Co-developed by ARRI and ZEISS, are a set of high-performance prime lenses widely used in professional cinema production, known for their versatility and optical excellence.
They offer one of the widest focal ranges of any 35mm prime lens set, ensuring cinematographers have a lens for virtually any cinematic requirement, from extreme wide-angle shots to tight telephoto compositions.
Key Features:
Wide Focal Range: Available in a large number of focal lengths, typically ranging from 8mm (extreme wide-angle) to 180mm (telephoto).
Fast Aperture: Feature a fast maximum aperture of T1.9 across most of the set, providing excellent low-light performance and shallow depth of field control.
Superior Optics: Designed for high image contrast, resolution, and excellent performance even at close focusing distances, with well-controlled distortion and breathing.
Super 35 Coverage: Optimized to cover the Super 35 film and sensor format, the standard for many digital cinema cameras.
Consistent Design: Maintain uniform barrel diameters, geared focus and aperture rings, and a standard PL mount for easy and quick lens changes on set.
Color Match: Optically matched in color and contrast to ARRI/ZEISS Master Prime and ARRI/ZEISS Alura Zoom lenses for seamless intercutting.
Cost: US$19,900
(N)
Darryl Wood
darryl@spinningmirror.com
Australia
+61 409 690 406
12-16-2025
Includes:
Arri Ultra Prime 16mm
Arri Ultra Prime 25mm
Arri Ultra Prime 32mm
Arri Ultra Prime 50mm
Arri Ultra Prime 85mm
The Arri Ultra Prime set—featuring 16mm, 25mm, 32mm, 50mm, and 85mm focal lengths—delivers exceptional optical performance with consistent color, sharpness, and contrast across the range. Designed for demanding cinematic production, these lenses provide precise focus control, minimal distortion, and reliable durability. Their lightweight yet robust build makes them ideal for a wide variety of shooting environments, from handheld work to large-scale studio setups.
Key Features
Consistent look and color across all focal lengths
Exceptional sharpness and contrast
Minimal distortion and breathing
Robust, lightweight construction
Precise, smooth focus mechanics
Cost To Be Determined
December 11, 2025
(M)
Roshan Ara
rosh@iconartproduction.com
Mobile: +971501517164
Tel:+97143365577
Includes
Zeiss Compact Prime CP.2 18mm
Zeiss Compact Prime CP.2 28mm
Zeiss Compact Prime CP.2 35mm
Zeiss Compact Prime CP.2 50mm
Zeiss Compact Prime CP.2 85mm
Zeiss Compact Prime CP.2 135mm
The ZEISS Compact Prime CP.2 lenses are a professional lineup of cinema lenses designed for filmmakers who need robust build quality, consistent performance, and exceptional optical clarity across multiple focal lengths. With their interchangeable mounts and precise, cinema-grade focus and aperture rings, these lenses offer flexibility for a wide range of camera systems while maintaining ZEISS’s signature contrast, sharpness, and color fidelity. The focal lengths displayed—18mm, 28mm, 35mm, 50mm, 85mm, and 135mm—cover everything from wide establishing shots to tight close-ups, making the CP.2 set a versatile workhorse for narrative, commercial, and documentary productions.
Key Features
Interchangeable PL mount with consistent housing across focal lengths
Smooth, long-throw focus rotation ideal for follow-focus use
T-stop markings for accurate exposure control
Full-frame coverage suitable for modern cinema sensors
Robust all-metal construction for professional durability
Code:
Cost To Be Determined
December 11, 2025
(M)
Roshan Ara
rosh@iconartproduction.com
Mobile: +971501517164
Tel:+97143365577
Cooke S5/i Primes 18mm T1.4
Cooke S5/i Primes 25mm T1.4
Cooke S5/i Primes 32mm T1.4
Cooke S5/i Primes 40mm T1.4
Cooke S5/i Primes 50mm T1.4
Cooke S5/i Primes 65mm T1.4
Cooke S5/i Primes 75mm T1.4
Cooke S5/i Primes 100mm T1.4
Cooke S5/i Primes 135mm T1.4
Note: · Packed in 3 cases (2×4 lenses + 1×135mm)
Bonus: an additional case for 3 selected lenses – a convenient and secure option for those who wish to rent or transport smaller sets. Everything is safely packed and ready for production.
The Cooke S5/i Prime lenses are high-speed, modern cinema lenses designed to deliver the classic “Cooke Look” even in extreme low-light conditions. Below is a summary of their capabilities.
Fast T1.4 Aperture: The entire set features a maximum aperture of T1.4, allowing for shooting in very low light and creating an extremely shallow depth of field with beautiful subject separation.
The “Cooke Look”: Known for a sharp but smooth image that renders skin tones naturally and warmly. They provide “creamy” bokeh and a three-dimensional quality that prevents the image from looking clinically harsh.
