Canon FD 20mm T2.9 SSC
Canon FD 24mm T1.5 L (asph)
Canon FD 35mm T2.1 SSC (convex version)
Canon FD 45mm T1.5 FDX (Yashika)
Canon FD 55mm T1.3 SSC (asph)
Canon FD 85mm T1.3 SSC (asph)
Canon FD 135mm T2.1 nFD
They have the newest Mark V housing and comes with Custom flight case
The GL Optics Rehoused Canon FD 7-lens set transforms classic Canon FD still photography lenses into modern cinema-ready tools. These lenses are prized for their unique vintage look, distinct from contemporary glass.
Key Features and Benefits:
Vintage Aesthetic: Delivers a warm, organic, and slightly desaturated color rendition with pleasing lens flares and subtle halation, providing a sought-after cinematic feel.
Exceptional Optical Quality: Known for sharpness and resolution, even wide open, with excellent contrast and smooth, creamy bokeh.
Fast Apertures: Many lenses in the set boast wide apertures (e.g., T1.3, T2.1), offering good low-light performance and shallow depth of field control.
Professional Rehousing: GL Optics rehouses the original Canon FD optics into durable, modern cine-style housings with standardized front diameters (typically 95mm or 110mm) and uniform focus/iris gears for easier rigging and consistent operation.
Improved Mechanics: Features often include 330-degree focus throw, inner focus systems, and improved close focus distances compared to the original still lenses.
Full Frame Coverage: Most lenses in the set cover Full Frame and even Vista Vision (RED VV 8K) sensors.
PL Mount Compatibility: Primarily rehoused for PL mount, with interchangeable mounts like EF and Sony E often available.
Similar to Canon K35s: The optical characteristics are often compared to the highly regarded Canon K35 prime lenses, offering a similar artistic signature at a potentially more accessible price point.
Cost: TBD
Matty McClain
Co-founder / Head of Production
RECREATION
www.recreationfilms.com
M: 917.586.9079
50S. Buckhout St. , Suite G103
Irvington, NY 10533 R-07/28/2025
Newlifecine has one set : USD 59,500
Justcinegear has one of SIX : Canon FD GL Optics rehoused 6 lens set
SKU: mm $45,990.00Price
AI : Consolidated Average Price Range for a Used GL Optics Rehoused Canon FD 7-Lens Set
Based on a comprehensive analysis of the available direct sale listings for GL Optics rehoused sets (EUR 83,000 for a 6/7-lens set, and USD $115,000 for an 8-lens set), and considering the robust replacement values provided by leading rental houses ($100,000 – $120,000), the average price for a used GL Optics rehoused Canon FD 7-lens set is estimated to fall within the range of USD $90,000 to USD $110,000.
Includes:
Leica R Summilux 19mm T2.9
Leica R Summilux 24mm T2.9
Leica R Summilux 35mm T1.5
Leica R Summilux 50mm T1.5
Leica R Summilux 80mm T1.5
Leica R Summilux 135mm T2.9
Nanuk Hard Case with laser cut foam
Features:
Fast Apertures: Typically f/1.4, offering excellent low-light performance and shallow depth of field for creative subject isolation and beautiful bokeh.
Superb Image Quality: Known for high sharpness and contrast, even at wide open apertures. Images often exhibit a unique “smoothness” in details.
Excellent Optical Correction: Utilizes special glass types (e.g., anomalous dispersion) to minimize chromatic aberrations and other optical flaws. Apochromatic designs are also present in some later models.
Robust Mechanical Build: Crafted with all-metal mounts and precise mechanics, ensuring smooth focusing and durable performance.
Manual Focus Design: Designed specifically for manual focus, providing a tactile and precise focusing experience that many photographers prefer.
Distinctive Bokeh: Produces aesthetically pleasing and often “creamy” out-of-focus backgrounds, contributing to the signature Leica aesthetic.
Classic “Leica Look”: Delivers images with rich tonal reproduction, delicate transitions to blur, and vibrant, true-to-life colors.
Versatile for Different Photography Styles: Ideal for portraits, low-light photography, and situations where strong subject isolation is desired due to their wide apertures.
Adaptable to Digital Cameras: While originally designed for Leica R film cameras, these lenses can be adapted to modern digital mirrorless cameras, allowing contemporary photographers to experience their unique rendering.
Cost: 60000 Euros
July 17, 2025
(M)
Matthew De Sousa
Austrailia
Email [email protected]
Telephone +61467206065
Features:
Expansive Focal Range: 65-300mm natively.
