Includes:
1x Camera Case
1x Arriflex 416 PLUS with LCS Radio Module (yellow)
with Finder and Ocular , 2 Finder Covers
1x IVS Integrated Video System 416 – PAL
1x SCH-2 Standard Camera Handle 416
1x Shoulder Pad 416
1x LWS-5 Lightweight Support 416
1x LRB-2 Left Rod Bracket
1x BP-10 Split Bridge Plate Set 19mm 416
1x MEE-1 Medium Eyepiece Extension 416/235
1x LMM-2 Low Mode Set 416
1x Camera Handgrip right with on/off
1x Magazine Case
4x Shoulder Magazines 120m/400ft
Ultra 16 set of lenses focals: 6, 8, 9.5, 12, 14, 18, 25, 35 & 50mm T1.3, Metric scale, PL Mount.
Cost: EUR €125.000
Sell Price: EUR €140.000 FOB
Markus Schmidle
markus.schmidle@fgv-rental.de
+49 89 680 90 90
Germany
March 6th 2026
(J)
The ARRI Zeiss Ultra 16 set of 9 lenses (6mm to 50mm) represents the pinnacle of optical engineering for the Super 16mm format, delivering a modern, high-contrast look that elevates 16mm film and digital sensors to their highest potential. Developed in a prestigious partnership between ARRI and Zeiss, these primes were designed to provide the same elite performance characteristics as the 35mm Master Primes but optimized for the smaller S16 image circle. Every lens in this comprehensive set features a consistent T1.3 aperture, enabling exceptional low-light performance and a remarkably shallow depth of field rarely seen in this format. With a unified 95mm front diameter, standardized gear positions, and precise color matching to the Ultra Prime and Master Prime families, this metric-scale kit is the professional standard for narrative features, high-end documentaries, and commercials seeking an organic yet sharp cinematic texture.
Key Features:
Complete 9-Lens Focal Range: Includes 6, 8, 9.5, 12, 14, 18, 25, 35, and 50mm for total narrative versatility.
Ultra-Fast T1.3 Aperture: Consistent speed across the entire set for superior low-light shooting and precise depth-of-field control.
T XP Anti-Reflex Coating:* Advanced Zeiss multi-layer coating ensures high contrast, deep blacks, and exceptional flare resistance.
Super 16 Format Optimized: Specifically engineered to provide edge-to-edge sharpness and minimal distortion on S16 film and digital sensors.
Matched Ergonomics: Features a standardized 95mm front diameter and identical gear positioning for rapid lens swaps without moving accessories.
Super Color Matched: Calibrated to intercut seamlessly with ARRI Master Primes and Ultra Primes for multi-format productions.
Exceptional Close Focus: Retains outstanding optical quality at minimum object distances, with the 6mm focusing as close as 0.2m.
Cost: EUR €70.000
Sell Price: EUR €79.000 FOB
Markus Schmidle
markus.schmidle@fgv-rental.de
+49 89 680 90 90
Germany
March 6th 2026
(J)
Includes:
TLS Cooke Panchro 18mm T 2.2
TLS Cooke Panchro 25mm T 2.2
TLS Cooke Panchro 32mm T 2.3
TLS Cooke Panchro 40mm T 2.3
TLS Cooke Panchro 50mm T 2.3
TLS Cooke Panchro 75mm T 2.3
TLS Cooke Panchro 100mm T 2.8
The TLS Cooke Speed Panchro set is a masterclass in blending vintage soul with modern precision. True Lens Services (TLS) takes original Cooke Speed Panchro optics (Series II and III) from the 1920s–1960s and rehouses them into robust, professional cinema housings that meet contemporary production standards. This 7-lens set is world-renowned for “The Cooke Look”—a warm, organic aesthetic that remains the gold standard for rendering skin tones and creating a “painterly” feel.
Key Features:
Authentic “Cooke Look” Optics: By utilizing original 1950s glass, these lenses deliver a warm, “painterly” aesthetic with a gentle focus roll-off and pleasing flares that cannot be perfectly replicated by modern digital sensors or post-production.
Precision Cam-Style Focus System: The award-winning internal focus mechanism provides zero backlash and no image shift, giving focus pullers high-accuracy marks that remain consistent regardless of direction change.
Standardized Cinema Housing: All lenses feature a uniform 110mm front diameter and identical gear positions for focus and iris (0.8 MOD), allowing for lightning-fast lens swaps without readjusting matte boxes or follow-focus motors.
