The Canon FD 14mm f/2.8 L rehoused lens is a masterpiece of vintage wide-angle engineering, now optimized for modern cinema workflows. Originally released in 1982, this lens was a pioneer for its high-degree aspherical element, which allowed for a massive 114° field of view without the barrel distortion typically found in fisheye lenses. When rehoused by companies like GL Optics, TLS, or P+S Technik, the lens is transformed from a vintage stills optic into a robust, production-ready tool that pairs beautifully with the legendary Canon K35 series.
Key Features and Benefits
True Rectilinear Perspective: Delivers an ultra-wide 114° diagonal angle of view while maintaining straight lines, making it ideal for architectural and expansive landscape shots.
Aspherical Optical Design: Features a ground and polished aspherical element that significantly reduces spherical aberrations and ensures high image quality even at its widest aperture.
Cinema-Grade Housing: Modern rehousing provides a durable PL mount, standard 0.8 MOD gears for focus and iris, and a consistent front diameter (typically 95mm or 110mm) for easy matte box use.
K35 Color Matching: The older FD coatings offer a warm, vintage character and organic flare that closely match the sought-after look of the Canon K35 cinema lenses.
Enhanced Focus Throw: Rehousing expands the focus rotation (often up to 300° or more), allowing for precise focus pulls that were impossible on the original FD helicoid.
Floating Element System: Retains the original internal “floating” mechanism to ensure sharpness and minimize distortion at close-focusing distances (approximately 8–10 inches).
Price Search:
The website currently holding the lowest numerical price for a standalone match is Gear Focus,
listing a Canon FD Optex rehoused 14mm for $7,995.00.
Cost : TBD & in Ebay he is selling in USD $ 5,500
Rodrigo Iturralde – rodrigo@off-hollywoodfilms.com
Director / Cinematographer
Independent Filmmaker /Gear guru
www.off-hollywoodfilms.com
www.lafilmboutique.com LA
www.bkfilmboutique.com NY
Phone: +1(818)445-49-86
The Zeiss Supreme Prime Radiance lenses build on the renowned Supreme Prime platform, featuring T* Blue coating for controlled, cinematic flares and enhanced color character. This set includes six focal lengths—18mm, 25mm, 35mm, 50mm, 85mm, and 135mm—delivering full-frame coverage with consistent color rendition and contrast across the range. Designed with high-speed apertures and smooth focus falloff, these lenses are ideal for narrative filmmaking, commercials, and high-end productions. The robust yet lightweight housing ensures easy handling on set, whether mounted on studio rigs or handheld configurations. The Radiance series offers a unique visual signature while maintaining Zeiss’ hallmark sharpness and precision engineering.
Key Features:
The T* Blue coating produces cinematic blue flares with strong contrast and consistent color performance.
Six focal lengths from 18mm to 135mm provide versatile coverage for wide, standard, and telephoto shooting needs.
Full-frame coverage ensures compatibility with modern cinema cameras and delivers sharp, high-resolution images.
Lightweight, compact housing allows easy use on gimbals, handheld rigs, and studio setups.
Consistent mechanics and smooth focus rotation enable precise control and efficient on-set workflow.
Cost: USD $97,500
Sell Price: USD $110,000 FOB
Dheeraj Palliyil
DARE Pictures India
dheerajpalliyil@gmail.com
+91-7736060602
Kerala, India
March 6th 2026
(J)
Includes:
Canon FD ssc 15 mm 2.8 fisheye
Canon FD ssc 20 mm 2.8
Canon FD L 24 mm 1.4
Canon FD ssc 28 mm 2
Canon FD ssc concave 35 mm 2
Canon FD ssc aspherical 55 mm 1.4
Canon FD ssc aspherical 85 mm 1.4
Canon FD ssc 100 mm 2.8
Cases
This Whitepoint Optics rehoused Canon FD lens set features eight precision-engineered lenses, fully converted into robust cinema housings for professional production use. Each lens retains the classic Canon FD optical character, known for its organic rendering, smooth falloff, and pleasing color reproduction. The rehousing provides consistent front diameters, unified gear positioning, and extended focus throws for accurate focus pulling. The set includes 15mm, 20mm, 24mm, 28mm, 35mm, 55mm, 85mm, and 100mm focal lengths, covering a wide range of shooting scenarios. Ideal for narrative filmmaking, commercials, and high-end digital cinematography, these lenses deliver vintage aesthetics with modern reliability and ergonomic design.
