Includes:
Ultra Prime 14mm S/n: 8915691
Ultra Prime 65mm S/n: 8915719
Ultra Prime 135mm S/n: 8928255
Shipping Case
The ARRI/Zeiss Ultra Prime series is a legendary lineup of cine lenses known for their clinical precision, exceptional color matching, and robust mechanical build. This specific set—comprising the 14mm, 65mm, and 135mm—offers a comprehensive range from extreme wide-angle to telephoto, providing filmmakers with consistent performance across diverse focal lengths.
Key Features:
T1.9 Maximum Aperture: High-speed performance across the set (T1.7 for the 14mm and 65mm) allows for excellent low-light shooting and shallow depth-of-field control.
Zeiss T® Coating:* Features the iconic anti-reflective coating for superior contrast and reduced flare, maintaining deep blacks and vibrant colors.
Uniform Physical Dimensions: Shared gear positions for focus and iris allow for rapid lens changes without readjusting follow-focus motors or matte boxes.
Well-Corrected Optics: Engineered to minimize distortion and chromatic aberration, ensuring straight lines remain straight even at the 14mm wide end.
Rugged Mechanics: Built with the “ARRI Standard” durability, these lenses are designed to withstand the rigors of professional film sets and extreme environments.
Color Matching: Precise color calibration ensures a seamless look when intercutting footage between different focal lengths in the set.
Cost: 12,500 USD
(t)
Yuri Shafer
shafer.yuri@gmail.com
5-12-2026
Includes:
Ultra Prime 8R
Ultra Prime 10mm
Ultra Prime 14mm
Ultra Prime 16mm
Ultra Prime 20mm
Ultra Prime 28mm
Ultra Prime 32mm
Ultra Prime 40mm
Ultra Prime 50mm
Ultra Prime 65mm
Ultra Prime 85mm
Ultra Prime 100mm
Ultra Prime 135mm
Ultra Prime 180mm
The ARRI Ultra Prime Lens Set of 14 delivers exceptional cinematic imaging performance with renowned Zeiss-designed optics optimized for Super 35 film and digital cinema cameras. This comprehensive package includes 8R, 10, 14, 16, 20, 28, 32, 40, 50, 65, 85, 100, 135, and 180mm focal lengths, providing complete creative flexibility for productions demanding consistent color rendition, sharpness, and contrast. Featuring fast T1.9 apertures across most focal lengths, these lightweight prime lenses offer precise focus control, minimal breathing, and reliable mechanics for professional workflows. Ideal for feature films, commercials, episodic television, and high-end digital productions, the compact form factor supports handheld, Steadicam, gimbal, studio, and remote camera applications efficiently.
Key Features
Delivers exceptional cinematic sharpness with consistent color reproduction across focal lengths.
Features fast T1.9 apertures enabling superior low-light cinematic shooting performance capabilities.
Includes fourteen focal lengths supporting versatile production and comprehensive creative framing.
Lightweight housing design improves handheld, gimbal, and Steadicam operating efficiency significantly.
Precision focus mechanics provide smooth operation for professional cinema production environments consistently.
Cost: 90000 USD
May 12, 20226
(M)
Yuri Shafer
shafer.yuri@gmail.com
Includes:
Cooke S4/i 14mm S/n: 14-0978
Cooke S4/i 16mm S/n: 16-0947
Cooke S4/i 18mm S/n: 18-0953
Cooke S4/i 21mm S/n: 21-0967
Cooke S4/i 25mm S/n: 25-1002
Cooke S4/i 27mm S/n: 27-0967
Cooke S4/i 32mm S/n: 32-0987
Cooke S4/i 40mm S/n: 40-0994
Cooke S4/i 50mm S/n: 50-0935
Cooke S4/i 65mm S/n: 65-0976
Cooke S4/i 75mm S/n: 75-1012
Cooke S4/i 100mm S/n: 100-1007
Cooke S4/i 135mm S/n: 135-0961
Cooke S4/i 150mm S/n: 150-0960
Cooke S4/i 180mm S/n: 180-0994
The Cooke S4/i series is a definitive industry standard in cinematography, celebrated for producing the legendary “Cooke Look.” This comprehensive 15-lens set provides a uniform T2.0 aperture across nearly the entire range, offering a perfect balance of sharpness, warmth, and a gentle focus fall-off. These lenses are engineered to provide maximum optical performance at full aperture with exceptional control over flare, distortion, and spherical aberrations.
