Zeiss MKII Super Speed 18mm
Zeiss MKII Super Speed 25mm
Zeiss MKII Super Speed 35mm
Zeiss MKII Super Speed 50mm
Zeiss MKII Super Speed 85mm
Fast T1.3 Aperture: Enables shooting in low light conditions and achieving shallow depth of field with pleasing bokeh.
Compact and Lightweight Design: Ideal for handheld operation, gimbal setups, and situations where weight is a concern.
Vintage Look: Produces a classic aesthetic with subtle lens flares and a mild reduction in contrast, giving a more filmic quality to digital footage.
Uniform Characteristics: Consistent T1.3 aperture and 80mm front diameter across the set facilitate easy use of accessories.
Good Optical Performance: Offers good contrast and high resolution, especially when stopped down slightly (above T2.8).
PL Mount: Designed for professional cinema cameras with a PL mount.
Factory Integrated Gears: Equipped with focus and iris gears compatible with follow focus systems.
Dual Focus Scales: Features both metric and imperial focus scales for versatility.
Improved Focus Ring: The MKII version often features an improved focus ring with increased rotation (around 270°) and more detailed markings compared to earlier versions.
Super 35 Coverage: Covers Super 35 sensors and often extends to open gate on cameras like the Arri Alexa Mini, with some lenses in the set offering coverage for larger sensors in certain crop modes.
Cost price for this setr is 43K and sale price is 49K
Owner is Yang Shao in USA, said Fred on Whatsapp
(r) 04/09/2025
14mm Nikkor D T2.9
18mm Nikkor D T2.9
24mm Nikkor AI-s T2.1
28mm Nikkor AI-s T2.1
35mm Nikkor AI-s T1.5
50mm Nikkor AI-s T1.3
58mm Noct-Nikkor AI-s T1.3
85mm Nikkor AI-s T1.5
105mm Nikkor AI-s T1.9
135mm Nikkor AI-s T2.1
180mm Nikkor AI-s T2.9
Comes in 2 x Hard plastic 6 hole cases with laser cut foam inserts (GL Optics).
Manual Focus: These lenses require manual focusing by rotating the focus ring.
Aperture Ring: They have a physical aperture ring on the lens barrel that allows you to manually set the lens aperture. This is a key feature that distinguishes them from many modern Nikon lenses (G-type) that lack an aperture ring.
F Mount: They are designed for Nikon’s F mount, which has been used for decades on their SLR and DSLR cameras. AI-s lenses can be used on many Nikon cameras, including some modern DSLRs (though often with manual focus and aperture control only).
Improved Aperture Control: The “s” in AI-s indicates a further refinement in how the aperture is controlled, making them more compatible with certain Nikon camera features like programmed auto and shutter-priority exposure modes (on cameras like the Nikon FA).
Orange Minimum Aperture: A common visual cue for AI-s lenses is that the smallest aperture number on the lens (the largest f-stop number) is often marked in orange.
Many different focal lengths and maximum apertures were produced in the Nikon Nikkor AI-s series, and they are still popular today for their solid build quality, excellent optics, and manual control.
Assuming a 10% commission (8,800) we are hoping to list these on the site at $88 000 USD
Alex Fensham (he/him)
General Manager
HABIBI Film Rentals
151 Sterling Road, Studio 3,
Toronto, ON. M6R 2B2
(647) 447-6166 (r) april 2025
https://www.habibifilmrentals.com
High Image Quality: Typically offer excellent sharpness, contrast, and color rendition due to their prime (fixed focal length) design.
Large Apertures: Many 300mm primes boast wide maximum apertures (e.g., f/2.8 or f/4), allowing for shallow depth of field, excellent low-light performance, and faster shutter speeds.
Telephoto Reach: The 300mm focal length provides significant magnification, ideal for sports, wildlife, and portrait photography where distance to the subject is often necessary.
Professional-Grade Construction: Canon’s L-series 300mm lenses are known for their robust build quality, weather sealing, and durability.
Image Stabilization (IS): Many modern Canon 300mm lenses include Image Stabilization technology to reduce camera shake, allowing for sharper handheld shots at slower shutter speeds.
