Zeiss Supreme Prime 21mm
Zeiss Supreme Prime 35mm
Zeiss Supreme Prime 50mm
Zeiss Supreme Prime 85mm
Zeiss Supreme Prime 135mm
Zeiss Supreme Primes are a line of high-end cinema lenses designed for professional film production. They’re known for their consistent performance across the entire set and their ability to produce a unique, cinematic look with a smooth aesthetic.
Key Features and Benefits 🤩
Large-Format Sensor Coverage: These lenses are designed to cover cinematic sensors up to and beyond full frame (FF+), making them compatible with modern digital cinema cameras like the Sony Venice, ARRI Alexa LF, and RED Monstro.
Consistent Look and Ergonomics: The entire range of Supreme Prime lenses is color-matched, ensuring consistent color rendering from one lens to another. They also share a consistent physical design, with the same front diameter (95mm on most lenses) and standardized positioning of focus and iris rings, which allows for fast and easy lens changes on set.
Fast Aperture: Most lenses in the series have a fast T-stop of T1.5, which is ideal for shooting in low-light conditions and creating a shallow depth of field with beautiful bokeh.
Gentle Sharpness and Elegant Bokeh: The lenses are praised for their “gentle sharpness,” which provides a crisp yet organic look, especially for capturing textures like skin tones. They produce a very smooth transition between in-focus and out-of-focus areas, creating an elegant bokeh and a rich, deep image.
ZEISS eXtended Data: This technology provides frame-accurate lens metadata, including focal length, focus distance, and T-stop, which is invaluable for visual effects (VFX) and post-production workflows.
User-Interchangeable Mounts: The lenses feature an interchangeable mount system, allowing for quick changes between PL, LPL, and EF mounts, which provides flexibility for different camera systems.
Cost; 50 000€
Mathieu Lalande
mathieu@buffalocorp.fr
+33687506257
Features:
Fast T1.3 Aperture: The lenses have a very fast maximum aperture of T1.3 across the entire set, which is excellent for low-light shooting and for achieving a shallow depth of field, a look often desired in cinematography.
High Optical Performance: They deliver high contrast and resolution, with minimal chromatic aberration and well-controlled distortion, even at wide angles.
Minimal Focus Breathing: The design of the lenses minimizes focus breathing, which means the focal length doesn’t change noticeably as you adjust focus. This is a crucial feature for professional filmmaking.
Super 16mm Format Optimized: The lenses were specifically designed to cover the Super 16mm format, ensuring optimal image quality from the center to the edges of the frame.
Consistent Ergonomics: The entire set of lenses shares a uniform size, weight, and a 95mm front diameter. This consistency makes it quick and easy to swap lenses on set without needing to adjust matte boxes or other accessories.
T* XP Coating: The advanced T* XP multi-layer anti-reflex coating reduces flares and internal reflections, providing high contrast and deep blacks.
Color Matched: The Ultra 16 lenses are “Super Color Matched” to other modern ARRI/Zeiss lenses (like the Master Primes and Ultra Primes), allowing for a consistent look when intercutting between different lens sets on a project.
COST: 25000 EUROS
September 05, 2025
(M)
Alvaro Solis Lopez
Lens located in England
alvaro@cinelensesapp.com
Zeiss Superspeed MKiii – Uncoated 18mm
Zeiss Superspeed MKiii – Uncoated 25mm
Zeiss Superspeed MKiii – Uncoated 35mm
Zeiss Superspeed MKiii – Uncoated 50mm
Zeiss Superspeed MKiii – Uncoated 85mm
Zeiss Superspeed MKiii – Uncoated 135mm
Imperial
Includes Custom Cases
The Zeiss Super Speed MKIII – Uncoated lenses are a variant of the classic, vintage Zeiss Super Speeds, widely used in cinematography for their unique visual characteristics. The “uncoated” aspect refers to the removal of the anti-reflective coating on the front and/or rear lens elements, which alters the lens’s optical performance.
Key Features and Benefits
Distinct Cinematic Look: The lack of a T* anti-reflective coating results in a softer, lower-contrast image and a significant increase in lens flare. This is a deliberate aesthetic choice for a dreamy, stylized, or vintage feel.
Ultra-Fast Aperture: With a maximum aperture of T1.3, these lenses are exceptionally fast, making them ideal for shooting in low-light conditions without needing to increase the camera’s ISO.
Pleasing Bokeh: When wide open, the lenses produce a round, soft bokeh. When stopped down, their 7-blade iris can create a characteristic triangular or polygonal bokeh.
