Includes:
Cooke S4/i 14mm S/n: 14-0978
Cooke S4/i 16mm S/n: 16-0947
Cooke S4/i 18mm S/n: 18-0953
Cooke S4/i 21mm S/n: 21-0967
Cooke S4/i 25mm S/n: 25-1002
Cooke S4/i 27mm S/n: 27-0967
Cooke S4/i 32mm S/n: 32-0987
Cooke S4/i 40mm S/n: 40-0994
Cooke S4/i 50mm S/n: 50-0935
Cooke S4/i 65mm S/n: 65-0976
Cooke S4/i 75mm S/n: 75-1012
Cooke S4/i 100mm S/n: 100-1007
Cooke S4/i 135mm S/n: 135-0961
Cooke S4/i 150mm S/n: 150-0960
Cooke S4/i 180mm S/n: 180-0994
The Cooke S4/i series is a definitive industry standard in cinematography, celebrated for producing the legendary “Cooke Look.” This comprehensive 15-lens set provides a uniform T2.0 aperture across nearly the entire range, offering a perfect balance of sharpness, warmth, and a gentle focus fall-off. These lenses are engineered to provide maximum optical performance at full aperture with exceptional control over flare, distortion, and spherical aberrations.
Key Features:
The “Cooke Look”: Renowned for a unique combination of sharpness and warmth, providing natural skin tones and a smooth, organic aesthetic.
Constant T2.0 Aperture: Provides consistent exposure and depth-of-field control across focal lengths from 14mm to 180mm.
/i Technology: Built-in metadata sensors capture critical lens data (focus, iris, and depth-of-field) for every frame, streamlining VFX and post-production workflows.
Cam-Style Focus Mechanism: Precision-engineered for smooth, accurate focus pulls without “breathing” (shifts in framing during focus).
Color-Matched Consistency: Every lens in the set is color-balanced to ensure a seamless look when switching focal lengths during a shoot.
Standardized Mechanics: Most lenses feature a common 110mm front diameter and standardized 0.8 MOD gearing for quick lens changes and compatibility with follow-focus systems.
Super35 Coverage: Optimized for the Super35 format, ensuring edge-to-edge clarity and minimal vignetting on professional cinema sensors.
cost: 135 000
(t)
Yuri Shafez
shafer.yuri@gmail.com
5-11-2026
Includes:
Cooke S7/i 18mm S/n: 7018-0615
Cooke S7/i 25mm S/n: 7025-0615
Cooke S7/i 32mm S/n: 7032-0615
Cooke S7/i 40mm S/n: 7040-0615
Cooke S7/i 50mm S/n: 7050-0615
Cooke S7/i 75mm S/n: 7075-0615
Cooke S7/i 100mm S/n: 7100-0615
Cooke S7/i 135mm S/n: 7135-0615
The Cooke S7/i Full Frame Plus prime lenses are engineered to cover the latest generation of large-format cinema sensors while retaining the legendary “Cooke Look.” This comprehensive eight-lens set includes focal lengths from 18mm to 135mm, all featuring a fast T2.0 aperture for exceptional low-light performance and shallow depth of field control. The kit provides consistent color matching, organic skin tones, and a smooth fall-off that characterizes high-end cinematography. Built with the /i Technology metadata system, these lenses are perfect for high-budget features and VFX-heavy productions. Their robust, uniform housing ensures seamless lens changes on professional follow-focus systems and matte boxes during demanding onset operations.
Key Features:
– Advanced optics cover full frame sensors beyond the 46mm circle.
– The fast T2.0 aperture ensures excellent performance in low light.
– Integrated /i Technology provides vital lens metadata for post-production workflows.
– Every lens in the set provides consistent color and contrast.
– Standardized gear positions allow for rapid transitions between different focal lengths.