Fast Autofocus (USM): Often equipped with Ultrasonic Motors (USM) for quick, quiet, and accurate autofocus performance, crucial for capturing fast-moving subjects.
Optex Modifications (General Benefits):
Cine-Style Enhancements: Optex often rehouses broadcast lenses to make them suitable for cinema cameras, adding features like geared focus and iris rings for use with follow focus systems, and standardized front diameters for matte boxes.
Mount Conversion: They may convert the lens mount to different professional standards (e.g., PL mount) for compatibility with a wider range of cinema cameras.
Improved Mechanics: Rehousing can sometimes improve the overall mechanical feel and durability of the lens for demanding filmmaking environments.
can we sell this lens in USD $ 5,500 and then talk to owner Chant to get a cost price ? Fred said YES in Whatsapp on 04/02/25
Chant in Lebanon [email protected] 9611491850
14mm T2.8
20mm T2.9
24mm T1.5
28mm T2.1
35mm T2.1
45mm T1.5 (Yashica)
55mm T1.3
85mm T1.3
135mm T2.1
Comes in 2 x Hard plastic 6 hole cases with laser cut foam inserts (GL Optics)
The Canon FD GL Optics Rehoused Lenses are vintage Canon FD still photography lenses that have been meticulously rebuilt and modernized by GL Optics for professional cinema use. These lenses retain the sought-after optical characteristics of the original Canon FD glass, known for its pleasing warm tones, smooth rendering, and distinctive flares, while incorporating robust, industry-standard mechanics. Often compared to the classic Canon K35 lenses due to shared visual qualities, the FD lenses typically offer a slightly cooler and more contrasty image and are generally more accessible in price.
10% 10,300 so Cost price is USD $ 92,700 FOB
Alex Fensham (he/him)
General Manager
HABIBI Film Rentals
151 Sterling Road, Studio 3,
Toronto, ON. M6R 2B2
(647) 447-6166
https://www.habibifilmrentals.com
CANON 14mm EF F2.8 L II USM
CANON 24mm EF F1.4 L II USM
CANON 35mm EF F1.4 L II USM
CANON 50mm EF F1.2 L II USM
CANON 85mm EF F1.2 L II USM
CANON 135mm EF F2 L II USM
Canon EF (Electronic Focus) lenses are a comprehensive line of lenses compatible with Canon’s full-frame and APS-C DSLR cameras (with a crop factor). Introduced in 1987 with the EOS system, they feature an electronic mount for autofocus and aperture control. The EF mount has a 54mm internal diameter and a flange focal distance of 44mm. This design allows for a wide variety of lens designs and has been a cornerstone of professional and enthusiast photography for decades. While Canon has introduced the RF mount for its mirrorless systems, EF lenses can still be used on EOS R cameras with an adapter, preserving their functionality.
We could sell this set in 3,500 x 6 USD $ 21,000 FOB and then get a cost price from the owner Chant in Lebanon
Includes: 12 lenses and 5 special Leica Diopters (MacroLux), shims and cases for 1 or 2 or 3 or 4 or 6 lenses
Summilux-C 16mm T1.4
Summilux-C 18mm T1.4
Summilux-C 21mm T1.4
Summilux-C 25mm T1.4
Summilux-C 29mm T1.4
Summilux-C 35mm T1.4
Summilux-C 40mm T1.4
Summilux-C 50mm T1.4
Summilux-C 65mm T1.4 (Macro)
Summilux-C 75mm T1.4
Summilux-C 100mm T1.4
Summilux-C 135mm T1.4
The Leitz Summilux-C lenses are a renowned series of prime cine lenses known for their exceptional optical performance, compact size, and fast T1.4 aperture across the entire range. Designed for Super 35mm sensors (with a 33mm image circle), they offer consistent color and contrast, ensuring smooth transitions between focal lengths. Their telecentric design and aspherical elements minimize chromatic aberrations, color fringing, and distortion while providing even illumination. A patented cam-driven focus mechanism ensures durability and virtually eliminates focus breathing. The lenses feature a long 300° focus rotation with consistent markings and shared focus/iris ring positions, facilitating efficient operation on set. With a uniform 95mm front diameter (except the 135mm), they streamline the use of matte boxes and other accessories. The Summilux-C lenses are prized for their “creamy sharpness,” delivering detailed images with natural skin tone rendition and pleasing bokeh. Available in focal lengths from 16mm to 135mm, they are a top choice for cinematographers seeking uncompromising image quality and production efficiency.
