Includes:
Zeiss Standard Speed 24mm
Zeiss Standard Speed 32mm
Zeiss Standard Speed 50mm
Zeiss Standard Speed 85mm
Features:
Classic “Vintage” Look: Renowned for their classic, filmic quality. They offer a slightly softer, lower-contrast image compared to modern lenses, which can be very flattering, especially for skin tones.
Consistent T2.1 Aperture: Most lenses in the set share a maximum aperture of T2.1 (the 180mm is T2.8), providing consistent exposure across focal lengths.
Lightweight and Compact: Known for their small size and light weight, making them excellent for handheld, gimbal, and drone work.
Reliable Color Rendition: Deliver a pleasing, neutral color palette with a cool color bias, which has made them a popular choice for decades.
Pleasing Bokeh: The older optical design and iris configuration produce a soft and unique bokeh.
Robust Build Quality: As cinema lenses, they are built to withstand the rigors of professional film production. Many have been rehoused to meet modern mechanical standards.
Used on Iconic Films: Have been the go-to lenses for countless feature films, commercials, and music videos.
Cost: $14,800 USD
August 27, 2025
(M)
Steve Jones
United States
Email steve@digitaldk.com
Telephone 4054135588
Hawk V-lite Anamorphic PL-mount T2.2 28mm
Hawk V-lite Anamorphic PL-mount T2.2 35mm
Hawk V-lite Anamorphic PL-mount T2.2 45mm
Hawk V-lite Anamorphic PL-mount T2.2 55mm
Hawk V-lite Anamorphic PL-mount T2.2 80mm Macro
Hawk V-lite Anamorphic PL-mount T2.2 110mm
The Hawk V-lite Anamorphic T2.2 lenses are a popular series of cinema lenses known for their unique anamorphic look in a compact, lightweight design. They’re often used for handheld and Steadicam shots due to their manageable size and weight. 📸
Key Features and Benefits
Compact & Lightweight: Smaller and lighter than many other anamorphic lenses, making them ideal for a variety of camera rigs and shooting styles.
High Image Quality: Designed with a telecentric design, they offer increased definition and contrast across the entire image and minimal distortion.
Anamorphic Aesthetic: They have a 2x anamorphic squeeze factor, which produces the classic widescreen 2.40:1 aspect ratio with pleasing oval bokeh and cinematic horizontal lens flares.
Robust & User-friendly: The lenses have a durable mechanical build without electronic components, ensuring reliability on set. The focus scales are also optimized for easy reading.
Wide Focal Length Range: The set typically includes a wide range of focal lengths, including a dedicated 55mm T2.2 macro lens for extreme close-focus shots.
The cost of the set is € 460,000.
The lenses are located in Barcelona, Spain.
Anatolii Krapivin
uniquelenses.europe@gmail.com
+34681332299
www.unique-lenses.com
www.because.com.ua
Adam Said in Whatsapp: Add $50k to the asking price
Based on current exchange rates, you can get approximately 42,905 Euros for 50,000 U.S. Dollars. 08/26/2025…
so I will add 43,000 Euros mking a total price of EUROS 503,000 FOB
Arri Zeiss Ultra Prime LDS 14mm & 1.9
Arri Zeiss Ultra Prime LDS 16mm & 1.9
Arri Zeiss Ultra Prime LDS 20mm & 1.9
Arri Zeiss Ultra Prime LDS 28mm & 1.9
Arri Zeiss Ultra Prime LDS 40mm & 1.9
Arri Zeiss Ultra Prime LDS 50mm & 1.9
Arri Zeiss Ultra Prime LDS 85mm & 1.9
Arri Zeiss Ultra Prime LDS 100mm & 1.9
Arri Zeiss Ultra Prime LDS 135mm & 1.9
Case Included
ARRI/Zeiss Ultra Prime LDS lenses are a highly regarded line of cinema prime lenses known for their excellent optical performance, compact size, and integrated Lens Data System (LDS). Co-developed by ARRI and Zeiss, they are a staple in professional film and television production.
Key Features and Benefits
Exceptional Image Quality: They offer a clear, sharp image with well-controlled distortion and reduced flares, maintaining high contrast and resolution across the frame.
Lens Data System (LDS): The integrated LDS technology is a key differentiator. It provides valuable real-time metadata (like focus, iris, and zoom settings) to the camera, which streamlines on-set tasks for the focus puller and is crucial for visual effects and post-production workflows.