Cost: USD $90,000
Sell Price: USD $94,000 FOB
Yuri Shafer
shafer.yuri@gmail.com
+972 53 478 2324
ISR
May 11th 2026
(N)
Very good conditions
90 000 usd
Price matched to this set:
https://www.justcinemagear.com/product-page/cooke-s7-i-full-frame-25-32-40-50-75-100-135
Includes:
Cooke S4i 14mm S/n: 14-0944
Cooke S4i 21mm S/n: 21-0963
Cooke S4i 27mm S/n: 27-0943
Cooke S4i 65mm S/n: 65-0935
Cooke S4i 135mm S/n: 135-0938
Cooke S4i 150mm S/n: 150-0931
2x Cases
The Cooke S4/i Prime Lens Set (14mm, 21mm, 27mm, 65mm, 135mm, 150mm) is a collection of industry-standard cinema glass celebrated for the “Cooke Look.” These lenses are engineered to provide a unique balance of sharpness and organic warmth, specifically optimized for Super 35mm formats. They are renowned for their mechanical reliability and consistent performance across the entire focal range.
Key Features:
The “Cooke Look”: Delivers smooth skin tones and a natural highlight roll-off, providing a cinematic aesthetic that is sharp yet never clinical.
/i Technology Metadata: Automatically records frame-by-frame lens data, drastically reducing costs and labor in VFX and post-production.
Fast T2 Aperture: Maintains a consistent T2.0 stop across the set (except 150mm) for superior low-light performance and shallow depth-of-field.
Precision Mechanics: Features an Award-winning cam-style focus for smooth, backlash-free pulls with clear, dual-sided markings.
Production Efficiency: Uniform front diameters and gear positions allow for lightning-fast lens changes without adjusting follow-focus or matte box setups.
Optical Consistency: Perfectly color-matched and contrast-balanced to ensure seamless intercutting between all focal lengths.
Rugged Reliability: Built with a scratch-resistant PTFE finish, designed to perform in the most demanding on-set environments.
cost: USD 53,500
(t)
Yuri Shafez
shafer.yuri@gmail.com
5-11-2026
The ZEISS Compact Prime CP.3 28mm T2.1 is a professional cine prime lens designed to meet the rigorous demands of modern film production. Featuring advanced lens coatings and sophisticated internal light traps, it delivers high-contrast images with reduced flare and exceptional color rendering. This lens features a compact form factor, making it ideal for handheld, gimbal, and drone work. The kit includes the lens with a PL or EF mount and protective front and rear caps. With a full-frame sensor coverage and a consistent T2.1 aperture, this wide-angle prime is perfect for narrative filmmaking where reliability and a classic organic look are essential requirements.
Key Features:
* This lens provides full-frame coverage for professional cinema camera sensors.
* Advanced lens coatings significantly improve contrast and reduce internal reflections.
* Standardized gear positions allow for quick and easy lens changes.
* The ultra-smooth focus mechanism provides precise control for focus pullers.
* A compact and lightweight design enables effortless use on stabilized gimbals.
Cost: TBD
Sell Price: MAKE AN OFFER
Will van der Vlugt
www.willvandervlugt.com
will@willvandervlugt.com
+ 1 (305) 302 7566
FL, USA
May 7th 2026
(N)
Will expects us to guide him with the pricing.
No exact match, price suggestion: USD $2,500
This used ARRI Zeiss Master Prime lens package delivers exceptional cinematic imaging performance for professional digital cinema productions. Featuring advanced optical engineering, ultra-fast T1.3 apertures, consistent color rendition, minimal distortion, and precise focus mechanics, these lenses support demanding high-resolution workflows across modern large-format and Super 35 camera systems. The package includes seven industry-renowned focal lengths: 12mm, 25mm, 28mm, 35mm, 50mm, 75mm, and Master Macro 100mm lenses, all housed in durable protective transport cases with standardized gear positioning for efficient lens changes. Ideal for feature films, commercials, documentaries, and high-end television productions, this lightweight, production-ready set offers versatile framing capabilities and outstanding low-light performance for diverse professional cinematography environments worldwide today.
Key Features
Ultra-fast T1.3 apertures deliver exceptional low-light cinematic imaging performance consistently.
Matched color characteristics ensure seamless integration across every focal-length lens.
Precision focus scales provide reliable operation during professional production environments.
Robust housing construction withstands intensive location shooting and transportation requirements.
Versatile focal selections accommodate commercials, features, documentaries, and television productions.
