Includes:
Custom Jasons Case
The Tokina Cinema Vista Prime lens set is a series of high-performance, large-format cinema lenses designed for modern cinematography. Known for their ultra-fast T1.5 speed and massive 46.7mm image circle, they cover full-frame and VistaVision sensors with ease. These lenses are engineered to be “future-proof,” offering 8K resolution and virtually no focus breathing, making them a popular choice for high-end digital cinema and television production.
Key Features:
Large Format Coverage: A 46.7mm image circle ensures compatibility with almost every motion picture sensor, including RED VistaVision and ARRI Alexa LF.
Ultra-Fast T1.5 Aperture: Excellent low-light performance and the ability to create a very shallow depth of field.
Virtually Zero Focus Breathing: Maintains a consistent frame while pulling focus, a critical requirement for professional cinema.
8K Resolution Ready: Provides ultra-sharp, high-contrast imagery that resolves even the highest resolution sensors.
Physical Consistency: Standardized 114mm front diameters and uniform gear positions allow for rapid lens changes without re-adjusting matte boxes or follow focus motors.
Pleasing Bokeh: A 9-blade curved iris produces smooth, round out-of-focus highlights and a natural background fall-off.
Precision Control: A long 300° focus rotation provides maximum precision for focus pullers.
Interchangeable Mounts: Available in PL, EF, Sony E, LPL, and MFT mounts for versatile camera compatibility.
Cost: TBD
(t)
Gian Carlo Stigliano
carlostigsdp@gmail.com
1-20-2026
Cooke miniS4/i prime lenses (originally released as “Panchro/i”) are designed to provide the world-renowned “Cooke Look” in a smaller, lighter, and more affordable package. They are optically matched to the flagship S4/i series, making them a staple for handheld, gimbal, and drone work where size and weight are critical.
Key Features and Benefits
The “Cooke Look”: Delivers the signature warm, smooth, and organic aesthetic with a gentle “roll-off” from sharp focus to a pleasing bokeh.
Compact & Lightweight: Approximately one stop slower than the S4/i series (T2.8 vs T2.0), allowing for a significantly smaller form factor ideal for compact camera rigs.
i/Technology Metadata: Equipped with electronic contacts to record vital lens data (aperture, focus, depth-of-field) for every frame, streamlining post-production and VFX workflows.
Color Matching: Factory-calibrated to match the color and contrast of the S4/i, 5/i, and Anamorphic/i series, allowing for seamless intercutting.
Exceptional Flare Control: Advanced optical design provides superior control over flare, distortion, and spherical aberration even at full aperture.
Standardized Mechanics: Most lenses in the set feature a common 87mm front diameter and uniform gear positions for fast lens changes without re-adjusting accessories.
Robust Build: Features a scratch-resistant PTFE hard anodized finish and an Academy Award-winning cam-style focus movement for smooth, backlash-free operation.
Cost: TBD
TELLINE – planning@telline.fr
R-01-15-26
Prices Research
Justcinemagear: 36,650 – 29,950 -19,850 – 27,500 – 27,750 -24,500
Newlifecine: Does not have any
AI says :
In the current 2026 second-hand market, a standard 6-lens set of Cooke mini S4/i primes (typically comprising the 18mm, 25mm, 32mm, 50mm, 75mm, and 100mm focal lengths) has stabilized in value as a reliable professional workhorse.
While a new 6-lens set retails for approximately $52,000–$53,000, the used market offers significant savings.
Condition Estimated Price Range (USD) Common Configuration
Excellent / Private Owner $31,000 – $35,000 Often includes a custom flight case and very clean glass.
Very Good / Ex-Rental $21,000 – $28,000 Professionally maintained but may show cosmetic wear on barrels.
The Cooke S4/i prime lens series is widely considered the industry “workhorse” for high-end cinematography. Released as an evolution of the Academy Award-winning S4 series, the “i” stands for /i Technology, which enables the digital capture of lens metadata. These lenses are famed for the “Cooke Look”—a combination of sharp detail, smooth contrast, and a warm, organic feel that is particularly flattering for skin tones.
Key Features:
Aperture Range: A fast and consistent speed of T2.0 across the primary set (with the 300mm at T2.8).
Sensor Coverage: Designed specifically for Super35 format (30mm-43mm image circle depending on the lens).
i/Technology: Built-in electronics that provide real-time metadata to the camera, including focal length, focus distance, and aperture.
Cam-Type Focus: An award-winning mechanism that ensures smooth, backlash-free focus pulls with a 300° rotation.
Standardized Design: Most lenses in the set share a 110mm front diameter and unified gear positions for quick lens changes on set.
