Includes:
B & L Super Balter TLS Rehoused 20mm T2.3 12” CF S35OpenGate Coverage
B & L Super Baltar TLS Rehoused 25mm T2.3 11” CF S35OpenGate Coverage
B & L Super Baltar TLS Rehoused 35mm T2.3 13” CF FF
B & L Super Baltar TLS Rehoused 50mm T2.3 15” CF FF
B & L Super Baltar TLS Rehoused 75mm T2.3 20” CF FF
B & L Super Baltar TLS Rehoused 100mm T2.3 3’6”CF FF
Features:
Preserved Vintage Optics: The original Bausch & Lomb Super Baltar glass is retained, delivering their signature warm tones, low contrast, soft edges, and distinctive flaring.
Modern PL Mount: Equipped with a new stainless steel PL mount, ensuring compatibility with a wide range of modern cinema cameras.
Robust Housing: Housed in high-grade aluminum alloy and stainless steel for enhanced durability and longevity on set.
Smooth Cam Focus Drive: Features a new cam form focus drive, providing incredibly smooth and precise focus pulls with a large rotation (often around 300 degrees). This design minimizes backlash and image shift.
Consistent Mechanics: Uniform 0.8 module gears on both focus and iris rings across the set, making them compatible with modern follow focus units and lens control systems.
Unified Front Diameter: Many sets are rehoused with a standard 110mm front diameter, simplifying matte box and filter changes.
Engraved Dual Scales: Clear, engraved dual focus scales (metric and imperial options) for easy readability by focus pullers.
Improved Close Focus: In some rehousing processes, the minimum object distance (MOD) is improved, allowing for closer focusing.
Optimized for Digital Sensors: While vintage, their characteristics are often praised for “taking the edge off” the sharpness of modern digital sensors, creating a more organic and pleasing image.
Iconic Cinematic Look: Known for their use in classic films like “The Godfather,” they impart a sought-after romantic and dreamy quality to footage.
Eric says “Purchased @ 82K. I would like 72+ but…”
June 17, 2025
Eric D’ Amario
[email protected]
Arri Master Prime 16mm
Arri Master Prime 18mm
Arri Master Prime 21mm
Arri Master Prime 25mm
Arri Master Prime 27mm
Arri Master Prime 32mm
Arri Master Prime 35mm
Arri Master Prime 40mm
Arri Master Prime 50mm
Arri Master Prime 65mm
Arri Master Prime 75mm
Arri Master Prime 100mm
Arri Master Prime 135mm
Arri Master Prime 150mm
The ARRI Master Prime lenses, co-developed by ARRI and Zeiss, are a highly regarded series of cinema prime lenses known for their exceptional optical performance.
Key Features and Benefits:
Unmatched Optical Performance: Delivers superior resolution, contrast, and color rendition across the entire frame, even at wide open apertures.
Extremely Fast T1.3 Aperture: Allows for excellent low-light shooting and the creation of very shallow depth of field for cinematic bokeh.
Virtually No Breathing: Patented Dual Floating Elements technology ensures minimal to no focus breathing, maintaining consistent framing during focus pulls.
Minimal Optical Distortion: Engineered for precise, high-quality images with reduced chromatic aberration, geometric distortion, and color fringing.
Reduced Flare: Advanced T*XP coating significantly minimizes reflections and flare for cleaner visuals.
Consistent Color and Contrast: Maintained across all focal lengths within the set, ensuring seamless matching.
Robust Construction: Designed for professional filmmaking with uniform placement of iris and focus gears for consistent accessory setup.
Integrated Lens Data System (LDS): Provides real-time lens metadata to compatible cameras, streamlining on-set workflow and post-production.
Wide Range of Focal Lengths: The set typically includes 16 lenses, from 12mm to 150mm, offering versatility for various shooting scenarios.
Covers Super 35 Sensors: Optimized for the Super 35 format
Cost $120,000
Danny Saldana – USA
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
[email protected]
4131 Vanowen Street, Burbank, CA 91505
Newlifecine has a set of 7 in & 119,000
Lori has one set of 14 in $ 129,000
R-06-13-2025
Arri Master Anamorphic 28mm
Arri Master Anamorphic 35mm,
Arri Master Anamorphic 40mm
Arri Master Anamorphic 50mm
Arri Master Anamorphic 60mm
Arri Master Anamorphic 75mm
Arri Master Anamorphic 100mm
Arri Master Anamorphic 135mm
& Flare Kit
The ARRI Master Anamorphic lenses are a series of high-performance prime lenses designed for professional cinema production, known for their exceptional optical quality and characteristic anamorphic look.
