Includes:
Cooke Taylor Hobson Speed Panchro S3 18mm
Cooke Taylor Hobson Speed Panchro S3 25mm
Cooke Taylor Hobson Speed Panchro S2 32mm
Cooke Taylor Hobson Speed Panchro S2 40mm
Cooke Taylor Hobson Speed Panchro S2 50mm
Cooke Taylor Hobson Speed Panchro S2 75mm
Mint condition, serviced by TLS.
This classic Cooke Speed Panchro S3/S2 lens set delivers the renowned “Cooke Look,” characterized by warm skin tones, gentle contrast, and pleasing falloff. Covering focal lengths from 18mm to 75mm, this six-lens kit offers versatility across wide, standard, and portrait perspectives. The lenses feature vintage optical design with modern rehousing for improved durability and usability on contemporary productions. The set includes matched lenses with consistent color rendering and smooth focus mechanics, typically housed in protective flight cases. Ideal for narrative filmmaking, commercials, and high-end digital cinema, these lenses provide a compact, lightweight form factor suited for handheld, gimbal, and studio setups.
Key Features:
Delivers classic Cooke Look with warm tones and gentle contrast.
Covers versatile focal range from wide to portrait perspectives.
Rehoused design ensures durability and modern production compatibility.
Consistent color rendering across entire matched six lens set.
Compact lightweight build ideal for handheld and gimbal operation.
Cost: USD $25,000
Sell Price: USD $28,000 FOB
Rodrigo Iturralde
LA Film Boutique
+1(818)445-49-86
Los Angeles, USA
April 7th 2026
(J)
Cost from seller’s own ebay listing:
-Cooke Speed Panchro S3/S2 original lens set mint 18,25,32,40,50,75 hard to find in such great condition serviced by TLS: https://www.ebay.com/itm/257310723215
Includes travel case.
This Sigma High Speed FF 5-Lens Cine Set includes 20mm, 24mm, 35mm, 50mm, and 85mm T1.5 lenses, optimized for full-frame cinema cameras. Built for high-resolution 6K–8K capture, each lens features a 95mm front diameter, clickless iris, and 0.8 MOD gearing. The set comes in a hard-shell case, with uniform color reproduction and consistent optical characteristics across all focal lengths. Ideal for narrative, commercial, and documentary productions, these lenses deliver cinematic shallow depth of field and excellent low-light performance. Their compact, durable form factor makes them suitable for handheld, gimbal, or studio workflows without sacrificing image quality.
Key Features:
Each lens provides a fast T1.5 aperture for superior low-light performance and smooth depth-of-field transitions in cinematic workflows.
95mm front diameter and standardized gear placement allow seamless use with matte boxes and follow focus systems.
Clickless iris ring enables silent, continuous exposure adjustments while recording video on professional cinema sets.
Full-frame coverage ensures high-resolution, 6K–8K image capture with consistent color and contrast across all lenses.
Durable metal housing and ergonomic design make the lenses suitable for handheld, gimbal, or studio shooting setups.
Cost: USD $14,000
Sell Price: USD $15,750 FOB
Fausto Becatti
faustobecatti@gmail.com
+27 82 717 5347 (whatsapp)
+1 718 666 7669
Johannesburg, South Africa
April 6th 2026
(J)
The Sigma Cine Lens Set (featuring the 18-35mm, 24mm, 35mm, 50mm, and 85mm) is a professional-grade cinema kit designed to provide a seamless transition between high-speed zooms and primes. Known for their “Art” line optics, these lenses deliver high resolution (6K–8K) and a distinct, modern look characterized by sharpness and smooth bokeh.
Key Features and Benefits
Uniform T-Stops: The primes (24, 35, 50, 85mm) typically feature a fast T1.5 aperture, while the 18-35mm zoom maintains a constant T2, allowing for exceptional low-light performance and shallow depth of field.
Consistent Color Balance: All lenses are engineered to a standardized color constant, significantly reducing the time needed for color grading in post-production.
Standardized Physical Dimensions: The set features consistent gear positions for focus and iris, along with a common 95mm front diameter, allowing for quick lens swaps without readjusting matte boxes or follow-focus motors.