Compact and Lightweight: The small and compact design of these lenses makes them well-suited for handheld shooting, gimbal work, and other situations where size and weight are critical.
Improved Mechanics: Compared to earlier models, the MKIII lenses feature more legible and larger focus markings, often on both sides of the barrel, and a larger focus rotation for more precise control.
Cost: 57 500€
Matheu Lalande
mathieu@buffalocorp.fr
+33687506257
Newlifecine has a set of 5 mix MK2 and MK3 in USD 48,500
justcinegear has a set of 5 in 63,500 , another set of 5 in 58,500 and a 3rd one of 5 in 57,500
Cooke Anamorphic FF 1.8x 32mm
Cooke Anamorphic FF 1.8x 40mm
Cooke Anamorphic FF 1.8x 50mm
Cooke Anamorphic FF 1.8x 85mm
Cooke Anamorphic FF 1.8x 135mm
Note: Regular Coating
The Cooke Anamorphic/i FF 1.8x lenses are a set of high-end cinema lenses designed for professional filmmaking. They are known for providing the classic “Cooke Look” on modern full-frame sensors. Their 1.8x squeeze ratio offers a balance between the aesthetic of traditional 2x anamorphic lenses and the technical requirements of large-format digital sensors.
Key Features and Benefits
1.8x Squeeze Factor: This “sweet spot” ratio allows these lenses to cover full-frame sensors without losing too many pixels, producing a natural-looking widescreen image. It’s a great middle ground between traditional 2x anamorphic lenses and other squeeze ratios.
Full-Frame Coverage: Designed to cover large format sensors like those in the Alexa LF and Sony VENICE, providing a wider field of view and a shallower depth of field than Super35 lenses.
The “Cooke Look”: Delivers a warm, organic, and cinematic aesthetic with smooth focus fall-off and pleasing skin tones. It also creates the signature oval bokeh and distinctive anamorphic flares.
/i Technology: This proprietary Cooke system automatically records and transmits vital lens metadata to the camera, including focal distance, aperture, and depth of field. This data is invaluable for post-production, VFX, and virtual production workflows.
Color-Matched: All Cooke Anamorphic/i FF lenses are color-balanced and matched, ensuring a consistent look across the entire set and with other Cooke lens series.
Robust Build: They are built with a durable, scratch-resistant hard-anodized finish and have a cam-style focus mechanism for smooth, precise focus pulls.
Mathieu Lalande
mathieu@buffalocorp.fr
+33687506257
Let´s put Make an Offer until we decide a price – R-09-04-2025
Newlifecine has a Set of 4 lenses in $ 143,700 (each 35,925)
Justcinemagear has one set of 4 in 67,900 ( each 16,975) and a set of 9 103.950 (each 11,550)
AI says: Based on research of the second-hand market for film and digital video equipment, the average price for a used set of six Cooke Anamorphic/i FF 1.8x lenses is approximately $120,000 to $150,000 USD.
Lomocron Anamorphic 2X 35mm
Lomocron Anamorphic 2X 50mm
Lomocron Anamorphic 2X 90mm
Lomocron Anamorphic 2X lenses are a unique re-engineered set of lenses that combine the vintage character of Lomo Square Front anamorphic optics with the updated mechanics and performance of modern cinema lenses. Created by Whitepoint Optics, these lenses are designed to retain the sought-after “Lomo look” while resolving the common issues of older, mechanically unreliable vintage lenses.
Key Features and Benefits
Unique Aesthetic: The lenses produce a distinctive, cinematic look with a 2x squeeze factor, pleasing barrel distortion, and signature blue lens flares.
Improved Performance: The re-engineering process, which uses Leica-R Summicron spherical optics as the “taking lens,” enhances resolution and contrast while reducing haze.
Modern Mechanics: The new housing provides smooth and reliable focus and iris operation, with matched gear positions across the set. This eliminates the image shift and rotation issues of the original Lomo Square Fronts.
Production-Friendly Design: The lenses have industry-standard front diameters, making them compatible with modern accessories like matte boxes, filters, and diopters.
Expanded Coverage: The lenses are designed to cover various digital cinema formats, with some focal lengths offering coverage beyond Super 35mm and nearly covering Mini LF Open Gate sensors.
