Includes:
Fitting Case
The Cooke S7/i FF Plus (Full Frame Plus) series represents the pinnacle of modern large-format cinematography, designed specifically to cover full-frame sensors up to a 46.31mm image circle (including RED V-Raptor/Weapon 8K, ARRI Alexa LF, and Sony VENICE). These primes deliver the legendary “Cooke Look”—a warm, organic aesthetic characterized by smooth focus fall-off, natural skin tones, and a gentle roll-off in the highlights—while providing the clinical precision required for high-resolution 8K digital sensors.
Key Features:
True T2.0 Aperture: Provides consistent speed across almost the entire focal range (except the 300mm), ensuring lighting setups remain unchanged when switching lenses.
The Cooke Look®: Offers a unique, “dimensional” image quality that feels more human and less “digital” than many modern competitors.
Integrated /i Technology: Captures frame-by-frame lens metadata (aperture, focus, depth-of-field, etc.), which is vital for streamlining VFX and post-production workflows.
Award-Winning Focus Mechanism: Features a cam-style focus movement that provides smooth, backlash-free adjustment, with 270° of rotation for high-precision pulls.
Unified Physical Specs: Most lenses in the set share a common 110mm front diameter and standardized gear positions, allowing for rapid swaps without adjusting matte boxes or follow-focus motors.
Comprehensive Focal Range: A massive selection of focal lengths (from 16mm to 300mm) that are color-matched to other Cooke series like the Anamorphic/i and Panchro/i Classic.
Cost: 37,855/ sales: 45,000
(t)
Alexandru Dorobantu/SquadRental
ate@squadrental.com
+40724283005
Rumania
2-16-2026
14mm Canon EF 2.9
24mm canon FD SSC aspherical 1.5
35mm canon fd SSC 2.1
45mm FD-X (yashica) 1.5
55mm Canon FD SSC aspherical 1.3
85mm Canon FD SSC Aspherical 1.3
135mm Canon FD 2.1
Fitting Case
The Canon FD SSC Aspherical lenses (often referred to as “K-35s in a different housing”) are legendary vintage optics from the 1970s. These lenses represent a pinnacle of glass engineering, being among the first to successfully incorporate aspherical elements into mass production. They are highly sought after by cinematographers for their ability to deliver a “vintage-modern” look: sharp and high-resolution, yet full of character and organic texture.
Key Features:
Aspherical Elements: Reduces spherical aberration and distortion, providing exceptional sharpness even when shot wide open.
S.S.C. (Super Spectra Coating): Delivers excellent color balance and minimizes ghosting/flaring while maintaining a warm, nostalgic “golden” tint.
Full Frame Coverage: Naturally covers large-format sensors (like the Alexa LF or Sony Venice) without vignetting.
Fast Apertures: The “Aspherical” trio (24mm, 55mm, 85mm) allows for incredible low-light performance and shallow depth of field.
K-35 DNA: They share the same optical designs as the Academy Award-winning Canon K-35 cinema lenses, offering a similar look at a fraction of the cost.
Pleasing Bokeh: Features a distinct, smooth out-of-focus rendering that feels more “painterly” than modern clinical lenses.
Cost: 80,000 euro
(t)
luke menges
lukemenges@me.com
London
2-16-2026
The TLS-rehoused Cooke Speed Panchro set is a premium marriage of 1950s/60s vintage glass and modern mechanical precision. True Lens Services (TLS) takes the legendary Series II and Series III optical blocks and updates them with robust, production-ready housings that resemble the mechanics of modern Cooke S4s. These lenses are the definitive source of the “Cooke Look”—a painterly, organic aesthetic characterized by warm skin tones and a smooth focus roll-off. While the glass is vintage, the TLS rehousing ensures they can withstand the rigors of modern film sets, including the use of high-torque wireless follow-focus systems.
Key Features:
Cam-Driven Focus: Replaces the original thread-based movement with a precision cam system, eliminating image shift and backlash during focus pulls.
Standardized Mechanics: All lenses feature a consistent 110mm front diameter and unified 0.8 MOD gear positions for focus and iris.
Enhanced Build: Housings are CNC-machined from aircraft-grade aluminum, brass, and stainless steel with a native PL mount.
Super 35+ Coverage: Primarily designed for Super 35 sensors, though the longer focal lengths (40mm and up) often cover Full Frame sensors.
Dual Scales: Highly visible, large focus scales available in both Imperial and Metric markings.
The “Cooke Look”: Delivers a “creamy” texture and romantic flare that takes the clinical edge off modern digital sensors.
Production Efficiency: Standardized diameters and gear positions mean no need to reposition matte boxes or follow-focus motors when swapping lenses.
Flattering Portraits: Renowned for rendering faces with a gentle, forgiving sharpness that hides skin imperfections.
Mechanical Reliability: Provides the tactile feel of a modern cinema lens while preserving the soul of 70-year-old optics.