Versatile Focal Lengths: The series provides one of the widest focal ranges available, from extreme wide-angle to telephoto, offering great flexibility for cinematographers.
Uniform Design: The lenses have a consistent mechanical design, including uniform front diameters and gear positions, which simplifies and speeds up lens changes and allows for easy use with accessories like matte boxes.
Lightweight and Compact: Their compact and lightweight build makes them ideal for a variety of shooting scenarios, including handheld, gimbal, and Steadicam work.
Optical Match to Master Primes: They are optically and color-matched to the faster ARRI/Zeiss Master Prime series, allowing for seamless integration and consistency when mixing and matching lenses on a single project.
Cost USD $ 50,000
LeRon Minor – in Atlanta USA
Company Name Clap Slate Rentals
Email leronminordp@gmail.com
Telephone 5129058157
Newcine and justcinema do not have this set
AI says : based on available listings and market analysis, the average price for a 9-lens set is approximately $45,000 to $65,000 USD.
Bausch & Lomb Super Baltar 20mm T2.3
Bausch & Lomb Super Baltar 25mm T2.3
Bausch & Lomb Super Baltar 35mm T2.3
Bausch & Lomb Super Baltar 50mm T2.3
Bausch & Lomb Super Baltar 75mm T2.3
Bausch & Lomb Super Baltar 100mm T2.4
Bausch & Lomb Super Baltar lenses are a series of vintage cinema lenses from the 1960s, highly sought after for their unique, cinematic look. Originally designed for Mitchell camera systems, they’ve since been rehoused by companies like True Lens Services (TLS) and P+S Technik to be compatible with modern digital cinema cameras.
Key Features and Benefits
Distinct Vintage Look 🎬: They deliver a warm tone, medium to low contrast, and soft focus roll-off, creating a gentle and artistic aesthetic. This helps “take the edge off” the sharp, clean look of modern digital sensors.
Unique Lens Flares and Bokeh: They feature trademark blue, purple, and amber coatings that produce stunning and unique flares. When used wide open, they create a beautiful, consistent, and textured bokeh.
Historical Legacy 🎞️: These lenses are famously known as the “Godfather lenses,” having been used to shoot iconic films like The Godfather and The Godfather Part II. They were also used more recently on films like Rush and The Witch.
Modern Compatibility: Thanks to rehousing, they now have a smooth, reliable cam-drive focus system, PL mounts, and consistent 110mm fronts, making them easy to use with modern camera accessories and a favorite for cinematographers.
Impressive Sensor Coverage: Certain focal lengths can cover Super 35+ and even Full Frame sensors, which is exceptional for vintage lenses of their era.
Cost : To be Determined
Phillip hello@phillipkaminiak.com
PHILLIP KAMINIAK
Europe / WhatsApp +49 177 970 2150
Mexico / USA +52 55 2341 8662
WEBSITE: http://www.phillipkaminiak.com
ARRI SIGNATURE PRIME 18mm
ARRI SIGNATURE PRIME 25mm
ARRI SIGNATURE PRIME 35mm
ARRI SIGNATURE PRIME 58mm
ARRI SIGNATURE PRIME 95mm
ARRI Signature Primes are a premium line of full-frame cine lenses designed to complement the ARRI Large Format camera system. Known for their timeless, organic look and exceptional optical performance, these lenses provide smooth focus fall-off, natural skin tones, and beautiful bokeh. Built with precision engineering and advanced materials, they support the LPL mount and ARRI’s LDS-2 lens data system, making them a top choice for high-end cinema productions.
Key Features and Benefits:
Full-Frame Coverage: Designed for large-format cinematography with wide image circles.
Organic Aesthetic: Soft textures, gentle highlight roll-off, and smooth bokeh.
Lightweight Magnesium Housing: Durable yet lightweight construction.
LDS-2 Lens Data System: Enables real-time lens metadata for VFX and post-production.
Wide Focal Range: 12mm to 280mm with consistent T1.8 aperture (except longest focal lengths).
Magnetic Rear Filter Holder: Allows creative customization without optical compromise.
Precise Mechanics: Ideal for manual focus pulls and professional camera setups.
Cost $ 82,000 FOB
Joab Carlos
321-663-0551
joabcrls <joabcrls@yahoo.com>
———-
Newlifecine has one in 130,000 dollars
Justcinemagear has Arri Signature Prime 5 Lens set new $117,500.00Price
Zeiss Compact Prime EF 21mm
Zeiss Compact Prime EF 35mm
Zeiss Compact Prime EF 85mm
Key Features and Benefits:
Interchangeable Mount System: The lenses feature an interchangeable mount system, allowing you to switch between different camera mounts (like Canon EF, Nikon F, PL, Sony E, and MFT) to use them with various cameras. This makes them a flexible and future-proof investment.
