Master Prime 16mm
Master Prime 25mm
Master Prime 35mm
Master Prime 50mm
Master Prime 75mm
Master Prime 100mm
Master Prime series is widely considered the gold standard for high-end digital and film cinematography. These lenses are engineered to provide “clinical perfection,” delivering high resolution and contrast even when shot wide open
Ultra-Fast T1.3 Aperture:3 Maintains a consistent 4$T1.3$ to 5$T22$ range across all 16 focal lengths, enabling exceptional low-light performance and a razor-thin depth of field.6
Dual Floating Elements: A patented technology that virtually eliminates “lens breathing” (the change in focal length when focusing), ensuring the frame remains stable during focus pulls.
Aspherical Optics: Greatly reduces chromatic aberration and geometric distortion, making them a preferred choice for heavy VFX and green-screen work.
T*XP Anti-Reflective Coating: Specifically formulated to suppress flares and ghosting while maintaining rich blacks and vibrant color reproduction.
Built-in Lens Data System (LDS): Automatically communicates lens metadata (focus, iris, and zoom) to the camera to streamline post-production and VFX workflows.
Consistent Ergonomics: Uniform gear positions and a standard 114mm front diameter (for most focal lengths) allow for rapid lens changes without moving matte boxes or follow-focus motors.
Cost: USD $49,000
Darryl Wood
smirror@internode.on.net
spinningmirror@hotmail.com
Australia
Mobile: +61 409 690 406
R–12/18-2025
Prices :
newlifecine: 102,000
justcinemageear 55,000
AI
Average Market PricingA standard set of 6 (typically including 18mm, 25mm, 32mm, 50mm, 75mm, and 100mm) generally falls within the following ranges:Market TierEstimated Price Range (USD)Common FactorsAggressive / Private Sale$53,000 – $65,000Direct sales, older sets, or motivated sellers in Asia/India.Standard Market Value$72,000 – $85,000Good condition, often sold by reputable rental houses or niche brokers.Premium / Mint Condition$100,000 – $117,000Recently serviced, near-mint glass, often includes custom flight cases (e.g., Jason Cases).
The Cooke S7/i 40mm T2.0 is a high-performance prime lens designed to exceed the requirements of full-frame cinema sensors, including those found in VistaVision and RED 8K systems. It delivers the legendary “Cooke Look”—characterized by sharp detail, smooth contrast, and a natural, organic bokeh—while offering an expansive 46.31mm image circle. Built with precision mechanical engineering, this lens is a staple for cinematographers seeking a versatile focal length that works equally well for wide-angle perspectives and naturalistic portraits.
Key Features:
The “Cooke Look”: Provides a warm, pleasing aesthetic with smooth roll-off and exceptional dimensionality.
Full Frame Plus Coverage: Designed to cover large-format sensors up to a 46.31mm image circle without vignetting.
Integrated /i Technology: Captures frame-by-frame metadata (focus, iris, and depth-of-field), which is essential for streamlining VFX and post-production workflows.
Fast T2.0 Aperture: Offers excellent low-light performance and shallow depth-of-field control.
Precision Focus Mechanism: Features an Academy Award-winning cam-style focus movement for smooth, backlash-free adjustments.
Matched Color Palette: Precisely color-matched with other Cooke series (S4/i, 5/i, and Anamorphic/i) for seamless intercutting.
Dual Focus Scales: Engraved with large, clear markings on both sides of the barrel to assist focus pullers in various lighting conditions.
Cost: $12,950
(t)
Regina Kao
t00360@cs.chengseng.com.tw
+886 935 088753
12-18-2025
The Leica Summilux-C is a premier set of high-speed prime cinema lenses known for blending modern technical perfection with a classic, natural aesthetic. Awarded a Scientific and Engineering Award by the Academy in 2014, these lenses are a staple in high-end cinematography, used on films like The Revenant and Zack Snyder’s Justice League. They are specifically designed to deliver “creamy sharpness”—high resolution and contrast for fine details, balanced by a soft, flattering rendition of skin tones and out-of-focus elements.
Key Features:
T1.4 Aperture Across the Set: Provides exceptional low-light performance and shallow depth of field, with performance optimized for shooting wide open.
Compact & Lightweight: Averaging just 1.7 kg (3.7 lbs) per lens and 142mm in length, they are among the smallest high-speed cine primes, ideal for gimbals, drones, and handheld work.
