The ARRI Signature Prime set represents a pinnacle in modern cinema optics, designed specifically for large-format digital sensors. These lenses provide a “timeless look”—a unique combination of state-of-the-art technical precision and organic, emotionally engaging aesthetics.
The range is exceptionally comprehensive, featuring 16 focal lengths that span from ultra-wide to telephoto. Most lenses in the series share a fast T1.8 aperture, ensuring consistent exposure and depth-of-field control across the entire set.
Key Features:
Organic Image Quality: Renders natural skin tones and creamy, “window-like” bokeh that avoids the clinical sharpness of some modern digital lenses.
Magnetic Rear Filter Holder: A groundbreaking feature allowing cinematographers to use custom materials (like nets or specialized glass) to “detune” the lens without permanent modification.
Minimal Focus Breathing: Virtually no change in focal length when racking focus, essential for maintaining frame composition.
Lightweight Magnesium Build: Despite their size, the magnesium housings make them significantly lighter than traditional cinema primes, ideal for gimbal and handheld work.
LDS-2 Data System: Incorporates next-generation lens data technology for fast initialization and high-speed metadata communication with the camera.
Telecentric Design: Ensures light rays hit the sensor straight, reducing peripheral shading and chromatic aberration.
Cost: TBD
(t)
Nicolas Cheron
nicolas@barbara.tv
1-13-2026
The ARRI Ultra Prime series, co-developed with ZEISS, is a legendary set of cinema lenses known for their clinical precision, lightweight design, and extensive focal range. Originally released in 1999 to replace the “Standard Speed” series, they remain a global industry workhorse for Super 35mm cinematography.
The set consists of 15 focal lengths (ranging from 8mm to 180mm), providing one of the most comprehensive prime sets available. Most of the lenses in the series feature a fast maximum aperture of T1.9, ensuring consistent exposure and depth-of-field control when swapping focal lengths.
Key Features:
Uniformity: Almost all lenses (16mm to 135mm) share a 95mm front diameter and identical gear positions for focus and iris, allowing for rapid lens changes without moving follow-focus motors or matte boxes.
Legendary Optics: Utilizing ZEISS T XP anti-reflex coating, these lenses provide high contrast, high resolution, and minimal flare, rendering “clean” and natural skin tones.
Close Focus Performance: Designed with floating elements, Ultra Primes maintain exceptional sharpness and image quality even at their minimum focus distances.
Lightweight Build: Their compact housing makes them a preferred choice for handheld operation, Steadicam, and gimbal work compared to the heavier Master Prime series.
Minimal Distortion: Even at wider focal lengths (like the 12mm or 14mm), the lenses exhibit remarkably low geometric distortion and controlled chromatic aberration.
Cost: TBD
(t)
Rupin Dang
rupindang@gmail.com
1-13-2026
Included :
– 2x Flight case for 4 lenses
– All the lenses have front and rear caps
– 1x Focus ring dimmer
– 1x Cable Mini Lemo2/RS3
Cooke 5/i prime lens series is a flagship lineup of high-speed spherical lenses designed specifically for professional cinematography.1 Released as a faster alternative to the industry-standard S4/i series, the 5/i range is celebrated for its ability to “see in the dark” while maintaining the iconic, organic “Cooke Look.”
Key Features and Benefits
Ultra-Fast T1.4 Aperture: Exceptional performance in low-light environments and a shallow depth of field for superior subject isolation.
The “Cooke Look”: Delivers a warm, natural rendering of skin tones with a smooth, cinematic fall-off and high dimensionality.
Illuminated Focus Ring: Features a built-in, dimmable backlight on the focus scale, allowing focus pullers to operate in total darkness without external lights.
Integrated /i Technology: Automatically captures vital lens metadata (focus distance, aperture, etc.) for every frame, streamlining VFX and post-production.
Exceptional Optical Control: Engineered to minimize flare, distortion, and spherical aberration even when shooting wide open at T1.4.
Color Matching: Precisely color-balanced to match the S4/i, miniS4/i, and Anamorphic/i series, ensuring visual consistency across multi-camera or multi-lens shoots.
Linear Iris & Cam-Style Focus: Award-winning mechanics provide smooth, backlash-free movement and a consistent feel for camera assistants.