Fast T1.4 Aperture: Consistent across the range for excellent low-light performance and shallow depth of field.
Compact and Lightweight: Smaller and lighter than comparable lenses, facilitating easier handling and rigging.
Consistent Color and Contrast: Ensures seamless intercutting between different focal lengths.
Telecentric Design: Provides uniform brightness across the sensor and reduces edge darkening.
Aspherical Elements: Minimize aberrations, distortion, and color fringing.
Cam-Driven Focus: Durable, precise, and virtually eliminates focus breathing.
Long Focus Rotation (300°): Allows for accurate and repeatable focus pulls.
Consistent Focus Marks: From 6 feet to infinity across all focal lengths.
Shared Ring Positions: Focus and iris rings are in the same location on each lens for quick lens changes.
Uniform Front Diameter (95mm): Simplifies the use of lens accessories.
Creamy Sharpness: High resolution with a natural and pleasing rendering, especially for skin tones.
Super 35 Coverage: Minimum 33mm image circle covers Super 35 sensors without vignetting.
PL Mount: Industry-standard mount for professional cinema cameras.
Cost : $ 200,000 Dollars
Owner Carlo Rho
[email protected]
Mob: +34 646 728 412
Spain (r) 03/31/2025
Cooke SP3 25mm 2.4t
Cooke SP3 32mm 2.4t
Cooke SP3 50mm 2.4t
Cooke SP3 75mm 2.4t
Cooke SP3 100mm 2.4t
The Cooke SP3 series is a set of prime lenses optimized for full-frame mirrorless cameras, designed to bring the classic “Cooke Look” to a wider range of filmmakers. Inspired by the legendary Speed Panchro lenses, the SP3 series offers a blend of vintage aesthetic with modern optical and mechanical design.
Classic Cooke Look: Delivers the renowned Cooke aesthetic with pleasing skin tones, subtle sharpness, and a gentle focus fall-off, providing a heightened sense of dimensionality and realism.
Optimized for Mirrorless: Specifically designed to be compact and lightweight, making them ideal for use with mirrorless cameras, gimbals, and drones.
Full-Frame Coverage: Covers full-frame sensors (43.3mm image circle) and is also compatible with Super35 formats.
Fast Aperture: All lenses in the series feature a consistent T2.4 aperture across the range (T2.4-T16).
User-Changeable Mounts: Offers interchangeable mounts for Sony E (fitted), Canon RF, Leica L, and Leica M (L and M mounts available as accessories), providing versatility across different camera systems.
Matched Color and Flare Control: Features specialized cinematic optical coatings that ensure consistent color rendition across the set and controlled flare.
Smooth Bokeh: The all-spherical design contributes to a smooth and round bokeh.
Shared Architecture: Consistent positioning of focus and iris drive gears (0.8 MOD) across the 25mm to 75mm lenses allows for quick lens changes without needing to reposition motors.
Dual Focus Scales: Non-linear focus scales with both imperial and metric markings for precise focus pulling.
Robust Build: Features a tough anodized shell for durability in demanding shooting conditions.
Nine-Leaf Iris: Equipped with a nine-leaf iris for smooth and pleasing out-of-focus highlights.
Compact Size and Weight: Lenses are lightweight (ranging from approximately 500g to 690g depending on focal length) and compact in size.
Matched to Panchro/i Classic: Designed to complement the Cooke Panchro/i Classic series, making them suitable as B or C camera lenses.
Cost USD $ 19.000 – Adam needs to lower this cost price with owner
Owner: Jeriel Yordan
Email: [email protected]
Telephone: 7574062069
Afghanistan (r) 03-31-2025
The Canon Optex 200mm t1.8 is a fast, high-quality telephoto prime lens adapted for professional film and digital cinematography. Originally likely a Canon FD mount lens, it has often been rehoused with a PL mount for compatibility with industry-standard cinema cameras. Its wide t1.8 aperture makes it exceptional in low light and allows for a very shallow depth of field, creating a beautiful bokeh effect. The “t” stop (transmission stop) is a more accurate measurement of light transmission through the lens than the f-stop, which is a theoretical calculation. This lens is prized for its sharpness and is a sought-after piece of equipment in the used market.
