Leica r Leica R Super Speed Set Full Frame 19mm T2.8 cf 0.29 cm
Leica r Leica R Super Speed Set Full Frame 28mm T2.8 cf 0,25 cm
Leica r Leica R Super Speed Set Full Frame 35mm T1.4 cf 0,5 cm
Leica r Leica R Super Speed Set Full Frame 50mm T1.4 cf 0.5 cm
Leica r Leica R Super Speed Set Full Frame 80mm T1.4 cf 0.7 cm
Leica r Leica R Super Speed Set Full Frame 135mm T2.8 cf 1,5 cm
These lenses are vintage Leica R still-photography primes rehoused (“cine-modded”) by GL Optics for modern professional cinema use. They are highly sought after for their distinct optical character combined with cinema-standard mechanics.
Distinct Optical Character:
Benefit: Delivers a sought-after vintage look with exceptional image quality; sharp yet flattering with excellent skin tone rendering.
Feature: Known for “creamy bokeh,” beautiful flares, and a pleasing fall-off from sharp focus.
Full-Frame Coverage:
Benefit: Covers modern large-format sensors (like ARRI Alexa LF, Sony Venice, RED Raptor) without vignetting.
Feature: Rehoused optics are engineered to cover a full-frame image circle (36mm x 24mm).
Cinema-Ready Mechanics:
Benefit: Enables fast, precise, and standardized use on professional film sets.
Feature: Stainless steel PL mount, uniform 95mm front diameter, cine-standard mod 0.8 gears (consistent position for easy follow focus changes), and de-clicked aperture ring.
Improved Usability:
Benefit: Allows for accurate and smooth focus pulling.
Feature: Long 330° focus rotation (except the 19mm) and often improved closer focusing distances compared to original lenses.
Buenos Aires Argentina
Leonardo Hermo
+5491140240076
leonardo.hermo@gmail.com
Prices Investigation
AI Says : Based on current listings for used or pre-owned sets in the global film and digital video gear marketplace, the average price range for a used 6-lens GL Optics Rehoused Leica R Full Frame Set (similar to the $19, 28, 35, 50, 80, 135\text{mm}$ configuration) falls approximately between:Price Range (USD)Notes$35,000 – $50,000 USDThis range reflects recent asking prices for pre-owned GL Optics-rehoused sets with a similar lens count and Full Frame coverage.
Newlifecine does not have one
Justcinemagear does not have one
R-11-10-2025
Zeiss Super Speed 18mm
Zeiss Super Speed 25mm
Zeiss Super Speed 35mm
Zeiss Super Speed 50mm
Zeiss Super Speed 85mm
A classic set of high-speed prime lenses renowned in the cinematography industry, often used to achieve a sought-after vintage film look. The MK2 and MK3 versions share the same core optics but have mechanical improvements.
Fast Aperture: Uniform maximum aperture of T1.3 across the set, excellent for low-light shooting and achieving a shallow depth of field.
Compact & Lightweight: Small form factor and low weight, making them ideal for handheld, gimbal, and Steadicam use.
Vintage Aesthetic: Produces a unique, flattering image with a pleasing, gentle fall-off, organic feel, and distinctive flares/bokeh, especially wide open.
Optics & Contrast: Considered sharp and high-contrast (especially when stopped down to T2.8 or above), suitable for modern digital sensors.
Mechanical Improvements (MK3 over MK2):
Focus Scale: Larger, more legible focus marks, often oriented upright (90° rotated) when mounted (a key distinguishing feature).
Focus Rotation: Longer, more precise focus rotation (around 270°), which is preferred by focus pullers.
MK2 lenses often featured dual imperial/metric focus scales, while MK3 typically features a single scale (imperial or metric).
PL Mount: Standard Arri PL mount for compatibility with professional cinema cameras (Super 35 format coverage).
Cost $ 38,000
Indonesia City: jakarta
Owner : chua khay boon
Email: dopboon@gmail.com
Telephone: +62811842084 – R 11-05-25
Sales Price Investigation:
newlifecine has one sest : USD $ 48,900
justcinemagear has two: $ 56,850 and 49,990
AI Says : unrehoused MK2 or mixed sets, the price point generally falls between $45,000 and $50,000 USD
Includes:
Cooke S7i 18mm
Cooke S7i 25mm
Cooke S7i 32mm
Cooke S7i 50mm
Cooke S7i 75mm
Cooke S7i 100mm
Cooke S7i 135mm
This used Cooke S7/i lens set includes lenses known for their signature “Cooke Look”. These lenses deliver warm, natural skin tones, excellent contrast, and smooth focus fall-off. Ideal for high-end film and TV production, this complete set offers consistency in color and performance across all focal lengths, making it a reliable choice for professional cinematographers seeking both quality and character.
