Canon FL – GL Rehoused 19mm f3.5
Canon FL – GL Rehoused 28mm f3.5
Canon FL – GL Rehoused 35mm f2.5
Canon FL – GL Rehoused 58mm f1.2
Canon FL – GL Rehoused 85mm f1.8
The GL Optics rehoused Canon FL prime lenses are a set of vintage still photography lenses from the 1960s that have been professionally modified for modern cinema use. By rehousing the original Canon FL optics into new, robust cinema-style housings, GL Optics transforms them into tools that offer a unique “vintage” look while providing the mechanical and physical consistency required on a film set. The Canon FL series predates the more widely known Canon FD lenses and offers a distinct optical character, often compared to the highly regarded Canon K35 primes.
Key Features and Benefits
Vintage Aesthetic: The lenses are known for a warm, organic, and slightly desaturated color rendition, with pleasing lens flares and a subtle halation. This gives a sought-after cinematic feel, setting them apart from the clean look of modern lenses.
Professional Rehousing: GL Optics’ rehousing process provides a durable, modern cinema housing. This includes a standardized front diameter (often 95mm), a uniform position for focus and iris gears across the set, and improved mechanics for cinema-level operation.
Improved Usability: The new housings feature a longer, smoother focus throw (often 330 degrees) for precise focus pulls. They also often have improved close-focus distances compared to the original still lenses.
Full Frame Coverage: The lenses are designed to cover full-frame sensors and in some cases, even Vista Vision (Red VV 8K) formats, making them suitable for a wide range of modern digital cinema cameras.
Mount Versatility: While primarily rehoused for a PL mount, interchangeable mounts such as EF and Sony E are often available.
Comparable to Canon K35: Their optical characteristics, including pleasing bokeh and sharpness, are often compared to the legendary Canon K35 prime lenses, but at a more accessible price point.
Cost Price: $24,000 OBO
Ruben Contreras
bvcx1984@gmail.com
New Life Cine does not have it
Justcinemagear: Canon FL GL rehoused lenses set of 5: $ 26,850
16 mm S4i
25 mm S4
32 mm S4
40 mm S4i
50 mm S4
75 mm S4
135 mm S4
The Cooke S4 Prime Lenses are renowned cinema lenses designed for professional filmmaking, offering exceptional optical performance, natural rendering, and the signature “Cooke Look.” Widely used in feature films, commercials, and high-end productions, they deliver sharpness, warmth, and smooth focus transitions.
Key Features
Wide Focal Range: Available from 12mm to 300mm to cover all production needs.
Consistent T2 Aperture: Provides reliable low-light performance and depth-of-field control.
The “Cooke Look”: Warm, natural skin tones and gentle contrast for a cinematic aesthetic.
Lens Data System (i Technology): Records critical metadata (focus, iris, zoom) for VFX and post-production.
Minimal Distortion & Breathing: Ensures smooth, accurate focus pulls.
Durable Build: Designed for rigorous professional use with robust mechanics.
Uniform Design: Matched color and handling across the range for seamless intercutting.
TBD
MD
Sebastián Sorin
Director
1536625900
www.vimeo.com/sebastiansorin
Sebastian Sorin <sebastiansorin@hotmail.com>
Includes:
TLS Bausch & Lomb Super Baltar 20mm
TLS Bausch & Lomb Super Baltar 25mm
TLS Bausch & Lomb Super Baltar 35mm
TLS Bausch & Lomb Super Baltar 50mm
TLS Bausch & Lomb Super Balter 75mm
TLS Bausch & Lomb Super Baltar 100mm
TLS Bausch & Lomb Super Baltar 152mm
Features:
Vintage Optical Characteristics:
Warm Tones and Low Contrast: Super Baltars are celebrated for their warm color rendition and a gentle, medium-to-low contrast that is incredibly flattering, especially for skin tones.
Pleasing Bokeh: They produce a consistently beautiful, textured bokeh with a smooth focus roll-off that makes subjects pop while the background becomes soft and painterly.
Distinctive Flares: The lenses have a trademark blue, purple, and amber coating that creates unique, cinematic flares when a light source hits the front element.
Organic Imperfections: Unlike modern, clinically sharp lenses, they have softer edges and a subtle glow, giving the image an organic, dreamy quality.
Modern TLS Rehousing Features:
Robust and Consistent Mechanics: The new housings are durable and designed with a cam-drive focus system that provides a smooth, reliable, and repeatable focus pull.
