TRIBE7 BLACKWING7 T-Tuned 17mm T1.9
TRIBE7 BLACKWING7 T-Tuned 20.7mm T1.9
TRIBE7 BLACKWING7 T-Tuned 23.7mm T1.9
TRIBE7 BLACKWING7 T-Tuned 27mm T1.9
TRIBE7 BLACKWING7 T-Tuned 37mm T1.9
TRIBE7 BLACKWING7 T-Tuned 47mm T1.9
TRIBE7 BLACKWING7 T-Tuned 57mm T1.9
TRIBE7 BLACKWING7 T-Tuned 77mm T1.9
TRIBE7 BLACKWING7 T-Tuned 107mm T1.9
TRIBE7 BLACKWING7 T-Tuned 137mm T1.9
The TRIBE7 BLACKWING T-Tuned lenses are the core offerings in the Blackwing series, designed specifically for large-format motion picture imaging, and are known for their distinct aesthetic and character-rich optics. They represent the “Standard Expressive” tuning, balancing clinical performance with artistic artifacts.
Key Features and Benefits
Aesthetic Character: Recreates the appealing optical looks and warmth characteristic of classic cinema lenses from the 1950s through the 1980s.
Controlled Distortion: The design intentionally introduces and controls optical distortion during manufacturing, leading to unique imaging properties and strong artistic resonance.
Flare Profile: Offers a moderately expressive aesthetic that generates distinct ghost flares in light green, blue, and deep purple.
Tunable Parameters: Provides modular control over key image characteristics, allowing modification of sharpness, contrast, subtle distortion, edge halation, and focus roll-off.
Large Format Compatibility: Purpose-built for modern large-format cameras and full-frame sensors.
The core philosophy behind the T-Tuned lenses is analogous to using equalization (EQ adjustment) in audio production, ensuring the image possesses a “musical fidelity” with curated optical characteristics that suit the filmmaker’s intent. T-Tuned lenses are priced between the subdued S-Tuned and the hyper-expressive X-Tuned, establishing them as the standard option for this expressive optical style
Cost : 110K ( three flightcases included )
Prices
Newlifecine has one of 9 for 105,000 dollars
Justconegear has : set of 7 – 79,850 / set of 6 – 61,000
Set of 8 – 78,500 / set of 6 – 78,500
The Kowa Spherical TLS Lenses are vintage Japanese cinema primes from the 1960s (originally Kowa Cine Prominar) that have been modernized by True Lens Services (TLS) with new mechanical housings. They are famous for their unique, classic aesthetic, often compared to Super Baltar lenses.
Key Features
Distinct Vintage Look: Sharp in the center, with medium-to-low contrast to preserve shadow and highlight detail, creating a flattering, cinematic image.
Signature Flares: Produce unmistakable gold and amber lens flares due to their single-layer coatings.
Modern Reliability: TLS rehousing adds durable, high-grade housing, a smooth cam-form focus drive, and industry-standard mechanics (like a 110mm front ring), making them ideal for modern cinema production.
Versatile Use: Popular for a wide range of projects, from commercials to feature films, with many focal lengths covering Full Frame (FF) sensors in addition to Super 35 (S35).
$80k USD
(TH)
Logan Schneider
Loganschneider@mac.com
tim@2020camera.com
(310) 745-4044
CA, US
Includes:
S35 Cooke Panchro Classic 18mm
S35 Cooke Panchro Classic 25mm
S35 Cooke Panchro Classic 32mm
S35 Cooke Panchro Classic 40mm
S35 Cooke Panchro Classic 50mm
S35 Cooke Panchro Classic 75mm
S35 Cooke Panchro Classic 100mm
The used S35 Cooke Panchro Classic Set of 7 lenses offers filmmakers a legendary lineup of prime lenses known for their warm, organic image quality and exceptional build. Covering focal lengths from 18mm to 100mm (18, 25, 32, 40, 50, 75, 100mm), this set delivers versatile coverage for Super 35 sensor cameras, making it perfect for narrative, commercial, and documentary productions. Each lens maintains the iconic Cooke “look” with smooth focus, minimal distortion, and beautiful color rendering, ensuring timeless cinematic results.