Constant T2.8 Aperture: Maintains T2.8 throughout the entire zoom range (without extender), no ramping.
Large Format Coverage: Designed to cover full-frame and VistaVision sensors, also compatible with Super 35.
Signature Look: Matches the aesthetic of ARRI Signature Primes for consistent imagery.
Natural Skin Tones & Bokeh: Delivers pleasing, organic images with smooth focus fall-off.
Controlled Flares: Engineered for controlled, artistic flares, ideal for HDR and lower contrast scenes.
LPL Mount: Utilizes ARRI’s Large Positive Locking mount for robust and data-rich connection.
LDS-2 Lens Data System: Provides extensive metadata for efficient post-production and VFX.
8K Resolution Ready: Future-proofed for high-resolution capture.
Durable Build: Lightweight yet robust magnesium barrel construction.
Integrated Handle: Features a built-in, detachable handle for secure grip and ease of use.
Rear Filter Compatibility: Works with the magnetic Signature Prime rear net holder for custom diffusion.
Minimal Chromatic Aberration: Designed to minimize color fringing.
No Visible Focus Breathing: Maintains consistent framing when adjusting focus.
Close Focus: Excellent close-focus distance for detailed shots.
Includes:
Arri Master Prime 18mm
Arri Master Prime 25mm
Arri Master Prime 35mm
Arri Master Prime 50mm
Arri Master Prime 75mm
Arri Master Prime 135mm
Features:
Blazing Fast Aperture: Consistent T1.3 across most focal lengths, allowing for incredible low-light performance and extremely shallow depth of field.
Unrivaled Sharpness & Contrast: Delivers pristine image quality from edge to edge, even wide open, with excellent resolution.
Virtually No Breathing: Focus pulls are smooth and clean, with minimal to no change in the field of view.
Minimal Distortion & Aberrations: Advanced optical design, including aspherical elements, eliminates geometric distortion and chromatic aberration for a “clean” look.
Reduced Flare: Designed to resist flare and ghosting, maintaining contrast even with bright light sources in frame.
Consistent Mechanics: Uniform size (114mm front diameter for most) and consistent placement of focus, iris, and zoom gears across the set for efficient lens changes and use with accessories.
Integrated Lens Data System (LDS): Provides real-time lens metadata to compatible cameras and systems, streamlining workflow for focus pullers and post-production.
Beautiful Bokeh: Features iris with at least nine blades for smooth, pleasing out-of-focus areas.
Color Matching: Engineered to have consistent color rendition across the entire set, ensuring seamless transitions between focal lengths.
Robust Construction: Built for the demanding environment of professional film sets, ensuring durability and reliability.
Cost: $85,000 USD
June 30, 2025
(M)
Thathorn Mongkolmafai
Mobile: +66 89 483 6055
Website: www.gearheadthailand.com
Email: [email protected]
Includes:
Cooke S7/i 18mm
Cooke S7/i 21mm
Cooke S7/i 25mm
Cooke S7/i 27mm
Cooke S7/i 32mm
Cooke S7/i 40mm
Cooke S7/i 50mm
Cooke S7/i 60mm Macro
Cooke S7/i 75mm
Cooke S7/i 100mm
Cooke S7/i 135mm
The Cooke S7/i Full Frame Plus lens series is a high-end lineup of prime lenses designed to cover full-frame and larger sensors. Engineered for modern digital cinema cameras, the S7/i primes deliver the iconic “Cooke Look”—a warm, cinematic rendering with pleasing skin tones and gentle contrast. Built with precision mechanics and Cooke’s /i Technology for metadata capture, these lenses are ideal for high-resolution, high-end productions seeking visual richness and consistency.
Features:
Full Frame Sensor Coverage (up to 46.31mm image circle)
Consistent T2 Aperture across the entire range
The Classic “Cooke Look” – natural skin tones, smooth focus fall-off
/i Technology – lens metadata for VFX and post-production workflows
Robust Construction – designed for professional cinema environments
Matched Color and Optical Performance across the series
TBD
June 1, 2025
Updated by MD
original by mg
Matthew Kohnen
Dreamcatcher Filmstudios
[email protected]
310-384-6695
United States
Zeiss MKII Super Speed 18mm
Zeiss MKII Super Speed 25mm
Zeiss MKII Super Speed 35mm
Zeiss MKII Super Speed 50mm
Zeiss MKII Super Speed 85mm
The Zeiss MK2 Super Speed lenses are highly regarded vintage cinema primes known for their exceptional performance and distinctive aesthetic.