Pristine Image Quality: Virtually no chromatic aberration, excellent contrast, and sharpness across the entire image, even wide open.
Minimal Breathing: Very little focus breathing, ensuring stable framing during focus pulls.
Controlled Flares and Bokehs: Designed to produce pleasing, controlled anamorphic flares and a smooth, oval bokeh, characteristic of the format.
Consistent T-stop: All lenses in the series share a fast T2.3 aperture, allowing for consistent exposure and shallow depth of field.
Robust Construction: Durable and reliable build quality, suitable for demanding professional use.
Uniform Size and Weight: Many lenses in the set share similar front diameters and gear positions, simplifying lens changes and accessory rigging on set.
Cinematic Aesthetic: Delivers a classic anamorphic widescreen look with precise optical performance, ideal for high-end film and TV production.
Cost $180,000.00
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
[email protected]
4131 Vanowen Street, Burbank, CA 91505
NewlifeCine has one in 220,000
Lori does not have one
FJS has one for 255,000 euros, one for 196,000 with Flare set in 196,000 dollars
(R) 06-12-2025
Supremes Radiance 18mm
Supremes Radiance 21mm
Supremes Radiance 25mm
Supremes Radiance 29mm
Supremes Radiance 35mm
Supremes Radiance 40mm
Supremes Radiance 50mm
Supremes Radiance 65mm
Supremes Radiance 85mm
Supremes Radiance 100mm
Supremes Radiance 135mm
The ZEISS Supreme Radiance lenses are a premium line of cinema prime and zoom lenses designed to deliver a distinctive, artistic look characterized by controlled lens flares and a slightly warmer color rendition. They are built upon the foundation of the ZEISS Supreme Prime and Zoom series, offering full-frame coverage and robust cinematic performance.
Controlled Blue Flares: Engineered with a unique T* blue coating that produces consistent and beautiful blue lens flares, adding character and a “filmic” aesthetic directly in-camera.
Warm Color Rendition: Offers a slightly warmer color palette compared to standard cinema lenses, contributing to a rich and expressive image.
Gentle Sharpness with Character: Provides crisp yet organic images with smooth focus fall-off and elegant bokeh, while the flares add a unique visual signature.
Full-Frame & Beyond Coverage: Designed to cover large-format sensors, ensuring compatibility with modern cinema cameras and future-proofing productions.
Consistent Aesthetics: Maintain a cohesive look with the regular ZEISS Supreme Prime and Zoom lenses, allowing for seamless intercutting.
ZEISS eXtended Data: Incorporates advanced lens metadata for efficient post-production workflows, including lens distortion and shading data.
Robust & Ergonomic Design: Built for durability and ease of use on set, with consistent size, weight, and aperture across the series.
Cost: $120,000.00
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
[email protected]
4131 Vanowen Street, Burbank, CA 91505
New Life Cine has 1 for $ 159,500
FJS has one for 230,000
CamAleon Has 1 for €195,000.00
Lori hs one of 7 lenses for $ 115,950
Summilux 16mm
Summilux 18mm
Summilux 21mm
Summilux 25mm
Summilux 29mm
Summilux 35mm
Summilux 40mm
Summilux 50mm
Summilux 65mm
Summilux 75mm
Summilux 100mm
Summilux 135mm
SUMMILUX lens series by Leica represents a class of high-performance, fast-aperture lenses known for their exceptional optical quality.
Fast Aperture (f/1.4 or T1.4): Excellent for low-light conditions, providing bright viewfinders and enabling shallow depth of field for subject isolation and beautiful bokeh.
Superior Optical Performance: Renowned for sharpness, high contrast, accurate color rendition, and minimal aberrations, delivering a distinct “Leica look.”
Premium Build Quality: Constructed with high-quality materials for durability and precise mechanical operation.
Versatility: Ideal for a wide range of photography genres, including portraiture, street photography, and documentary work, and available in dedicated cinema versions.
Pleasing Bokeh: The wide aperture contributes to smooth and aesthetically pleasing out-of-focus backgrounds.
