Mamiya TLS 645 Sekor 17 mm Fisheye T3.3
Mamiya TLS 645 Sekor 25 mm T2.8
Mamiya TLS 645 Sekor 32 mm T2.3 with or whout
Mamiya TLS 645 Sekor 39 mm T2.3
Mamiya TLS 645 Sekor 57 mm T1.6
Mamiya TLS 645 Sekor 78 mm T2.2
Mamiya TLS 645 Sekor 107 mm T2.2
Superior Optics: Renowned for their sharpness, contrast, and color rendition.
Versatile Focal Lengths: Available in a wide range of focal lengths to suit various shooting styles.
Durable Construction: Built to withstand the rigors of professional use.
Modern Mountings: Compatible with a variety of camera systems, including DSLR and mirrorless.
Unique Aesthetic: Distinctive character and bokeh that add a touch of artistry to your images.
Two Sets Available
code90euk2ruessavfr10152024
The owner words: This lens was reviewed by a lens specialist who is certified by Arri, Zeiss, Cookie.
Pairs really well with the super speeds and has a cool rainbow flare. The Optex 5.5mm (not this exact lens) was used quite a bit on “Poor Things.” This is one of the only other Optex original lenses.
Ultra-wide angle: Capture expansive landscapes, interiors, and dynamic scenes with ease.
Fast T2 aperture: Achieve stunning low-light performance and shallow depth of field.
Minimal distortion: Enjoy a rectilinear design for clean, distortion-free images.
Compact and lightweight: Ideal for handheld shooting and documentary-style filmmaking.
Affordable: Offer excellent value for a high-quality wide-angle lens.
code10kd2ortsacbr(d)10082024
The Canon HJ21ex7.5b IASE is a professional broadcast lens designed for ENG and EFP applications. It offers a wide-angle field of view, a powerful 21x zoom range, and exceptional image quality. The lens is also lightweight and portable, making it ideal for field production.
Key features and benefits:
Wide-angle field of view: 65.2° horizontal (for 16:9 aspect ratio)
Powerful 21x zoom range: 7.5-158mm
Exceptional image quality: Thanks to Canon’s Power Optics technology
Lightweight and portable: Weighs only 4.2 kg (9 lb 3 oz)
Durable and reliable: Built to withstand the rigors of field production
usd 2,500 3oct24 D Campbell [email protected]
Arri Master Prime 18mm
Arri Master Prime 21mm
Arri Master Prime 25mm
Arri Master Prime 32mm
Arri Master Prime 35mm
Arri Master Prime 40mm
Arri Master Prime 50mm
Arri Master Prime 65mm
Arri Master Prime 75mm
Arri Master Prime 100mm
NOTE:
The 150mm lens can be added with a price of USD $ 17,025 FOB
Diopters are only available with the 10 lens kit at a seperate fee.
Unparalleled Optical Performance: Exceptional resolution, contrast, and color rendition.
Fast Aperture: T1.3 maximum aperture for low-light shooting and shallow depth of field.
Minimal Breathing: Virtually no lens shift during focusing, ensuring consistent framing.
Superior Build Quality: Durable construction and precise engineering for long-lasting performance.
Wide Focal Length Range: 12mm to 150mm covering various cinematic needs.
code190.58kd2rellimau(r)09222024
Arri Master Prime: 18mm
Arri Master Prime: 25mm
Arri Master Prime: 32mm
Arri Master Prime: 40mm
Arri Master Prime: 50mm
Arri Master Prime: 75mm
Arri Master Prime: 100mm
Exceptional Image Quality: High resolution, incredible contrast, and minimal distortion.
Fast Aperture: T1.3 aperture for low-light shooting and shallow depth of field.
Minimal Breathing: Consistent framing throughout the zoom range.
Compact and Lightweight: Ideal for handheld shooting and documentary-style filmmaking.
Modular Design: Customizable with various accessories for specific needs.
code143.08kd2rellimau(r)09202024
15mm Fisheye T/3.5 Front diameter: 95mm Mount: PL CF: 0.23 Weight: 1100g
24mm T/2 Front diameter: 95mm Mount: PL CF: 0.35 Weight: 940g
35mm T/1.4 Front diameter: 95mm Mount: PL CF: 0.29 Weight: 1205g
50mm T/1.4 Front diameter: 95mm Mount: PL CF: 0.47 Weight: 1095g
85mm T/1.4 Front diameter: 95mm Mount: PL CF: 0.70 Weight: 1270g
105mm T/1.8 Front diameter: 95mm Mount: PL CF: 0.90 Weight: 1270g
135mm T/2 Front diameter: 95mm Mount: PL CF: 1.30 Weight: 1724g
Words of the owner:
“This set has not been used yet and is completely new. A Nanuk case is included. These lenses were manufactured between the 70s and 80s.
Highlights perform beautifully, creating a glowing effect. These lenses cover full-frame sensors without vignetting. Zero image shifting.”
Key Features and Benefits:
Premium Rehousing: Enhanced durability and aesthetics.
Improved Optical Performance: Optimized for modern digital cameras.
Enhanced Weather Sealing: Protection against elements.