Cost: USD $150,000
Elias Trad
eliastrad@highspeedfilming.com
+971566966270
Dubai, UAE
April 1st 2026
(R)
Includes:
Arri Master Prime 14mm
Arri Master Prime 18mm
Arri Master Prime 21mm
Arri Master Prime 25mm
Arri Master Prime 27mm
Arri Master Prime 32mm
Arri Master Prime 35mm
Arri Master Prime 40mm
Arri Master Prime 50mm
Arri Master Prime 65mm
Arri Master Prime 75mm
Arri Master Prime 100mm
Arri Master Prime 135mm
This ARRI Master Prime set comprises thirteen industry-leading cinema lenses, renowned for their exceptional optical performance and reliability. Featuring advanced high-speed optics with a consistent T1.3 aperture across most focal lengths, these lenses deliver outstanding sharpness, minimal breathing, and virtually no distortion. The set includes focal lengths from 14mm to 135mm, offering comprehensive coverage for any cinematic application. Built with precision engineering, each lens features uniform gear positions, robust housings, and smooth focus mechanics. Ideal for high-end film, television, and commercial productions, Master Primes are trusted worldwide for their clean, modern look and consistent image quality across the entire set.
Key Features:
This set includes thirteen ARRI Master Prime lenses with industry-standard cinema mechanics.
High-speed T1.3 aperture enables superior low-light performance and shallow depth of field.
Optics deliver exceptional sharpness, minimal distortion, and consistent color rendition.
Uniform design ensures seamless lens changes and efficient on-set workflow.
Built for professional use, these lenses offer durability and precise focus control.
Cost: TBD
Sell Price: USD $120,000 FOB
Logan Schneider/Luke Allein
luke@2020camera.com
loganschneider@me.com
+1 (815) 517-0734
United States
April 1st 2026
Pricing based on Master Prime Set of 14 on JCG, priced 129K (proportional for 13 lens set is 120K):
https://www.justcinemagear.com/product-page/arri-master-prime-14-lens-set-1
(J)
Includes:
Tokina Cinema Vista Prime 18mm T1.5 (Z10440)
Tokina Cinema Vista Prime 25mm T1.5 (Y10475)
Tokina Cinema Vista Prime 35mm T1.5 (T10492)
Tokina Cinema Vista Prime 50mm T1.5 (L10519)
Tokina Cinema Vista Prime 85mm T1.5 (U10476)
Tokina Cinema Vista Prime 105mm T1.5 (AY10332)
The Tokina Cinema Vista Prime series is engineered to meet the rigorous demands of modern large-format cinematography. This 6-lens set (18mm, 25mm, 35mm, 50mm, 85mm, 105mm) features a massive 46.7mm image circle, making it compatible with nearly all professional motion picture sensors, including VistaVision and Full Frame formats. Known for their “character-rich” yet high-resolution output, these lenses offer a fast T1.5 aperture across the entire range, ensuring consistent exposure and shallow depth-of-field control when swapping focal lengths.
Key Features:
Large Format Coverage: A 46.7mm image circle covers RED V-Raptor, ARRI Alexa Mini LF, and Sony Venice 2 sensors without vignetting.
Fast T1.5 Aperture: High-speed glass allows for exceptional low-light performance and consistent exposure across the set.
Zero Focus Breathe: Sophisticated optical design virtually eliminates image shifting when racking focus.
Uniform Physical Dimensions: Standardized 114mm front diameters and consistent gear positioning allow for rapid lens changes without adjusting follow focus or matte box setups.
Pleasing Bokeh: An 9-blade iris produces soft, circular out-of-focus highlights and a natural roll-off.
PL Mount Precision: Robust stainless steel PL mount ensures a secure, shimmed connection for professional wireless FIZ systems.
cost: 20k EUR
alexandre jamin
AJAMIN
al.alexandre.jamin@gmail.com
+33762520289
3-27-2026
The Zeiss Super Speed set (18mm, 25mm, 35mm, 50mm, and 85mm) is one of the most iconic lens series in cinema history. Often referred to as “the workhorse of the industry,” these lenses were the gold standard for decades, used on legendary films like The Shining and Full Metal Jacket. They are prized for their ultra-fast T1.3 aperture, compact form factor, and a unique “vintage-meets-modern” aesthetic that balances sharpness with organic character.
Key Features:
Ultra-Fast T1.3 Aperture: Provides exceptional low-light performance and an incredibly shallow depth of field, allowing for extreme subject separation and a signature cinematic “pop.”