Features:
Designed for Super 35 sensors
Classic Cooke Panchro “warm” image signature
High-quality glass with minimal distortion
Smooth, precise manual focus rings
Robust, durable construction
Ideal for narrative and commercial filmmaking
Consistent T-stop values across the set
Compatible with follow focus and matte boxes
Proven industry-standard vintage optics
(M) (Captured by Th)
Ryan de Franco
ryan.defranco@gmail.com
646.895.2182
23-10-2025
Hanse Celere Superspeed 18.5mm
Hanse Celere Superspeed 25mm
Hanse Celere Superspeed 36mm
Hanse Celere Superspeed 50mm
Hanse Celere Superspeed 85mm
The Hanse Celere Superspeed (also known as Celere High Speed or HS) lenses are a line of German-manufactured cine primes known for providing high-speed, full-frame coverage in a consistent, cine-ready housing.
High-Speed T1.5 Aperture Excellent low-light performance and ability to achieve extremely shallow depth of field (bokeh).
Full-Frame/VistaVision Coverage Covers large-format sensors (up to 8K VistaVision), future-proofing the investment.
Uniform Design (Weight/Size) Lenses (excluding the 18.5mm) share the same length, weight, and gear positions, allowing for fast, easy swaps on gimbals and Steadicam rigs without re-balancing.
Cine Mechanics Minimal focus breathing, 250° to 300° focus rotation, and internal focus design for professional camera assistants.
Interchangeable Mount System Easily swap between PL, Canon EF, and Sony E mounts, offering high versatility across different camera systems.
Cost 19.5k $
Andrey But
andrey.but@ozero.design
Zodiac Film
+380 (99) 100 45 45
Berlín
Market Price search:
Newlife cine does not have any
justcinemagear does not have any
AI says:
The average price for a used Hanse Celere Superspeed (or High Speed) set of 5 lenses on the second-hand market for film and digital video gear appears to range between $15,000 and $23,000 USD worldwide.
Zeiss CP.2 15/2,9
Zeiss CP.2 21/2,9
Zeiss CP.2 28/2,1
Zeiss CP.2 35/1,5
Zeiss CP.2 50/1,5
Zeiss CP.2 85/1,5
Zeiss CP.2 135/2,1
+ Case
The Zeiss Compact Prime CP.2 lenses are a popular, versatile series of cine prime lenses designed primarily for film and video production, including use with HDSLRs.1 They’re known for offering professional cinema features at a more accessible price point than traditional high-end cine lenses.
Key Features and BenefitsFeatureBenefit
Interchangeable Lens Mount System (IMS)Offers exceptional versatility, allowing use on a wide array of cameras (cine and still) with different mounts (PL, EF, F, Micro 4/3, E-mount) by simply swapping the mount.
Full-Frame 35mm CoverageEnsures compatibility with large sensor cameras (like full-frame DSLRs and cinema cameras) and is “future-proof” for sensors larger than Super 35.
Cine-Style Housing and MechanicsFeatures a robust build, standardized focus and iris gear positions, and a consistent front diameter ($114 \text{ mm}$ for most), simplifying on-set work with follow focus units and matte boxes.
14-Blade IrisCreates a nearly perfectly round aperture, resulting in smooth, pleasing out-of-focus areas (bokeh) and attractive highlight rendition.
Long Focus Rotation ($\sim300^{\circ}$)Allows for extremely precise and repeatable focus pulling, essential for professional cinematography.
T* Anti-Reflex CoatingProvides excellent flare suppression and high contrast, contributing to sharp, punchy images with great color rendition.
Color MatchedAll lenses in the series are color-matched to ensure consistency when swapping focal lengths, simplifying color grading in post-production.
