The Lomo Super Speed set is a staple of vintage cinema, characterized by a fast T/1.3 to T/1.5 aperture across the core focal lengths. Manufactured in the USSR, these lenses are famous for their “Oksypa” optical designs, producing organic skin tones, expressive flares, and a gentle roll-off in highlights. While they provide impressive sharpness when stopped down, shooting wide open introduces a dreamy, low-contrast look with a beautiful internal glow, making them a favorite for music videos and stylized narrative features.
Key Features:
Ultra-Fast High-Speed Apertures: These lenses feature exceptionally fast apertures, with high-speed glass ranging from a wide-open T/1.3 to T/2.2. This makes them an ideal choice for challenging low-light environments or for cinematographers looking to achieve an incredibly shallow depth of field that separates subjects from the background with a soft, cinematic fall-off.
Distinctive Vintage Optical Character: Renowned for their “Soviet” soul, these optics produce a world-class vintage character. They are famous for their unique, expressive flares that react dynamically to point light sources, as well as a signature bokeh shape and organic texture that adds a rich, filmic layer to digital sensors that modern, clinically perfect lenses cannot replicate.
Versatile and Comprehensive Focal Range: This is a truly versatile 7-lens set designed to handle any narrative requirement. The collection provides a seamless transition from extreme wide-angle perspectives at 18mm all the way through to compressed telephoto portraiture at 100mm, ensuring that the visual language remains consistent across an entire production.
Universal PL Mount Compatibility: While originally manufactured with Soviet-style mounts, most of these sets have been professionally converted or rehoused to the industry-standard PL mount. This ensures full compatibility with modern cinema cameras and high-end mirrorless systems, allowing these vintage treasures to be used on the latest digital cinema sensors without the need for cumbersome adapters.
Compact and Lightweight Form Factor: Despite their high-speed performance, these lenses maintain a relatively small and lightweight footprint compared to their bulky modern counterparts. Their compact size makes them perfect for handheld operating, tight gimbal setups, or drone work where keeping the camera package mobile and balanced is a high priority for the crew.
Includes:
Tokina Vista FF Prime 18mm T1.5
Tokina Vista FF Prime 25mm T1.5
Tokina Vista FF Prime 35mm T1.5
Tokina Vista FF Prime 50mm T1.5
Tokina Vista FF Prime 85mm T1.5
Tokina Vista FF Prime 135mm T1.5
hard case
The Tokina Cinema Vista FF Prime set is a professional-grade lens kit designed for high-end cinematography. This specific 6-lens set is celebrated for its massive image circle and consistent T1.5 speed across almost the entire range, making it a “workhorse” for large-format sensorsThe Vista series is built from the ground up for cinema, featuring modern optics that produce ultra-sharp images with a neutral color palette. Unlike many other sets, these lenses are specifically engineered to cover a 46.7mm image circle, which easily encompasses Full Frame, VistaVision, and even larger sensors like the RED V-RAPTOR or ARRI Alexa Mini LF.
Key Features:
Massive Image Circle (46.7mm): Beyond Full Frame; covers VistaVision and high-resolution 8K sensors without vignetting.
Consistent T1.5 Aperture: Enables a uniform look and exposure across all focal lengths, simplifying lighting setups on set.
Near-Zero Focus Breathing: Maintains a stable frame during focus pulls, ensuring the composition remains undisturbed.
Standardized Form Factor: All lenses in the set share identical gear positions (focus and iris) and a 114mm front diameter, allowing for rapid lens swaps without moving follow-focus motors or matte boxes.
300° Focus Throw: Provides extreme precision for focus pullers, especially critical when shooting wide open at T1.5.
9-Blade Curved Iris: Produces smooth, circular out-of-focus highlights and a natural, pleasing bokeh.
Durable Build: All-metal housing designed to withstand the rigors of professional film sets.
Includes:
Leonetti Ultranon 18mm T1.9 / T2.2
Leonetti Ultranon 24mm T1.4 / T1.6
Leonetti Ultranon 28mm T1.8 / T2.3
Leonetti Ultranon 35mm T1.4 / T1.6
Leonetti Ultranon 50mm T1.4 / T1.6
Leonetti Ultranon 85mm T1.4 / T1.6
Leonetti Ultranon 135mm T1.8 / T2.2
All lens caps
BNCR adapters to mirrorless mounts
Case
The Leonetti Ultranon lenses are a rare and storied set of vintage cinema primes, originally commissioned by Leonetti Rentals in the late 1970s and early 1980s. Designed by Kenji Suematsu for the proprietary 35mm Ultracam system, only about 15 to 20 sets were ever produced. These lenses are “franken-primes,” expertly blending optics from legendary manufacturers—primarily Contax Zeiss, with specific wide angles sourced from Cooke and Canon FD—all housed in robust, uniform cinema casings.
Key Features:
16-Blade Circular Iris: A signature feature that ensures perfectly round bokeh and silky-smooth out-of-focus highlights even when the lens is stopped down.
Hybrid Vintage Optics: Combines the sharpness and “3D pop” of Zeiss Contax glass with the character of Cooke (18mm) and Canon FD (24mm) for a unique, curated look.
Full Frame Coverage: Except for the 18mm (which is Super 35/Academic), the 24mm through 135mm focal lengths cover Full Frame/Large Format sensors, making them compatible with modern cameras like the Alexa LF or Sony VENICE.
Controllable Flares: Known for producing beautiful, “milky” organic flares that add cinematic texture without overwhelming the image.
Unified Cinema Housing: Unlike standard vintage photo lenses, these feature consistent front diameters (typically 110mm) and geared rings for professional follow-focus systems.