Compact & Lightweight Build: Their small physical footprint makes them ideal for handheld operating, gimbals, and drones, offering much more mobility than bulky modern primes.
Standardized 80mm Fronts: Most sets feature uniform front diameters, allowing for rapid lens swaps without the need to reposition matte boxes or adjust accessories.
S35 Image Coverage: Purpose-built for the Super 35mm format, ensuring they pair perfectly with industry-standard sensors like the ARRI Alexa 35 or Sony Venice.
Integrated Cinema Gearing: Equipped with professional-grade focus and iris gears, ensuring smooth, precise control with standard follow-focus systems.
Unique Optical Character: While modern lenses can feel overly sharp, Super Speeds offer a pleasing texture and flare characteristic that adds a timeless, “filmic” soul to any project.
cost: 51k usd
(t)
Kyle Irwin
irwindale95@gmail.com
3-24-2026
The Lomo Super Speed set is a staple of vintage cinema, characterized by a fast T/1.3 to T/1.5 aperture across the core focal lengths. Manufactured in the USSR, these lenses are famous for their “Oksypa” optical designs, producing organic skin tones, expressive flares, and a gentle roll-off in highlights. While they provide impressive sharpness when stopped down, shooting wide open introduces a dreamy, low-contrast look with a beautiful internal glow, making them a favorite for music videos and stylized narrative features.
Key Features:
Ultra-Fast High-Speed Apertures: These lenses feature exceptionally fast apertures, with high-speed glass ranging from a wide-open T/1.3 to T/2.2. This makes them an ideal choice for challenging low-light environments or for cinematographers looking to achieve an incredibly shallow depth of field that separates subjects from the background with a soft, cinematic fall-off.
Distinctive Vintage Optical Character: Renowned for their “Soviet” soul, these optics produce a world-class vintage character. They are famous for their unique, expressive flares that react dynamically to point light sources, as well as a signature bokeh shape and organic texture that adds a rich, filmic layer to digital sensors that modern, clinically perfect lenses cannot replicate.
Versatile and Comprehensive Focal Range: This is a truly versatile 7-lens set designed to handle any narrative requirement. The collection provides a seamless transition from extreme wide-angle perspectives at 18mm all the way through to compressed telephoto portraiture at 100mm, ensuring that the visual language remains consistent across an entire production.
Universal PL Mount Compatibility: While originally manufactured with Soviet-style mounts, most of these sets have been professionally converted or rehoused to the industry-standard PL mount. This ensures full compatibility with modern cinema cameras and high-end mirrorless systems, allowing these vintage treasures to be used on the latest digital cinema sensors without the need for cumbersome adapters.
Compact and Lightweight Form Factor: Despite their high-speed performance, these lenses maintain a relatively small and lightweight footprint compared to their bulky modern counterparts. Their compact size makes them perfect for handheld operating, tight gimbal setups, or drone work where keeping the camera package mobile and balanced is a high priority for the crew.
Cost: USD $73,000
Sell Price: USD $82,000 FOB
Kyle Irwin
Bokeh Rentals
irwindale95@gmail.com
kyle@bokehrentals.com
+1 661-497-6682
USA
(J)
Includes:
Tokina Vista FF Prime 18mm T1.5
Tokina Vista FF Prime 25mm T1.5
Tokina Vista FF Prime 35mm T1.5
Tokina Vista FF Prime 50mm T1.5
Tokina Vista FF Prime 85mm T1.5
Tokina Vista FF Prime 135mm T1.5
hard case
The Tokina Cinema Vista FF Prime set is a professional-grade lens kit designed for high-end cinematography. This specific 6-lens set is celebrated for its massive image circle and consistent T1.5 speed across almost the entire range, making it a “workhorse” for large-format sensorsThe Vista series is built from the ground up for cinema, featuring modern optics that produce ultra-sharp images with a neutral color palette. Unlike many other sets, these lenses are specifically engineered to cover a 46.7mm image circle, which easily encompasses Full Frame, VistaVision, and even larger sensors like the RED V-RAPTOR or ARRI Alexa Mini LF.
Key Features:
Massive Image Circle (46.7mm): Beyond Full Frame; covers VistaVision and high-resolution 8K sensors without vignetting.
Consistent T1.5 Aperture: Enables a uniform look and exposure across all focal lengths, simplifying lighting setups on set.