Features:
Full-frame coverage (up to 46.31mm image circle)
T2.0 maximum aperture across the set
Consistent color and performance across all focal lengths
/i Technology for lens metadata capture
Classic “Cooke Look” with smooth bokeh and natural rendering
Robust, durable construction for professional use
Standardized focus and iris positions for easy lens swaps
Cost 53000
November 4, 2025
(M)
Adam posted on WhatsApp group chat on 11/03 at 9:22pm
Unsure of who owns
The ZEISS Super Speed Mark II lenses are a set of classic, high-speed prime lenses widely used in professional cinema and filmmaking. Despite the unofficial “Super Speed” moniker given by cinematographers, they are renowned for their exceptional light-gathering capability and distinctive vintage aesthetic.
Key Features
Ultra-Fast Aperture (T1.3): Enables excellent low-light performance and a beautifully shallow depth of field, giving directors and DPs strong creative control over focus and exposure.
Consistent Optical and Mechanical Design: Uniform front diameter (80 mm) and consistent gear positions for focus and iris across the lens set make lens changes fast and easy during shoots.
Cinematic Look & Character: Offers a subtle vintage aesthetic with moderate contrast, warm color tones, and pleasing fall-off — ideal for narrative and commercial work that seeks texture over clinical sharpness.
High Optical Quality: Delivers solid resolution even wide open, with smooth focus roll-off and minimal breathing, maintaining ZEISS’s reputation for reliability and image precision.
Compact & Lightweight Build: Smaller and lighter than many modern primes, which is advantageous for handheld, gimbal, or Steadicam setups.
Super 35 Sensor Coverage: Designed for Super 35 film frames, but also performs well on many modern digital sensors with minimal vignetting.
Professional Cinema Mechanics: PL mount standard, geared focus and iris rings, and dual-scale (metric/imperial) markings for professional use on set.
Durable All-Metal Construction: Engineered for demanding production environments, ensuring longevity and reliable performance over time.
USD $37k
(TH)
Nick Gall
standard camera
rentals@standardcamera.com
(c) 310-919-6202
(o) 818-358-2842
www.standardcamera.com
31-10-2025
(Client not sure of selling, not real pictures used)
Includes:
Leitz Prime 18mm
Leitz Prime 25mm
Leitz Prime 35mm
Leitz Prime 50mm
Leitz Prime 75mm
Leitz Prime 100mm
Leitz Prime are renowned for their exceptional optical performance, precise color matching, and cinematic rendering. Ideal for professional filmmakers and cinematographers, these lenses deliver outstanding sharpness, minimal distortion, and beautiful bokeh across the entire focal range. Built with robust mechanics and consistent T-stops, the Leitz Prime Set ensures reliability and superior image quality for any production environment.
Features:
Exceptional color consistency and sharpness
Smooth focus and iris control for precise operation
Durable build for professional cinema use
Minimal distortion and pleasing bokeh
Cost $125000 USD
October 29, 2025
(M)
Frank Shaw
bbosasi.frank@gmail.com
You can purchase the whole set of 11 lenses for $187,000 USD
Or you can get a bundle of 8 lenses for $136,000 USD
The ARRI Master Primes are a series of high-speed prime lenses for professional motion picture production, developed jointly by ARRI and ZEISS and introduced in the mid-2000s. They were designed to achieve unprecedented optical performance for their time, particularly in terms of sharpness and technical precision. They are generally considered top-tier cinema lenses, favored for their clean, crisp look and technical excellence.
key features:
High Speed (T1.3): Excellent for low-light shooting and achieving extremely shallow depth of field (bokeh).
Virtually No Breathing: The patented Dual Floating Elements technology ensures the image size remains constant when pulling focus, a critical advantage in professional filmmaking.
Exceptional Optical Performance: Offer high resolution and contrast across the entire T-stop range, even wide open at T1.3.
Minimal Optical Aberrations: Exhibit negligible distortion, spherical aberration (SA), and chromatic aberration (CA), resulting in a clean, technically perfect image.
Super 35mm Coverage: Designed to cover the Super 35 format, although newer lenses (like Signature Primes or Supreme Primes) cover Full Frame/Large Format.
Integrated Lens Data System (LDS): Provides aperture and focus settings digitally to the camera, aiding in post-production and VFX.
Robust Mechanics: Known for their smooth, precise, and durable focus and iris mechanics.
$140,000 for 11 lenses \ $110,000 for 8
(T)
mitch brinker
mitchellbrinker@dfirentals.com
http://dfirentals.com/
213-608-8986
28-10-2025
The Hawk V-Lite Anamorphic lenses, produced by Vantage Film, are a highly sought-after series of professional cine lenses that set an industry standard for anamorphic cinematography. They were groundbreaking for their time, challenging the notion that anamorphic lenses had to be bulky and optically compromised. These lenses are renowned for delivering the classic “Hawk Look,” which includes a high-quality, cinematic aesthetic with characteristic features like oval bokeh (out-of-focus highlights) and distinctive horizontal lens flares. They were engineered with an optical design focusing on minimizing distortion, achieving high definition, and providing consistent contrast across the image.
key features:
Compact and Lightweight Design: Enables greater versatility, especially for handheld or remote camera work, being smaller than many spherical primes.
High Image Quality: Offers high definition and contrast, with minimal distortion, maintaining clarity even on large screens.