Color Matching: All lenses are precision-balanced to ensure consistent color and contrast across the entire focal range.
Cost: TBD
(t)
Fred and Remy/TELLINE
planning@telline.fr
1-15-2026
Cooke Speed Panchro S2/S3 lenses rehoused by TLS (True Lens Services) are iconic vintage optics that have been modernized for professional cinematography. Combining the legendary “Cooke Look” of the 1920s–1960s with robust, precision engineering from the UK, these lenses are widely considered the industry standard for “modern-vintage” glass.
Key Features & Benefits
The Iconic “Cooke Look”: Delivers a warm, painterly aesthetic with smooth skin tones and a gentle focus fall-off that “takes the edge off” modern high-resolution digital sensors.
Modern TLS Mechanics: Features a world-class cam-driven focus system that provides smooth, backlash-free movement and accurate, repeatable focus marks.
Universal Build Standards: All lenses in the set are updated with a uniform 110mm front diameter and standardized focus/iris gear positions, allowing for rapid lens swaps without moving matte boxes or follow-focus motors.
Super 35 & Beyond: While designed for Super 35mm, several focal lengths (notably the 75mm and 100mm) offer expanded coverage that can work with larger sensor formats.
Fast & Reliable: Maintains the original fast apertures (typically T2.2 to T2.3) while replacing the fragile original housings with aircraft-grade aluminum and stainless steel PL mounts.
Pleasing Aberrations: Exhibits a unique, organic flare and low-contrast character that is highly sought after for period pieces and stylized commercials.
Cost: TBD
TELLINE – planning@telline.fr
R-01-14-2026
—-
Price Investigation;
NEWLIFECINE: does not have it
JUSTCINEMAGEAR : does not have it
AI says: In the global second-hand market for 2025-2026, a full 7-lens set of Cooke S2/S3 Speed Panchros rehoused by TLS (18, 25, 32, 40, 50, 75, 100mm) typically commands a price between $65,000 and $85,000 USD.
Because TLS rehousing is widely considered the gold standard for these vintage optics, they maintain high resale value and often have a multi-year waiting list for new rehousing services, which keeps used prices stable.
Current Market Pricing Breakdown
Set Configuration / Source Estimated Price Range (USD) Notes
Complete 7-Lens Set (Excellent) $72,000 – $85,000 Standard price from high-end dealers like Visual Products or New Life Cine.
Complete 7-Lens Set (Private) $65,000 – $75,000 Faster sale price; depends heavily on the “glass matching” and cosmetic condition.
“Core 6” Set (No 100mm) $45,000 – $55,000 Omitting the rare 100mm or the 18mm significantly reduces the total set value.
Individual TLS Rehoused Lens $10,000 – $13,000 Specialized focal lengths like the 18mm or 100mm often sell for a premium.
Hanse Inno Tech Celere HS Uncoated lenses are a specialized version of the standard High Speed primes, designed specifically for cinematographers seeking a more “organic” or “analogue” aesthetic. By removing the anti-reflective coatings, these lenses allow for controlled light scattering and dramatic flare characteristics that modern digital sensors often lack.
Key Features & Benefits
Vintage Flare & Halation: Without coatings, the lenses produce pronounced, stylized flares and “milky” halation around bright light sources, ideal for dream sequences or period pieces.
Lowered Contrast: These lenses deliver a softer, lower-contrast image that can take the “digital edge” off modern high-resolution sensors, creating a more flattering look for skin tones.
Maintained Mechanics: They retain the exact same physical housing as the coated versions (1050g weight, uniform size), allowing them to be mixed and matched in the same set without rebalancing gimbals.
Fast T1.5 Aperture: Unlike many true vintage uncoated lenses, these maintain a high-speed T1.5 aperture, offering modern low-light performance with a classic look.
Consistent Color Science: Despite the increased flare, the underlying glass remains color-matched to the standard Celere HS line, ensuring a cohesive look across a production.
Large Format Readiness: They fully cover VistaVision and Full Frame sensors, providing a vintage character even on the largest modern 8K sensors.
Cost TBD
TELLINE – planning@telline.fr
R-01-14-2026
——————————
price Research
Usercinemagear: Does not Have one
Newlifecine: Does not have any
AI says :
Finding a used set of Celere HS Uncoated lenses is significantly more difficult than finding the standard coated versions, as they were produced in much smaller quantities and are often held by owners specifically for their unique “look.”
On the current second-hand market, a used set of 5 Celere HS Uncoated (18.5, 25, 36, 50, 85mm) typically ranges between $16,500 and $25,000 USD.