Standardized Design: All lenses in the set have a common front diameter (usually 110mm) and matching gear positions for focus and iris, making them compatible with modern matte boxes and follow focus systems.
Improved Close Focus: The rehousing process often allows for a much closer minimum focus distance than the original lenses, adding to their versatility.
PL Mount Compatibility: They are rehoused with a modern PL mount, ensuring they can be used with a wide range of professional cinema cameras.
Cost: 70000 GBP
September 17, 2025
(M)
Simon Paul
United Kingdom
Email: simonpaul7@mac.com
Telephone: +7831400850
Includes:
Cooke Speed Panchros S2/S3 18mm(T2.2)
Cooke Speed Panchros S2/S3 25mm(T2.2)
Cooke Speed Panchros S2/S3 32mmT2.3)
Cooke Speed Panchros S2/S3 50mm (T2.3)
Cooke Speed Panchros S2/S3 75mm (T2.3)
Cooke Speed Panchros S2/S3 100mm (T2.3)
Cooke Speed Panchros S2/S3 152mm (T2.8)
Features:
Vintage “Cooke Look” Optical Features:
Distinctive Cinematic Character: The lenses are known for the “Cooke Look”—a warm, organic, and slightly soft image that is highly flattering, particularly for skin tones.
Gentle Focus Roll-off: They provide a pleasing, gradual transition from sharp focus to a dreamy, painterly background bokeh.
Subtle Imperfections: The lenses have a low contrast and controlled, but beautiful, flare and vignette, adding to their unique, vintage appeal.
Warm Tones: They tend to render images with a slightly warm color cast, which is often considered a desirable quality.
Modern TLS Rehousing Features:
Robust Mechanics: The new housings are durable and designed for the rigors of modern filmmaking, with a similar feel and build to modern Cooke S4/i lenses.
Standardized Design: The rehousing provides standardized features like a PL mount, a common front diameter (often 110mm), and uniform gear positions for focus, iris, and zoom, making them easy to use with modern matte boxes and follow focus systems.
Smooth Operation: The new mechanics provide an incredibly smooth focus movement with no play, allowing for precise and repeatable focus pulls.
Improved Minimum Focus: The rehousing allows for closer minimum focus distances compared to the original, un-rehoused lenses, offering more versatility.
Code:
Cost:60000 GBP
September 17, 2025
(M)
Simon Paul
United Kingdom
Email: simonpaul7@mac.com
Telephone: +447831400850
Zeiss Supreme Prime 21mm
Zeiss Supreme Prime 35mm
Zeiss Supreme Prime 50mm
Zeiss Supreme Prime 85mm
Zeiss Supreme Prime 135mm
Zeiss Supreme Primes are a line of high-end cinema lenses designed for professional film production. They’re known for their consistent performance across the entire set and their ability to produce a unique, cinematic look with a smooth aesthetic.
Key Features and Benefits 🤩
Large-Format Sensor Coverage: These lenses are designed to cover cinematic sensors up to and beyond full frame (FF+), making them compatible with modern digital cinema cameras like the Sony Venice, ARRI Alexa LF, and RED Monstro.
Consistent Look and Ergonomics: The entire range of Supreme Prime lenses is color-matched, ensuring consistent color rendering from one lens to another. They also share a consistent physical design, with the same front diameter (95mm on most lenses) and standardized positioning of focus and iris rings, which allows for fast and easy lens changes on set.
Fast Aperture: Most lenses in the series have a fast T-stop of T1.5, which is ideal for shooting in low-light conditions and creating a shallow depth of field with beautiful bokeh.
Gentle Sharpness and Elegant Bokeh: The lenses are praised for their “gentle sharpness,” which provides a crisp yet organic look, especially for capturing textures like skin tones. They produce a very smooth transition between in-focus and out-of-focus areas, creating an elegant bokeh and a rich, deep image.
ZEISS eXtended Data: This technology provides frame-accurate lens metadata, including focal length, focus distance, and T-stop, which is invaluable for visual effects (VFX) and post-production workflows.
User-Interchangeable Mounts: The lenses feature an interchangeable mount system, allowing for quick changes between PL, LPL, and EF mounts, which provides flexibility for different camera systems.
Cost; 50 000€
Mathieu Lalande
mathieu@buffalocorp.fr
+33687506257
Features:
Fast T1.3 Aperture: The lenses have a very fast maximum aperture of T1.3 across the entire set, which is excellent for low-light shooting and for achieving a shallow depth of field, a look often desired in cinematography.
