These Mk1 super speeds have the triangular blade formation.
Includes:
Arri Zeiss B Speed 18mm Lens
Arri Zeiss B Speed 25mm Lens
Arri Zeiss B Speed 35mm Lens
Arri Zeiss B Speed 50mm Lens
Arri Zeiss B Speed 85mm Lens
Features:
Classic Bokeh: Zeiss B Speed lenses are known for their unique 9-blade iris that creates a mesmerizing bokeh effect. Out-of-focus highlights are rendered as rounded triangles at wider apertures, transitioning to smoother shapes when stopped down.
Fast Aperture: With a maximum aperture of T1.4 across the lineup, these lenses excel in low-light conditions and offer filmmakers the ability to achieve a shallow depth of field for creative focus effects.
Compact and Lightweight: Despite their robust build, B Speed lenses are surprisingly small and maneuverable, making them ideal for handheld shooting or use with gimbals and drones.
Legendary Character: Originally introduced in the 1970s, Zeiss B Speeds have earned a reputation for their distinctive look and exceptional image quality.
Modern Usability: While vintage lenses, some companies offer rehoused versions of Zeiss B Speeds with improved ergonomics and features for use in modern filmmaking workflows.
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Includes: Leica Summicron 15mm
Leica Summicron 21mm
Leica Summicron 29mm
Leica Summicron 40mm
Leica Summicron 75mm
Leica Summicron 135mm
Features:
Sharpness: Leica Summicron lenses are renowned for their exceptional image clarity and resolution, delivering crisp and detailed photos.
Compact size: Their lightweight and relatively small design makes them ideal for travel photography or for photographers who prefer a more minimalist kit.
Fast aperture: Many Summicron lenses have wide maximum apertures, which allows for shooting in low-light conditions without a flash. Additionally, a fast aperture contributes to a shallow depth of field, which can be desirable for isolating your subject and creating a pleasing bokeh effect.
Smooth bokeh: The bokeh produced by Summicron lenses is known for its smoothness and aesthetically pleasing qualities. Out-of-focus areas are rendered softly and gradually, creating a dreamlike quality to images.
Classic rendering: Leica Summicron lenses produce a classic, natural look that is prized by many photographers. Photos taken with these lenses often have a timeless quality and a subtle richness of color.
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Kinoptik Paris Tegea 5.7 mm T/1.8
Optika-Elite 8 mm T/1.2
Optar Illumina PL 9.5 mm T/1.3
Optar Illumina PL 12 mm T/1.3
Optar Illumina PL 16 mm T/1.3
Optar Illumina PL 25 mm T/1.3
Optar Illumina PL 50 mm T/1.3
The Optar Illumina 8mm T1.3 prime lens covers the full Super-16 aperture with room to spare. The Optar Illumina Primes are often referred to as Russia’s answer to Zeiss Super Speeds. They are very similar to Zeiss Super Speeds in regards to speed, wide open performance, size, weight, and mechanical design. There are some differences though. These lenses have a unique iris design that produces petal shaped bokeh when stopped down. Their more modern coatings give flares a more modern flavor with more greens and magentas. The Optar Illumina lenses offer one of the most modern optical designs available for Super-16mm cinematography. At one point in time, regarded to be a modern alternative to Zeiss Super Speeds these are fast lenses that can work well in available light. They were the first set of lenses specifically designed for the Super-16 format. Lens has large, clearly marked focus markings, that can be read from either side of the lens. Excellent lens with nice color contrast and nice vintage warmth. They have a slightly warmer and softer contrast look than Zeiss glass, similar to the difference between Cooke and Zeiss. These lenses have excellent color and contrast, and are very resistant to glare. – hdgear.tv
Add to the cauldron a Kinoptik Paris Tegea 5.7 mm T/1.8 and a Optika-Elite 8 mm T/1.2, and you have everything covered from 5.7 mm to 50 mm.
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Includes:
Cooke S7 /i 18mm (SN 70180.848)
Cooke S7 /i 25mm (SN 7025.085)
Cooke S7 /i 32mm (SN 7032.1063)
Cooke S7 /i 40mm (SN 7040.0838)
Cooke S7 /i 50mm (SN 7100.0849)
Cooke S7 /i 65mm (SN 7065.0839)
Cooke S7 /i 75mm (SN 7075.0856)
Cooke S7 /i 100mm (SN 7100.0849)
2x Pelicases with cutout foam
Features:
Superb optical performance: Maintains control of flare, distortion, and spherical aberrations even at wide open aperture [T2].
Full frame coverage: Compatible with large format cinema cameras for capturing stunning visuals.
Color consistency: Matches other Cooke lens lines for seamless integration into existing cinematography setups.
Smooth focusing: Academy Award-winning cam-style focus mechanism allows for precise focus pulls.
Durable construction: Built to withstand harsh filming conditions with a scratch-resistant, hard-anodized finish.
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Canon Super Canomatic 19mm – X T4
Canon Super Canomatic 25mm – X T4
Canon Super Canomatic 35mm – T2.7
Canon Super Canomatic 58mm – T1.6
Canon Super Canomatic 85mm – T2
Canon Super Canomatic 100mm – T2.2
Canon Super Canomatic 135mm – T2.2
Early Innovation with Automatic Aperture
Rehoused by Zero Optic , only set in the world. These are the grandfathers of the k35 and FD 1950-1960’s.