COST: $88,000 USD FOB
May 11, 2026
(M)
Jay Song
Email: jerrycs1314@gmail.com
Telephone: 7472996450
The TLS Leica Noctilux 50mm T0.95 is a professional cinema rehousing of the legendary Leica M-mount still lens. Developed by True Lens Services (TLS), this conversion transforms a delicate rangefinder optic into a robust, “workhorse” cinema prime. It is world-renowned for having one of the fastest apertures in existence (T0.95), allowing it to “see” in near-total darkness and produce an ethereal, dreamlike aesthetic that is impossible to replicate with standard cinema glass.
Key Features:
Ultra-Fast T0.95 Aperture: Offers unparalleled low-light performance and a razor-thin depth of field for extreme subject isolation.
Artistic Rendering: Known for its “Leica Character,” featuring creamy, swirly bokeh and a gentle, painterly fall-off from sharp to soft.
Precision TLS Rehousing: Features a stainless steel PL mount and a rugged aluminum cam-form internal mechanism for smooth, reliable focus pulling.
Standardized Cinema Ergonomics: Includes a 110mm front diameter and integrated 0.8 MOD gearing for compatibility with standard follow-focus units and matte boxes.
Full Frame Coverage: Boasts a 44mm image circle, making it compatible with modern large-format sensors like the Sony VENICE, ARRI Alexa Mini LF, and RED V-Raptor.
Improved Close Focus: The TLS rehousing typically improves the original lens’s minimum focus distance, allowing for tighter, more intimate shots.
cost: TBD
(t)
Gerard Virgos Bonfill
info@gvbroadcast.com
5-8-2026
The Canon 50mm f/0.95 “Dream Lens”, rehoused by True Lens Services (TLS), is a cinematic rebirth of one of the fastest photographic lenses ever made. Originally released in the 1960s for the Canon 7 rangefinder, its massive f/0.95 aperture earned it the “Dream Lens” moniker for its ethereal, low-contrast rendering and razor-thin depth of field. TLS has transformed this vintage masterpiece into a robust, professional cinema tool, replacing the original proprietary mount with a modern LPL mount and a precision cam-driven focus system.
Key Features:
Ultra-Fast T1.1 Aperture: Retains the legendary light-gathering power and iconic “glow” of the original f/0.95 glass.
Precision TLS Rehousing: Features a durable aluminum alloy and stainless steel chassis with standard 110mm front diameter for easy matte box compatibility.
Cam-Driven Focus System: Offers a smooth, 300-degree focus rotation with zero image shift or backlash, ideal for precise follow-focus pulls.
New Circular Iris: Often fitted with a multi-blade circular iris to ensure perfectly round, “painterly” bokeh highlights across all T-stops.
Full Frame Coverage: Covers large-format sensors (up to 8K VV), making it compatible with modern cinema cameras like the ARRI Alexa Mini LF or RED V-Raptor.
Improved Close Focus: TLS engineering significantly improves the minimum focus distance compared to the original rangefinder version.
LPL Mount: Utilizes the LPL mount to accommodate the large rear optical element without sacrificing the lens’s unique character or image circle.
cost: TBD
(t)
Gerard Virgos Bonfill
info@gvbroadcast.com
5-8-2026
Includes:
25mm T2 (B02522D01-8291)
32mm T2 (N03219B01-0027)
50mm T2 (N05019B01-0042)
80mm T2 (N08019801-0049)
The Atlas Orion Series is a collection of 2x anamorphic prime lenses designed to blend vintage aesthetic character with modern mechanical reliability. This specific four-lens set (25mm, 32mm, 50mm, and 80mm) provides a comprehensive range from ultra-wide to portrait focal lengths, making it a versatile “workhorse” kit for narrative and commercial cinematography.
Key Features:
Constant 2x Squeeze: Delivers the classic wide-screen cinematic aspect ratio and iconic oval bokeh across the entire focal range.
Fast T2.0 Aperture: Exceptional low-light performance and shallow depth-of-field control for a dreamy, painterly look.
Modern Mechanics: Features a deep 270° focus rotation and standardized 0.8 mod cine gearing for seamless use with follow-focus systems.