Fast Maximum Aperture: They offer a consistent and wide maximum aperture of T1.3 across the range (typically 18mm to 85mm), making them ideal for low-light shooting and achieving shallow depth of field. This puts them in a rare company for vintage lenses.
Classic Filmic Aesthetic: These lenses are known for producing a “magic” and timeless filmic look, with beautiful color rendition and a pleasing bokeh, often due to their 7-blade iris.
Compact and Lightweight Design: Their compact and relatively light build makes them well-suited for handheld and gimbal filming, providing versatility on set.
Excellent Sharpness and Minimal Distortion: Despite their vintage nature, they offer exceptional sharpness and minimal geometric distortion, even at wide focal lengths.
Robust Mechanical Design: They feature factory-integrated focus gears with a 0.8 module pitch and a 270° focus rotation for precise control, improving upon earlier versions.
Versatile Coverage: They cover beyond Super 35mm sensors, making them suitable for modern digital cameras like ARRI Alexa Mini Open Gate and Alexa 35 Open Gate, and some focal lengths even cover full-frame sensors.
Distinctive Flares: They can produce beautiful blue and magenta lens flares, adding character to the image.
Frank Shaw
his cost is 35K usd
Includes:
Mamiya Sekor C/ 645 17mm fisheye
Mamiya Sekor C/ 645 24.5mm
Mamiya Sekor C/ 645 31.5mm
Mamiya Sekor C/645 38.5mm
Mamiya Sekor C/ 645 49mm
Mamiya Sekor C/ 645 56mm
Mamiya Sekor C/ 645 77mm
Mamiya Sekor C/ 645 105mm
Speed Boosted + Case
LPL Mount, FF & VV, GL OPTICS
Features:
Multi-Coated Optics: “C” in Sekor C signifies multi-coated lenses, which help reduce flare and ghosting, and improve contrast, resolution, and color saturation, even in challenging light.
Wide Range of Focal Lengths: The series includes a diverse selection of prime lenses, from ultra-wide angles like 24mm fisheye to long telephotos like 500mm, as well as zoom and specialty lenses (e.g., shift lenses, macro lenses).
Manual Focus: These lenses are manual focus, offering precise control over sharpness.
Automatic Diaphragm: Most Sekor C lenses feature an automatic diaphragm for convenient exposure control.
Robust Build Quality: Generally well-regarded for their durable construction, often featuring metal barrels.
Versatile Applications: Suitable for a wide array of photography, including portraits, landscapes, architecture, and close-up work.
“N” Versions: Some lenses have “N” versions, which indicate updated coatings for enhanced performance, particularly in terms of flare control.
Leaf Shutter Options: Certain Sekor C lenses (like the 70mm f/2.8) have a built-in leaf shutter, allowing for flash synchronization at all shutter speeds up to 1/500 sec.
Floating System: Some wide-angle and macro lenses incorporate a floating system, where elements move during focusing to maintain high resolution across the entire field, even at close-focusing distances.
Eric said “Comprable TLS is 78K. 50’s?”
June 17, 2025
Eric D’ Amario
[email protected]
Includes:
Arri Signature Prime 21mm
Arri Signature Prime 25mm
Arri Signature Prime 35mm
Arri Signature Prime 47mm
Arri Signature Prime 75mm
Arri Signature Prime 95mm
Features:
Large-Format Coverage: Designed to cover large-format sensors, including full-frame, ensuring compatibility with modern cinema cameras like the ARRI ALEXA LF.
Organic, Timeless Look: Deliver a pleasing, natural image with warm skin tones, crisp blacks, and a subtle, artistic flair. They aim for a “natural” rather than overly sharp or sterile look.
Fast T-Stop: Most lenses in the series feature a fast T1.8 maximum aperture, allowing for shallow depth of field and excellent low-light performance.
Smooth Bokeh: Equipped with an 11-blade iris, producing exceptionally smooth and rounded out-of-focus areas.
Subtle Flares: Designed to create attractive, subtle flares without excessive veiling, adding character to the image.
Minimized Aberrations: Exhibit minimal chromatic aberration and imperceptible focus breathing, contributing to a clean and high-quality image.
Rear Filter Holder: Feature a unique magnetic rear filter holder, enabling cinematographers to easily add custom diffusion or other effects to tailor the look.
LDS-2 Lens Data System: Integrate ARRI’s next-generation LDS-2 (Lens Data System), providing precise metadata for lens control and post-production. It’s also compatible with LDS-1 and Cooke /i Technology.