Near-Zero Focus Breathing: Maintains a stable frame during focus pulls, ensuring the composition remains undisturbed.
Standardized Form Factor: All lenses in the set share identical gear positions (focus and iris) and a 114mm front diameter, allowing for rapid lens swaps without moving follow-focus motors or matte boxes.
300° Focus Throw: Provides extreme precision for focus pullers, especially critical when shooting wide open at T1.5.
9-Blade Curved Iris: Produces smooth, circular out-of-focus highlights and a natural, pleasing bokeh.
Durable Build: All-metal housing designed to withstand the rigors of professional film sets.
cost: 19,500k USD
(t)
Jenny Jhang
jenny@cine-equipment.com.tw
+886-2-8245-5798
3-19-2026
Includes:
Leonetti Ultranon 18mm T1.9 / T2.2
Leonetti Ultranon 24mm T1.4 / T1.6
Leonetti Ultranon 28mm T1.8 / T2.3
Leonetti Ultranon 35mm T1.4 / T1.6
Leonetti Ultranon 50mm T1.4 / T1.6
Leonetti Ultranon 85mm T1.4 / T1.6
Leonetti Ultranon 135mm T1.8 / T2.2
All lens caps
BNCR adapters to mirrorless mounts
Case
The Leonetti Ultranon lenses are a rare and storied set of vintage cinema primes, originally commissioned by Leonetti Rentals in the late 1970s and early 1980s. Designed by Kenji Suematsu for the proprietary 35mm Ultracam system, only about 15 to 20 sets were ever produced. These lenses are “franken-primes,” expertly blending optics from legendary manufacturers—primarily Contax Zeiss, with specific wide angles sourced from Cooke and Canon FD—all housed in robust, uniform cinema casings.
Key Features:
16-Blade Circular Iris: A signature feature that ensures perfectly round bokeh and silky-smooth out-of-focus highlights even when the lens is stopped down.
Hybrid Vintage Optics: Combines the sharpness and “3D pop” of Zeiss Contax glass with the character of Cooke (18mm) and Canon FD (24mm) for a unique, curated look.
Full Frame Coverage: Except for the 18mm (which is Super 35/Academic), the 24mm through 135mm focal lengths cover Full Frame/Large Format sensors, making them compatible with modern cameras like the Alexa LF or Sony VENICE.
Controllable Flares: Known for producing beautiful, “milky” organic flares that add cinematic texture without overwhelming the image.
Unified Cinema Housing: Unlike standard vintage photo lenses, these feature consistent front diameters (typically 110mm) and geared rings for professional follow-focus systems.
Naturalistic Color Palette: Offers a warm, vintage aesthetic with a “gentle” sharpness that is more flattering to skin tones than modern, clinical lenses.
cost: 45,999 usd
(t)
David Armstrong
darmstrongstunts@gmail.com
+13156576671
3-19-2026
Deposits paid on TLS and WhitePoint rehousing (minus 15% of the rehousing price + top of queue)
The LOMO Anamorphic Set of 4 (35mm, 50mm, 80mm, 135mm) consists of legendary Soviet-era lenses revered for their distinct “vintage” character. These lenses are famous for producing the classic anamorphic look, featuring horizontal blue flares, unique oval bokeh, and a gentle fall-off in sharpness toward the edges of the frame. Because these are vintage lenses, they are typically found in two mechanical styles: the earlier “Square Front” models, which are more compact but have rotating fronts, and the later, more sought-after “Round Front” (NAS) models, which offer more stable mechanics and improved ergonomics for modern follow-focus systems.
Key Features:
Classic Anamorphic Aesthetic: Delivers iconic oval bokeh and organic horizontal flares that modern lenses often lack.
Vintage Optical Character: Offers a lower-contrast, “dreamy” look with unique personality and character-driven imperfections.
Super 35mm Coverage: Designed to cover the Super 35mm film format, making them compatible with most modern digital cinema sensors.
Fast Apertures: Typically ranges from T2.4 to T3, allowing for decent low-light performance and shallow depth of field.
Robust Mechanical Builds: While vintage, the “Round Front” versions are often rehoused or serviced to meet modern professional standards.
Standardized Front Diameters: Often modified by rental houses to include 114mm front rings for compatibility with standard matte boxes.
Cost: GBP £40,000
Sales Price: GBP £45,000 FOB
Craig Lees
cogartlit@yahoo.co.uk
+44(0)7891595912
United Kingdom
(J)