Modern Mechanical Durability: Built from stainless steel, brass, and aircraft-grade aluminum, the rehousing transforms delicate vintage glass into a “workhorse” set capable of withstanding the rigors of modern, high-pressure film sets.
Optimized Close Focus: The TLS engineering often improves upon the original minimum object distance, allowing for intimate, warm close-ups with a unique sense of depth and character.
Universal Compatibility: Upgraded with high-grade stainless steel PL mounts, these vintage optics are easily mounted to any modern cinema camera system, from ARRI Alexas to RED V-Raptors.
Cost: 51k USD
(t)
Hector barron
twosticksandtape@gmail.com
3-2-2026
The Zeiss Standard Prime 14mm T2.1 Mk. II is a cornerstone of professional wide-angle cinematography, offering a slightly more controlled field of view than the 12mm while maintaining the series’ legendary optical clarity. This Mark II iteration features refined mechanical housing and the iconic T-star (T*) anti-reflective coating, which work together to produce images with high contrast and minimal flare. Specifically designed for Super 35mm formats, the 14mm is prized for its ability to capture expansive environments with remarkably low geometric distortion, making it a go-to choice for architectural interiors and wide establishing shots where straight lines must remain true. Its lightweight, compact build ensures it remains a versatile favorite for Steadicam, gimbal, and handheld applications where every gram of weight matters.
Key Features:
Wide 14mm Focal Length: Bridges the gap between extreme wide-angle and standard wide perspectives for a natural, immersive view.
Consistent T2.1 Aperture: Delivers reliable low-light performance and matches the exposure characteristics of the entire Standard Prime set.
Legendary T Anti-Reflective Coating:* Enhances light transmission and color saturation while effectively suppressing ghosting and internal reflections.
Low Geometric Distortion: Carefully engineered optical path ensures minimal “barrel” effect, keeping architectural lines straight.
Compact and Lightweight Profile: Its small form factor allows for easy balancing on modern stabilization systems and drones.
Intercut Compatibility: Color-matched to integrate seamlessly with the rest of the Zeiss Standard and Super Speed prime families.
Durable PL Mount Construction: Features precision mechanics designed to withstand the rigors of professional film and television sets.
Cost: 10.800 EUR
Sell Price: 12.100 EUR
Joachim Zunke
zunkejoachim@googlemail.com
+1 3232035855
Los Angeles, California
March 2nd 2026
(J)
The Zeiss Standard Speed Prime 12mm T2.1 Mk. II is a legendary wide-angle lens that has long been a staple in professional cinematography for its exceptional sharpness and compact form factor. Part of the renowned Standard Prime family, the Mark II version features improved mechanical housing and refined T-star (T*) anti-reflective coatings to minimize flare and enhance contrast. Designed primarily for Super 35mm film and digital sensors, this lens offers a classic, natural aesthetic that avoids the heavy distortion often associated with extreme wide-angle glass. Its small physical footprint makes it an ideal choice for tight interior locations, handheld configurations, and vintage-style POV shots where a precise, distortion-free perspective is required.
Key Features:
Wide 12mm Focal Length: Provides an expansive field of view, perfect for architectural shots and immersive close-ups.
Fast T2.1 Aperture: Offers excellent low-light performance and consistent exposure across the Standard Prime set.
Refined Zeiss T Coatings:* Advanced multi-layer coatings ensure high contrast and minimize ghosting or internal reflections.
Ultra-Compact Design: Extremely lightweight and small, making it perfect for gimbals, drones, and constrained shooting environments.
Minimal Geometric Distortion: Engineered to maintain straight lines even at the edges of the wide-angle frame.
Classic Zeiss Color Science: Calibrated to match seamlessly with the 16mm, 24mm, 32mm, and 50mm Standard Primes.
Robust PL Mount: Features industry-standard mechanical reliability for precise focus pulls and professional camera compatibility.
Cost: 8.800 EUR
Sell Price: 10.000 EUR
Joachim Zunke
zunkejoachim@googlemail.com
+1 3232035855
Los Angeles, California
March 2nd 2026
(J)
The ARRI Signature Prime Set of 6 Lenses (18, 25, 35, 58, 75, and 95mm) represents the pinnacle of modern large-format optics, offering a unique “organic” aesthetic that balances cutting-edge precision with a gentle, natural rendering. Designed to cover sensors up to 46mm, these lenses are engineered with magnesium barrels for a lightweight yet robust build, making them ideal for both studio configurations and mobile camera rigs. The Signature Primes are celebrated for their creamy, smooth bokeh, exceptionally low distortion, and a fast T1.8 aperture across the set, providing cinematographers with a consistent look that features flattering skin tones and a timeless, three-dimensional character that remains sharp without ever feeling clinical.