Current Market Pricing Breakdown
Tier / Condition Estimated Price Range (USD) Notes
Private Sale (Standard) $16,500 – $19,000 Often sold by individual DPs; may show minor cosmetic wear on the housing.
Collector / Dealer Mint $21,000 – $25,000 High-demand “Uncoated” sets often command a premium over the standard set.
Rental House Liquidation $15,000 – $18,000 May have high mileage but are usually well-serviced.
Hanse Inno Tech Celere HS (High Speed) lenses are professional cine primes known for bridging the gap between high-end optical performance and practical on-set efficiency. Manufactured in Germany, they are specifically designed to cover large-format sensors (up to 8K VistaVision) while maintaining a lightweight, uniform build.
Key Features & Benefits
Fast T1.5 Aperture: Consistent high speed across the entire focal range, providing exceptional low-light performance and a shallow depth of field.
Uniform Weight and Size: Every lens in the core set (25mm to 85mm) weighs approximately 1050g and shares the same physical dimensions. This allows for instant lens swaps on gimbals and Steadicams without needing to rebalance.
Large Format Coverage: Full-frame and VistaVision compatible, ensuring the lenses are future-proofed for modern high-resolution sensors.
Vario-Mount System: Features interchangeable mounts (PL, EF, and E-mount), offering versatile compatibility with various camera systems.
Unique Optical Character: Delivers a “Leica-like” look—sharp with natural skin tones and vibrant colors—but with slightly higher contrast and smooth, rounded bokeh via an 8-blade iris.
Precision Mechanics: Includes a 250° focus rotation for accurate pulling, minimal focus breathing, and dual-sided markings (Metric/Imperial).
Rear Filter Support: Equipped with rear net holders and filter threads for creative diffusion and “analogue” look customization.
Cost: TBD
TELLINE – planning@telline.fr
R-01-14-2026
—
Newlifecine: $ 17,500 has one set
Justcinemagear: Does not have it
AI says: In the current second-hand market, a used set of 5 Celere HS Primes (18.5, 25, 36, 50, 85mm) generally sells for between $14,000 and $22,000 USD, depending on the condition, mount options included, and the seller (private vs. dealer).
While individual lenses originally retailed for approximately $4,000 (€3,600) each, bundled sets on the used market offer a significant bulk discount.
Current Market Pricing Breakdown
Condition / Source Estimated Price Range (USD) Notes
Well-Used / Private Sale $11,000 – $14,000 Often a 4-lens set; adding the 18.5mm usually bumps the price up by ~$3,000.
Excellent / Dealer Certified $17,500 – $22,500 Typically includes a flight case, multiple mounts (PL/EF/E), and a short warranty.
The ARRI Signature Prime set represents a pinnacle in modern cinema optics, designed specifically for large-format digital sensors. These lenses provide a “timeless look”—a unique combination of state-of-the-art technical precision and organic, emotionally engaging aesthetics.
The range is exceptionally comprehensive, featuring 16 focal lengths that span from ultra-wide to telephoto. Most lenses in the series share a fast T1.8 aperture, ensuring consistent exposure and depth-of-field control across the entire set.
Key Features:
Organic Image Quality: Renders natural skin tones and creamy, “window-like” bokeh that avoids the clinical sharpness of some modern digital lenses.
Magnetic Rear Filter Holder: A groundbreaking feature allowing cinematographers to use custom materials (like nets or specialized glass) to “detune” the lens without permanent modification.
Minimal Focus Breathing: Virtually no change in focal length when racking focus, essential for maintaining frame composition.
Lightweight Magnesium Build: Despite their size, the magnesium housings make them significantly lighter than traditional cinema primes, ideal for gimbal and handheld work.
LDS-2 Data System: Incorporates next-generation lens data technology for fast initialization and high-speed metadata communication with the camera.
Telecentric Design: Ensures light rays hit the sensor straight, reducing peripheral shading and chromatic aberration.
Cost: TBD
(t)
Nicolas Cheron
nicolas@barbara.tv
1-13-2026
The ARRI Ultra Prime series, co-developed with ZEISS, is a legendary set of cinema lenses known for their clinical precision, lightweight design, and extensive focal range. Originally released in 1999 to replace the “Standard Speed” series, they remain a global industry workhorse for Super 35mm cinematography.
The set consists of 15 focal lengths (ranging from 8mm to 180mm), providing one of the most comprehensive prime sets available. Most of the lenses in the series feature a fast maximum aperture of T1.9, ensuring consistent exposure and depth-of-field control when swapping focal lengths.
