 5.9mm T2 (often designated as the Type R7) is one of the most iconic ultra-wide lenses in the history of 16mm cinematography. While originally designed for standard 16mm, many copies have been modified or “cleared” to cover Super 16mm. It is famously a fixed-focus lens, relying on its massive depth of field to keep the entire frame sharp.
Extreme Wide-Angle Perspective: Offers a sweeping field of view that is ideal for tight spaces, expansive landscapes, and high-energy handheld work.
Fixed-Focus Reliability: Since the lens has no focus ring, it eliminates the need for a focus puller; nearly everything from ~20 inches to infinity remains in focus at most apertures.
Fast T2 (f/1.8) Aperture: Exceptional light-gathering capabilities for such a wide focal length, making it a favorite for “available light” documentary shooting
Signature French Optics: Known for the classic “Angenieux look”—soft, pastel-like color rendering and a pleasing, organic contrast that takes the edge off digital sensors.
Rectilinear-ish Rendering: While it has some noticeable barrel distortion due to its extreme width, it is designed to maintain a relatively natural perspective compared to a fisheye.
Compact Form Factor: Its small size and lightweight build make it perfect for vintage “run-and-gun” setups, crash cams, or modern gimbal use.
Cost: TBD
Taywan
Harper Lai
shk99318@gmail.com
R-12.29/25
—–
Price Investigation:
Newlifecine: no units
Justcinemagear: no units
AI says:
Market Pricing Overview
Prices for this lens vary primarily based on the mount type and whether it has been serviced for modern use.
Average Price Range: $850 – $1,500 USD
Budget Tier ($600 – $800): Often found in older Arri Standard or Arri Bayonet (B-mount). These are often “as-is” with internal dust or slight cleaning marks.
Mid-Tier ($900 – $1,200): Units adapted to Micro Four Thirds (MFT) or Sony E-mount for use on cameras like the Blackmagic Pocket Cinema Camera (BMPCC) or Sony Alpha series.
High-End ($1,400 – $1,800+): Lenses that have been professionally converted to a permanent PL Mount or those in “Near Mint” condition with a recent CLA (Clean, Lubricate, Adjust).
Optex 8mm T2 (often part of the “Super Cine” series) is a high-performance wide-angle prime lens designed specifically for the Super 16mm (S16) format. While it is not as extreme as the 4mm version, it is prized for its ability to provide a wide field of view with significantly less distortion than competing lenses of the era, making it a staple for music videos, documentaries, and “indie” cinema.
True Rectilinear Optics: Unlike fisheye lenses, it is engineered to keep straight lines straight, making it excellent for architectural shots or tight interiors.
Fast T2 Aperture: The wide aperture allows for filming in low-light conditions and offers more control over depth of field than slower wide-angle glass.
Superior Contrast & Color: Renowned for having better contrast and more “pop” than the older Zeiss 8mm Distagon, while still maintaining a classic filmic texture.
Close Focus Capability: With a minimum focus distance of approximately 15 inches, it allows for intimate, wide-angle close-ups with a unique sense of scale.
Organic Flare Character: Known for producing a “cool rainbow flare” and gentle halation when pointed at light sources, adding a dreamlike quality to the image.
Robust Cine Housing: Typically features standard 0.8 pitch gears for focus and iris, making it fully compatible with modern follow-focus systems and cinema rigs.
Cost: TBD
Taywan
Harper Lai
shk99318@gmail.com
R-12.29/25
—–
Price Investigation:
Newlifecine: no units
Justcinemagear: no units
AI says:
Market Pricing Overview
Based on specialized cinema equipment brokers and recent global listings:
Average Price Range: $3,800 – $6,500 USD
Recent High-End Listings: Professional brokers (like FJS International or Du-All Camera) have recently listed pristine, fully serviced units for as high as $8,500 USD.
Entry-Level / Private Sales: Well-used copies or those sold via private forums typically surface between $3,800 and $4,200 USD (approximately €3,500 – €3,800).
The Zeiss Super Speed S16 lenses are legendary prime lenses specifically designed for the Super 16mm (S16) film format. Originally introduced in the 1970s and refined through Mark II and Mark III versions, they remain a top choice for cinematographers seeking a vintage, “filmic” aesthetic on modern digital sensors like the Blackmagic Pocket Cinema Camera 4K or the Arri Alexa 35 (in S16 mode).