Consistent Optical Design: Utilizes telecentric design principles and maintains a constant T-stop throughout the focusing range, meaning no light loss while focusing.
“Hawk Look”: Produces desired cinematic aesthetic with characteristic oval bokeh and controlled, distinctive horizontal flares.
User-Friendly Mechanics: Features smooth, precise focus mechanisms and clear, readable focus scales on both sides.
Wide Focal Length Range: Available in a comprehensive set, typically ranging from 28mm to 140mm, providing flexibility for storytelling.
Macro Capability (55mm): Includes a 55mm macro lens option for extreme close-focus capabilities.
cost €435,000
(T)
Anatolii Krapivin
uniquelenses.europe@gmail.com
+34681332299
The lenses are located in Barcelona, Spain
27-10-2025
ARRI Master Prime lenses are high-end cinema lenses developed by ARRI and ZEISS, designed for professional film and television production. They offer exceptional optical performance, uniformity across the set, and reliable build quality. Known for their sharpness, minimal distortion, and fast aperture, Master Primes are a top choice for cinematographers seeking both artistic and technical excellence.
Key Features:
Fast T1.3 aperture: ideal for low-light shooting and shallow depth of field
Exceptional sharpness: consistent image quality across all focal lengths
Minimal distortion: maintains natural perspective and accurate geometry
High contrast & color fidelity: delivers cinematic and vibrant imagery
Uniform design: consistent size, gear placement, and front diameter across the set
Robust construction: engineered for professional on-set durability
Virtually no breathing: focus pulls remain smooth and stable
TBD
(TH)
Thanathorn \ headgear
thanathorn@gearheadthailand.com
Gear Head Co., Ltd
Thailand
+66 89 483 6055
28-10-2025
TRIBE7 BLACKWING7 T-Tuned 17mm T1.9
TRIBE7 BLACKWING7 T-Tuned 20.7mm T1.9
TRIBE7 BLACKWING7 T-Tuned 23.7mm T1.9
TRIBE7 BLACKWING7 T-Tuned 27mm T1.9
TRIBE7 BLACKWING7 T-Tuned 37mm T1.9
TRIBE7 BLACKWING7 T-Tuned 47mm T1.9
TRIBE7 BLACKWING7 T-Tuned 57mm T1.9
TRIBE7 BLACKWING7 T-Tuned 77mm T1.9
TRIBE7 BLACKWING7 T-Tuned 107mm T1.9
TRIBE7 BLACKWING7 T-Tuned 137mm T1.9
The TRIBE7 BLACKWING T-Tuned lenses are the core offerings in the Blackwing series, designed specifically for large-format motion picture imaging, and are known for their distinct aesthetic and character-rich optics. They represent the “Standard Expressive” tuning, balancing clinical performance with artistic artifacts.
Key Features and Benefits
Aesthetic Character: Recreates the appealing optical looks and warmth characteristic of classic cinema lenses from the 1950s through the 1980s.
Controlled Distortion: The design intentionally introduces and controls optical distortion during manufacturing, leading to unique imaging properties and strong artistic resonance.
Flare Profile: Offers a moderately expressive aesthetic that generates distinct ghost flares in light green, blue, and deep purple.
Tunable Parameters: Provides modular control over key image characteristics, allowing modification of sharpness, contrast, subtle distortion, edge halation, and focus roll-off.
Large Format Compatibility: Purpose-built for modern large-format cameras and full-frame sensors.
The core philosophy behind the T-Tuned lenses is analogous to using equalization (EQ adjustment) in audio production, ensuring the image possesses a “musical fidelity” with curated optical characteristics that suit the filmmaker’s intent. T-Tuned lenses are priced between the subdued S-Tuned and the hyper-expressive X-Tuned, establishing them as the standard option for this expressive optical style
Cost : 110K ( three flightcases included )
Prices
Newlifecine has one of 9 for 105,000 dollars
Justconegear has : set of 7 – 79,850 / set of 6 – 61,000
Set of 8 – 78,500 / set of 6 – 78,500
The Kowa Spherical TLS Lenses are vintage Japanese cinema primes from the 1960s (originally Kowa Cine Prominar) that have been modernized by True Lens Services (TLS) with new mechanical housings. They are famous for their unique, classic aesthetic, often compared to Super Baltar lenses.
Key Features
Distinct Vintage Look: Sharp in the center, with medium-to-low contrast to preserve shadow and highlight detail, creating a flattering, cinematic image.
Signature Flares: Produce unmistakable gold and amber lens flares due to their single-layer coatings.
Modern Reliability: TLS rehousing adds durable, high-grade housing, a smooth cam-form focus drive, and industry-standard mechanics (like a 110mm front ring), making them ideal for modern cinema production.
Versatile Use: Popular for a wide range of projects, from commercials to feature films, with many focal lengths covering Full Frame (FF) sensors in addition to Super 35 (S35).
SOLD – $80k USD – SOLD
(TH)
Logan Schneider
Loganschneider@mac.com
tim@2020camera.com
(310) 745-4044
CA, US