TBD
Pantaleone Megna
pantaleone@moonlifefilm.com
Owner didn’t want us to delclare the price
Leica Summilux-C 18mm
Leica Summilux-C 21mm
Leica Summilux-C 25mm
Leica Summilux-C 35mm
Leica Summilux-C 40mm
Leica Summilux-C 50mm
Leica Summilux-C 75mm
Leica Summilux-C 100mm
The Leica Summilux-C lenses are a highly regarded set of prime cinema lenses known for their compact size, fast aperture, and exceptional image quality. They were designed for both film and digital cinematography and received a Scientific and Engineering Award from the Academy of Motion Picture Arts and Sciences for their innovative design. 🎬
Key Features and Benefits
Fast Aperture 🚀: With a consistent maximum aperture of T1.4, they are among the fastest modern lens sets and are designed to perform optimally even when wide open.
Compact & Lightweight 🤏: Averaging only 1.7 kg and 142 mm in length, these lenses are smaller and lighter than many other fast-aperture cinema lenses, making them ideal for a variety of rigs and for faster lens changes.
Superior Image Quality ✨: They produce what’s described as “creamy sharpness,” which means they render fine details with clarity while handling skin tones and out-of-focus elements with a pleasing, natural softness.
Color Consistency 🌈: The lenses are designed to maintain a matched color balance across the entire set, ensuring a natural color rendition and making it easy to cut between different focal lengths in post-production.
Telecentric Design 🔬: This advanced optical design ensures that light travels evenly from the rear element to the sensor, reducing chromatic aberrations and providing consistent illumination and focus from the center to the edges of the image.
Ergonomics for Cinematography 🎞️: The entire set has a consistent front diameter (95mm, except for the 135mm), and the focus and iris rings are in the same physical location on each lens. This allows for quick lens swaps without needing to re-adjust matte boxes and other accessories.
Cost 150000 Dollars
USA – Los Angeles
Name Arseni Khachaturan
Company Pakizi Inc.
arsenikhachaturan@gmail.com
T. 3478962479
We CAN SELL in 87,500 and later deal with owner a lower cost?
Newlifecine has 11 lenses set in 168,000
JustCinemagear has one 8 LENSES set for 89,000
Includes:
Zeiss Standard Speed 24mm
Zeiss Standard Speed 32mm
Zeiss Standard Speed 50mm
Zeiss Standard Speed 85mm
Features:
Classic “Vintage” Look: Renowned for their classic, filmic quality. They offer a slightly softer, lower-contrast image compared to modern lenses, which can be very flattering, especially for skin tones.
Consistent T2.1 Aperture: Most lenses in the set share a maximum aperture of T2.1 (the 180mm is T2.8), providing consistent exposure across focal lengths.
Lightweight and Compact: Known for their small size and light weight, making them excellent for handheld, gimbal, and drone work.
Reliable Color Rendition: Deliver a pleasing, neutral color palette with a cool color bias, which has made them a popular choice for decades.
Pleasing Bokeh: The older optical design and iris configuration produce a soft and unique bokeh.
Robust Build Quality: As cinema lenses, they are built to withstand the rigors of professional film production. Many have been rehoused to meet modern mechanical standards.
Used on Iconic Films: Have been the go-to lenses for countless feature films, commercials, and music videos.
Cost: $14,800 USD
August 27, 2025
(M)
Steve Jones
United States
Email steve@digitaldk.com
Telephone 4054135588
Hawk V-lite Anamorphic PL-mount T2.2 28mm
Hawk V-lite Anamorphic PL-mount T2.2 35mm
Hawk V-lite Anamorphic PL-mount T2.2 45mm
Hawk V-lite Anamorphic PL-mount T2.2 55mm
Hawk V-lite Anamorphic PL-mount T2.2 80mm Macro
Hawk V-lite Anamorphic PL-mount T2.2 110mm
The Hawk V-lite Anamorphic T2.2 lenses are a popular series of cinema lenses known for their unique anamorphic look in a compact, lightweight design. They’re often used for handheld and Steadicam shots due to their manageable size and weight. 📸
Key Features and Benefits
Compact & Lightweight: Smaller and lighter than many other anamorphic lenses, making them ideal for a variety of camera rigs and shooting styles.
High Image Quality: Designed with a telecentric design, they offer increased definition and contrast across the entire image and minimal distortion.
Anamorphic Aesthetic: They have a 2x anamorphic squeeze factor, which produces the classic widescreen 2.40:1 aspect ratio with pleasing oval bokeh and cinematic horizontal lens flares.
Robust & User-friendly: The lenses have a durable mechanical build without electronic components, ensuring reliability on set. The focus scales are also optimized for easy reading.
Wide Focal Length Range: The set typically includes a wide range of focal lengths, including a dedicated 55mm T2.2 macro lens for extreme close-focus shots.
The cost of the set is € 460,000.
The lenses are located in Barcelona, Spain.