180° Focus Rotation: Provides high-precision manual focusing, essential for professional pulling compared to the shorter throws of still photography lenses.
Full Frame & Super 35 Compatibility: While the 18-35mm is designed for Super 35 sensors, the 24, 35, 50, and 85mm primes cover Full Frame sensors, making the set highly versatile for various camera bodies.
Durable, Weather-Sealed Build: Each lens features a 100% metal body and a dust-and-splash-resistant structure for reliable performance in harsh environments.
Cost ; TBD with Andy Van den Eynde
Company: The Picture Element
Email: andy@thepictureelement.com
Telephone: 032477299670
City: Aartselaar – Belgium
Price Investigation: Following the search of the four mandated sources, below are the current findings for the Sigma Cine Lens set.
An exact 5-lens match containing the 18-35mm zoom combined with the four specific primes (24, 35, 50, 85mm) was not found as a pre-packaged used set on these specific sites
The mostnear our set comes from New Life Cine: Sigma Cine PL Mount 6 Lens Set (20, 24, 35, 50, 85, 135mm) at 12,000 dollars , or 2k each lens.
R-04-06-2026
The Arri Zeiss Ultra 16 14mm is a high-performance Super 16 format prime lens, born from the legendary collaboration between Arri and Zeiss. Specifically engineered to meet the rigorous demands of professional 16mm cinematography, this lens offers a fast aperture of T1.3, allowing for exceptional low-light performance and a shallow depth of field rarely seen in smaller formats. It is renowned for its “big brother” look, as it was designed to optically match the characteristics of the 35mm Ultra Prime series.
Key Features:
Ultra-Fast T1.3 Aperture: Provides superior performance in low-light environments and allows for precise control over depth of field.
Optically Matched: Engineered to seamlessly intercut with Ultra Prime and Master Prime lenses, ensuring visual consistency across multi-format productions.
Minimal Distortion: Despite its wide 14mm focal length, it maintains incredible rectilinear geometry, keeping straight lines straight even at the edges of the frame.
Compact and Lightweight: Designed for agility, making it an ideal choice for handheld work, gimbals, and tight locations.
Exceptional Contrast and Resolution: Delivers the “Zeiss Look”—sharp, high-contrast images with vivid color reproduction and controlled flaring.
Robust Build Quality: Built to Arri’s exacting standards for durability in harsh filming environments, featuring clear, dual-sided focus scales.
cost: TBD sales: 12,000
(t)
Rodrigo Iturralde
rodrigo@off-hollywoodfilms.com
+1(818)445-49-86
4-6-2026
The Canon FD 14mm f/2.8 L rehoused lens is a masterpiece of vintage wide-angle engineering, now optimized for modern cinema workflows. Originally released in 1982, this lens was a pioneer for its high-degree aspherical element, which allowed for a massive 114° field of view without the barrel distortion typically found in fisheye lenses. When rehoused by companies like GL Optics, TLS, or P+S Technik, the lens is transformed from a vintage stills optic into a robust, production-ready tool that pairs beautifully with the legendary Canon K35 series.
Key Features and Benefits
True Rectilinear Perspective: Delivers an ultra-wide 114° diagonal angle of view while maintaining straight lines, making it ideal for architectural and expansive landscape shots.
Aspherical Optical Design: Features a ground and polished aspherical element that significantly reduces spherical aberrations and ensures high image quality even at its widest aperture.
Cinema-Grade Housing: Modern rehousing provides a durable PL mount, standard 0.8 MOD gears for focus and iris, and a consistent front diameter (typically 95mm or 110mm) for easy matte box use.
K35 Color Matching: The older FD coatings offer a warm, vintage character and organic flare that closely match the sought-after look of the Canon K35 cinema lenses.
Enhanced Focus Throw: Rehousing expands the focus rotation (often up to 300° or more), allowing for precise focus pulls that were impossible on the original FD helicoid.
Floating Element System: Retains the original internal “floating” mechanism to ensure sharpness and minimize distortion at close-focusing distances (approximately 8–10 inches).
Price Search:
The website currently holding the lowest numerical price for a standalone match is Gear Focus,
listing a Canon FD Optex rehoused 14mm for $7,995.00.
