The Canon Optex 200mm t1.8 is a fast, high-quality telephoto prime lens adapted for professional film and digital cinematography. Originally likely a Canon FD mount lens, it has often been rehoused with a PL mount for compatibility with industry-standard cinema cameras. Its wide t1.8 aperture makes it exceptional in low light and allows for a very shallow depth of field, creating a beautiful bokeh effect. The “t” stop (transmission stop) is a more accurate measurement of light transmission through the lens than the f-stop, which is a theoretical calculation. This lens is prized for its sharpness and is a sought-after piece of equipment in the used market.
Fast t1.8 Aperture: Excellent low-light performance and shallow depth of field.
Telephoto Focal Length (200mm): Ideal for capturing distant subjects with a narrow field of view, creating separation and focus on the subject.
High Optical Quality: Known for sharpness and pleasing image rendition.
Often Rehoused for Cinema Use: Many available versions feature robust PL mounts and industry-standard focus and iris gears.
Desirable Bokeh: The wide aperture and optical design contribute to a smooth and aesthetically pleasing out-of-focus background.
Euros.: 6000
Owner: Ben Battersby
Company Name: EDB
Email: [email protected]
Telephone: 5491160266228
Madrid, Spain
(R) 03-28-2025
The Laowa Pro2be Set of 3 is an innovative and versatile cine lens kit designed for capturing unique perspectives, especially in macro cinematography. It includes three distinct 24mm T8 lenses: a Direct View (0°), a 35° View, and a 90° Periscope View module. These lenses offer 2x magnification, a waterproof front barrel (up to 36.6cm), and a close focusing distance of just 4mm, enabling extreme close-ups with impressive detail and a wide depth of field due to their wide-angle design. The lenses feature long, tubular, and adjustable barrels, allowing users to shoot in previously inaccessible locations and achieve creative angles. They are constructed with high-quality optics for sharp images and accurate color rendition and come with interchangeable mounts (PL, EF, RF, Z, E, L). The set is ideal for various applications, including wildlife, food, product, and miniature videography, as well as special effects in narrative filmmaking and commercials.
Three Unique Perspectives: Includes 0° direct view, 35° tilted view, and 90° periscope view modules for diverse shooting angles.
2x Magnification: Allows for extreme close-up shots revealing intricate details.
Wide Angle of View: Provides a greater depth of field at close distances compared to telephoto macro lenses.
Waterproof Front Barrel: Enables shooting in and out of water and protects against dust and debris (up to 36.6cm).
Long, Tubular, and Adjustable Barrels: Facilitates reaching unique and difficult angles and spaces.
Fast T8 Maximum Aperture: Allows for better light gathering and freezing motion.
High Image Quality: Advanced optical design minimizes diffraction and enhances sharpness and color accuracy.
Full Frame Coverage: Compatible with both standard 35mm full-frame and Super 35 sensors.
Interchangeable Lens Mounts: Offers compatibility with various professional cinema cameras (PL mount default, with options for EF, RF, Z, E, L).
Robust Cine Housing: Features continuously variable aperture rings and standardized 0.8 MOD gears for focus and aperture control.
Cost 7500 Euros
Robert Schulzmann <[email protected]>
ALTGLAS Rental – Berlin
+49 1797555076 (r) 03-27-2025
Atlas Orion A 40mm
Atlas Orion A 40mm
Atlas Orion A 100mm
The Atlas Orion Anamorphic lenses are a series of cinema lenses designed to deliver a classic anamorphic aesthetic. They are known for their distinct look, which includes wide aspect ratios, characteristic flares, and oval bokeh. These lenses have gained popularity among filmmakers seeking the anamorphic look without the high cost associated with vintage or high-end modern anamorphic lenses. They are built with modern manufacturing techniques, offering reliability and durability for professional use.
Classic Anamorphic Look: Produces the distinctive widescreen aspect ratio, horizontal flares, and oval bokeh characteristic of vintage anamorphic lenses.
Modern Build Quality: Designed for contemporary filmmaking with robust construction and reliable mechanics.
Relatively Affordable: Compared to many high-end anamorphic options, the Orion series offers a more accessible entry point.
Consistent Performance: Maintains consistent optical characteristics across the lens set.