Illuminated Focus Scale: A unique feature where the focus ring is equipped with a dimmable light, allowing focus pullers to see distance markings clearly in dark environments without external lamps.
S35 Coverage: Designed specifically to cover Super 35mm sensors (approx. 30mm image circle), optimizing performance for this standard format.
Built-in /i Technology: Equipped with Cooke’s /i Technology , which provides frame-by-frame digital metadata (focal length, aperture, focus distance, depth of field) to cameras for VFX and post-production.
Color Matching: Color-balanced to match perfectly with other Cooke series (S4/i, miniS4/i, Anamorphic/i), allowing for seamless mixing of lenses on the same production.
Cam-Style Focus Mechanism: Utilizes a cam-style design for smooth focus adjustments, with a generous 270° of rotation for precise control.
Standardized Design: Most lenses in the set (18mm–100mm) share a common 110mm front diameter for easy swapping of matte boxes and filters.
Cost: TBD, Owner: Stanislaw Marcinkowski
Steadicam Operator / Camera Stabilization & Optics
📞 +48 603 490 149 / 📞 +48 884 884 681
✉️ steadicam.tete@gmail.com
📍 Warsaw, Poland (working across Europe) / R-11-26-2025
New Cost: 100,000 USD FOB
Price investigation
Newlifecine.com has no one and Justcinemagear has no one either
AI says :
Average Price: Used Cooke S5/i Set of 9
The average price for a used set of 9 Cooke S5/i primes is currently between $130,000 USD and $165,000 USD.
Low End: ~$130,000 USD (Typical for older sets or private sales)
High End: ~$165,000 USD (Mint condition, broker-backed, or including accessories)
Specific Market Listings (Recent & Current)
The following are real-world data points found during the research for a 9-lens configuration (typically 18, 25, 32, 40, 50, 65, 75, 100, 135mm):
$165,000 USD: Listed by FJS International (United States). This is a premium retail price for a set in “Mint” condition.
$132,000 USD: A recently sold listing from Stogear (Hong Kong). This represents a more aggressive “street price” for a functional used set.
$120,000 – $125,000 USD (Estimated): Constructed price based on smaller sets. Sets of 8 lenses often sell for $95,000 – $100,000, while the individual 135mm T1.4 lens alone commands a price of $20,000 – $25,000 due to its size and complexity.
Vantage MiniHawk 40mm T1.7
Vantage MiniHawk 50mm T1.7
Vantage MiniHawk 65mm T1.7
Vantage MiniHawk 100mm T1.7
The MiniHawk Set of 4 (40mm, 50mm, 65mm, 100mm) represents a revolutionary approach to anamorphic cinematography by Vantage Film. These lenses are hybrid anamorphic optics, meaning they provide the classic anamorphic characteristics—such as oval bokeh, shallow depth of field, and unique focus fall-off—while utilizing a spherical optical path. This design allows for a remarkably compact form factor and an incredibly fast T1.7 aperture across the entire set. Unlike traditional front-anamorphic lenses, the MiniHawks exhibit zero breathing while focusing and offer significantly improved close-focus capabilities, making them ideal for tight spaces, handheld operating, and gimbal work without compromising the iconic “Hawk Look.”
Key Features:
Super-Fast T1.7 Aperture: Offers exceptional low-light performance and ultra-shallow depth of field, consistent across all four focal lengths.
Hybrid Anamorphic Optics: Delivers authentic anamorphic bokeh and flares within a spherical lens body, eliminating focus breathing entirely.
Macro-Like Close Focus: Engineered with a extremely short minimum object distance, allowing for intimate close-ups that are traditionally difficult with anamorphic glass.
Compact & Lightweight: Designed for modern production needs, these lenses are significantly smaller than standard anamorphic primes, perfect for drones and stabilizers.
Large Format Coverage: Optimized to cover modern digital sensors while maintaining a cinematic, high-contrast image with organic textures.
Standardized Mechanics: Features uniform 0.8 MOD gearing and a consistent front diameter for rapid lens changes and seamless accessory integration.
Update March 17th 2026:
Gabriel Bemergui
+5511940308100
Sao paulo – Brasil
Seller updated Cost and Sell price info:
Cost updated from TBD to USD $190,000
Sell Price updated from MAKE AN OFFER to USD $213,000 FOB
Updated item descriptions, SEO info, pricing and Sales code.
(J)
COST : TBD
Owner : Gabriel Mensagem – gabrielmensagem@gmail.com
Visualproducts.com doesn´t have one – NewLifeCine nor Justcinemagear has none
AI says :
The Vantage MiniHawk (also known as Hawk MHX Hybrid) is an extremely rare and specialized item on the second-hand market. Unlike the older Hawk C-Series or V-Lites, these lenses are newer and typically sold only through direct negotiation with high-end cinema lens brokers rather than on open marketplaces like eBay.