Uniform Physical Dimensions: Almost all focal lengths (16mm to 100mm) share the same length, 95mm front diameter, and geared ring positions, allowing for lightning-fast lens changes without readjusting follow-focus or matte boxes.
Patented Focus Mechanism: Features an expanded focus scale in the most critical range, providing a generous 300° rotation for precision pulling.
Telecentric Optical Design: Uses exotic aspherical elements to ensure light hits the sensor straight-on, minimizing chromatic aberration and providing even illumination from center to corner.
Zero Breathing: Virtually no change in focal length when racking focus, maintaining a stable frame.
Titanium PL Mount: Constructed with high-strength titanium for maximum durability and thermal stability in extreme environments.
cost: 90 000 USD
(t)
Arseni Khachaturan
arsenikhachaturan@gmail.com
12-17-2025
Co-developed by ARRI and ZEISS, are a set of high-performance prime lenses widely used in professional cinema production, known for their versatility and optical excellence.
They offer one of the widest focal ranges of any 35mm prime lens set, ensuring cinematographers have a lens for virtually any cinematic requirement, from extreme wide-angle shots to tight telephoto compositions.
Key Features:
Wide Focal Range: Available in a large number of focal lengths, typically ranging from 8mm (extreme wide-angle) to 180mm (telephoto).
Fast Aperture: Feature a fast maximum aperture of T1.9 across most of the set, providing excellent low-light performance and shallow depth of field control.
Superior Optics: Designed for high image contrast, resolution, and excellent performance even at close focusing distances, with well-controlled distortion and breathing.
Super 35 Coverage: Optimized to cover the Super 35 film and sensor format, the standard for many digital cinema cameras.
Consistent Design: Maintain uniform barrel diameters, geared focus and aperture rings, and a standard PL mount for easy and quick lens changes on set.
Color Match: Optically matched in color and contrast to ARRI/ZEISS Master Prime and ARRI/ZEISS Alura Zoom lenses for seamless intercutting.
Cost: US$19,900
(N)
Darryl Wood
darryl@spinningmirror.com
Australia
+61 409 690 406
12-16-2025
Includes:
Arri Ultra Prime 16mm
Arri Ultra Prime 25mm
Arri Ultra Prime 32mm
Arri Ultra Prime 50mm
Arri Ultra Prime 85mm
The Arri Ultra Prime set—featuring 16mm, 25mm, 32mm, 50mm, and 85mm focal lengths—delivers exceptional optical performance with consistent color, sharpness, and contrast across the range. Designed for demanding cinematic production, these lenses provide precise focus control, minimal distortion, and reliable durability. Their lightweight yet robust build makes them ideal for a wide variety of shooting environments, from handheld work to large-scale studio setups.
Key Features
Consistent look and color across all focal lengths
Exceptional sharpness and contrast
Minimal distortion and breathing
Robust, lightweight construction
Precise, smooth focus mechanics
Cost To Be Determined
December 11, 2025
(M)
Roshan Ara
rosh@iconartproduction.com
Mobile: +971501517164
Tel:+97143365577
Includes
Zeiss Compact Prime CP.2 18mm
Zeiss Compact Prime CP.2 28mm
Zeiss Compact Prime CP.2 35mm
Zeiss Compact Prime CP.2 50mm
Zeiss Compact Prime CP.2 85mm
Zeiss Compact Prime CP.2 135mm
The ZEISS Compact Prime CP.2 lenses are a professional lineup of cinema lenses designed for filmmakers who need robust build quality, consistent performance, and exceptional optical clarity across multiple focal lengths. With their interchangeable mounts and precise, cinema-grade focus and aperture rings, these lenses offer flexibility for a wide range of camera systems while maintaining ZEISS’s signature contrast, sharpness, and color fidelity. The focal lengths displayed—18mm, 28mm, 35mm, 50mm, 85mm, and 135mm—cover everything from wide establishing shots to tight close-ups, making the CP.2 set a versatile workhorse for narrative, commercial, and documentary productions.