Cost $160,000.00
Danny Saldana
Global Inventory Manager
DYNAMIC RENTALS
Main (818) 636-1775
Direct (818) 691-0831
[email protected]
4131 Vanowen Street, Burbank, CA 91505
New Life Cine does not have one
Lori has a set of 10 in 240,000 and other in 185,000 and a set of 8 in 175,000
FJS has a Summilux C set of 12 in 265,000 Euros (R) 06-12-2025
Canon K-35 TLS Vintage Cine 14mm
Canon K-35 TLS Vintage Cine 18mm
Canon K-35 TLS Vintage Cine 24mm
Canon K-35 TLS Vintage Cine 35mm
Canon K-35 TLS Vintage Cine 50mm
Canon K-35 TLS Vintage Cine 85mm
Canon K-35 TLS Vintage Cine 100mm
Canon K-35 TLS Vintage Cine 135mm
Key Features and Benefits:
Exceptional Optical Quality: Renowned for their sharp, yet pleasingly rendered images, even wide open. They offer excellent resolution and contrast.
Warm, Organic Look: Deliver a classic, slightly desaturated, and warm color rendition that is highly sought after for its cinematic feel.
Beautiful Flares and Halation: Known for producing attractive, controlled lens flares and a subtle halation around bright light sources, adding character to the image.
Good Low-Light Performance: Generally fast apertures (e.g., T1.4, T2.8) make them suitable for challenging lighting conditions.
Robust Construction: Built to professional standards, they are durable and reliable for on-set use.
Desirable Bokeh: Often praised for their smooth, creamy bokeh, which helps to isolate subjects and create a pleasing sense of depth.
Vintage Aesthetic: Highly valued for their unique “vintage” look, which can be difficult to replicate digitally, providing a distinct artistic signature.
Versatility: While known for their character, they are also versatile enough for a wide range of productions, from narratives to commercials.
Cost:
£240,000.00 with Vat
£200,000.00
Owner: Nic Tomkinson
newlifecine does not have one
Lori has a set of 8: 309,000 dollars / 38,625 each
Lori has a set of 5 : 289,000 dollars / 57,800 each
Lori has a set of 5 : 285,000 dollars / 57,000 each
Average per lens : 51,142 x 8 is
06/03/25 (r)
The Angénieux Optimo EZ series, including the EZ-1 (30-90mm) and EZ-2 (15-40mm), is a pair of versatile zoom lenses designed for both Super 35 and Full Frame/VistaVision formats. These lightweight, compact lenses are ideal for documentary, broadcast, and narrative filmmaking, offering the renowned Angénieux cinematic look with a modern, flexible design. Their modular system allows quick conversion between formats by switching the rear optical group, making them adaptable for multiple production needs.
Features
Dual-format capability: Switchable rear groups for Super 35 (S35) and Full Frame (FF/VV) sensors
EZ-1 focal length: 30–90mm in S35 / 45–135mm in FF
EZ-2 focal length: 15–40mm in S35 / 22–60mm in FF
Fast T-stop: T2.0 (S35) / T3.0 (FF), ensuring excellent low-light performance
Smooth bokeh: 9-blade iris for pleasing out-of-focus rendering
Compact & lightweight: Ideal for handheld, gimbal, and drone use
Consistent color matching: Compatible with other Angénieux lenses for seamless intercutting
User-interchangeable mounts: Available in PL, EF, and other options
Rugged construction: Built for professional use with precision engineering
EUROS 20,000-24,000
MD
Ármin Bús
Vantage Vision Kft
[email protected]
36209657095
Hungary
The Arriflex / Zeiss Variable Prime (Variprime) system offers cinematographers a unique and flexible alternative to traditional prime and zoom lenses.
Key Features and Benefits:
Variable Focal Lengths: Provides a range of focal lengths within a single lens housing, offering the convenience of a zoom while aiming for the optical quality of a prime.
High Optical Performance: Designed by Zeiss, known for their precision optics, the Variprimes deliver excellent sharpness, contrast, and color rendition.
Compact and Lightweight: Relative to carrying multiple prime lenses or large zooms, the Variprime system can be more compact and lighter, aiding mobility on set.
Fast Aperture: Often feature relatively fast maximum apertures, allowing for shooting in lower light conditions and greater control over depth of field.
Consistent Image Characteristics: Maintains consistent image quality, color, and distortion characteristics across its focal length range, simplifying post-production.
“Prime Look” with Zoom Flexibility: Offers the sought-after “prime lens look” (e.g., pleasing bokeh, minimal distortion) while providing the quick focal length adjustments of a zoom.