Key features and benefits:
Automatic diaphragm control: A pioneering feature for the time, simplifying exposure settings for photographers (especially helpful in low-light situations).
High-quality optics: Offered excellent image quality, with some lenses boasting wide apertures for beautiful bokeh and low-light performance.
R mount compatibility: Designed for Canon’s early SLR cameras, the Canonflex series.
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Arri / Zeiss Ultra Primes: 14mm T.1.9
Arri / Zeiss Ultra Primes 20mm T.1.9
Arri / Zeiss Ultra Primes 28mm T.1.9
Arri / Zeiss Ultra Primes 40mm T.1.9
Arri / Zeiss Ultra Primes 65mm T.1.9
Arri / Zeiss Ultra Primes 100mm T.1.9
Key Features & Benefits
Wide focal range: Offers a vast selection from extreme wide angle (8mm) to telephoto (180mm) for ultimate shooting flexibility.
Superior image quality: Delivers crisp, clean images with minimal distortion even at wide apertures (T1.9) thanks to the floating element design.
Color matched: Ensures consistent color rendition across the entire Ultra Prime series, as well as compatibility with ARRI Master Prime and Alura Zoom lenses.
Easy to use: Features well-calibrated scales, uniform diameters, and a robust, easy-to-service design.
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Includes:
Cooke Panchro I 18mm, T2.2, PL-Mount, metric scale
Cooke Panchro I 25mm, T2.2, PL-Mount, metric scale
Cooke Panchro I 32mm, T2.2, PL-Mount, metric scale
Cooke Panchro I 40mm, T2.2, PL-Mount, metric scale
Cooke Panchro I 50mm, T2.2, PL-Mount, metric scale
Cooke Panchro I 75mm, T2.2, PL-Mount, metric scale
Cooke Panchro I 100mm, T2.6, PL-Mount, metric scale
Features:
Classic Cooke Look: Combines the warm and organic aesthetic of vintage Cooke Speed Panchro lenses.
Superb Image Quality: Delivers exceptional detail, sharpness, and clarity.
Smooth Bokeh: Produces a pleasing and natural background blur.
Accurate Skin Tones: Renders skin tones in a flattering and realistic way.
Color Balanced: Ensures consistent and well-matched colors across the entire lens set.
Extensive Aperture Range: Offers a wide range of aperture settings (T2.2 to T22) for creative control over depth of field.
Full Frame Coverage: Accommodates larger format cinematic sensors.
Compact and Lightweight: Maintains a relatively manageable size and weight for a professional cine lens.
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Cooke Panchro Speed 1 Silver Version 28mm
Cooke Panchro Speed 1 Silver Version 35mm
Cooke Panchro Speed 1 Silver Version 40mm
Cooke Panchro Speed 1 Silver Version 70mm
IMPERIAL
Cooke Panchro Speed 1 Silver Version Series I are uncoated and rehoused versions of the Cooke Series O f2.0 OPIC lenses introduced in 1925. The Panchros were officially released in 1930. The Cooke Speed Panchro f/2.0 Series I were offered in 11 focal lengths: 24, 28, 32, 35, 40, 47, 50, 58, 75, 100 and 108 mm
The Lenses are from a very old generation, 28,35,40, 70mm, they belong to a legacy of the oldest Cooke Lenses. The lenses contain small light scratches of age between 28, 35,40mm, they have anomalies due to years, but they are still ready for a beautiful rehousing and cleaning that will maintain an incredible look. It can be said that the lenses remain in great quality compared to other S1 series. Important note: the 75mm (Back Element) contains small circular fungus of migratory moisture that affected the third lens.
Key Features & Benefits
Unique Vintage Look: Sought after for its distinct aesthetic qualities, including softer focus and pleasing halation (dreamy glow around highlights).
Historic Legacy: Descended from the iconic Cooke Speed Panchros, the first lenses used for sound films in Hollywood (1927).
Uncoated Design: Offers a distinctive, vintage character compared to modern lenses.
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Schneider Xenon Cine 18mm, T2.1, PL-Mount
Schneider Xenon Cine 25mm, T2.1, PL-Mount
Schneider Xenon Cine 35mm, T2.1, PL-Mount
Schneider Xenon Cine 50mm, T2.1, PL-Mount
Schneider Xenon Cine 75mm, T2.1, PL-Mount
Schneider Xenon Cine 100mm, T2.1, PL-Mount
Key Info
Full-frame coverage: Works with today’s full-frame cine cameras.
Fast aperture: Delivers good low-light performance and shallow depth of field.
Consistent color: Minimized color shift when changing lenses in a set.
Natural bokeh: 14-blade iris creates pleasing out-of-focus highlights.
Precise mechanics: Smooth focusing and iris control.
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Canon FD TLS Rehoused 14mm
Canon FD TLS Rehoused 20mm
Canon FD TLS Rehoused 24mm
Canon FD TLS Rehoused 35mm
Canon FD TLS Rehoused 55mm
Canon FD TLS Rehoused 85mm
Canon FD TLS Rehoused 135mm
Key features and benefits:
Vintage Canon FD glass:
Offers classic rendering and unique color palette.
Full frame coverage: Works seamlessly with modern full frame cameras.
Robust, modern housing: Improved durability and cine-style operation.
Standardized design: Consistent front ring diameter (125mm) and gear placement for easy rigging.
Circular iris: Delivers smooth, attractive bokeh at all apertures.
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