Key Features:
The “Cooke Look”: Renowned for a unique combination of sharpness and warmth, providing natural skin tones and a smooth, organic aesthetic.
Constant T2.0 Aperture: Provides consistent exposure and depth-of-field control across focal lengths from 14mm to 180mm.
/i Technology: Built-in metadata sensors capture critical lens data (focus, iris, and depth-of-field) for every frame, streamlining VFX and post-production workflows.
Cam-Style Focus Mechanism: Precision-engineered for smooth, accurate focus pulls without “breathing” (shifts in framing during focus).
Color-Matched Consistency: Every lens in the set is color-balanced to ensure a seamless look when switching focal lengths during a shoot.
Standardized Mechanics: Most lenses feature a common 110mm front diameter and standardized 0.8 MOD gearing for quick lens changes and compatibility with follow-focus systems.
Super35 Coverage: Optimized for the Super35 format, ensuring edge-to-edge clarity and minimal vignetting on professional cinema sensors.
cost: 135 000
(t)
Yuri Shafez
shafer.yuri@gmail.com
5-11-2026
Includes:
Cooke S7/i 18mm S/n: 7018-0615
Cooke S7/i 25mm S/n: 7025-0615
Cooke S7/i 32mm S/n: 7032-0615
Cooke S7/i 40mm S/n: 7040-0615
Cooke S7/i 50mm S/n: 7050-0615
Cooke S7/i 75mm S/n: 7075-0615
Cooke S7/i 100mm S/n: 7100-0615
Cooke S7/i 135mm S/n: 7135-0615
The Cooke S7/i Full Frame Plus prime lenses are engineered to cover the latest generation of large-format cinema sensors while retaining the legendary “Cooke Look.” This comprehensive eight-lens set includes focal lengths from 18mm to 135mm, all featuring a fast T2.0 aperture for exceptional low-light performance and shallow depth of field control. The kit provides consistent color matching, organic skin tones, and a smooth fall-off that characterizes high-end cinematography. Built with the /i Technology metadata system, these lenses are perfect for high-budget features and VFX-heavy productions. Their robust, uniform housing ensures seamless lens changes on professional follow-focus systems and matte boxes during demanding onset operations.
Key Features:
– Advanced optics cover full frame sensors beyond the 46mm circle.
– The fast T2.0 aperture ensures excellent performance in low light.
– Integrated /i Technology provides vital lens metadata for post-production workflows.
– Every lens in the set provides consistent color and contrast.
– Standardized gear positions allow for rapid transitions between different focal lengths.
Cost: USD $90,000
Sell Price: USD $94,000 FOB
Yuri Shafer
shafer.yuri@gmail.com
+972 53 478 2324
ISR
May 11th 2026
(N)
Very good conditions
90 000 usd
Price matched to this set:
https://www.justcinemagear.com/product-page/cooke-s7-i-full-frame-25-32-40-50-75-100-135
Includes:
Cooke S4i 14mm S/n: 14-0944
Cooke S4i 21mm S/n: 21-0963
Cooke S4i 27mm S/n: 27-0943
Cooke S4i 65mm S/n: 65-0935
Cooke S4i 135mm S/n: 135-0938
Cooke S4i 150mm S/n: 150-0931
2x Cases
The Cooke S4/i Prime Lens Set (14mm, 21mm, 27mm, 65mm, 135mm, 150mm) is a collection of industry-standard cinema glass celebrated for the “Cooke Look.” These lenses are engineered to provide a unique balance of sharpness and organic warmth, specifically optimized for Super 35mm formats. They are renowned for their mechanical reliability and consistent performance across the entire focal range.