Cost : TBD & in Ebay he is selling in USD $ 5,500
Rodrigo Iturralde – rodrigo@off-hollywoodfilms.com
Director / Cinematographer
Independent Filmmaker /Gear guru
www.off-hollywoodfilms.com
www.lafilmboutique.com LA
www.bkfilmboutique.com NY
Phone: +1(818)445-49-86
The Zeiss Supreme Prime Radiance lenses build on the renowned Supreme Prime platform, featuring T* Blue coating for controlled, cinematic flares and enhanced color character. This set includes six focal lengths—18mm, 25mm, 35mm, 50mm, 85mm, and 135mm—delivering full-frame coverage with consistent color rendition and contrast across the range. Designed with high-speed apertures and smooth focus falloff, these lenses are ideal for narrative filmmaking, commercials, and high-end productions. The robust yet lightweight housing ensures easy handling on set, whether mounted on studio rigs or handheld configurations. The Radiance series offers a unique visual signature while maintaining Zeiss’ hallmark sharpness and precision engineering.
Key Features:
The T* Blue coating produces cinematic blue flares with strong contrast and consistent color performance.
Six focal lengths from 18mm to 135mm provide versatile coverage for wide, standard, and telephoto shooting needs.
Full-frame coverage ensures compatibility with modern cinema cameras and delivers sharp, high-resolution images.
Lightweight, compact housing allows easy use on gimbals, handheld rigs, and studio setups.
Consistent mechanics and smooth focus rotation enable precise control and efficient on-set workflow.
Cost: USD $97,500
Sell Price: USD $110,000 FOB
Dheeraj Palliyil
DARE Pictures India
dheerajpalliyil@gmail.com
+91-7736060602
Kerala, India
March 6th 2026
(J)
Includes:
Canon FD ssc 15 mm 2.8 fisheye
Canon FD ssc 20 mm 2.8
Canon FD L 24 mm 1.4
Canon FD ssc 28 mm 2
Canon FD ssc concave 35 mm 2
Canon FD ssc aspherical 55 mm 1.4
Canon FD ssc aspherical 85 mm 1.4
Canon FD ssc 100 mm 2.8
Cases
This Whitepoint Optics rehoused Canon FD lens set features eight precision-engineered lenses, fully converted into robust cinema housings for professional production use. Each lens retains the classic Canon FD optical character, known for its organic rendering, smooth falloff, and pleasing color reproduction. The rehousing provides consistent front diameters, unified gear positioning, and extended focus throws for accurate focus pulling. The set includes 15mm, 20mm, 24mm, 28mm, 35mm, 55mm, 85mm, and 100mm focal lengths, covering a wide range of shooting scenarios. Ideal for narrative filmmaking, commercials, and high-end digital cinematography, these lenses deliver vintage aesthetics with modern reliability and ergonomic design.
Cost: USD $150,000
Elias Trad
eliastrad@highspeedfilming.com
+971566966270
Dubai, UAE
April 1st 2026
(R)
Includes:
Arri Master Prime 14mm
Arri Master Prime 18mm
Arri Master Prime 21mm
Arri Master Prime 25mm
Arri Master Prime 27mm
Arri Master Prime 32mm
Arri Master Prime 35mm
Arri Master Prime 40mm
Arri Master Prime 50mm
Arri Master Prime 65mm
Arri Master Prime 75mm
Arri Master Prime 100mm
Arri Master Prime 135mm
This ARRI Master Prime set comprises thirteen industry-leading cinema lenses, renowned for their exceptional optical performance and reliability. Featuring advanced high-speed optics with a consistent T1.3 aperture across most focal lengths, these lenses deliver outstanding sharpness, minimal breathing, and virtually no distortion. The set includes focal lengths from 14mm to 135mm, offering comprehensive coverage for any cinematic application. Built with precision engineering, each lens features uniform gear positions, robust housings, and smooth focus mechanics. Ideal for high-end film, television, and commercial productions, Master Primes are trusted worldwide for their clean, modern look and consistent image quality across the entire set.