Full-Frame Coverage: They cover a full-frame image format (24 x 36 mm), making them compatible with a wide range of modern cameras without vignetting.
Cine Look and Quality: Known for the signature “Zeiss look”, these lenses offer high contrast, rich blacks, and saturated colors. They have a 14-blade iris that creates a smooth, round bokeh, and an advanced coating to reduce glare and flares.
Consistent Design: The lenses have a consistent front diameter (95mm for CP.3 and 114mm for CP.2) and the same focus and iris gear positions. This consistency is a major benefit for filmmakers, as it allows for quick lens changes on rigs, gimbals, or drones without needing to adjust accessories like matte boxes or follow focus systems.
Enhanced Ergonomics: They are designed with a robust cine-style housing, a long 300° focus rotation for precise focus pulls, and smooth, temperature-stable mechanics. This makes them a durable and reliable choice for professional filmmaking.
eXtended Data (XD) Technology: The CP.3 XD series includes Zeiss eXtended Data technology, which provides real-time information about lens distortion and shading. This data can simplify and speed up post-production workflows, especially for visual effects (VFX) work.
Our cost 1,350 each: 4,050 confirmed via Whastapp on 8/13/2025
David Garcia
david@gandhiequipos.com
Mi teléfono / whatsapp
5491137678825
Leica R Super Speed MKIV Rehoused GL Optics 19mm
Leica R Super Speed MKIV Rehoused GL Optics 28mm
Leica R Super Speed MKIV Rehoused GL Optics 35mm
Leica R Super Speed MKIV Rehoused GL Optics 50mm
Leica R Super Speed MKIV Rehoused GL Optics 80mm
Leica R Super Speed MKIV Rehoused GL Optics 135mm
Leica R lenses are a series of manual-focus, 35mm lenses designed for Leica’s R-series of single-lens reflex (SLR) cameras. They are known for their exceptional optical quality, durable all-metal construction, and a unique rendering style. Many of these lenses are highly sought after by both photographers and cinematographers for their “cinematic” look, which is often described as sharp but not clinical, with smooth bokeh and a pleasing warmth.
Key Features and Benefits
Exceptional Build Quality: The lenses feature durable, all-metal construction, ensuring longevity and a premium feel.
High Optical Performance: Many Leica R lenses, especially later APO- and ASPH-corrected models, are renowned for their sharpness and ability to control aberrations.
Cinematic “Look”: They are prized for their distinctive image rendering, which includes beautiful bokeh and a slightly lower contrast wide open, which can be desirable for cinematic applications.
Adaptability: The Leica R mount has a relatively long flange distance, which makes these lenses easily adaptable to a variety of modern mirrorless and digital cinema cameras.
Closer Focusing: Unlike their Leica M-mount counterparts, R-series SLR lenses can focus closer, which is a significant advantage for portraiture and close-up photography.
Cost 41,000 confirmed in Whatsapp
David Garcia – david@gandhiequipos.com
Gandhi Equipos
Castillo 1648 -C A B A
Eric@gandhiequipos.com
Sol@gandhiequipos.com
+54 9 11 3767-8825
Date 8/11/2025 11:37:00 AM
Newlife cine has a GL MK IV Rehoused Leica R Set of 6 in 48,000 dollars
Canon FD Rehoused by GL 14mm
Canon FD Rehoused by GL 24mm
Canon FD Rehoused by GL 35mm
Canon FD Rehoused by GL 55mm
Canon FD Rehoused by GL 85mm
Canon FD Rehoused by GL 135mm
Canon FD lenses were a line of manual-focus lenses produced by Canon from 1971 to 1992 for their FD-mount film SLR cameras. Known for their excellent build quality and unique optical character, they have found a new life with modern mirrorless cameras through adapters.
Key Features and Benefits:
Classic Image Quality: FD lenses are celebrated for their distinctive “vintage” look, producing rich colors, soft contrast, and pleasing bokeh. This aesthetic is sought after for portrait, street, and cinematic video work.
Exceptional Build Quality: Constructed with high-quality metal and glass, these lenses are durable and long-lasting, offering a satisfying, tactile feel.