Cost: 39,000 USD / Sales: 45,000 USD
(t)
Camilo G Collazos
2-12-2026
Includes:
Fitting Case
The Cooke S7/i Full Frame Plus Prime series is a flagship set of cinema lenses designed to meet the rigorous demands of large-format cinematography. Covering an image circle of at least 46.31mm, these lenses are optimized for Full Frame, VistaVision, and Super 35 sensors. They are renowned for delivering the “Cooke Look”—a signature aesthetic characterized by a smooth, organic fall-off, pleasing skin tones, and a balanced, three-dimensional image.
The set of 11 focal lengths (16, 18, 21, 25, 27, 32, 40, 50, 75, 100, and 135mm) provides a consistent T2.0 aperture across the range, ensuring uniform exposure and depth-of-field control. Each lens is color-matched not only within the S7/i series but also with other Cooke lines like the S4/i and Anamorphic/i, allowing for seamless intercutting during production.
Key Features:
Large Format Coverage: Specifically built to cover sensors up to the RED V-RAPTOR XL and Sony VENICE 2 without vignetting.
The “Cooke Look”: Provides a sharp yet “creamy” aesthetic that renders skin naturally and produces a cinematic, organic bokeh.
Next-Gen /i Technology: Captures frame-by-frame metadata (aperture, focus, and depth-of-field), streamlining VFX and post-production workflows.
Mechanical Precision: Features an Academy Award-winning cam-style focus mechanism for smooth, backlash-free adjustments and 270° of rotation.
Standardized Design: Most lenses in the set share a common 110mm front diameter and standardized gear positions, enabling rapid lens changes without repositioning follow-focus or matte box motors.
Exceptional Optical Control: Engineered to minimize lateral color aberration, flare, and distortion, even when shooting wide open at T2.0.
Durability: Finished with a scratch-resistant PTFE hard anodized coating to withstand harsh onset environments.
Update Feb 16th 2026
Price changed from EUR 126.000 FOB to EUR 80.000 FOB
Cost changed from EUR 120.000 to EUR 70.000
Adam’s request
(J)
Cost: 70,000 EUROS
(t)
Alexandru Dorobantu/SquadRental
ate@squadrental.com
+40724283005
Rumania
2-12-2026
The Cooke S8/i FF (Full Frame) set represents the pinnacle of modern cinema glass, evolving the legendary “Cooke Look” for the high-resolution demands of digital sensors. This set of 8 primes is engineered with an all-spherical design, emphasizing organic textures and a signature “painterly” bokeh while providing a super-fast T1.4 aperture across the entire range.
Key Features:
Supercharged T1.4 Aperture: One of the fastest full-frame lens sets available, allowing for exceptional low-light performance and razor-thin depth of field.
The “Cooke Look” Evolution: Delivers a warm, natural aesthetic with smooth skin tones and a high degree of dimensionality without the “clinical” feel of modern digital lenses.
All-Spherical Design: Purely spherical elements eliminate “onion-ring” artifacts in the bokeh, ensuring smooth, round highlights.
Advanced /i Technology: Captures real-time metadata including focus/iris position, motion inertial data, and distortion maps—essential for modern VFX and virtual production.
Lightweight & Ergonomic: Significantly lighter and more compact than the previous S7/i series, optimized for use on gimbals, drones, and Steadicams.
Consistent Mechanics: All lenses (except the 18mm) share a unified 104mm front diameter and standardized gear positions, enabling lightning-fast lens swaps on set.
Cost: $140k / Sales: $165k
(t)
Christine Cooke
Adam Fox
2-10-2026
Includes:
Fitting Case
The Zeiss Super Speed MKII set is a legendary collection of cinema prime lenses that defined the look of 1980s and 90s cinema. Renowned for their incredible speed and compact form factor, these lenses remain a staple for cinematographers seeking a vintage aesthetic without sacrificing mechanical reliability.
The MKII set is distinctive for its uniform T1.3 aperture across the range, making it one of the fastest vintage sets available.
Key Features:
Ultra-Fast T1.3 Aperture: Provides exceptional low-light performance and a razor-thin depth of field for superior subject isolation.
Signature “Zeiss Look”: Delivers a “creamy” rendering with lower contrast when wide open, sharpening significantly when stopped down to T2.8.
Compact & Lightweight: Their small footprint makes them the preferred choice for handheld, gimbal, and Steadicam work.
Mechanical Consistency: Each lens features a standard 80mm front diameter and integrated 0.8 pitch gears, allowing for rapid lens changes without repositioning follow-focus motors or matte boxes.
Vintage Character: Known for producing pleasing flares and a gentle “glow” around highlights, adding a filmic texture that modern digital sensors often lack.
7-Blade Iris: Unlike the earlier “B-Speed” version (which had triangular apertures), the MKII features a more conventional iris for smoother, more natural bokeh.
Cost: 38,500 USD
(t)
Lucas Wyatt
luke@orangerobotla.com
+18123459400
2-10-2026
Includes:
Custom Case
The ZEISS Supreme Prime family is a professional cinema lens series designed to meet the demands of large-format digital cinematography. Balancing high-speed performance with a compact, lightweight form factor, these lenses are engineered for consistency across the entire range (15mm to 200mm). Unlike the clinical sharpness of some modern optics, the Supreme Primes offer a “gentle sharpness” and an organic look that is particularly flattering for skin tones.