High Optical Performance: They deliver high contrast and resolution, with minimal chromatic aberration and well-controlled distortion, even at wide angles.
Minimal Focus Breathing: The design of the lenses minimizes focus breathing, which means the focal length doesn’t change noticeably as you adjust focus. This is a crucial feature for professional filmmaking.
Super 16mm Format Optimized: The lenses were specifically designed to cover the Super 16mm format, ensuring optimal image quality from the center to the edges of the frame.
Consistent Ergonomics: The entire set of lenses shares a uniform size, weight, and a 95mm front diameter. This consistency makes it quick and easy to swap lenses on set without needing to adjust matte boxes or other accessories.
T* XP Coating: The advanced T* XP multi-layer anti-reflex coating reduces flares and internal reflections, providing high contrast and deep blacks.
Color Matched: The Ultra 16 lenses are “Super Color Matched” to other modern ARRI/Zeiss lenses (like the Master Primes and Ultra Primes), allowing for a consistent look when intercutting between different lens sets on a project.
COST: 25000 EUROS
September 05, 2025
(M)
Alvaro Solis Lopez
Lens located in England
alvaro@cinelensesapp.com
Zeiss Superspeed MKiii – Uncoated 18mm
Zeiss Superspeed MKiii – Uncoated 25mm
Zeiss Superspeed MKiii – Uncoated 35mm
Zeiss Superspeed MKiii – Uncoated 50mm
Zeiss Superspeed MKiii – Uncoated 85mm
Zeiss Superspeed MKiii – Uncoated 135mm
Imperial
Includes Custom Cases
The Zeiss Super Speed MKIII – Uncoated lenses are a variant of the classic, vintage Zeiss Super Speeds, widely used in cinematography for their unique visual characteristics. The “uncoated” aspect refers to the removal of the anti-reflective coating on the front and/or rear lens elements, which alters the lens’s optical performance.
Key Features and Benefits
Distinct Cinematic Look: The lack of a T* anti-reflective coating results in a softer, lower-contrast image and a significant increase in lens flare. This is a deliberate aesthetic choice for a dreamy, stylized, or vintage feel.
Ultra-Fast Aperture: With a maximum aperture of T1.3, these lenses are exceptionally fast, making them ideal for shooting in low-light conditions without needing to increase the camera’s ISO.
Pleasing Bokeh: When wide open, the lenses produce a round, soft bokeh. When stopped down, their 7-blade iris can create a characteristic triangular or polygonal bokeh.
Compact and Lightweight: The small and compact design of these lenses makes them well-suited for handheld shooting, gimbal work, and other situations where size and weight are critical.
Improved Mechanics: Compared to earlier models, the MKIII lenses feature more legible and larger focus markings, often on both sides of the barrel, and a larger focus rotation for more precise control.
Cost: 57 500€
Matheu Lalande
mathieu@buffalocorp.fr
+33687506257
Newlifecine has a set of 5 mix MK2 and MK3 in USD 48,500
justcinegear has a set of 5 in 63,500 , another set of 5 in 58,500 and a 3rd one of 5 in 57,500
Cooke Anamorphic FF 1.8x 32mm
Cooke Anamorphic FF 1.8x 40mm
Cooke Anamorphic FF 1.8x 50mm
Cooke Anamorphic FF 1.8x 85mm
Cooke Anamorphic FF 1.8x 135mm
Note: Regular Coating
The Cooke Anamorphic/i FF 1.8x lenses are a set of high-end cinema lenses designed for professional filmmaking. They are known for providing the classic “Cooke Look” on modern full-frame sensors. Their 1.8x squeeze ratio offers a balance between the aesthetic of traditional 2x anamorphic lenses and the technical requirements of large-format digital sensors.
Key Features and Benefits
1.8x Squeeze Factor: This “sweet spot” ratio allows these lenses to cover full-frame sensors without losing too many pixels, producing a natural-looking widescreen image. It’s a great middle ground between traditional 2x anamorphic lenses and other squeeze ratios.
Full-Frame Coverage: Designed to cover large format sensors like those in the Alexa LF and Sony VENICE, providing a wider field of view and a shallower depth of field than Super35 lenses.
The “Cooke Look”: Delivers a warm, organic, and cinematic aesthetic with smooth focus fall-off and pleasing skin tones. It also creates the signature oval bokeh and distinctive anamorphic flares.