Key Features:
Uniformity: Almost all lenses (16mm to 135mm) share a 95mm front diameter and identical gear positions for focus and iris, allowing for rapid lens changes without moving follow-focus motors or matte boxes.
Legendary Optics: Utilizing ZEISS T XP anti-reflex coating, these lenses provide high contrast, high resolution, and minimal flare, rendering “clean” and natural skin tones.
Close Focus Performance: Designed with floating elements, Ultra Primes maintain exceptional sharpness and image quality even at their minimum focus distances.
Lightweight Build: Their compact housing makes them a preferred choice for handheld operation, Steadicam, and gimbal work compared to the heavier Master Prime series.
Minimal Distortion: Even at wider focal lengths (like the 12mm or 14mm), the lenses exhibit remarkably low geometric distortion and controlled chromatic aberration.
Cost: TBD
(t)
Rupin Dang
rupindang@gmail.com
1-13-2026
Included :
– 2x Flight case for 4 lenses
– All the lenses have front and rear caps
– 1x Focus ring dimmer
– 1x Cable Mini Lemo2/RS3
Cooke 5/i prime lens series is a flagship lineup of high-speed spherical lenses designed specifically for professional cinematography.1 Released as a faster alternative to the industry-standard S4/i series, the 5/i range is celebrated for its ability to “see in the dark” while maintaining the iconic, organic “Cooke Look.”
Key Features and Benefits
Ultra-Fast T1.4 Aperture: Exceptional performance in low-light environments and a shallow depth of field for superior subject isolation.
The “Cooke Look”: Delivers a warm, natural rendering of skin tones with a smooth, cinematic fall-off and high dimensionality.
Illuminated Focus Ring: Features a built-in, dimmable backlight on the focus scale, allowing focus pullers to operate in total darkness without external lights.
Integrated /i Technology: Automatically captures vital lens metadata (focus distance, aperture, etc.) for every frame, streamlining VFX and post-production.
Exceptional Optical Control: Engineered to minimize flare, distortion, and spherical aberration even when shooting wide open at T1.4.
Color Matching: Precisely color-balanced to match the S4/i, miniS4/i, and Anamorphic/i series, ensuring visual consistency across multi-camera or multi-lens shoots.
Linear Iris & Cam-Style Focus: Award-winning mechanics provide smooth, backlash-free movement and a consistent feel for camera assistants.
Ownwer: TELLINE – Fred
planning@telline.fr
R- 01-12-2026
Price Investigation
Justcinemagear : Cooke S7/i FF lens set $105,000.00
Newlifecine : one USD$ 99,000
AI says: Researching the current global second-hand market for the Cooke 5/i (S5/i) prime lens series shows that an 8-lens set typically maintains a high resale value due to its fast aperture (T1.4) and specialized features like the illuminated focus ring.
The average price for a used set of 8 lenses generally ranges between $100,000 and $130,000 USD
Average Market Price: ~$115,000 USD
Lower Bound (Well-used/High wear): ~$95,000 – $105,000 USD
Upper Bound (Mint/Like-new): ~$135,000 – $155,000 USD
includes:
– 1x Flight case for 8 lenses
– 1x Flight case for 6 lenses
– 1x Flight case for 135mm
– All the lenses have front and rear caps
– No Flight case for the 180mm
The ARRI Ultra Prime lens set, co-developed by ARRI and ZEISS, is a cornerstone of professional cinematography. Renowned for their “clean” look, these lenses provide a high-contrast, high-resolution image that remains consistent across the entire focal range. Designed for the Super 35 format, they are prized for their compact size, rugged reliability, and technical precision, making them a “workhorse” for everything from major motion pictures to high-end commercials.
Key Features:
Extensive Focal Range: One of the most complete sets available, spanning from the 8R extreme wide-angle to the 180mm telephoto.
Fast & Consistent Aperture: Most lenses in the series feature a fast T1.9 maximum aperture, allowing for excellent low-light performance and shallow depth-of-field.
Superior Close Focus: Utilizes a floating element design to maintain exceptional sharpness and minimize aberrations even at the minimum focus distance.
T XP Anti-Reflex Coating: Advanced multi-layer coating that reduces flares and internal reflections while boosting contrast.
Uniform Mechanics: Consistent gear positions and a 95mm front diameter across most of the set allow for rapid lens changes without moving follow-focus or matte box accessories.
Super Color Matched: All lenses are precision-matched for color contribution, ensuring seamless intercutting between different focal lengths.
Cost: TBD
(t)
Remy Gouman/TELLINE
planning@telline.fr
1-12-2026