Key Features
Interchangeable PL mount with consistent housing across focal lengths
Smooth, long-throw focus rotation ideal for follow-focus use
T-stop markings for accurate exposure control
Full-frame coverage suitable for modern cinema sensors
Robust all-metal construction for professional durability
Code:
Cost To Be Determined
December 11, 2025
(M)
Roshan Ara
rosh@iconartproduction.com
Mobile: +971501517164
Tel:+97143365577
Cooke S5/i Primes 18mm T1.4
Cooke S5/i Primes 25mm T1.4
Cooke S5/i Primes 32mm T1.4
Cooke S5/i Primes 40mm T1.4
Cooke S5/i Primes 50mm T1.4
Cooke S5/i Primes 65mm T1.4
Cooke S5/i Primes 75mm T1.4
Cooke S5/i Primes 100mm T1.4
Cooke S5/i Primes 135mm T1.4
Note: · Packed in 3 cases (2×4 lenses + 1×135mm)
Bonus: an additional case for 3 selected lenses – a convenient and secure option for those who wish to rent or transport smaller sets. Everything is safely packed and ready for production.
The Cooke S5/i Prime lenses are high-speed, modern cinema lenses designed to deliver the classic “Cooke Look” even in extreme low-light conditions. Below is a summary of their capabilities.
Fast T1.4 Aperture: The entire set features a maximum aperture of T1.4, allowing for shooting in very low light and creating an extremely shallow depth of field with beautiful subject separation.
The “Cooke Look”: Known for a sharp but smooth image that renders skin tones naturally and warmly. They provide “creamy” bokeh and a three-dimensional quality that prevents the image from looking clinically harsh.
Illuminated Focus Scale: A unique feature where the focus ring is equipped with a dimmable light, allowing focus pullers to see distance markings clearly in dark environments without external lamps.
S35 Coverage: Designed specifically to cover Super 35mm sensors (approx. 30mm image circle), optimizing performance for this standard format.
Built-in /i Technology: Equipped with Cooke’s /i Technology , which provides frame-by-frame digital metadata (focal length, aperture, focus distance, depth of field) to cameras for VFX and post-production.
Color Matching: Color-balanced to match perfectly with other Cooke series (S4/i, miniS4/i, Anamorphic/i), allowing for seamless mixing of lenses on the same production.
Cam-Style Focus Mechanism: Utilizes a cam-style design for smooth focus adjustments, with a generous 270° of rotation for precise control.
Standardized Design: Most lenses in the set (18mm–100mm) share a common 110mm front diameter for easy swapping of matte boxes and filters.
Cost: TBD, Owner: Stanislaw Marcinkowski
Steadicam Operator / Camera Stabilization & Optics
📞 +48 603 490 149 / 📞 +48 884 884 681
✉️ steadicam.tete@gmail.com
📍 Warsaw, Poland (working across Europe) / R-11-26-2025
Price investigation
Newlifecine.com has no one and Justcinemagear has no one either
AI says :
Average Price: Used Cooke S5/i Set of 9
The average price for a used set of 9 Cooke S5/i primes is currently between $130,000 USD and $165,000 USD.
Low End: ~$130,000 USD (Typical for older sets or private sales)
High End: ~$165,000 USD (Mint condition, broker-backed, or including accessories)
Specific Market Listings (Recent & Current)
The following are real-world data points found during the research for a 9-lens configuration (typically 18, 25, 32, 40, 50, 65, 75, 100, 135mm):
$165,000 USD: Listed by FJS International (United States). This is a premium retail price for a set in “Mint” condition.
$132,000 USD: A recently sold listing from Stogear (Hong Kong). This represents a more aggressive “street price” for a functional used set.
$120,000 – $125,000 USD (Estimated): Constructed price based on smaller sets. Sets of 8 lenses often sell for $95,000 – $100,000, while the individual 135mm T1.4 lens alone commands a price of $20,000 – $25,000 due to its size and complexity.
Mini Hawk 40mm
Mini Hawk 50mm
Mini Hawk 65mm
Mini Hawk 100mm
The Vantage MiniHawk series is a unique line of “Hybrid Anamorphic” cinema lenses. They are mechanically spherical lenses that utilize a patented oval iris mechanism to mimic specific aesthetic traits of anamorphic glass (like oval bokeh) without the optical distortions or squeeze factor. They are designed to offer the “anamorphic look” with the speed, size, and close-focusing advantages of modern spherical optics.
Hybrid Optics: Delivers classic anamorphic traits (oval bokeh, shallow depth of field) using spherical glass, meaning the footage requires no de-squeezing (1x factor).
Fast Aperture: High-speed T1.7 aperture across almost the entire set, allowing for exceptional low-light performance.
Oval Bokeh: A patented iris shape produces the coveted vertical oval out-of-focus highlights associated with 2x anamorphic lenses.
Zero Breathing: engineered to have virtually no focus breathing, a common issue with traditional anamorphic glass.