Based on current market data for Vantage optics, here is the estimated pricing and market situation for a used set of 4 lenses.
Estimated Market Price: Used MiniHawk Set of 4
Price Range: $90,000 – $115,000 USD (Note: This is an estimate based on a depreciation of ~20–30% from the new price, which is standard for high-demand modern Vantage glass.)
Estimated New Price: ~$30,000 USD per lens (approx. $120k for a set of 4).
The ARRI Signature Primes are a modern, ultra-high-end cine prime lens series designed by ARRI. They were developed to complement ARRI’s Large Format (LF) camera system, such as the ALEXA LF and Mini LF, though they are camera-independent and cover all image sensors up to a 46mm large format image circle. They are built with a unique LPL mount (Large Positive Lock), an open standard for large-format lenses. The lenses are renowned for their combination of high optical performance and a distinctively timeless, organic look that is flattering to skin tones.
Key Features:
Large Format (Full-Frame) Coverage: Covers image circles up to 46mm, maximizing the potential of large-format sensors for a distinct, immersive look.
Fast Maximum Aperture (T1.8): Most lenses in the series are T1.8, providing excellent low-light performance and achieving a very shallow depth of field.
Unique “Timeless” Look: Renders images with warm, smooth skin tones, open shadows, and exceptionally soft bokeh for a cinematic, non-clinical aesthetic.
Tuneable Rear Filter Holder: Features a magnetic rear filter holder for quick, tool-less customization (using nets, voile, etc.) of the lens’s flare and texture.
Minimal Aberrations: Engineered to have virtually no visible focus breathing or distortion, simplifying visual effects and complex focus pulls.
Lightweight and Robust Build: Constructed with magnesium alloy barrels, making them relatively light for large-format lenses, which is ideal for gimbal and handheld use.
Next-Gen Lens Data: Incorporates LDS-2 (Lens Data System) for high data rates and absolute encoders, which is crucial for modern virtual production and VFX workflows.
COST: €86,000
(T)
Isidro Parrondo
Mob: +34 627 115 765
contacto@aksmedia.es
18-11-2025
Canon K35 TLS Rehoused 18mm
Canon K35 TLS Rehoused 24mm
Canon K35 TLS Rehoused 35mm
Canon K35 TLS Rehoused 55mm
Canon K35 TLS Rehoused 85mm
The TLS Rehoused Canon K35 Set of 5 represents one of the most coveted vintage cinema lens collections available today, preserving the extraordinary optical character of Canon’s iconic K35 primes — originally manufactured in the late 1970s — within a precision-engineered modern housing by True Lens Services that makes them fully practical for contemporary professional production. This five-lens set, spanning 18mm through 85mm and featuring the rare Fast 18mm variant, delivers the warm, three-dimensional rendering, smooth focus fall-off, and distinctive flare characteristics that have made the K35 series a legendary choice on landmark Hollywood productions for decades. Rebuilt to exacting tolerances with industry-standard gear rings, consistent front diameters, and PL mount compatibility, these lenses are a premier choice for feature films, prestige television, and high-end commercials seeking irreplaceable vintage optical magic on modern large-format and Super 35 camera platforms.
Key Features:
The original Canon K35 optical formula delivers a uniquely warm, three-dimensional image quality with smooth, organic bokeh and a painterly rendering that is widely regarded as among the finest vintage cinema glass ever produced.
The inclusion of the rare Fast 18mm variant makes this set particularly exceptional, offering an ultra-wide perspective with a faster maximum aperture than the standard K35 18mm for superior low-light performance.
TLS’s meticulous rehousing process preserves the original optical elements in pristine condition while adding industry-standard 0.8M focus gear rings and consistent front diameters across all five lenses.
PL mount compatibility ensures seamless integration with a wide range of professional cinema cameras, including ARRI, RED, and Sony VENICE platforms, without the need for additional adapters.
The K35 lenses are celebrated for their distinctive, characterful flare behavior and gentle contrast rendering, producing images with a timeless cinematic quality that modern lens designs struggle to replicate.
All five lenses share consistent color rendition and optical character, ensuring a unified, cohesive visual language when interchanging focal lengths throughout a production.
The robust TLS rehousing provides the durability and tactile reliability demanded on professional sets, dramatically improving on the handling and serviceability of the original vintage barrels.
Update March 23rd 2026:
@Adam’s request, Sell price updated from USD $220,000 FOB to USD $215,000 FOB.
Updated item descriptions, SEO info.