Key Features:
The “Cooke Look”: Delivers smooth skin tones and a natural highlight roll-off, providing a cinematic aesthetic that is sharp yet never clinical.
/i Technology Metadata: Automatically records frame-by-frame lens data, drastically reducing costs and labor in VFX and post-production.
Fast T2 Aperture: Maintains a consistent T2.0 stop across the set (except 150mm) for superior low-light performance and shallow depth-of-field.
Precision Mechanics: Features an Award-winning cam-style focus for smooth, backlash-free pulls with clear, dual-sided markings.
Production Efficiency: Uniform front diameters and gear positions allow for lightning-fast lens changes without adjusting follow-focus or matte box setups.
Optical Consistency: Perfectly color-matched and contrast-balanced to ensure seamless intercutting between all focal lengths.
Rugged Reliability: Built with a scratch-resistant PTFE finish, designed to perform in the most demanding on-set environments.
cost: USD 53,500
(t)
Yuri Shafez
shafer.yuri@gmail.com
5-11-2026
The ZEISS Compact Prime CP.3 28mm T2.1 is a professional cine prime lens designed to meet the rigorous demands of modern film production. Featuring advanced lens coatings and sophisticated internal light traps, it delivers high-contrast images with reduced flare and exceptional color rendering. This lens features a compact form factor, making it ideal for handheld, gimbal, and drone work. The kit includes the lens with a PL or EF mount and protective front and rear caps. With a full-frame sensor coverage and a consistent T2.1 aperture, this wide-angle prime is perfect for narrative filmmaking where reliability and a classic organic look are essential requirements.
Key Features:
* This lens provides full-frame coverage for professional cinema camera sensors.
* Advanced lens coatings significantly improve contrast and reduce internal reflections.
* Standardized gear positions allow for quick and easy lens changes.
* The ultra-smooth focus mechanism provides precise control for focus pullers.
* A compact and lightweight design enables effortless use on stabilized gimbals.
Cost: TBD
Sell Price: MAKE AN OFFER
Will van der Vlugt
www.willvandervlugt.com
will@willvandervlugt.com
+ 1 (305) 302 7566
FL, USA
May 7th 2026
(N)
Will expects us to guide him with the pricing.
No exact match, price suggestion: USD $2,500
This used ARRI Zeiss Master Prime lens package delivers exceptional cinematic imaging performance for professional digital cinema productions. Featuring advanced optical engineering, ultra-fast T1.3 apertures, consistent color rendition, minimal distortion, and precise focus mechanics, these lenses support demanding high-resolution workflows across modern large-format and Super 35 camera systems. The package includes seven industry-renowned focal lengths: 12mm, 25mm, 28mm, 35mm, 50mm, 75mm, and Master Macro 100mm lenses, all housed in durable protective transport cases with standardized gear positioning for efficient lens changes. Ideal for feature films, commercials, documentaries, and high-end television productions, this lightweight, production-ready set offers versatile framing capabilities and outstanding low-light performance for diverse professional cinematography environments worldwide today.
Key Features
Ultra-fast T1.3 apertures deliver exceptional low-light cinematic imaging performance consistently.
Matched color characteristics ensure seamless integration across every focal-length lens.
Precision focus scales provide reliable operation during professional production environments.
Robust housing construction withstands intensive location shooting and transportation requirements.
Versatile focal selections accommodate commercials, features, documentaries, and television productions.
COST: $88,000 USD FOB
May 11, 2026
(M)
Jay Song
Email: jerrycs1314@gmail.com
Telephone: 7472996450
The TLS Leica Noctilux 50mm T0.95 is a professional cinema rehousing of the legendary Leica M-mount still lens. Developed by True Lens Services (TLS), this conversion transforms a delicate rangefinder optic into a robust, “workhorse” cinema prime. It is world-renowned for having one of the fastest apertures in existence (T0.95), allowing it to “see” in near-total darkness and produce an ethereal, dreamlike aesthetic that is impossible to replicate with standard cinema glass.
Key Features:
Ultra-Fast T0.95 Aperture: Offers unparalleled low-light performance and a razor-thin depth of field for extreme subject isolation.
