Includes:
Carl Zeiss Jena 20mm Flektogon f/2.8
Carl Zeiss Jena 35mm Flektogon f/2.4
Carl Zeiss Jena 40mm Tessar f/2.8
Carl Zeiss Jena 80mm Biometar f/2.8
Carl Zeiss Jena 135mm Sonnar f/3.5
1x Shipping Case
The Carl Zeiss Jena set is a legendary collection of East German vintage lenses renowned for their “organic” image quality and exceptional character. Originally designed for M42 and Exakta mounts, these lenses have become a staple for filmmakers and photographers looking to achieve a classic cinematic look that modern, ultra-sharp lenses often lack.
Key Features:
Organic Rendering: Produces a “gentle” sharpness that is flattering for skin tones, reducing the clinical look of digital sensors.
Close Focus Capability: The Flektogon series (20mm and 35mm) allows for unique close-up shots that few vintage lenses can match.
Distinctive Bokeh: From the smooth “Biometar” fall-off to the “Sonnar” highlights, the background blur is artistic and textured.
Full-Frame Coverage: All lenses in this set easily cover modern full-frame and even some larger-format digital sensors.
Durable Build: All-metal construction designed to last for decades, often featuring the iconic “Zebra” stripe aesthetic.
Suggested sales by AI: $3,500
cost: TBD
(t)
The System
systemus10@gmail.com
3-16-2026
The Zeiss Super Speed S16 set is a legendary collection of prime lenses designed specifically for the Super 16mm film format. Renowned for their “creamy” yet sharp aesthetic, these lenses have been a staple in cinema since the 1970s, utilized in iconic films like City of God and Babel. They are highly sought after today for use on modern digital sensors with S16 crop modes (such as the ARRI Alexa 35 or Blackmagic Pocket 4K), offering a vintage “filmic” character that clinical modern glass cannot replicate.
Key Features:
Ultra-Fast T1.3 Aperture: Exceptional low-light performance and a shallow depth of field rarely seen in smaller formats.
Signature Zeiss T Coating:* Delivers vibrant colors and high contrast while maintaining organic, pleasing lens flares.
Compact & Lightweight: Their small form factor is ideal for handheld operation, gimbals, and tight locations.
Minimal Focus Breathing: Designed for professional cinematography, ensuring the frame stays stable during focus pulls.
Close-Focus Capability: Allows for intimate detail shots, particularly with the 12mm and 16mm (8″ minimum focus).
Mechanical Reliability: MKII and MKIII versions feature 0.8 pitch gears and a consistent 80mm front diameter for seamless use with follow focus systems and matte boxes.
cost: $16,000
(t)
+886 928-057-3583
3-12-2026
Includes:
Arri Signature Prime 18mm T1.8
Arri Signature Prime 25mm T1.8
Arri Signature Prime 35mm T1.8
Arri Signature Prime 47mm T1.8
Arri Signature Prime 75mm T1.8
Arri Signature Prime 125mm T1.8
2x 3pcs Case
The ARRI Signature Prime represents a milestone in large-format cinematography. Designed to move beyond the clinical sharpness of modern digital lenses, this set delivers a “timeless” aesthetic characterized by organic textures and natural skin tones. Built with lightweight magnesium barrels and the high-speed LPL mount, these lenses provide a future-proof solution for high-resolution sensors while maintaining a delicate, film-like character.
Key Features:
Timeless Visual Aesthetic: Combines exceptional resolving power with warm skin tones, open shadows, and creamy bokeh for an emotionally engaging, film-like look.
Constant T1.8 Aperture: Every lens in the set shares a fast T1.8 stop, ensuring consistent exposure and shallow depth-of-field control throughout production.
Advanced LPL Mount: Optimized for large-format sensors (up to 46mm), providing superior contrast and minimal light fall-off compared to traditional mounts.
Lightweight Magnesium Housing: Machined from high-strength magnesium to be roughly 2 lb lighter than previous cinema standards, making them ideal for gimbal, handheld, and drone work.
LDS-2 Metadata System: Features high-speed absolute encoders that provide instant, precise lens data for on-set monitoring and post-production VFX.
Customizable Character: Includes a magnetic rear filter holder and compatibility with Impression V Filters, allowing you to tune the bokeh and flare characteristics without tools.