Interchangeable Mounts: Adaptable to various camera systems.
Pleasing Skin Tones: Designed to render natural and flattering skin tones.
Cost: 15,500 Euros
Owner; Peeter Järvelaid <[email protected]>
+372 5011711
augustfilms.com (R) 03-27-2025
ZEISS SUPERSPEED UNCOATED MKIII T1.3 18mm
ZEISS SUPERSPEED UNCOATED MKIII T1.3 25mm
ZEISS SUPERSPEED UNCOATED MKIII T1.3 35mm
ZEISS SUPERSPEED UNCOATED MKIII T1.3 50mm
ZEISS SUPERSPEED UNCOATED MKIII T1.3 85mm
ZEISS SUPERSPEED UNCOATED MKIII T1.3 135mm
Key Features and Benefits:
Extremely Fast Apertures: Primarily T1.3, allowing for shallow depth of field and excellent low-light performance.
Uncoated Front Element: Produces unique flares and lower contrast, often desired for a vintage or cinematic look.
PL Mount: Industry-standard mount ensuring compatibility with professional cinema cameras.
MkIII Design: Represents a later iteration of the Super Speed series, often incorporating refinements in mechanics and build quality.
Compact and Lightweight: Relatively small and easy to handle on set.
Distinctive Image Character: The uncoated front contributes to a softer, more organic look with enhanced flares.
Popular for Vintage Aesthetic: Highly sought after for achieving a classic filmic style.
Cost : 65000€
From: Mathieu Lalande <[email protected]>
Atlas Mercury A 36mm
Atlas Mercury A 42mm
Atlas Mercury A 72mm
Full-Frame Coverage: Designed for full-frame sensors (36.7mm x 25.54mm) and compatible with various aspect ratios (16:9, 3:2, 4:3) with easy delivery to 2:1, 2.25:1, 2.66:1, and 2.4:1.
1.5x Anamorphic Coefficient: Provides a balance of the classic 2x Cinemascope look (oblong bokeh, barrel distortion, shallow depth of field) with a more manageable size and weight.
Vintage Geometric Personality: Offers exceptional optical performance with character, color, and clarity, featuring pleasing barrel distortion, painterly oval bokeh, and dynamic golden streak flares with near-zero chromatic aberration.
Lightweight and Compact: Approximately half the size and weight of most professional anamorphic lenses, enhancing versatility for various shooting scenarios, including handheld and gimbal work.
Professional Usability: Features an Arri PL mount compatible with professional cinema cameras and mirrorless cameras via PL adapter. It has unified focus and iris positions for quick lens changes and standardized 0.8 pitch gears and a 95mm front diameter for compatibility with standard cinema accessories.
Optimized for Film and Digital Sensors: Designed to perform exceptionally well with both traditional film and modern digital cinema cameras.
Crisp Image and Pleasing Skin Tones: Delivers sharp and resolute images while being optimized to render a variety of skin tones beautifully.
Rick Darge is Asking $20k for the lenses. And $500 for the case.
for a New Atlas Mercury A set: 36 42 72 mm
[email protected] <[email protected]>
(R) 03-26-2025
Canon EF CN-E Cinema Prime 14mm
Canon EF CN-E Cinema Prime 24mm
Canon EF CN-E Cinema Prime 35mm
Canon EF CN-E Cinema Prime 50mm
Canon EF CN-E Cinema Prime 85mm
High Optical Performance:
Engineered for 4K resolution and high image quality.
Consistent color balance across the lens series.
Minimal focus breathing.
Professional Build:
Robust and durable construction for demanding production environments.
Unified 114mm front diameter and standardized gear positions for efficient lens changes.
Dust and water-resistant design.
Cinematic Qualities:
11-blade aperture for smooth, beautiful bokeh.
Precise manual focus with a 300° rotation.
Designed to produce a natural, cinematic look.
EF Mount Compatibility:
Compatible with Canon’s Cinema EOS cameras and EF-mount DSLRs.
Adaptable to RF mount cameras with adaptors.
Operational advantages:
Dual focus markings.
Ability to change focus markings from imperial to metric.
Cost
In Wastsapp on 03-25-25
P: 10000 EUR for me. 2000 EUR to you as commission if you sell it for 12K.