Artistic Rendering: Known for its “Leica Character,” featuring creamy, swirly bokeh and a gentle, painterly fall-off from sharp to soft.
Precision TLS Rehousing: Features a stainless steel PL mount and a rugged aluminum cam-form internal mechanism for smooth, reliable focus pulling.
Standardized Cinema Ergonomics: Includes a 110mm front diameter and integrated 0.8 MOD gearing for compatibility with standard follow-focus units and matte boxes.
Full Frame Coverage: Boasts a 44mm image circle, making it compatible with modern large-format sensors like the Sony VENICE, ARRI Alexa Mini LF, and RED V-Raptor.
Improved Close Focus: The TLS rehousing typically improves the original lens’s minimum focus distance, allowing for tighter, more intimate shots.
cost: TBD
(t)
Gerard Virgos Bonfill
info@gvbroadcast.com
5-8-2026
The Canon 50mm f/0.95 “Dream Lens”, rehoused by True Lens Services (TLS), is a cinematic rebirth of one of the fastest photographic lenses ever made. Originally released in the 1960s for the Canon 7 rangefinder, its massive f/0.95 aperture earned it the “Dream Lens” moniker for its ethereal, low-contrast rendering and razor-thin depth of field. TLS has transformed this vintage masterpiece into a robust, professional cinema tool, replacing the original proprietary mount with a modern LPL mount and a precision cam-driven focus system.
Key Features:
Ultra-Fast T1.1 Aperture: Retains the legendary light-gathering power and iconic “glow” of the original f/0.95 glass.
Precision TLS Rehousing: Features a durable aluminum alloy and stainless steel chassis with standard 110mm front diameter for easy matte box compatibility.
Cam-Driven Focus System: Offers a smooth, 300-degree focus rotation with zero image shift or backlash, ideal for precise follow-focus pulls.
New Circular Iris: Often fitted with a multi-blade circular iris to ensure perfectly round, “painterly” bokeh highlights across all T-stops.
Full Frame Coverage: Covers large-format sensors (up to 8K VV), making it compatible with modern cinema cameras like the ARRI Alexa Mini LF or RED V-Raptor.
Improved Close Focus: TLS engineering significantly improves the minimum focus distance compared to the original rangefinder version.
LPL Mount: Utilizes the LPL mount to accommodate the large rear optical element without sacrificing the lens’s unique character or image circle.
cost: TBD
(t)
Gerard Virgos Bonfill
info@gvbroadcast.com
5-8-2026
Includes:
25mm T2 (B02522D01-8291)
32mm T2 (N03219B01-0027)
50mm T2 (N05019B01-0042)
80mm T2 (N08019801-0049)
The Atlas Orion Series is a collection of 2x anamorphic prime lenses designed to blend vintage aesthetic character with modern mechanical reliability. This specific four-lens set (25mm, 32mm, 50mm, and 80mm) provides a comprehensive range from ultra-wide to portrait focal lengths, making it a versatile “workhorse” kit for narrative and commercial cinematography.
Key Features:
Constant 2x Squeeze: Delivers the classic wide-screen cinematic aspect ratio and iconic oval bokeh across the entire focal range.
Fast T2.0 Aperture: Exceptional low-light performance and shallow depth-of-field control for a dreamy, painterly look.
Modern Mechanics: Features a deep 270° focus rotation and standardized 0.8 mod cine gearing for seamless use with follow-focus systems.
Interchangeable Mounts: Native PL mount with the ability to easily swap to EF or mirrorless mounts.
Uniform Physical Profile: Most focal lengths share a 114mm front diameter (with the 25mm having a slightly wider 136mm front) and consistent gear positioning for rapid lens changes.
Super 35+ Coverage: Covers a 31mm image circle, with full-frame coverage possible when using Atlas LF Extenders.
Update May 11th 2026:
Seller confirmed his Cost.
Cost updated from TBD to USD $30,000.
Sell price not modified.
(J)
Cost: TBD
(t)
Alexandre Jamin
al.alexandre.jamin@gmail.com
+33762520289
UK
5-8-2026