Key Features:
Large Format Coverage: Featuring an image circle of 46.3 mm, these lenses fully cover Full Frame, VistaVision, and Super 35 sensors, making them a future-proof investment for modern camera systems.
High Speed (T1.5): The majority of the set features a fast T1.5 aperture, providing exceptional low-light performance and shallow depth-of-field control.
eXtended Data (XD) Technology: A unique metadata system that records frame-accurate lens distortion and shading data. This significantly accelerates VFX workflows and post-production compositing.
Mechanical Consistency: Nearly all lenses in the series share a 95mm front diameter and standardized gear positions for focus and iris, allowing for rapid lens changes without re-adjusting follow-focus motors or matte boxes.
Aesthetic Bokeh: A 16-blade iris ensures round, natural highlights and a smooth transition between in-focus and out-of-focus areas (focus fall-off).
Rugged Versatility: Designed for use in extreme temperatures, the focus mechanics remain smooth and reliable from the desert to the Arctic.
COST: 37,500 Euros
(t)
Matthieu Lalande
France
mathieu@buffalocorp.fr
February 6, 2026
Includes:
Lomo Illumina 18mm
Lomo Illumina 25mm
Lomo Illumina 35mm
Lomo Illumina 50mm
Lomo Illumina 85mm
Custom Case
This used Lomo Illumina lens set of five delivers the iconic, organic character Lomo lenses are known for, paired with reliable performance for professional cinema production. Covering a versatile focal range from wide to telephoto, these lenses are prized for their smooth focus falloff, gentle contrast, and flattering color rendition—ideal for narrative, commercial, and artistic filmmaking.
Key Features
Complete 5-lens set: 18mm, 25mm, 35mm, 50mm, 85mm
Classic Lomo optical character with cinematic rendering
Smooth, consistent focus and aperture behavior across the set
Designed for professional cinema cameras and workflows
Durable build suitable for production environments
Cost: 24500 EUROS
February 6, 2026
(M)
Matthieu Lalande
France
mathieu@buffalocorp.fr
The ARRI Signature Prime 12mm T1.8 is the widest focal length in ARRI’s flagship large-format prime series. Designed to deliver a “timeless” cinematic look, it balances state-of-the-art optical precision with a natural, organic feel that avoids the clinical sharpness often found in modern digital lenses. It is engineered specifically for large-format sensors (like the ALEXA 35 or LF) but remains versatile across various formats thanks to its massive 46mm image circle and LPL mount.
Key Features:
Organic Aesthetic: Renders warm, smooth skin tones and “creamy” bokeh that highlights subjects with a gentle focus fall-off.
Minimal Distortion: Despite being an ultra-wide 12mm lens, it maintains less than 1% distortion, keeping straight lines true even at the edges of the frame.
Customizable “Look”: Features a Magnetic Rear Filter Holder, allowing cinematographers to use custom glass or materials (like nets or vintage fabrics) to alter bokeh and flares without permanent lens modification.
Lightweight Durability: Constructed with a machined magnesium barrel, making it significantly lighter and more robust than traditional cine lenses.
Future-Proof Data: Built-in LDS-2 (Lens Data System) provides high-speed lens metadata for VFX workflows and focus mapping, backwards compatible with LDS-1 and Cooke /i.
Exceptional Control: Designed with a near-telecentric optical path to virtually eliminate focus breathing, ensuring the frame doesn’t shift during focus pulls.
Cost: TBD
(t)
Nick Gall
rentals@standardcamera.com
+1 310-919-6202
1-30-2026
Includes:
18mm
25mm
35mm
47mm
75mm
125mm
The ARRI Signature Prime 6-Lens Core Set is a premium large-format cinema lens collection designed to deliver an “organic” and emotionally engaging aesthetic. Optimized for the ARRI ALEXA LF and other large-format sensors, these lenses bridge the gap between modern high-resolution performance and a timeless, film-like character.
Key Features:
LPL Mount: Utilizes the Large Positive Lock mount, designed specifically for large-format sensors to minimize weight and maximize optical quality.
LDS-2 Data System: Features the next-generation Lens Data System for high-speed metadata communication, which is essential for VFX and on-set workflows.
Magnesium Construction: Built with lightweight magnesium barrels, making the lenses significantly easier to handle on gimbals or handheld rigs compared to traditional aluminum lenses.
Magnetic Rear Filter Holder: Allows cinematographers to insert custom nets, glass, or filters behind the lens to personalize the “look” without affecting the front optics.
Consistent T-Stop: A uniform T1.8 maximum aperture across the set (for most lenses) ensures consistent lighting setups when swapping focal lengths.
Cost: 80k
(t)
Nick Gall
rentals@standardcamera.com
+1 310-919-6202
1-30-2026