Key Features:
Ultra-Fast T1.3 Aperture: Allows for exceptional low-light performance and a shallow depth of field rarely seen in the S16 format.
Signature “Zeiss Look”: Features the famous T multicoating*, which offers high contrast and vibrant color reproduction while maintaining a gentle, vintage fall-off.
Minimal Focus Breathing: Designed for cinema, these lenses exhibit almost no change in focal length when racking focus.
Compact & Lightweight: Their small form factor makes them ideal for handheld shooting, gimbal work, and tight spaces.
Vintage Character: Wide open, they produce a soft, dreamy glow and beautiful flares; stopped down, they become impressively sharp and clinical.
Professional Housing: Mk II and Mk III versions feature integrated 0.8 pitch gears and consistent 80mm front diameters for easy use with follow focus systems and matte boxes.
Cost: TBD / 15,000 USD
(t)
Harper Lai
shk99318@gmail.com
12-29-2025
Optex 4mm T2 is a legendary ultra-wide prime lens, specifically designed for the Super 16mm (S16) format. Despite its extreme focal length, it is a rectilinear lens—meaning it maintains straight lines rather than producing the “fisheye” effect typically associated with such wide angles. It is particularly famous for its “vintage” character, characterized by unique flare patterns and organic rendering.
Ultra-Wide Rectilinear Field of View: Provides an expansive perspective (approx.4 $180^\circ$ diagonal) without the spherical distortion of a fisheye lens.
Fast T2 Aperture: Offers exceptional low-light performance for its focal length, allowing for filming in dim environments.
Fixed-Focus Design: Due to the massive depth of field, almost everything from a few inches to infinity remains in focus, making it ideal for handheld or “run-and-gun” shooting.
Unique Vintage Flares: Its older coatings produce a distinct, organic flare character that is highly sought after by cinematographers wanting to avoid the “clinical” look of modern glass.
Compact & Lightweight: Despite its large 150mm–156mm front diameter, it is relatively light and easy to integrate into gimbal or handheld rigs.
Integrated Iris Gear: Features standard cine-style gearing for precise iris control via wireless motors or follow focus systems.
Cost: TBD
Taywan
Harper Lai
shk99318@gmail.com
R-12.29/25
——
Prices:
Newlifecine: does not have any
Justcinemagear: does not have any
AI says:
Based on recent listings and historical sales data from specialized cinema equipment brokers (such as FJS International, Alan Gordon, and CML):
Average Price Range: $2,500 – $4,500 USD
Low End ($2,000 – $2,500): Typically for units with minor cosmetic wear, older mounts (like Arri B-mount), or those sold in private forum listings (e.g., Cinematography.com or CML).
High End ($4,000 – $5,000+): For pristine copies with a native PL Mount, recent servicing/collimation, and original flight cases.
The Cooke SP3 is a purpose-built prime lens series designed specifically for full-frame mirrorless cameras. It is based on the legendary Speed Panchro™ optical design, bringing the iconic “Cooke Look”—characterized by organic warmth, gentle focus fall-off, and high dimensionality—to modern digital sensors.
Key Features:
Focal Lengths: A comprehensive set including 18mm, 25mm, 32mm, 50mm, 75mm, and 100mm.
Fast Aperture: Consistent T2.4 maximum aperture across the entire range for uniform exposure.
Interchangeable Mounts: User-changeable mount system supporting Sony E (fitted), Canon RF, Leica L, and Leica M.
Full-Frame Coverage: Optimized for a 43.3mm image circle, covering full-frame and Super35 sensors.
Matched Mechanics: Standardized 0.8 MOD focus and iris gears with shared positions across the set for rapid lens swaps.
Lightweight Build: Compact, anodized aluminum shells designed for drones, gimbals (like the Ronin 4D), and handheld rigs.
Benefits for Filmmakers
Emotional Rendering: Combines modern resolution with a “human” aesthetic that renders skin tones naturally and avoids the clinical sharpness of some digital lenses.
Creative Focus Control: Features a non-linear focus scale for precise adjustments at close distances and smooth, round bokeh from a 9-blade iris.