Interchangeable Mounts: Native PL mount with the ability to easily swap to EF or mirrorless mounts.
Uniform Physical Profile: Most focal lengths share a 114mm front diameter (with the 25mm having a slightly wider 136mm front) and consistent gear positioning for rapid lens changes.
Super 35+ Coverage: Covers a 31mm image circle, with full-frame coverage possible when using Atlas LF Extenders.
Update May 11th 2026:
Seller confirmed his Cost.
Cost updated from TBD to USD $30,000.
Sell price not modified.
(J)
Cost: TBD
(t)
Alexandre Jamin
al.alexandre.jamin@gmail.com
+33762520289
UK
5-8-2026
Notes:
Glass is Clean
Has quirky image circle as though it has been detuned.
Edges blurry while center is relatively sharp.
Used Cooke S4 21mm prime lens delivers renowned cinematic rendering, smooth focus falloff, and consistent color reproduction for demanding professional productions. Designed with Cooke’s acclaimed optical technology, this lightweight PL-mount lens provides exceptional sharpness, natural skin tones, and controlled distortion across modern digital cinema cameras. The package typically includes front and rear caps, protective flight case, and focus marking rings for reliable transportation and setup. Its compact form factor supports handheld rigs, Steadicam operation, gimbal balancing, and studio configurations without unnecessary weight. Ideal for feature films, commercials, documentaries, and high-end television productions, the Cooke S4 21mm creates immersive wide-angle imagery with classic cinematic character and dependable mechanical precision throughout production.
Key Features
Cooke optics deliver warm cinematic rendering with consistent image reproduction.
Lightweight housing supports handheld, gimbal, Steadicam, and studio shooting configurations.
PL-mount design integrates seamlessly with professional digital cinema camera systems.
Wide 21mm focal length captures immersive environments with optical distortion.
Precision focus mechanics provide reliable operation during professional production schedules.
Cost: USD $4,500
Sell Price: USD $5,050 FOB
May 7, 2026
(M)
Zed Friedman
mynameiszed@gmail.com
Includes:
15mm T3.6 (Distagon)
21mm T2.9 (Distagon)
28mm T2.1 (Distagon)
35mm T1.5 (Distagon)
50mm T1.5 (Planar)
55mm T1.3 (Planar Anniversary Edition)
60mm T2.9 (Makro-Planar)
85mm T1.3 (Planar)
100mm T2.1 (Planar)
135mm T2.1 (Planar)
180mm T2.9 (Sonnar)
Shipping Case
The GL Optics Rehoused Zeiss Contax set is a premier collection of 11 vintage prime lenses, transformed into professional cinema optics. This set utilizes the legendary “C/Y” mount glass—originally manufactured in the 1970s through a partnership between Zeiss and Yashica—providing a bridge between the sharp performance of modern sensors and the organic, soulful aesthetic of vintage cinema.
Key Features:
Cinematic “Super Speed” Heritage: These lenses share design DNA and coatings with the iconic Zeiss Super Speeds, offering beautiful flares and a gentle, natural roll-off.
Full Frame Coverage: All 11 lenses are designed to cover Full Frame (35mm) and VistaVision sensors (e.g., ARRI Alexa Mini LF, Sony Venice), making them future-proof for large-format cinematography.
Modern Cinema Housing: GL Optics replaces the original still-lens barrels with robust, 6063 aluminum cinema housings featuring a standardized 95mm front diameter and unified gear positions for follow-focus motors.
Extended Focus Throw: The focus rotation is significantly increased (up to 330°), allowing for precise pulls that are impossible on the original manual-focus stills versions.
T Multi-Coating:* Features the renowned Zeiss T* anti-reflective coating, which maintains contrast and color punch even when shooting directly into light sources.
Interchangeable Mounts: Typically available with a stainless steel PL mount, but can often be swapped for EF or LPL mounts to fit various camera systems.
Cost: USD $69,500
Sell Price: USD $78,000 FOB
(t)
Maurizio Benazzo
maurizio@scienceandnonduality.com
Sebastopol, California, USA
5-6-2026