Ownwer: TELLINE – Fred
planning@telline.fr
R- 01-12-2026
Price Investigation
Justcinemagear : Cooke S7/i FF lens set $105,000.00
Newlifecine : one USD$ 99,000
AI says: Researching the current global second-hand market for the Cooke 5/i (S5/i) prime lens series shows that an 8-lens set typically maintains a high resale value due to its fast aperture (T1.4) and specialized features like the illuminated focus ring.
The average price for a used set of 8 lenses generally ranges between $100,000 and $130,000 USD
Average Market Price: ~$115,000 USD
Lower Bound (Well-used/High wear): ~$95,000 – $105,000 USD
Upper Bound (Mint/Like-new): ~$135,000 – $155,000 USD
includes:
– 1x Flight case for 8 lenses
– 1x Flight case for 6 lenses
– 1x Flight case for 135mm
– All the lenses have front and rear caps
– No Flight case for the 180mm
The ARRI Ultra Prime lens set, co-developed by ARRI and ZEISS, is a cornerstone of professional cinematography. Renowned for their “clean” look, these lenses provide a high-contrast, high-resolution image that remains consistent across the entire focal range. Designed for the Super 35 format, they are prized for their compact size, rugged reliability, and technical precision, making them a “workhorse” for everything from major motion pictures to high-end commercials.
Key Features:
Extensive Focal Range: One of the most complete sets available, spanning from the 8R extreme wide-angle to the 180mm telephoto.
Fast & Consistent Aperture: Most lenses in the series feature a fast T1.9 maximum aperture, allowing for excellent low-light performance and shallow depth-of-field.
Superior Close Focus: Utilizes a floating element design to maintain exceptional sharpness and minimize aberrations even at the minimum focus distance.
T XP Anti-Reflex Coating: Advanced multi-layer coating that reduces flares and internal reflections while boosting contrast.
Uniform Mechanics: Consistent gear positions and a 95mm front diameter across most of the set allow for rapid lens changes without moving follow-focus or matte box accessories.
Super Color Matched: All lenses are precision-matched for color contribution, ensuring seamless intercutting between different focal lengths.
Cost: TBD
(t)
Remy Gouman/TELLINE
planning@telline.fr
1-12-2026
Includes:
– 3x Flight case for 4 lenses (standard master prime size)
– 1x Flight case for 14mm
– All the lenses have front and rear caps
– No flight case for the 135mm and the 150mm
The ARRI Master Prime series, co-developed with ZEISS, is widely considered the gold standard for high-end cinematography. This set of 16 high-speed lenses is designed to provide a “clean,” clinically perfect look with extreme sharpness and contrast, even when shooting wide open at T1.3.
Key Features:
Exceptional Speed: A consistent T1.3 aperture across the entire range (12mm to 150mm) allows for incredible low-light performance and a razor-thin depth of field.
Zero Breathing: Utilizing patented Dual Floating Elements, these lenses eliminate the “breathing” effect (shifting of the frame size) during focus pulls.
Optical Perfection: Engineered to have virtually no geometric distortion or chromatic aberration, making them ideal for visual effects (VFX) and architectural shots.
T XP Anti-Reflex Coating: Dramatically reduces flare and ghosting while maintaining deep blacks and high contrast in challenging lighting.
Integrated Lens Data System (LDS): Built-in electronics communicate real-time metadata (focal length, iris, and focus distance) to the camera to streamline post-production.
Consistent Mechanics: Most lenses in the set share a 114mm front diameter and uniform gear positions, allowing for lightning-fast lens changes without readjusting matte boxes or follow-focus motors.
Cost: TBD
(t)
Remy Goumain
TELLINE
planning@telline.fr
1-12-2026
This Leica Lens Set of 6 offers a versatile, high-performance collection designed for photographers and filmmakers who demand exceptional optical precision and creative flexibility. Covering a wide range of focal lengths from ultra-wide to telephoto, this set delivers Leica’s renowned image quality, sharpness, and color accuracy across diverse shooting scenarios. Whether capturing sweeping landscapes, detailed portraits, or cinematic compositions, these lenses provide consistent performance, robust build quality, and reliable results suited for professional workflows and advanced enthusiasts alike.