Lightweight & Durable Construction: Built with magnesium housings and aluminum gear rings, making them remarkably lightweight yet robust and water-resistant.
Consistent Mechanics: Maintain a common 114mm front diameter across most of the prime set, simplifying matte box and filter use.
Extensive Focal Lengths: Available in a wide range of focal lengths, from 12mm to 280mm, offering versatility for various shooting scenarios.
Cost: $100,000 USD
Jack Barton
Jack Barton Film
Austrailia
Email: [email protected]
Telephone: +8201026161980
Includes:
Arri Signature Prime 21mm
Arri Signature Prime 25mm
Arri Signature Prime 35mm
Arri Signature Prime 47mm
Arri Signature Prime 75mm
Arri Signature Prime 95mm
Features:
Expansive Coverage: They’re designed to cover large-format sensors, including full-frame, making them ideal companions for modern cinema cameras like the ARRI ALEXA LF.
Organic, Timeless Aesthetic: Expect natural-looking images with warm skin tones, rich blacks, and a subtle artistic touch. They lean into a “natural” feel rather than being overly sharp or clinical.
Blazing Fast T-Stop: Most lenses in the series boast a T1.8 maximum aperture, which means super shallow depth of field and fantastic performance in low light.
Silky Smooth Bokeh: Thanks to an 11-blade iris, out-of-focus areas are rendered exceptionally smooth and round.
Beautiful, Subtle Flares: Designed to produce appealing, gentle flares that add character without excessive veiling.
Minimal Imperfections: They exhibit very little chromatic aberration and virtually no focus breathing, contributing to a clean, high-quality image.
Innovative Rear Filter Holder: A unique magnetic rear filter holder lets cinematographers easily add custom diffusion or other effects to fine-tune the look.
Advanced Lens Data System: Equipped with ARRI’s LDS-2 (Lens Data System), these lenses provide precise metadata for lens control and post-production. They’re also compatible with LDS-1 and Cooke /i Technology.
Lightweight Yet Robust: Built with magnesium housings and aluminum gear rings, they’re surprisingly light, durable, and water-resistant.
Consistent Mechanics: Nearly all primes in the set share a common 114mm front diameter, simplifying matte box and filter changes.
Broad Focal Length Range: Available in a wide array of focal lengths, from 12mm to 280mm, offering versatility for any shooting scenario.
Cost: $100,000 USD
THIS IS THE SECOND SET
June 26, 2025
Jack Barton
Jack Barton Film
Austrailia
Email: [email protected]
Telephone: +821026161980
Tokina Vista Lens Set of 7
Tokina Vista 18mm
Tokina Vista 25mm
Tokina Vista 35mm
Tokina Vista 50mm
Tokina Vista 85mm
Tokina Vista 105mm
Tokina Vista 135mm
Features:
Large Format Coverage: Designed with a generous 46.7mm image circle, they cover full-frame, VistaVision, and even Red Dragon 8K VV sensors, making them versatile for modern cinema cameras.
Fast T1.5 Aperture: A super-fast T1.5 maximum aperture allows for excellent low-light performance and the creation of shallow depth of field with pleasing bokeh.
Minimal Focus Breathing: Engineered to virtually eliminate focus breathing, ensuring that the angle of view remains consistent when pulling focus, crucial for professional cinematography.
High Resolution & Low Distortion: Deliver sharp, clear images with high resolution, minimal chromatic aberration, and well-controlled distortion across the frame.
Consistent Physical Design: All lenses in the Vista series share a consistent 114mm front diameter, 112mm filter thread (excluding 18mm), and identical gear positions for focus and iris rings. This streamlines lens changes and compatibility with matte boxes and follow focus systems.
Smooth, 9-Blade Iris: A 9-bladed, clickless iris provides smooth, continuous aperture adjustments and produces a beautiful, rounded bokeh.
Durable Cine-Style Housing: Built with robust, all-metal cine-style housing for long-term durability and reliability on set.
Dual-Sided Markings: Focus and iris scales are clearly marked on both sides of the lens barrel for easy readability from various camera positions.
Internal Focus: The internal focus design means the lens length doesn’t change during focusing, keeping balance and matte box setups consistent.
Wide Range of Focal Lengths: Available in a comprehensive range of focal lengths, from wide to telephoto, offering flexibility for diverse shooting scenarios.
Cost: $20,000 USD
June 19, 2025
Frank Shaw
+8615011304502
[email protected]