/i Technology: This proprietary Cooke system automatically records and transmits vital lens metadata to the camera, including focal distance, aperture, and depth of field. This data is invaluable for post-production, VFX, and virtual production workflows.
Color-Matched: All Cooke Anamorphic/i FF lenses are color-balanced and matched, ensuring a consistent look across the entire set and with other Cooke lens series.
Robust Build: They are built with a durable, scratch-resistant hard-anodized finish and have a cam-style focus mechanism for smooth, precise focus pulls.
Mathieu Lalande
mathieu@buffalocorp.fr
+33687506257
Let´s put Make an Offer until we decide a price – R-09-04-2025
Newlifecine has a Set of 4 lenses in $ 143,700 (each 35,925)
Justcinemagear has one set of 4 in 67,900 ( each 16,975) and a set of 9 103.950 (each 11,550)
AI says: Based on research of the second-hand market for film and digital video equipment, the average price for a used set of six Cooke Anamorphic/i FF 1.8x lenses is approximately $120,000 to $150,000 USD.
Lomocron Anamorphic 2X 35mm
Lomocron Anamorphic 2X 50mm
Lomocron Anamorphic 2X 90mm
Lomocron Anamorphic 2X lenses are a unique re-engineered set of lenses that combine the vintage character of Lomo Square Front anamorphic optics with the updated mechanics and performance of modern cinema lenses. Created by Whitepoint Optics, these lenses are designed to retain the sought-after “Lomo look” while resolving the common issues of older, mechanically unreliable vintage lenses.
Key Features and Benefits
Unique Aesthetic: The lenses produce a distinctive, cinematic look with a 2x squeeze factor, pleasing barrel distortion, and signature blue lens flares.
Improved Performance: The re-engineering process, which uses Leica-R Summicron spherical optics as the “taking lens,” enhances resolution and contrast while reducing haze.
Modern Mechanics: The new housing provides smooth and reliable focus and iris operation, with matched gear positions across the set. This eliminates the image shift and rotation issues of the original Lomo Square Fronts.
Production-Friendly Design: The lenses have industry-standard front diameters, making them compatible with modern accessories like matte boxes, filters, and diopters.
Expanded Coverage: The lenses are designed to cover various digital cinema formats, with some focal lengths offering coverage beyond Super 35mm and nearly covering Mini LF Open Gate sensors.
TBD
Pantaleone Megna
pantaleone@moonlifefilm.com
Owner didn’t want us to delclare the price
Leica Summilux-C 18mm
Leica Summilux-C 21mm
Leica Summilux-C 25mm
Leica Summilux-C 35mm
Leica Summilux-C 40mm
Leica Summilux-C 50mm
Leica Summilux-C 75mm
Leica Summilux-C 100mm
The Leica Summilux-C lenses are a highly regarded set of prime cinema lenses known for their compact size, fast aperture, and exceptional image quality. They were designed for both film and digital cinematography and received a Scientific and Engineering Award from the Academy of Motion Picture Arts and Sciences for their innovative design. 🎬
Key Features and Benefits
Fast Aperture 🚀: With a consistent maximum aperture of T1.4, they are among the fastest modern lens sets and are designed to perform optimally even when wide open.
Compact & Lightweight 🤏: Averaging only 1.7 kg and 142 mm in length, these lenses are smaller and lighter than many other fast-aperture cinema lenses, making them ideal for a variety of rigs and for faster lens changes.
Superior Image Quality ✨: They produce what’s described as “creamy sharpness,” which means they render fine details with clarity while handling skin tones and out-of-focus elements with a pleasing, natural softness.
Color Consistency 🌈: The lenses are designed to maintain a matched color balance across the entire set, ensuring a natural color rendition and making it easy to cut between different focal lengths in post-production.
Telecentric Design 🔬: This advanced optical design ensures that light travels evenly from the rear element to the sensor, reducing chromatic aberrations and providing consistent illumination and focus from the center to the edges of the image.
Ergonomics for Cinematography 🎞️: The entire set has a consistent front diameter (95mm, except for the 135mm), and the focus and iris rings are in the same physical location on each lens. This allows for quick lens swaps without needing to re-adjust matte boxes and other accessories.
Cost 150000 Dollars
USA – Los Angeles
Name Arseni Khachaturan
Company Pakizi Inc.
arsenikhachaturan@gmail.com
T. 3478962479
We CAN SELL in 87,500 and later deal with owner a lower cost?
Newlifecine has 11 lenses set in 168,000
JustCinemagear has one 8 LENSES set for 89,000