Optical Stability: A near-telecentric design ensures virtually no focus breathing and zero distortion, keeping the frame stable during complex focus pulls.
cost: USD 85,000
(t)
Hans/ Lab Equipment
hlab.equipment@gmail.com
3-12-2026
The ZEISS Super Speed MK II (18mm, 25mm, 35mm, 50mm, 85mm) is a legendary set of high-speed cinema primes that has defined the aesthetic of professional cinematography for decades. Renowned for their incredible T1.3 aperture, these lenses offer peerless low-light performance and a shallow depth-of-field that produces a creamy, organic bokeh and a distinctively “filmic” texture. This second-generation set features significant mechanical improvements over the original B-Speeds, including integrated gears on both the focus and iris rings and more legible focus scales. Designed for Super 35mm sensors, the MK II series delivers a classic combination of high contrast and sharp resolution while maintaining the soulful, vintage flares and gentle focus fall-off that modern digital sensors often require to achieve a truly cinematic look.
Key Features:
Ultra-Fast T1.3 Aperture: Provides exceptional low-light capability and extreme control over depth-of-field across the entire set.
Legendary ZEISS T Coating:* Minimizes internal reflections and ghosting while producing iconic blue and magenta flares.
Compact and Lightweight Design: Ideal for handheld operating, Steadicam rigs, and modern brushless gimbals.
Consistent 80mm Front Diameters: Standardized fronts allow for rapid lens swaps without the need to adjust matte boxes or accessories.
Advanced Mechanical Housing: Features industry-standard 0.8 MOD gears and expanded focus scales for precise, repeatable pulls.
Organic Image Character: Delivers a flattering, vintage aesthetic with natural skin tones that intercuts perfectly with ZEISS Standard Speeds.
Super 35 Coverage: Optimized for S35 sensors, providing full coverage for cameras like the ARRI ALEXA Mini and RED KOMODO.
Cost: USD $44,000
Sell Price: USD $50,000 FOB
David Impelluso
onemovieonefilm@gmail.com
+1 305-984-0903
Florida, USA
March 10th 2026
(J)
Includes:
1x Camera Case
1x Arriflex 416 PLUS with LCS Radio Module (yellow)
with Finder and Ocular , 2 Finder Covers
1x IVS Integrated Video System 416 – PAL
1x SCH-2 Standard Camera Handle 416
1x Shoulder Pad 416
1x LWS-5 Lightweight Support 416
1x LRB-2 Left Rod Bracket
1x BP-10 Split Bridge Plate Set 19mm 416
1x MEE-1 Medium Eyepiece Extension 416/235
1x LMM-2 Low Mode Set 416
1x Camera Handgrip right with on/off
1x Magazine Case
4x Shoulder Magazines 120m/400ft
Ultra 16 set of lenses focals: 6, 8, 9.5, 12, 14, 18, 25, 35 & 50mm T1.3, Metric scale, PL Mount.
Cost: EUR €125.000
Sell Price: EUR €140.000 FOB
Markus Schmidle
markus.schmidle@fgv-rental.de
+49 89 680 90 90
Germany
March 6th 2026
(J)
The ARRI Zeiss Ultra 16 set of 9 lenses (6mm to 50mm) represents the pinnacle of optical engineering for the Super 16mm format, delivering a modern, high-contrast look that elevates 16mm film and digital sensors to their highest potential. Developed in a prestigious partnership between ARRI and Zeiss, these primes were designed to provide the same elite performance characteristics as the 35mm Master Primes but optimized for the smaller S16 image circle. Every lens in this comprehensive set features a consistent T1.3 aperture, enabling exceptional low-light performance and a remarkably shallow depth of field rarely seen in this format. With a unified 95mm front diameter, standardized gear positions, and precise color matching to the Ultra Prime and Master Prime families, this metric-scale kit is the professional standard for narrative features, high-end documentaries, and commercials seeking an organic yet sharp cinematic texture.
Key Features:
Complete 9-Lens Focal Range: Includes 6, 8, 9.5, 12, 14, 18, 25, 35, and 50mm for total narrative versatility.
Ultra-Fast T1.3 Aperture: Consistent speed across the entire set for superior low-light shooting and precise depth-of-field control.
T XP Anti-Reflex Coating:* Advanced Zeiss multi-layer coating ensures high contrast, deep blacks, and exceptional flare resistance.
Super 16 Format Optimized: Specifically engineered to provide edge-to-edge sharpness and minimal distortion on S16 film and digital sensors.
Matched Ergonomics: Features a standardized 95mm front diameter and identical gear positioning for rapid lens swaps without moving accessories.
Super Color Matched: Calibrated to intercut seamlessly with ARRI Master Primes and Ultra Primes for multi-format productions.