Super Close Focus: Capable of focusing extremely close (approx. 10 inches / 0.25m on wider focal lengths), far superior to standard anamorphics.
Compact Form Factor: Significantly smaller and lighter than traditional anamorphic lenses, making them ideal for handheld, gimbal, and drone work.
Geometric Correction: Distortion-free images make them highly suitable for visual effects (VFX) workflows where match-moving is required.
COST : TBD
Owner : Gabriel Mensagem – gabrielmensagem@gmail.com
Visualproducts.com doesn´t have one – NewLifeCine nor Justcinemagear has none
AI says :
The Vantage MiniHawk (also known as Hawk MHX Hybrid) is an extremely rare and specialized item on the second-hand market. Unlike the older Hawk C-Series or V-Lites, these lenses are newer and typically sold only through direct negotiation with high-end cinema lens brokers rather than on open marketplaces like eBay.
Based on current market data for Vantage optics, here is the estimated pricing and market situation for a used set of 4 lenses.
Estimated Market Price: Used MiniHawk Set of 4
Price Range: $90,000 – $115,000 USD (Note: This is an estimate based on a depreciation of ~20–30% from the new price, which is standard for high-demand modern Vantage glass.)
Estimated New Price: ~$30,000 USD per lens (approx. $120k for a set of 4).
The ARRI Signature Primes are a modern, ultra-high-end cine prime lens series designed by ARRI. They were developed to complement ARRI’s Large Format (LF) camera system, such as the ALEXA LF and Mini LF, though they are camera-independent and cover all image sensors up to a 46mm large format image circle. They are built with a unique LPL mount (Large Positive Lock), an open standard for large-format lenses. The lenses are renowned for their combination of high optical performance and a distinctively timeless, organic look that is flattering to skin tones.
Key Features:
Large Format (Full-Frame) Coverage: Covers image circles up to 46mm, maximizing the potential of large-format sensors for a distinct, immersive look.
Fast Maximum Aperture (T1.8): Most lenses in the series are T1.8, providing excellent low-light performance and achieving a very shallow depth of field.
Unique “Timeless” Look: Renders images with warm, smooth skin tones, open shadows, and exceptionally soft bokeh for a cinematic, non-clinical aesthetic.
Tuneable Rear Filter Holder: Features a magnetic rear filter holder for quick, tool-less customization (using nets, voile, etc.) of the lens’s flare and texture.
Minimal Aberrations: Engineered to have virtually no visible focus breathing or distortion, simplifying visual effects and complex focus pulls.
Lightweight and Robust Build: Constructed with magnesium alloy barrels, making them relatively light for large-format lenses, which is ideal for gimbal and handheld use.
Next-Gen Lens Data: Incorporates LDS-2 (Lens Data System) for high data rates and absolute encoders, which is crucial for modern virtual production and VFX workflows.
COST: €86,000
(T)
Isidro Parrondo
Mob: +34 627 115 765
contacto@aksmedia.es
18-11-2025
Canon K35 TLS Rehoused 18mm
Canon K35 TLS Rehoused 24mm
Canon K35 TLS Rehoused 35mm
Canon K35 TLS Rehoused 55mm
Canon K35 TLS Rehoused 85mm
The Canon K35 lenses, originally high-speed cinema primes from the 1970s (winning an Academy Award in 1977), have been rehoused by True Lens Services (TLS) to provide modern mechanical reliability while preserving their distinctive vintage optical qualities for contemporary filmmaking.
Vintage Cinematic Look: Known for their unique aesthetic, including low contrast, warm color rendition, gentle focus fall-off, and sought-after, beautiful lens flares.
High Speed: Feature fast T-stops, often as low as T1.3/T1.4, enabling excellent low-light performance and shallow depth of field.
Modern Mechanicals (TLS Rehousing): Upgraded with robust, chassis-style housings (aluminum alloy/stainless steel) for professional use, including:
PL Mount for compatibility with modern cinema cameras.
Cam Driven Focus System with an extended focus scale (approx. 300-330° rotation) for precise, repeatable focus pulls.
Uniform 110mm Front Diameter across the set for quick accessory changes (matte boxes, filters).
Full Frame/Large Format Coverage: Most focal lengths (24mm-85mm) cover Full Frame sensors, which is rare for vintage high-speed glass.
COST: $200,000
Owner Tony Bringas
Tony Bringas
323-683-4225
Tony4fx@gmail.com abd
Cine Visuals – Rentals
rentals@cinevisuals.com