Rafael Navarro
Mangosta Street <rafa.navarro@mangosta.es>
Cost TBD
Market prices research:
Newlifecine: has one in 12,400 dollars
Justcinemagear has one of 4 lenses at 8,990, one for 6 lenses at 16,650 one of 5 lenses at 9,500 and one of 9 lenses at 18,650
AI says : The average price for a used set of 7 Zeiss CP.2 Compact Prime lenses on the second-hand market for film and digital video gear appears to fall within a range, generally:$$\mathbf{\$9,000 \text{ to } \$13,000 \text{ USD}}$$
R-10-21-2025
ZEISS ULTRA PRIME 12mm
ZEISS ULTRA PRIME 16mm
ZEISS ULTRA PRIME 20mm
ZEISS ULTRA PRIME 24mm
ZEISS ULTRA PRIME 32mm
ZEISS ULTRA PRIME 40mm
ZEISS ULTRA PRIME 50mm
ZEISS ULTRA PRIME 85mm
ZEISS ULTRA PRIME 135mm
High-performance, lightweight standard-speed prime lenses co-developed by ARRI and ZEISS. They are industry work-horses, widely used in professional film and television production, and are optically matched to the high-speed ARRI/ZEISS Master Prime lenses.
Features:
Widest Focal Range: Offers a comprehensive set (e.g., 8mm to 180mm) providing great flexibility for varied cinematic needs.
High Optical Quality: Delivers maximum contrast, high resolution, and crystal-clear color rendition across all focal lengths.
Achromatic Correction: Well-controlled distortion, breathing, and minimized chromatic/spherical aberrations.
Robust Design: Durable and service-friendly construction with floating elements for consistent performance.
Ergonomics: Lightweight, standard front diameters, and uniform lens scales for fast and easy use on set.Optical Match: Perfect match to the Master Prime series, allowing for seamless interchangeability in a single production.
$42,000
TH
Alessandro Dominici
uno@alessandrodominici.com
3356378591
Canon FL – GL Rehoused 19mm f3.5
Canon FL – GL Rehoused 28mm f3.5
Canon FL – GL Rehoused 35mm f2.5
Canon FL – GL Rehoused 58mm f1.2
Canon FL – GL Rehoused 85mm f1.8
The GL Optics rehoused Canon FL prime lenses are a set of vintage still photography lenses from the 1960s that have been professionally modified for modern cinema use. By rehousing the original Canon FL optics into new, robust cinema-style housings, GL Optics transforms them into tools that offer a unique “vintage” look while providing the mechanical and physical consistency required on a film set. The Canon FL series predates the more widely known Canon FD lenses and offers a distinct optical character, often compared to the highly regarded Canon K35 primes.
Key Features and Benefits
Vintage Aesthetic: The lenses are known for a warm, organic, and slightly desaturated color rendition, with pleasing lens flares and a subtle halation. This gives a sought-after cinematic feel, setting them apart from the clean look of modern lenses.
Professional Rehousing: GL Optics’ rehousing process provides a durable, modern cinema housing. This includes a standardized front diameter (often 95mm), a uniform position for focus and iris gears across the set, and improved mechanics for cinema-level operation.
Improved Usability: The new housings feature a longer, smoother focus throw (often 330 degrees) for precise focus pulls. They also often have improved close-focus distances compared to the original still lenses.
Full Frame Coverage: The lenses are designed to cover full-frame sensors and in some cases, even Vista Vision (Red VV 8K) formats, making them suitable for a wide range of modern digital cinema cameras.
Mount Versatility: While primarily rehoused for a PL mount, interchangeable mounts such as EF and Sony E are often available.
Comparable to Canon K35: Their optical characteristics, including pleasing bokeh and sharpness, are often compared to the legendary Canon K35 prime lenses, but at a more accessible price point.
Cost Price: $24,000 OBO
Ruben Contreras
bvcx1984@gmail.com
New Life Cine does not have it
Justcinemagear: Canon FL GL rehoused lenses set of 5: $ 26,850
16 mm S4i
25 mm S4
32 mm S4
40 mm S4i
50 mm S4
75 mm S4
135 mm S4
The Cooke S4 Prime Lenses are renowned cinema lenses designed for professional filmmaking, offering exceptional optical performance, natural rendering, and the signature “Cooke Look.” Widely used in feature films, commercials, and high-end productions, they deliver sharpness, warmth, and smooth focus transitions.
Key Features
Wide Focal Range: Available from 12mm to 300mm to cover all production needs.
Consistent T2 Aperture: Provides reliable low-light performance and depth-of-field control.
The “Cooke Look”: Warm, natural skin tones and gentle contrast for a cinematic aesthetic.