Key Features:
This set includes thirteen ARRI Master Prime lenses with industry-standard cinema mechanics.
High-speed T1.3 aperture enables superior low-light performance and shallow depth of field.
Optics deliver exceptional sharpness, minimal distortion, and consistent color rendition.
Uniform design ensures seamless lens changes and efficient on-set workflow.
Built for professional use, these lenses offer durability and precise focus control.
Cost: TBD
Sell Price: USD $120,000 FOB
Logan Schneider/Luke Allein
luke@2020camera.com
loganschneider@me.com
+1 (815) 517-0734
United States
April 1st 2026
Pricing based on Master Prime Set of 14 on JCG, priced 129K (proportional for 13 lens set is 120K):
https://www.justcinemagear.com/product-page/arri-master-prime-14-lens-set-1
(J)
Includes:
Tokina Cinema Vista Prime 18mm T1.5 (Z10440)
Tokina Cinema Vista Prime 25mm T1.5 (Y10475)
Tokina Cinema Vista Prime 35mm T1.5 (T10492)
Tokina Cinema Vista Prime 50mm T1.5 (L10519)
Tokina Cinema Vista Prime 85mm T1.5 (U10476)
Tokina Cinema Vista Prime 105mm T1.5 (AY10332)
The Tokina Cinema Vista Prime series is engineered to meet the rigorous demands of modern large-format cinematography. This 6-lens set (18mm, 25mm, 35mm, 50mm, 85mm, 105mm) features a massive 46.7mm image circle, making it compatible with nearly all professional motion picture sensors, including VistaVision and Full Frame formats. Known for their “character-rich” yet high-resolution output, these lenses offer a fast T1.5 aperture across the entire range, ensuring consistent exposure and shallow depth-of-field control when swapping focal lengths.
Key Features:
Large Format Coverage: A 46.7mm image circle covers RED V-Raptor, ARRI Alexa Mini LF, and Sony Venice 2 sensors without vignetting.
Fast T1.5 Aperture: High-speed glass allows for exceptional low-light performance and consistent exposure across the set.
Zero Focus Breathe: Sophisticated optical design virtually eliminates image shifting when racking focus.
Uniform Physical Dimensions: Standardized 114mm front diameters and consistent gear positioning allow for rapid lens changes without adjusting follow focus or matte box setups.
Pleasing Bokeh: An 9-blade iris produces soft, circular out-of-focus highlights and a natural roll-off.
PL Mount Precision: Robust stainless steel PL mount ensures a secure, shimmed connection for professional wireless FIZ systems.
cost: 20k EUR
alexandre jamin
AJAMIN
al.alexandre.jamin@gmail.com
+33762520289
3-27-2026
The Zeiss Super Speed set (18mm, 25mm, 35mm, 50mm, and 85mm) is one of the most iconic lens series in cinema history. Often referred to as “the workhorse of the industry,” these lenses were the gold standard for decades, used on legendary films like The Shining and Full Metal Jacket. They are prized for their ultra-fast T1.3 aperture, compact form factor, and a unique “vintage-meets-modern” aesthetic that balances sharpness with organic character.
Key Features:
Ultra-Fast T1.3 Aperture: Provides exceptional low-light performance and an incredibly shallow depth of field, allowing for extreme subject separation and a signature cinematic “pop.”
Compact & Lightweight Build: Their small physical footprint makes them ideal for handheld operating, gimbals, and drones, offering much more mobility than bulky modern primes.
Standardized 80mm Fronts: Most sets feature uniform front diameters, allowing for rapid lens swaps without the need to reposition matte boxes or adjust accessories.
S35 Image Coverage: Purpose-built for the Super 35mm format, ensuring they pair perfectly with industry-standard sensors like the ARRI Alexa 35 or Sony Venice.
Integrated Cinema Gearing: Equipped with professional-grade focus and iris gears, ensuring smooth, precise control with standard follow-focus systems.
Unique Optical Character: While modern lenses can feel overly sharp, Super Speeds offer a pleasing texture and flare characteristic that adds a timeless, “filmic” soul to any project.
cost: 51k usd
(t)
Kyle Irwin
irwindale95@gmail.com
3-24-2026