Key Features:
Complete six-lens set covering 24mm, 35mm, 50mm, 60mm, 90mm, and 135mm focal lengths
Legendary Leica optical performance with outstanding sharpness and contrast
Wide-to-telephoto coverage for landscapes, portraits, macro-style detail, and distant subjects
Precision-engineered construction for durability and long-term reliability
Ideal for professional photography, filmmaking, and high-end creative projects
cost: 60,000 EURO
January 11, 2026
(M)
Marko Procházka
Slovakia?
marko@filmsupport.sk
Sigma 20mm f/1.4 DG HSM Art is a landmark lens in the photography world, notable for being the first ultra-wide-angle lens to achieve a maximum aperture of f/1.4. Designed for full-frame DSLRs (Canon EF mount), it sits within Sigma’s “Art” line, which prioritizes optical excellence and creative expression over compact size.
Key Features and Benefits
World-First Aperture: The f/1.4 brightness at a 20mm focal length is ideal for astrophotography, allowing for pinpoint stars and low-light shooting without high ISO noise.
Advanced Optical Design: Features 15 elements in 11 groups, including two FLD (“F” Low Dispersion) and five SLD (Special Low Dispersion) elements to virtually eliminate chromatic aberration and distortion.
Hyper Sonic Motor (HSM): Provides fast, quiet, and snappy autofocus with full-time manual focus override for precise adjustments.
Premium Build Quality: Constructed with Thermally Stable Composite (TSC) material and a brass bayonet mount, ensuring durability across varying temperatures.
Artistic Bokeh: A rounded 9-blade diaphragm produces smooth, natural background blur, which is rare for such a wide-angle lens.
USB Dock Compatibility: Allows for firmware updates and micro-adjustments to the autofocus calibration to suit specific camera bodies.
Important Considerations
Bulbous Front Element: The curved front glass prevents the use of standard screw-on filters and requires a specialized adapter for filter systems.
Fixed Lens Hood: The petal-style hood is built-in to protect the front element and reduce flare.
Weight: At approximately 950g (2.1 lbs), it is a substantial lens that may feel front-heavy on smaller camera bodies.
cost: 500 EURO
Marko Procházka
marko@filmsupport.sk
R-01-09-2026
Prices Investigation
Justcinemagear and newlifecine doesn´t have one
AI says:
Market Price Summary (Used)
Condition Price Range (USD) Price Range (GBP/EUR)
Excellent / Mint $520 – $640 £440 – £540 / €515 – €630
Good / Average $450 – $500 £380 – £430 / €450 – €500
Bargain / Heavily Used $375 – $425 £300 – £360 / €350 – €420
Sigma 85mm f/1.4 DG HSM Art (Canon EF mount) is widely regarded as one of the highest-performing portrait lenses ever produced. Designed to outresolve the most demanding high-megapixel sensors, it offers a “no-compromise” approach to optical quality. It is particularly famous for achieving a DxOMark score that surpassed many of its more expensive first-party competitors upon its release.
Key Features and Benefits
Ultimate Sharpness: Specifically engineered to handle 50MP+ sensors, providing tack-sharp results even when shooting wide open at f/1.4.
Exceptional Bokeh: A rounded 9-blade diaphragm combined with a large f/1.4 aperture creates a creamy, compressed background that makes subjects “pop” with a 3D effect.
Redesigned HSM Motor: Features an updated Hyper Sonic Motor with 1.3x the torque of previous models for snappy, reliable, and nearly silent autofocus.
Advanced Optics: Includes two FLD (low dispersion) elements and one high-refractive index element to virtually eliminate chromatic aberration and color fringing.
Robust Build: Constructed with Thermally Stable Composite (TSC) and a brass bayonet mount, featuring a dust- and splash-resistant rubber gasket at the mount.
Full-Time Manual Override: Large, textured focus ring allows for instant manual fine-tuning even while the AF is engaged.
Important Considerations
Significant Weight: Weighing approximately 1,130g (2.5 lbs), it is a substantial lens that balances best on professional-sized DSLR bodies or gripped mirrorless cameras.