(J)
COST: $200,000
Owner Tony Bringas
Tony Bringas
323-683-4225
Tony4fx@gmail.com abd
Cine Visuals – Rentals
rentals@cinevisuals.com
ZEISS Super Speed lenses are classic, high-performance cinema primes known for their exceptionally fast apertures (T1.3), compact build, and signature vintage look. Originally developed in the late 1970s and widely used throughout the film industry, they deliver smooth focus falloff, gentle contrast, and pleasing bokeh—making them a favorite for narrative filmmaking that aims for a warm, cinematic aesthetic.
Key Features:
Ultra-Fast Maximum Aperture (T1.3/T1.4): Provides exceptional low-light performance and shooting flexibility in dim conditions without excessive camera ISO.
Shallow Depth of Field: Allows for a pronounced cinematic look with beautiful, selective focus and bokeh (the pleasing blur of out-of-focus areas).
Compact and Lightweight Design: Ideal for demanding shooting scenarios like handheld, Steadicam, and gimbal work, offering excellent portability.
High Contrast and Vintage Aesthetic: Known for a high-contrast, slightly cool color rendition that produces a filmic look; wide-open use can add a desirable, softer “glow” to highlights.
Minimal Focus Breathing: Ensures the image framing remains relatively consistent when adjusting focus, which is highly valued in professional film work.
Consistent T-Stop: Most lenses in a set maintain a uniform T1.3 aperture, simplifying exposure consistency during lens changes.
cost: €60k
(T)
Alain Rappoport
arappoport@planipresse.com
Tél : 06 09 55 94 25
11-17-2025
Includes:
Zeiss Super 16 High Speed 9.5mm
Zeiss Super 16 High Speed 12mm
Zeiss Super 16 High Speed 16mm
Zeiss Super 16 High Speed 25mm
The Used Zeiss Super 16 High Speed Lens Set offers exceptional optical performance for filmmakers seeking classic Zeiss clarity, smooth focus action, and fast apertures optimized for Super 16 cinematography. This 4-lens kit delivers remarkable sharpness, beautiful contrast, and reliable build quality, making it ideal for documentary, commercial, and narrative productions using Super 16 cameras or digital bodies with appropriate adapters.
Features;
Fast apertures allow excellent low-light performance and cinematic depth of field.
Rugged, all-metal construction ensures durability for professional use.
Matched color and contrast across all focal lengths for consistent visual results.
Compact and lightweight design ideal for handheld or gimbal setups.
Proven Zeiss optical quality with smooth, precise manual focus.
Cost: 8000 USD
November 14, 2025
AkFilmEquipmentBooking
(M)
My WhatsApp no. +91 98678 54710
Gmail ID akfilmequipmentboooking@gmail.com
Includes:
8 Cine Magic Lenses and what is seen in the pictures:
Cine Magic 9.8mm
Cine Magic 12mm
Cine Magic 16mm
Cine Magic 20mm
Cine Magic 24mm
Cine Magic 32mm
Cine Magic 40mm
Cine Magic 60mm
Dual Swivel Module – Mini-PL
Horizon Tracking
The CINE MAGIC REVOLUTION PACKAGE is a versatile, high-end snorkel lens system used in professional filmmaking and specialized photography, such as tabletop and food shooting. It is designed to capture unique perspectives and offer unprecedented control over the camera’s angle relative to the image horizon.
Horizon Tracking: The world’s first snorkel lens system to allow live panning of the objective lens while maintaining a level horizon (or a desired “dutched” position).
Image Rotation: Built-in optics allow for 360-degree rotation of the image in real-time for creative or corrective purposes.
Dual Swivel Module: Adds a second pan axis, allowing for even greater flexibility in aiming and movement.
Miniature/Tabletop Use: The system can achieve a full 360-degree pan within a six or seven-inch diameter, making it ideal for tight spaces and macro shots.
Versatile Mounting: Includes modules to accommodate both its own specialty Mini-PL lenses and standard PL-Mount lenses.
Comprehensive Kit: Typically includes the Base Module, Borescope, Horizon Tracker, and Dual Swivel Modules in both PL and Mini-PL configurations, along with a set of dedicated Mini-PL prime lenses (e.g., 9.8mm to 60mm).
Cost TBD
Owner: Chester Lilley <chester@creativecameracompany.co.uk>
UK – R-11/13/25
Price Investigation : The price for a full, used CINE MAGIC REVOLUTION PACKAGE (including the Base Module, Borescope, Horizon Tracker, Dual Swivel Modules, and the complete set of Mini-PL prime lenses) typically falls between:
USD $114,900
EUR €138,000 (equivalent to approximately USD $148,000, depending on the current exchange rate)
Note: This range reflects prices observed in international listings from professional equipment brokers and may not represent every transaction.
Newlifecine,com does not have one
justcinemagear.com does not have one
FJS INT has one in EUROS 138,000 FOB