Fast t1.8 Aperture: Excellent low-light performance and shallow depth of field.
Telephoto Focal Length (200mm): Ideal for capturing distant subjects with a narrow field of view, creating separation and focus on the subject.
High Optical Quality: Known for sharpness and pleasing image rendition.
Often Rehoused for Cinema Use: Many available versions feature robust PL mounts and industry-standard focus and iris gears.
Desirable Bokeh: The wide aperture and optical design contribute to a smooth and aesthetically pleasing out-of-focus background.
Euros.: 6000
Owner: Ben Battersby
Company Name: EDB
Email: [email protected]
Telephone: 5491160266228
Madrid, Spain
(R) 03-28-2025
The Laowa Pro2be Set of 3 is an innovative and versatile cine lens kit designed for capturing unique perspectives, especially in macro cinematography. It includes three distinct 24mm T8 lenses: a Direct View (0°), a 35° View, and a 90° Periscope View module. These lenses offer 2x magnification, a waterproof front barrel (up to 36.6cm), and a close focusing distance of just 4mm, enabling extreme close-ups with impressive detail and a wide depth of field due to their wide-angle design. The lenses feature long, tubular, and adjustable barrels, allowing users to shoot in previously inaccessible locations and achieve creative angles. They are constructed with high-quality optics for sharp images and accurate color rendition and come with interchangeable mounts (PL, EF, RF, Z, E, L). The set is ideal for various applications, including wildlife, food, product, and miniature videography, as well as special effects in narrative filmmaking and commercials.
Three Unique Perspectives: Includes 0° direct view, 35° tilted view, and 90° periscope view modules for diverse shooting angles.
2x Magnification: Allows for extreme close-up shots revealing intricate details.
Wide Angle of View: Provides a greater depth of field at close distances compared to telephoto macro lenses.
Waterproof Front Barrel: Enables shooting in and out of water and protects against dust and debris (up to 36.6cm).
Long, Tubular, and Adjustable Barrels: Facilitates reaching unique and difficult angles and spaces.
Fast T8 Maximum Aperture: Allows for better light gathering and freezing motion.
High Image Quality: Advanced optical design minimizes diffraction and enhances sharpness and color accuracy.
Full Frame Coverage: Compatible with both standard 35mm full-frame and Super 35 sensors.
Interchangeable Lens Mounts: Offers compatibility with various professional cinema cameras (PL mount default, with options for EF, RF, Z, E, L).
Robust Cine Housing: Features continuously variable aperture rings and standardized 0.8 MOD gears for focus and aperture control.
Cost 7500 Euros
Robert Schulzmann <[email protected]>
ALTGLAS Rental – Berlin
+49 1797555076 (r) 03-27-2025
Atlas Orion A 40mm
Atlas Orion A 40mm
Atlas Orion A 100mm
The Atlas Orion Anamorphic lenses are a series of cinema lenses designed to deliver a classic anamorphic aesthetic. They are known for their distinct look, which includes wide aspect ratios, characteristic flares, and oval bokeh. These lenses have gained popularity among filmmakers seeking the anamorphic look without the high cost associated with vintage or high-end modern anamorphic lenses. They are built with modern manufacturing techniques, offering reliability and durability for professional use.
Classic Anamorphic Look: Produces the distinctive widescreen aspect ratio, horizontal flares, and oval bokeh characteristic of vintage anamorphic lenses.
Modern Build Quality: Designed for contemporary filmmaking with robust construction and reliable mechanics.
Relatively Affordable: Compared to many high-end anamorphic options, the Orion series offers a more accessible entry point.
Consistent Performance: Maintains consistent optical characteristics across the lens set.
Interchangeable Mounts: Adaptable to various camera systems.
Pleasing Skin Tones: Designed to render natural and flattering skin tones.
Cost: 15,500 Euros
Owner; Peeter Järvelaid <[email protected]>
+372 5011711
augustfilms.com (R) 03-27-2025