Exceptional Close Focus: Retains outstanding optical quality at minimum object distances, with the 6mm focusing as close as 0.2m.
Cost: EUR €70.000
Sell Price: EUR €79.000 FOB
Markus Schmidle
markus.schmidle@fgv-rental.de
+49 89 680 90 90
Germany
March 6th 2026
(J)
TLS Rehoused Canon K35 18mm
TLS Rehoused Canon K35 24mm
TLS Rehoused Canon K35 35mm
TLS Rehoused Canon K35 55mm
TLS Rehoused Canon K35 85mm
Notes: Slow 18mm
The TLS Rehoused Canon K35 Set of 5 is one of the most revered vintage cinema lens collections available today, preserving the extraordinary optical character of Canon’s iconic K35 primes — originally manufactured in the late 1970s — within a precision-engineered modern housing by True Lens Services that makes them fully practical for contemporary professional production. This five-lens set, spanning 18mm through 85mm and featuring the classic Slow 18mm variant, delivers the warm, three-dimensional rendering, smooth focus fall-off, and distinctive flare characteristics that have made the K35 series a legendary choice on landmark Hollywood productions for decades. Rebuilt to exacting tolerances with industry-standard gear rings, consistent front diameters, and PL mount compatibility, these lenses are a premier choice for feature films, prestige television, and high-end commercials seeking irreplaceable vintage optical magic on modern large-format and Super 35 camera platforms.
Key Features:
The original Canon K35 optical formula delivers a uniquely warm, three-dimensional image quality with smooth, organic bokeh and a painterly rendering widely regarded as among the finest vintage cinema glass ever produced.
The Slow 18mm variant provides the classic, original ultra-wide K35 perspective with the characteristic optical rendering and contrast behavior that defined the look of the full K35 set as it was originally conceived.
TLS’s meticulous rehousing process preserves the original optical elements in pristine condition while adding industry-standard 0.8M focus gear rings and consistent front diameters across all five lenses.
PL mount compatibility ensures seamless integration with a wide range of professional cinema cameras, including ARRI, RED, and Sony VENICE platforms, without the need for additional adapters.
The K35 lenses are celebrated for their distinctive, characterful flare behavior and gentle contrast rendering, producing images with a timeless cinematic quality that modern lens designs struggle to replicate.
All five lenses share consistent color rendition and optical character, ensuring a unified, cohesive visual language when interchanging focal lengths throughout a production.
The robust TLS rehousing provides the durability and tactile reliability demanded on professional sets, dramatically improving on the handling and serviceability of the original vintage barrels.
Update March 23rd 2026:
Updated item descriptions, SEO info and Sales code.
NOTE: Gerard Virgos Bofill offered 2 different sets of Canon K35 sets of 5:
“On 03/11/2026 2:44 AM CST info@gvbroadcast.com wrote:
Dear all
We have for sale the following sets of lenses
1 x Canon K35 set of 5 lenses (with the fast 18mm)…………………. 200.000€
1 x Canon K35 set of 5 lenses (with the slow 18mm)……………….. 185.000€”
This set if the one with the SLOW 18mm.
Set with FAST 18mm: https://fjsinternational.com/cameras/canon-k35-rehoused-tls-set-of-5/
(J)
Cost: EUR €185.000
Sell Price: EUR €208.000 FOB
Gerard Virgós Bonfill
Director – GV Broadcast
info@gvbroadcast.com
Tel. +34 656 34 63 94
Spain
March 4th 2026
(J)
Includes:
TLS Cooke Panchro 18mm T 2.2
TLS Cooke Panchro 25mm T 2.2
TLS Cooke Panchro 32mm T 2.3
TLS Cooke Panchro 40mm T 2.3
TLS Cooke Panchro 50mm T 2.3
TLS Cooke Panchro 75mm T 2.3
TLS Cooke Panchro 100mm T 2.8
The TLS Cooke Speed Panchro set is a masterclass in blending vintage soul with modern precision. True Lens Services (TLS) takes original Cooke Speed Panchro optics (Series II and III) from the 1920s–1960s and rehouses them into robust, professional cinema housings that meet contemporary production standards. This 7-lens set is world-renowned for “The Cooke Look”—a warm, organic aesthetic that remains the gold standard for rendering skin tones and creating a “painterly” feel.
Key Features:
Authentic “Cooke Look” Optics: By utilizing original 1950s glass, these lenses deliver a warm, “painterly” aesthetic with a gentle focus roll-off and pleasing flares that cannot be perfectly replicated by modern digital sensors or post-production.