Key Features:
Large Format Coverage: Specifically designed to cover the full-frame and large-format sensors of cameras like the ARRI Alexa 35, Mini LF, and Alexa 65.
Consistent T1.8 Aperture: Every lens in this 6-lens set maintains a fast T1.8 stop, ensuring uniform exposure and shallow depth-of-field control across all focal lengths.
Detachable Rear Filter Holder: Features a unique magnetic rear filter holder, allowing cinematographers to easily customize the look with vintage glass, nets, or creative filters.
Advanced LPL Mount: Utilizes the Large Positive Lock (LPL) mount for superior stability and communication of LDS-2 metadata for VFX and post-production.
Lightweight Magnesium Design: Engineered for maximum durability and thermal stability while remaining significantly lighter than traditional cinema primes.
Natural Skin Tones and Soft Bokeh: Optimized to produce a gentle, cinematic roll-off and rounded highlights with minimal chromatic aberration.
Virtually Zero Distortion: Advanced optical engineering ensures straight lines remain straight, even at the 18mm wide-angle end.
Cost: USD $95,000
Mahmoud Alnabhan
mahmoudalnabhan11@gmail.com
+971545591943
Dubai, United Arab Emirates
Feb 27th 2026
(J)
Includes:
Cooke Panchro FF 21mm T2.2
Cooke Panchro FF 25mm T2.2
Cooke Panchro FF 32mm T2.2
Cooke Panchro FF 40mm T2.2
Cooke Panchro FF 50mm T2.2
Cooke Panchro FF 65mm T2.4 (Macro)
Cooke Panchro FF 75mm T2.2
Cooke Panchro FF 100mm T2.6
The Cooke Panchro/i Classic FF set is a modern reimagining of the legendary Speed Panchro lenses from the 1920s. This set of 8 primes (21mm to 100mm) is engineered to cover Full Frame sensors while preserving the vintage “Cooke Look”. The set is designed for cinematographers who want the soul of vintage glass combined with the reliability of modern mechanics. Each lens is color-matched to the rest of the Cooke family, ensuring seamless intercutting. Most lenses in this series feature a fast T2.2 aperture, though the longer focal lengths like the 100mm (T2.6) and the 65mm Macro (T2.4) vary slightly to maintain optical performance.
Key Features:
Full Frame Coverage: Optimized for image circles up to 46.3mm, making them compatible with ARRI Alexa LF, Sony VENICE, and RED V-Raptor.
The “Cooke Look”: Provides a signature warmth and “smoothness” that flatters faces and handles highlights naturally without being overly clinical.
/i Technology: Built-in metadata sensors provide frame-by-frame data (focus, iris, and depth-of-field) to the camera, which is essential for modern VFX and virtual production.
Cam-Style Focus: Features Cooke’s Academy Award-winning focus mechanism for smooth, backlash-free movement and expanded focus scales for precision pulling.
Physical Consistency: Standardized 110mm front diameters and consistent gear positions across the set allow for rapid lens changes without moving follow-focus motors or matte boxes.
Macro Capability (65mm): The 65mm lens doubles as a macro prime, allowing for extreme close-ups without needing specialized adapters.
Cost: TBD
(t)
Anthony Pawley/SCC Mail
anthony@southerncrosscameras.com
2-27-2026
Includes:
2x Namuk Case
The Cooke S4 series is the definitive “workhorse” of modern cinema. Known for establishing the “Cooke Look,” these lenses provide a smooth, organic aesthetic that is widely considered the most flattering for human faces. They were designed to bridge the gap between technical perfection and artistic character, offering high resolution and contrast without the clinical, “sterile” feel of some modern optics.
Key Features:
The “Cooke Look”: Famous for “creamy” skin tones, a warm color palette, and a gentle transition from sharp focus to a smooth, painterly background (bokeh).
Super 35 Coverage: Designed specifically for the Super 35mm format, making them compatible with almost all professional cinema cameras.
T2.0 Speed: A fast and consistent T2.0 aperture across the set (excluding the 300mm) allows for excellent low-light performance and shallow depth-of-field.