Customizable Exterior: Personalize your lenses.
Compatible with Nikon AI and AI-S Mount Cameras: Versatile usage.
code79.17euk2anomracsp(r)09132024-S
24mm, T4.2, fisheye, PL-Mount, dual scale
35mm, T3.5, PL-Mount, dual scale
45mm, T2.8, PL-Mount, dual scale
55mm, T2.8, PL-Mount, dual scale
80mm, T2.8, PL-Mount, dual scale
110mm, T2.8, PL-Mount, dual scale
150mm, T2.8, PL-Mount, dual scale
Includes Case
High-quality optics: Delivering sharp, detailed images with minimal distortion.
Large image circle: Suitable for 6x6cm and 6x7cm formats, providing ample coverage for various film and digital backs.
Cine-style design: Features a smooth, geared focusing mechanism and a de-clicked aperture ring, ideal for video production.
Manual focus: Offers precise control over depth of field and composition.
Compatible with Mamiya 645 medium format cameras: Easily integrates into existing systems.
Cost 39130 Euros
September 12, 2024
(R)
Ismael Carmona
Spain
[email protected]
Zeiss Ultra Prime 16mm
Zeiss Ultra Prime 20mm
Zeiss Ultra Prime 24mm
Zeiss Ultra Prime 32mm
Zeiss Ultra Prime 40mm
Zeiss Ultra Prime 50mm
Zeiss Ultra Prime 85mm
Zeiss Ultra Prime 135mm
Wide Focal Range: Covering from 12mm to 180mm, these lenses offer exceptional versatility for various cinematic applications.
Consistent Optical Performance: Delivering exceptional image quality throughout the entire focal range, ensuring consistent results.
Lightweight Design: The compact and lightweight design makes them easy to handle and maneuver, ideal for handheld shooting.
Accurate Focus Scales: Precisely calibrated focus scales enable accurate manual focusing, providing greater control over depth of field.
Superior Image Quality: Renowned for their sharpness, contrast, and color rendition, these lenses produce stunning visuals.
code84.5kd2levramus(r)09082024
Olympus OM 18mm
Olympus OM 21mm
Olympus OM 24mm
Olympus OM 28mm
Olympus OM 35mm
Olympus OM 40mm
Olympus OM 50mm
Olympus OM 55mm
Olympus OM 70mm
Olympus OM 85mm
Olympus OM 90mm
Olympus OM 100mm
Olympus OM 135mm
Olympus OM 180mm
+ Zoom 35-80mm
Owner words : About this OM Set:
They are all cinevised with 0.8 gears for focus and iris, 80mm OD fronts, 77mm threads, converted to EF mount and with caps that read in both feet and metres alongside the f/stop.
Note, the lenses have not been rehoused with a common 270 degree focus throw, for example, but cinevised and at their core retain the focus throw and mechanics native to the stills lens.
The set was lovingly put together over two years with many multiple copies of each focal length purchased and returned, for the absolute best condition and to eliminate modern green/ magenta flares wherever possible, opting for mostly amber or blue flares.
This is the best set of vintage EF mount lenses for video work I have ever seen for sale, anywhere online. With a staggering 14 primes, all mostly at f/2, the Olympus OM set is the most consistent and diverse stills lens set for video work ever made.
A set of compact full frame lenses like this are an incredible asset. The fact that the 18mm can cover full frame, with an 80mm OD front, where Zero Optik requires a 114mm front, is somewhat of a miracle.
This set includes the rare 70mm Pen-F, which fills the all-too common gap between 50mm and 85mm in stills lens sets. To add to that, my 70mm is one of the only 70mm Pen-F lenses in the world that has been successfully modded for EF mount.
The focus and iris gears and common fronts were modded by OM-Labor in Germany, who guarantees the work. The caps are from Simmod in the USA. The cases were beautifully made by Case Design here in the UK to my specifications.
Three things to note: 1. The original 40mm lens’ iris rotated the front of the lens, so to prevent any iris rotation with a matte box on, a tuneable gear is added to the 40mm iris, that can be locked down and/or have its tension adjusted. 2. To get the 70mm onto an EF mount, the trade off is that a) there are no reliable distance markings, unlike the other primes, and b) the iris rotates in the opposite direction to the other primes. 3. Because the 70mm was added later to the set after much R&D, the green colouration of the Simmod cap slightly differs to the other lenses.
NOTE: if you don´t need the 30-80mm zoom lens, you can have the rest of the package at GBP 30,800 FOB
code57.5pbgk2rebmekuk(r)09042024
Includes:
Atlas Orion 32mm
Atlas Orion 50mm
Atlas Orion 80mm
Features:
Lightweight and compact: Perfect for travel and everyday use.
Fast aperture: f/1.8 for excellent low-light performance.
Wide-angle focal length: 14mm for capturing expansive landscapes and dynamic compositions.
Manual focus: Precise control over your focus.
Full-frame compatible: Works seamlessly with full-frame cameras.
Weather-sealed: Protected against the elements for reliable use in any conditions.
Affordable price: Excellent value for a high-quality lens.
USD 19,000 (MG) 29aug24 Timothy Huang 6264955972 [email protected]