Large Filter Size: Uses an 86mm front filter thread, which may require purchasing new, larger filters if you are coming from standard 77mm or 82mm kits.
cost: 500 EURO
Marko Procházka
R-01-09-2026
Price Investigation:
newlifecine: no
Usedcinemagear; no
AI says:
Market Price Summary (Used)
Condition Price Range (USD) Price Range (GBP/EUR)
Excellent / Mint $820 – $925 £680 – £790 / €820 – €930
Good / Average $650 – $750 £570 – £660 / €650 – €720
Bargain / Heavily Used$480 – $600£400 – £520 / €450 – €580
Sigma 35mm f/1.4 Art (Sony E-mount) is one of the most celebrated prime lenses in modern photography. As the pioneer of Sigma’s “Art” line, it is engineered for extreme resolution and artistic expression. For the Sony E-mount version, Sigma optimized the autofocus algorithm to ensure native-level performance with Sony’s mirrorless systems, making it a favorite for environmental portraits, weddings, and street photography.
Key Features and Benefits
Outstanding Optical Resolution: Utilizes FLD (“F” Low Dispersion) and SLD (Special Low Dispersion) glass elements to minimize aberrations, delivering tack-sharp images even at f/1.4.
Bright f/1.4 Aperture: Provides exceptional low-light capability and a very shallow depth of field for professional-grade subject separation.
Artistic Bokeh: A rounded 9-blade diaphragm produces smooth, circular out-of-focus highlights, perfect for high-end portraiture.
Optimized AF for Sony E: Specifically tuned to support Sony’s advanced features, including Fast Hybrid AF, Eye-AF, and in-body image stabilization.
Hyper Sonic Motor (HSM): Ensures quick, quiet, and accurate focusing with full-time manual focus override for fine-tuning.
Rugged Build Quality: Features a brass bayonet mount and Thermally Stable Composite (TSC) materials for high durability in varying environments.
Important Considerations
Size and Weight: At approximately 665g (1.46 lbs), it is significantly larger and heavier than most native mirrorless 35mm f/1.8 alternatives.
No Physical Aperture Ring: Unlike the newer “DG DN” (mirrorless-exclusive) version, this “DG HSM” version relies on the camera body for aperture control.
cost: 500 EURO
Marko Procházka
marko@filmsupport.sk
Price Investigation
newlifecine one PL Mount in 2,450
Justcinemagear doesnot have one
AI says
Market Price Summary (Used)
Condition Price Range (USD) Price Range (GBP/EUR)
Excellent / Mint$450 – $510£350 – £390 / €420 – €480
Good / Average$340 – $410£280 – £330 / €350 – €400
Bargain / Heavily Used $275 – $320£210 – £260 / €280 – €330
The ARRI Ultra 16 series represents the pinnacle of optical engineering for the Super 16mm format. Developed in partnership between ARRI and Zeiss, these lenses were designed to provide the same high-end performance found in 35mm “Master Primes” but specifically optimized for the smaller S16 image circle.
They are the primary choice for filmmakers seeking a modern, sharp, and high-contrast look on 16mm film or digital sensors, effectively elevating the format to its highest possible image quality.
Key Features:
Super Fast T1.3 Aperture: All lenses in the set share a consistent, ultra-fast T1.3 stop, allowing for exceptional low-light performance and a shallow depth of field rarely seen in the 16mm format.
Complete Focal Range: The set typically includes nine focal lengths: 6mm, 8mm, 9.5mm, 12mm, 14mm, 18mm, 25mm, 35mm, and 50mm.
Precision Optics: Features T* XP anti-reflex coating for high contrast, minimal flare, and rich blacks.5 Aspherical elements are utilized to eliminate geometric distortion, even on the widest lenses.
Superior Ergonomics: Each lens features a uniform 95mm front diameter and identical gear positioning, allowing for rapid lens changes without moving matte boxes or follow-focus motors.
Super Color Matched: Their color profile is precisely calibrated to match ARRI Master Primes and Ultra Primes, making it easy to intercut 16mm footage with 35mm footage in the same production.
Minimal Focus Breathing: Optical design ensures that the frame size remains stable during focus pulls, preserving the cinematic feel of the shot.
Extreme Close Focus: Engineered to maintain sharpness and contrast at very close distances, with the 6mm lens reaching as close as 8 inches (0.2m).
Cost: TBD
(t)
Max
Spain