Cost : 9k Euros
Ármin Bús
Vantage Vision Kft
[email protected]
36209657095
Hungary
—
Newlifecine does not have it
Lori does not have it
Arri Signature Prime 18mm T1.8
Arri Signature Prime 25mm T1.8
Arri Signature Prime 35mm T1.8
Arri Signature Prime 47mm T1.8
Arri Signature Prime 58mm T1.8
Arri Signature Prime 75mm T1.8
Arri Signature Prime 95 mm T1.8
ARRI Signature Prime lenses are a series of high-end, large-format cinema prime lenses designed for modern digital cinematography. They are known for delivering a distinct, emotionally engaging image with a “timeless look.”
Key Features and Benefits:
Large-Format Coverage: Designed to cover image sensors up to full-frame large format (up to 46mm image circle), making them compatible with various modern cinema cameras, especially ARRI’s ALEXA LF series.
Wide Focal Range and Fast Aperture: A comprehensive set of 16 primes, ranging from 12mm to 280mm, with a fast T1.8 maximum aperture across most focal lengths, allowing for shallow depth of field and excellent low-light performance.
Organic & Emotionally Engaging Image: Produces a unique aesthetic characterized by warm, smooth skin tones, creamy bokeh, and a pleasing, natural focus fall-off that gives subjects heightened presence.
Subtle & Elegant Flares: Designed to manage flares gracefully, creating a soft glow without being overly distracting.
Minimal Aberrations: State-of-the-art optical design minimizes chromatic aberration, distortion, and focus breathing, ensuring a clean and precise image.
Magnetic Rear Filter Holder: A unique feature allowing cinematographers to easily experiment with diffusion, nets, or other materials behind the lens to customize the look without permanently altering the optics.
Robust and Lightweight Construction: Built with durable machined magnesium lens barrels and aluminum gear rings, making them surprisingly light for their size and suitable for demanding on-set conditions.
LDS-2 Lens Data System: Incorporates ARRI’s next-generation Lens Data System (LDS-2) for high data rates and precise lens information, compatible with LDS-1 and Cooke /i Technology.
Sale: EUROS 120,000 FOB
Cost : Euros.: 70.000-84.000
Owner: Armin Bus
Company Name: Vantage Vision Kft.
Email: [email protected]
Telephone: 36209657095
Hungary
—
Newlifecine Has : 125,000
Lori has: Set of 6 (145,500)(94,500) (118,000)
Signature Prime 21mm
Signature Prime 29mm
Signature Prime 40mm
Signature Prime 58mm
Signature Prime 95MM
Signature Prime 100mm
IMPERIAL
Signature Prime refers to a line of high-end cinema lenses developed by ARRI, a renowned manufacturer of professional motion picture equipment. These lenses are designed for large-format cinematography, offering a unique aesthetic that balances modern technical performance with a “timeless” and organic visual quality.
Key Features and Benefits:
Large Format Coverage: Designed to cover large-format sensors, including full-frame, with image circles up to 46mm, making them suitable for modern digital cinema cameras.
“Timeless” Aesthetic: Delivers a distinctive, film-like look characterized by warm, natural skin tones, open shadows, crisp blacks, and a smooth, attractive bokeh (out-of-focus areas).
Fast Aperture (T1.8): Most lenses in the series feature a fast T1.8 maximum aperture, allowing for shallow depth of field and excellent low-light performance.
Minimal Aberrations: Engineered for minimal chromatic aberration, distortion, and focus breathing, ensuring a clean and consistent image.
Customizable Looks: Features a magnetic rear filter holder, allowing cinematographers to easily add diffusion or other effects to achieve unique and customized visual styles.
Robust and Lightweight Design: Constructed with durable yet lightweight magnesium and aluminum housings for ease of use on set.
ARRI LPL Mount: Utilizes ARRI’s LPL (Large Positive Lock) mount, an open standard designed for larger format sensors and modern digital cameras.
Integrated Lens Data System (LDS-2): Provides high-rate lens metadata for efficient post-production workflows and compatibility with other ARRI systems and Cooke’s /i Technology.
Cost : To be determined
USA Jason Krangel
908.770.3291
[email protected]
www.jasonkrangel.com
(r) 05-23-2025
Newlifecine has a set of 8 in USD $ 178,000
Justcinemagear has one set of 6 in 94,500
another set of 4 in 79,990
and the same set we have (looks like) in $ 118,000