Precision Cam-Style Focus System: The award-winning internal focus mechanism provides zero backlash and no image shift, giving focus pullers high-accuracy marks that remain consistent regardless of direction change.
Standardized Cinema Housing: All lenses feature a uniform 110mm front diameter and identical gear positions for focus and iris (0.8 MOD), allowing for lightning-fast lens swaps without readjusting matte boxes or follow-focus motors.
Modern Mechanical Durability: Built from stainless steel, brass, and aircraft-grade aluminum, the rehousing transforms delicate vintage glass into a “workhorse” set capable of withstanding the rigors of modern, high-pressure film sets.
Optimized Close Focus: The TLS engineering often improves upon the original minimum object distance, allowing for intimate, warm close-ups with a unique sense of depth and character.
Universal Compatibility: Upgraded with high-grade stainless steel PL mounts, these vintage optics are easily mounted to any modern cinema camera system, from ARRI Alexas to RED V-Raptors.
Cost: 51k USD
(t)
Hector barron
twosticksandtape@gmail.com
3-2-2026
The Zeiss Standard Prime 14mm T2.1 Mk. II is a cornerstone of professional wide-angle cinematography, offering a slightly more controlled field of view than the 12mm while maintaining the series’ legendary optical clarity. This Mark II iteration features refined mechanical housing and the iconic T-star (T*) anti-reflective coating, which work together to produce images with high contrast and minimal flare. Specifically designed for Super 35mm formats, the 14mm is prized for its ability to capture expansive environments with remarkably low geometric distortion, making it a go-to choice for architectural interiors and wide establishing shots where straight lines must remain true. Its lightweight, compact build ensures it remains a versatile favorite for Steadicam, gimbal, and handheld applications where every gram of weight matters.
Key Features:
Wide 14mm Focal Length: Bridges the gap between extreme wide-angle and standard wide perspectives for a natural, immersive view.
Consistent T2.1 Aperture: Delivers reliable low-light performance and matches the exposure characteristics of the entire Standard Prime set.
Legendary T Anti-Reflective Coating:* Enhances light transmission and color saturation while effectively suppressing ghosting and internal reflections.
Low Geometric Distortion: Carefully engineered optical path ensures minimal “barrel” effect, keeping architectural lines straight.
Compact and Lightweight Profile: Its small form factor allows for easy balancing on modern stabilization systems and drones.
Intercut Compatibility: Color-matched to integrate seamlessly with the rest of the Zeiss Standard and Super Speed prime families.
Durable PL Mount Construction: Features precision mechanics designed to withstand the rigors of professional film and television sets.
Cost: 10.800 EUR
Sell Price: 12.100 EUR
Joachim Zunke
zunkejoachim@googlemail.com
+1 3232035855
Los Angeles, California
March 2nd 2026
(J)
The Zeiss Standard Speed Prime 12mm T2.1 Mk. II is a legendary wide-angle lens that has long been a staple in professional cinematography for its exceptional sharpness and compact form factor. Part of the renowned Standard Prime family, the Mark II version features improved mechanical housing and refined T-star (T*) anti-reflective coatings to minimize flare and enhance contrast. Designed primarily for Super 35mm film and digital sensors, this lens offers a classic, natural aesthetic that avoids the heavy distortion often associated with extreme wide-angle glass. Its small physical footprint makes it an ideal choice for tight interior locations, handheld configurations, and vintage-style POV shots where a precise, distortion-free perspective is required.
Key Features:
Wide 12mm Focal Length: Provides an expansive field of view, perfect for architectural shots and immersive close-ups.
Fast T2.1 Aperture: Offers excellent low-light performance and consistent exposure across the Standard Prime set.
Refined Zeiss T Coatings:* Advanced multi-layer coatings ensure high contrast and minimize ghosting or internal reflections.
Ultra-Compact Design: Extremely lightweight and small, making it perfect for gimbals, drones, and constrained shooting environments.
Minimal Geometric Distortion: Engineered to maintain straight lines even at the edges of the wide-angle frame.
Classic Zeiss Color Science: Calibrated to match seamlessly with the 16mm, 24mm, 32mm, and 50mm Standard Primes.
Robust PL Mount: Features industry-standard mechanical reliability for precise focus pulls and professional camera compatibility.
Cost: 8.800 EUR
Sell Price: 10.000 EUR
Joachim Zunke
zunkejoachim@googlemail.com
+1 3232035855
Los Angeles, California
March 2nd 2026
(J)