Adaptability: While not natively compatible with modern Canon EF or RF mounts, they can be easily adapted for use on various mirrorless systems from brands like Sony, Fuji, and Nikon, providing access to high-quality glass at a low cost.
Affordability: Many FD lenses are budget-friendly, making them a great option for photographers and filmmakers looking to experiment with vintage optics without a high investment.
Extensive Range: The FD system included an impressive range of lenses, from wide-angle to super-telephoto, including special lenses like macro and tilt-shift, offering versatility for different photographic needs.
Cost Proposed to owner : 53k dólares …. in whatsapp
+ 54 91137678825- David Garcia – david@gandhiequipos.com
Argentina R-08-12-2025
*****************************************************************
Lori: Canon FD Zero Optic rehoused 60,990
Newlife cine has Zero Optic Rehoused 74,500
Zeiss Compact Prime PL 18mm
Zeiss Compact Prime PL 21mm
Zeiss Compact Prime PL 25mm
Zeiss Compact Prime PL 50mm
Zeiss Compact Prime PL 85mm
The ZEISS Compact Prime CP.2 PL lenses are a popular line of cinema lenses known for their versatility and high image quality. They were designed to bridge the gap between traditional cine cameras and modern HDSLRs, offering professional-grade optics in a more accessible and flexible package.
Key Features and Benefits
Interchangeable Mounts 🔄: A major selling point is the interchangeable lens mount system, allowing you to use the same lens with various camera systems. While you asked about the PL mount, these lenses can be easily swapped to EF, F, Micro 4/3, or E mounts. This flexibility saves costs and future-proofs your lens investment.
Full-Frame Coverage 🖼️: The lenses cover a full-frame image format (24x36mm) without vignetting for most focal lengths, making them compatible with a wide range of cameras, including those with large sensors.
High Optical Performance 🔍: These lenses deliver sharp images with high resolution, excellent color rendition, and low distortion. They’re color-matched, ensuring a consistent look across the entire set.
Smooth Bokeh ✨: The iris opening is created by 14 high-precision blades, which maintains a consistently round and symmetrical shape throughout the T-stop range. This results in pleasing, natural-looking out-of-focus highlights and a smooth bokeh.
Cine-Style Mechanics ⚙️: Unlike standard SLR lenses, the CP.2 lenses have a robust, cine-style housing with standard focus and iris gear positions, a consistent front diameter, and a longer focus rotation. This makes them compatible with industry-standard accessories like matte boxes and follow focus systems.
Excellent Flare Suppression ☀️: A T* anti-reflective coating and internal light traps help minimize unwanted flare and glare, preserving contrast and color saturation even in challenging lighting conditions.
Cost ? 4,500 needs to be confirmed but this amount was offered by us.
—
David Garcia
david@gandhiequipos.com
Mi teléfono / whatsapp
5491137678825
Cooke S4i 18mm
Cooke S4i 25mm
Cooke S4i 35mm
Cooke S4i 50mm
Cooke S4i 75mm
Cooke S4/i lenses are a renowned series of professional cinema prime lenses, celebrated for their unique optical qualities and robust design. They are a staple in high-end film and television production, known for delivering the distinctive “Cooke Look.”
Key Features and Benefits:
The “Cooke Look”: The lenses produce a flattering, almost creamy image with a smooth, painterly falloff from sharp focus to blur (bokeh). This look is characterized by natural skin tones, pleasing warmth, and a subtle control of contrast.
Optical and Mechanical Excellence: The S4/i lenses are designed to perform at their best even at wide-open apertures (T2), with superior control of flare, distortion, and spherical aberration. Their cam-style focus mechanism provides a smooth, precise, and repeatable focus movement.
“/i” Technology: A key feature of the S4/i series is the integrated “/i” Technology, which transmits critical lens data (such as focal distance, aperture, and depth of field) to compatible cameras. This metadata is essential for modern post-production, visual effects (VFX), and virtual production workflows.
Color Matched: All lenses in the Cooke S4/i series are meticulously color-matched to ensure a consistent look and feel across different focal lengths, simplifying color grading and allowing for seamless intercutting of shots.
Super35 Coverage: These lenses are designed to cover the Super35 sensor format, a common size in digital cinema, making them a standard for many professional film cameras.
I asked him to accept 41k
Cost to be discused 45,000
David@gandhiequipos.com
David garcia
5491137678825
@gandhiequipos.com
newlifecine has one in 48,000
Lori has one in 37,500 and another in 47,500
R-08/08/2025