R: Ok…but we always Mark it up a Little more because clients always ask for discounts…thanks
P: You can mark it up
Peeter Järvelaid <[email protected]>
producer
+372 5011711
augustfilms.com – Soo4, Tallinn, Estonia (R) 03/25/2025
Lomo Round Front 2X Anamorphic Mirrorscope Hawk C-Series 35mm
Lomo Round Front 2X Anamorphic Mirrorscope Hawk C-Series 50mm
Lomo Round Front 2X Anamorphic Mirrorscope Hawk C-Series 75mm
Lomo Round Front 2X Anamorphic Mirrorscope Hawk C-Series 100mm
Key Features and Benefits:
Classic Anamorphic Look: Delivers a vintage aesthetic with a 2x squeeze, characteristic oval bokeh, and distinct blue streak flares.
Organic Image: Offers a slightly softer, more forgiving image with medium contrast and a natural feel, avoiding a clinical sharpness.
Mirrorscope Rehousing: Modern rehousing by Mirrorscope addresses common issues of vintage lenses, providing improved mechanics for focus and matte box compatibility (non-rotating front).
Hawk C-Series Heritage: Based on the original Lomo Round Front lenses that formed the foundation of the renowned Hawk C-Series anamorphic lenses.
Versatile Focal Lengths: Typically available as a set with useful focal lengths like 35mm, 50mm, 75mm, and 100mm.
PL Mount: Features a professional PL mount for compatibility with a wide range of cinema cameras.
Enhanced Usability: Rehousing often includes standardized front diameters and improved focus mechanics for smoother operation.
Cost USD $ 85,000
Owner Nathan Thompson – Email: [email protected]
Telephone: 833-268-7278 – Nashville – USA
(R) 03/25/2025
Cooke 5i 18mm
Cooke 5i 25mm
Cooke 5i 32mm
Cooke 5i 40mm
Cooke 5i 50mm
Cooke 5i 65mm
Cooke 5i 75mm
Cooke 5i 100mm
Key Features and Benefits:
Superior Optical Performance: Designed for maximum performance at full aperture (T1.4).
Exceptional control of flare, distortion, and spherical aberration.
Precise Control: Labeled index marks for detailed focus control.
Smooth cam-type focus mechanism.
Enhanced Usability: Patented, dimmable, illuminated focus ring for low-light conditions.
Consistent 110mm front diameter across the series.
/i Technology: Provides critical lens metadata for VFX and post-production.
provides information on lens setting, focusing distance, aperture and depth-of-field, hyperfocal distance.
Color Matching: Color-balanced to match other Cooke lenses.
Robust Build: Durable, scratch-resistant finish.
Cost 50,0000 Proposed by us
Marcelo Prosdocimo <[email protected]>
Cooke S4i 18mm
Cooke S4i 25mm
Cooke S4i 32mm
Cooke S4i 50mm
Cooke S4i 75mm
Cooke S4i 100mm
Includes: – 2 x 4-Hole Lens Case
“Cooke Look”:
Known for warm, natural color rendition and smooth, pleasing skin tones.
Provides a classic, cinematic aesthetic.
Optical Performance:
Excellent control of flare, distortion, veiling glare, and spherical aberrations, even at wide apertures (T2).
Consistent color matching across all focal lengths.
/i Technology:
Provides lens metadata (focus distance, aperture, etc.) to the camera, aiding in on-set and post-production workflows.
Mechanical Design:
Robust and durable construction.
Smooth, precise focus adjustments.
Modular construction for easier maintenance.
Wide Aperture:
T2 aperture, allowing great low light performance, and a shallow depth of field.
Exceptional Image Quality: Delivers high resolution, high contrast, reduced flare, and vibrant colors.
Macro Capability: Offers a 1:1 magnification ratio for detailed close-ups.
Optical Design: Novel optical design optimized for close-up work.
Versatile Aperture: Wide T-stop range (T2.0 to T32) for precise depth of field control.
Ergonomics: Long focal length provides greater distance to the subject.
Lens Data System (LDS): Provides T-stop compensation and optional electronic exposure compensation.
Compatibility: Super Color Matched to other ARRI lenses.
SOLD – cost 17,857.14 – SOLD
owner : Nook Digital Factory Korea