Anatolii Krapivin
uniquelenses.europe@gmail.com
+34681332299
www.unique-lenses.com
www.because.com.ua
Adam Said in Whatsapp: Add $50k to the asking price
Based on current exchange rates, you can get approximately 42,905 Euros for 50,000 U.S. Dollars. 08/26/2025…
so I will add 43,000 Euros mking a total price of EUROS 503,000 FOB
Arri Zeiss Ultra Prime LDS 14mm & 1.9
Arri Zeiss Ultra Prime LDS 16mm & 1.9
Arri Zeiss Ultra Prime LDS 20mm & 1.9
Arri Zeiss Ultra Prime LDS 28mm & 1.9
Arri Zeiss Ultra Prime LDS 40mm & 1.9
Arri Zeiss Ultra Prime LDS 50mm & 1.9
Arri Zeiss Ultra Prime LDS 85mm & 1.9
Arri Zeiss Ultra Prime LDS 100mm & 1.9
Arri Zeiss Ultra Prime LDS 135mm & 1.9
Case Included
ARRI/Zeiss Ultra Prime LDS lenses are a highly regarded line of cinema prime lenses known for their excellent optical performance, compact size, and integrated Lens Data System (LDS). Co-developed by ARRI and Zeiss, they are a staple in professional film and television production.
Key Features and Benefits
Exceptional Image Quality: They offer a clear, sharp image with well-controlled distortion and reduced flares, maintaining high contrast and resolution across the frame.
Lens Data System (LDS): The integrated LDS technology is a key differentiator. It provides valuable real-time metadata (like focus, iris, and zoom settings) to the camera, which streamlines on-set tasks for the focus puller and is crucial for visual effects and post-production workflows.
Versatile Focal Lengths: The series provides one of the widest focal ranges available, from extreme wide-angle to telephoto, offering great flexibility for cinematographers.
Uniform Design: The lenses have a consistent mechanical design, including uniform front diameters and gear positions, which simplifies and speeds up lens changes and allows for easy use with accessories like matte boxes.
Lightweight and Compact: Their compact and lightweight build makes them ideal for a variety of shooting scenarios, including handheld, gimbal, and Steadicam work.
Optical Match to Master Primes: They are optically and color-matched to the faster ARRI/Zeiss Master Prime series, allowing for seamless integration and consistency when mixing and matching lenses on a single project.
Cost USD $ 50,000
LeRon Minor – in Atlanta USA
Company Name Clap Slate Rentals
Email leronminordp@gmail.com
Telephone 5129058157
Newcine and justcinema do not have this set
AI says : based on available listings and market analysis, the average price for a 9-lens set is approximately $45,000 to $65,000 USD.
Bausch & Lomb Super Baltar 20mm T2.3
Bausch & Lomb Super Baltar 25mm T2.3
Bausch & Lomb Super Baltar 35mm T2.3
Bausch & Lomb Super Baltar 50mm T2.3
Bausch & Lomb Super Baltar 75mm T2.3
Bausch & Lomb Super Baltar 100mm T2.4
Bausch & Lomb Super Baltar lenses are a series of vintage cinema lenses from the 1960s, highly sought after for their unique, cinematic look. Originally designed for Mitchell camera systems, they’ve since been rehoused by companies like True Lens Services (TLS) and P+S Technik to be compatible with modern digital cinema cameras.
Key Features and Benefits
Distinct Vintage Look 🎬: They deliver a warm tone, medium to low contrast, and soft focus roll-off, creating a gentle and artistic aesthetic. This helps “take the edge off” the sharp, clean look of modern digital sensors.
Unique Lens Flares and Bokeh: They feature trademark blue, purple, and amber coatings that produce stunning and unique flares. When used wide open, they create a beautiful, consistent, and textured bokeh.
Historical Legacy 🎞️: These lenses are famously known as the “Godfather lenses,” having been used to shoot iconic films like The Godfather and The Godfather Part II. They were also used more recently on films like Rush and The Witch.
Modern Compatibility: Thanks to rehousing, they now have a smooth, reliable cam-drive focus system, PL mounts, and consistent 110mm fronts, making them easy to use with modern camera accessories and a favorite for cinematographers.
Impressive Sensor Coverage: Certain focal lengths can cover Super 35+ and even Full Frame sensors, which is exceptional for vintage lenses of their era.
Cost : To be Determined
Phillip hello@phillipkaminiak.com
PHILLIP KAMINIAK
Europe / WhatsApp +49 177 970 2150
Mexico / USA +52 55 2341 8662
WEBSITE: http://www.phillipkaminiak.com