Cam-Style Focus: Features a specialized mechanical design that provides a silky, backlash-free focus pull with 300° of rotation for extreme precision.
Color Matched: Every lens in the set is meticulously calibrated to ensure consistent color and contrast, eliminating the need for heavy grading to match shots.
Optical Control: Superior management of flare, distortion, and spherical aberration, ensuring the image remains clean even when shooting wide open.
Mechanical Reliability: Built with a rugged, scratch-resistant finish and standardized gear positions for quick lens changes on set.
Cost: $50K
(t)
Luca Salvi
+32 499 83 64 45
lucasalvicinematography@gmail.com
2-23-2026
The ARRI Ultra Prime series, co-developed with ZEISS, remains one of the most versatile and widely used sets of cinema lenses in the industry. Known for their “clean” look—marked by high contrast, sharpness, and minimal distortion—they serve as the standard-speed counterpart to the high-speed Master Prime series.
+1
Key Features and Benefits
Vast Focal Range: Offers one of the widest selections in the industry, ranging from the extreme wide-angle 8R (T2.8) to the 180mm (T1.9) telephoto.
Superior Optical Precision: Delivers high resolution and contrast across the entire Super 35 frame, even when shooting wide open or at close-focus distances.
Floating Elements: Utilizes an internal focus design with floating elements to eliminate “breathing” (image shift when focusing) and ensure sharpness at every distance.
Mechanical Consistency: Most lenses in the set feature a uniform 95mm front diameter and consistent gear positions, allowing for lightning-fast lens swaps without moving matte boxes or follow-focus motors.
Color Matching: Perfectly color-matched to other ARRI/ZEISS lenses, ensuring a seamless look when cutting between different focal lengths or lens series.
Compact & Lightweight: Their relatively small footprint makes them ideal for handheld work, gimbals, and Steadicam configurations.
Technical Snapshot
Feature Specification
Sensor Coverage Super 35
Standard Aperture T1.9 (most focal lengths)
Aperture Range T1.9 to T22
Lens Mount PL Mount (LDS versions available)
Front Diameter 95mm (Standard); 114mm/134mm/156mm (Select Wide/Tele)
Cost : asking price for the UP set is 22k
Santa Monica, California
Benjamin Strang
443-875-5896
strang.benjamin@gmail.com
Prices
Justcinemagear: 27,900 – 24,950 – 19,500
newlifecine: 22,000 –
AI: In the current second-hand market, a used Arri/Zeiss Ultra Prime Set of 5 lenses generally sells for between $28,000 and $33,000 USD.
While individual lenses can vary in price based on focal length (with wider and longer lenses typically fetching a premium), these sets are almost always sold in standard “kits” of five.
The Leica Summilux-C (now under the Leitz Cine brand) represents the pinnacle of high-speed prime lenses for cinematography. This set of 8 lenses is engineered to deliver a “creamy sharpness” that captures subjects with a natural, organic feel while maintaining extreme clarity and technical precision. Originally honored with a Scientific and Engineering Award from the Academy of Motion Picture Arts and Sciences, these lenses are a favorite for high-end feature films and commercials due to their unique combination of speed, compact size, and telecentric optical design.
Key Features:
T1.4 High-Speed Aperture: Offers exceptional low-light performance and ultra-shallow depth of field, allowing for dramatic subject separation from the background.
“Creamy Sharpness” Rendering: Delivers high contrast and resolution on fine details while maintaining a soft, natural, and flattering look for human skin tones.
Patented Focus Mechanism: Features an expanded focus scale in the most critical range (close focus), providing 300° of rotation for high-precision focus pulling.
Telecentric Optical Design: Minimizes chromatic aberration and ensures illumination stays consistent from the center to the extreme corners of the frame.
Compact & Lightweight Build: Averaging just 1.7 kg (3.7 lbs) and 142mm (5.6″) in length, these are among the smallest high-speed primes, making them perfect for gimbals, drones, and handheld rigs.
Zero Breathing: Engineered to eliminate “breathing” (shifts in the field of view) when racking focus, ensuring clean, professional transitions.
Titanium PL Mount: Uses high-grade titanium for a lens mount that is significantly stronger and more thermally stable than standard steel.
Matched Physical Specs: Uniform 95mm front diameters and aligned gear positions allow for lens swaps without needing to move matte boxes or follow-focus motors.
Cost: $120,000
(t)
Asif Limbada
asiflimbada@icloud.com
+1 647 786 6722
2-18-2026