Dynamic Dimensionality: Provides a sharp center with a signature “roll-off” toward the edges, mimicking how the human eye perceives depth.
Seamless Integration: Perfectly color-matched to the Cooke Panchro/i Classic series, making them ideal “B-camera” lenses for larger productions.
Future-Proof: Capable of resolving detail for 8K sensors and beyond.
cost: 19,900 EURO
(t)
Marko Procházka
marko@filmsupport.sk
12-26-2025
The Cooke S7/i Full Frame Plus series is a flagship lineup of spherical prime lenses designed to cover large format sensors up to 46.31mm. Known for delivering the iconic “Cooke Look®,” these lenses strike a balance between modern technical precision and a smooth, organic aesthetic.
Key Features and Benefits
Optimized Full Frame Coverage: Designed to cover sensors up to Red Weapon 8K, Arri Alexa LF, and Sony Venice (VistaVision and beyond).
The “Cooke Look®”: Offers a unique combination of sharpness, smooth contrast, and a pleasing “roundness” to the image.
Exceptional Flare Control: Engineered to minimize veiling glare and control flares even at a wide-open T2.0 aperture.
Organic Bokeh: Features a nine-leaf linear iris for smooth, natural-looking out-of-focus highlights.
Integrated /i Technology: Captures frame-by-frame metadata (focus, iris, and depth-of-field) to streamline post-production and VFX workflows.
Mechanical Precision: Uses an Academy Award-winning cam-style focus mechanism for smooth, backlash-free adjustments and expanded focus scales.
Color Consistency: Meticulously color-matched to work seamlessly with S4/i, Anamorphic/i, and Panchro/i Classic series.
Cost: TBD
Germany
Leonard Schmidt
Manager
+49 178 9317 970
leo@altglas-rental.com
altglas-rental.com
Price Research
NEWLIFECINE: one set for 99,000 dollars
JUSTCINEMAGEAR:one set for 105,950 dollars
AI says:
Standard Market Value $90,000 – $105,000 Good condition; often sold by reputable brokers or smaller rental houses.
Used Single Cooke S7I 180mm for Sale
Cooke S7/i 180mm T2.0 is a high-performance telephoto prime lens designed for the demanding requirements of full-frame cinematography. It delivers the legendary “Cooke Look”—characterized by smooth, organic skin tones and a gentle roll-off—while providing the technical precision needed for 8K resolution.
Full-Frame Plus Coverage: Features a 46.31mm image circle, making it compatible with large-format sensors like the RED V-RAPTOR, ARRI ALEXA Mini LF, and Sony VENICE.
Fast T2.0 Aperture: Provides exceptional low-light performance and a shallow depth of field for beautiful, cinematic bokeh.
Integrated /i Technology: Automatically records vital lens metadata (focus, iris, and depth-of-field) for every frame, significantly streamlining VFX and post-production workflows.
Precision Mechanics: Equipped with an Academy Award-winning cam-style focus mechanism and 270° of rotation for highly accurate focus pulling.
Color-Matched Performance: Specifically engineered to match the color and contrast of other Cooke series (S4/i, 5/i, and Anamorphic/i) for seamless intercutting.
Durable Build: Finished with a scratch-resistant PTFE hard anodized coating to withstand extreme environmental conditions on set.
Cost: $18,000
(R) 12/18/2025
Regina Kao
t00360@cs.chengseng.com.tw
+886 935 088753
12-18-2025
CKS7I-180
S/N. 7180.0827
—
Price Investigation:
Newlifecine: does not have one
Justcienmagear: does not have one
AI says :
Based on current listings in the global secondhand market for cinema equipment, the average price for a Used Cooke S7/i 180mm T2.0 typically ranges between $14,500 and $23,000 USD (approx. €13,800 – €21,800).
Broker/Dealer (CVP, Usedful) $14,500 – $22,000 Often sold as “ex-demo” or on consignment; usually includes a 90-day warranty.
Individual Listing (eBay, FB Groups) $13,500 – $20,000 Potential for lower prices but higher risk; condition varies significantly.
New (MSRP Reference) ~$32,000 For context, a brand-new unit retails around this mark.