Lens Data System (i Technology): Records critical metadata (focus, iris, zoom) for VFX and post-production.
Minimal Distortion & Breathing: Ensures smooth, accurate focus pulls.
Durable Build: Designed for rigorous professional use with robust mechanics.
Uniform Design: Matched color and handling across the range for seamless intercutting.
TBD
MD
Sebastián Sorin
Director
1536625900
www.vimeo.com/sebastiansorin
Sebastian Sorin <sebastiansorin@hotmail.com>
Includes:
TLS Bausch & Lomb Super Baltar 20mm
TLS Bausch & Lomb Super Baltar 25mm
TLS Bausch & Lomb Super Baltar 35mm
TLS Bausch & Lomb Super Baltar 50mm
TLS Bausch & Lomb Super Balter 75mm
TLS Bausch & Lomb Super Baltar 100mm
TLS Bausch & Lomb Super Baltar 152mm
Features:
Vintage Optical Characteristics:
Warm Tones and Low Contrast: Super Baltars are celebrated for their warm color rendition and a gentle, medium-to-low contrast that is incredibly flattering, especially for skin tones.
Pleasing Bokeh: They produce a consistently beautiful, textured bokeh with a smooth focus roll-off that makes subjects pop while the background becomes soft and painterly.
Distinctive Flares: The lenses have a trademark blue, purple, and amber coating that creates unique, cinematic flares when a light source hits the front element.
Organic Imperfections: Unlike modern, clinically sharp lenses, they have softer edges and a subtle glow, giving the image an organic, dreamy quality.
Modern TLS Rehousing Features:
Robust and Consistent Mechanics: The new housings are durable and designed with a cam-drive focus system that provides a smooth, reliable, and repeatable focus pull.
Standardized Design: All lenses in the set have a common front diameter (usually 110mm) and matching gear positions for focus and iris, making them compatible with modern matte boxes and follow focus systems.
Improved Close Focus: The rehousing process often allows for a much closer minimum focus distance than the original lenses, adding to their versatility.
PL Mount Compatibility: They are rehoused with a modern PL mount, ensuring they can be used with a wide range of professional cinema cameras.
Cost: 70000 GBP
September 17, 2025
(M)
Simon Paul
United Kingdom
Email: simonpaul7@mac.com
Telephone: +7831400850
Includes:
Cooke Speed Panchros S2/S3 18mm(T2.2)
Cooke Speed Panchros S2/S3 25mm(T2.2)
Cooke Speed Panchros S2/S3 32mmT2.3)
Cooke Speed Panchros S2/S3 50mm (T2.3)
Cooke Speed Panchros S2/S3 75mm (T2.3)
Cooke Speed Panchros S2/S3 100mm (T2.3)
Cooke Speed Panchros S2/S3 152mm (T2.8)
Features:
Vintage “Cooke Look” Optical Features:
Distinctive Cinematic Character: The lenses are known for the “Cooke Look”—a warm, organic, and slightly soft image that is highly flattering, particularly for skin tones.
Gentle Focus Roll-off: They provide a pleasing, gradual transition from sharp focus to a dreamy, painterly background bokeh.
Subtle Imperfections: The lenses have a low contrast and controlled, but beautiful, flare and vignette, adding to their unique, vintage appeal.
Warm Tones: They tend to render images with a slightly warm color cast, which is often considered a desirable quality.
Modern TLS Rehousing Features:
Robust Mechanics: The new housings are durable and designed for the rigors of modern filmmaking, with a similar feel and build to modern Cooke S4/i lenses.
Standardized Design: The rehousing provides standardized features like a PL mount, a common front diameter (often 110mm), and uniform gear positions for focus, iris, and zoom, making them easy to use with modern matte boxes and follow focus systems.
Smooth Operation: The new mechanics provide an incredibly smooth focus movement with no play, allowing for precise and repeatable focus pulls.
Improved Minimum Focus: The rehousing allows for closer minimum focus distances compared to the original, un-rehoused lenses, offering more versatility.
Code:
Cost:60000 GBP
September 17, 2025
(M)
Simon Paul
United Kingdom
Email: simonpaul7@mac.com
Telephone: +447831400850