Naturalistic Color Palette: Offers a warm, vintage aesthetic with a “gentle” sharpness that is more flattering to skin tones than modern, clinical lenses.
Deposits paid on TLS and WhitePoint rehousing (minus 15% of the rehousing price + top of queue)
The LOMO Anamorphic Set of 4 (35mm, 50mm, 80mm, 135mm) consists of legendary Soviet-era lenses revered for their distinct “vintage” character. These lenses are famous for producing the classic anamorphic look, featuring horizontal blue flares, unique oval bokeh, and a gentle fall-off in sharpness toward the edges of the frame. Because these are vintage lenses, they are typically found in two mechanical styles: the earlier “Square Front” models, which are more compact but have rotating fronts, and the later, more sought-after “Round Front” (NAS) models, which offer more stable mechanics and improved ergonomics for modern follow-focus systems.
Key Features:
Classic Anamorphic Aesthetic: Delivers iconic oval bokeh and organic horizontal flares that modern lenses often lack.
Vintage Optical Character: Offers a lower-contrast, “dreamy” look with unique personality and character-driven imperfections.
Super 35mm Coverage: Designed to cover the Super 35mm film format, making them compatible with most modern digital cinema sensors.
Fast Apertures: Typically ranges from T2.4 to T3, allowing for decent low-light performance and shallow depth of field.
Robust Mechanical Builds: While vintage, the “Round Front” versions are often rehoused or serviced to meet modern professional standards.
Standardized Front Diameters: Often modified by rental houses to include 114mm front rings for compatibility with standard matte boxes.
The Cooke Panchro/i Classic set (32mm, 40mm, 50mm, 100mm, 135mm, 152mm) is a modern redesign of the legendary vintage Speed Panchro optics. These lenses are engineered to provide the beloved “Cooke Look”—characterized by warm, natural skin tones and a gentle focus fall-off—while meeting the mechanical demands of contemporary digital cinematography. Unlike vintage sets that require rehousing, the Panchro/i Classics come with standardized 0.8 MOD gears, a robust PL mount, and integrated Cooke /i Technology, which captures vital lens metadata (like iris and focus position) frame-by-frame for use in post-production and VFX.
Key Features:
The Iconic “Cooke Look”: Retains the organic, soulful rendering of the original 1920s-1950s Speed Panchros with modern contrast and resolution.
Integrated /i Technology: Provides a digital interface for capturing real-time lens metadata, essential for complex visual effects and efficient editing.
Matched Color and Character: Every lens in this 6-piece set is precision-matched to ensure seamless intercutting between different focal lengths.
Modern Mechanical Design: Features standardized focus and iris gear positions across the set for rapid lens changes with wireless F/I/Z systems.
Super 35mm Coverage: Optimized for Super 35 digital sensors, offering a classic field of view that has defined cinema for decades.
Fast Apertures: Most lenses in the set offer a T2.2 to T2.8 aperture, providing excellent shallow depth-of-field control and low-light performance.
INCLUDES:
Alexa Mini:
SN#: 25408
Hours: 3888:54
Speed Panchro Set of 5 focals:
Cooke Panchro/i 18mm T2.2
Cooke Panchro/i 25mm T2.2
Cooke Panchro/i 35mm T2.2
Cooke Panchro/i 50mm T2.2
Cooke Panchro/i 75mm T2.2
This ARRI ALEXA Mini and Cooke Speed Panchro Set of 5 bundle is a quintessential “character” kit, pairing one of the industry’s most versatile camera bodies with legendary vintage glass. The ALEXA Mini is renowned for its natural skin tones and high dynamic range, making it the benchmark for narrative and commercial production. When paired with the Cooke Speed Panchros, which have professional rehousings by Panchro/i and Les Bosher, you get the soul of 1950s cinema with the mechanical reliability required for modern sets. This 5-lens set (18mm to 75mm) offers a consistent T2.2 aperture and the famous “Cooke Look”—a warm, organic rendering with a gentle fall-off that beautifully complements the ARRI sensor’s color science.
Camera & Lens Package Key Features:
ARRI ALEXA Mini: A compact 35mm format digital camera featuring the ALEV III CMOS sensor, providing 14+ stops of dynamic range and recording up to 200fps in ProRes.
Panchro/i and Les Bosher Rehousings: Each lens in this set has been mechanically modernized with PL mounts, standardized 0.8 pitch gears, and improved focus scales while preserving the original vintage optics.
The “Cooke Look”: The lenses provide a warm, classic aesthetic with smooth bokeh and a unique flare character that adds a “dreamy” quality to digital footage.
Consistent T2.2 Aperture: Ensures uniform exposure and depth-of-field control across all five focal lengths (18, 25, 35, 50, and 75mm).
Super 35mm Coverage: Optimized for the Super 35 sensor of the ALEXA Mini, offering a field of view that has defined cinema for decades.
Production-Ready Mechanics: Modernized housings allow for easy use with wireless F/I/Z systems and standard 110mm matte boxes.
COOKE PANCHRO/I SET OF 5(J)
The ARRI Master Prime series, a collaboration between ARRI and ZEISS, is widely considered the gold standard in modern cinematography. This specific 7-lens set—comprising 16, 25, 32, 50, 75, 100, and 135mm—delivers an “uncompromised” image characterized by extreme sharpness, high contrast, and a total lack of optical artifacts. These lenses are designed to perform flawlessly even at their maximum aperture, making them the preferred choice for high-end features and visual effects-heavy productions.
Key Features:
Ultra-Fast T1.3 Aperture: Delivers a consistent, bright stop across the entire set for superior low-light performance and shallow depth of field.
Zero Lens Breathing: Patented Dual Floating Elements™ ensure the image size does not shift when pulling focus.
Optically Clean: Engineered to exceed 8K resolution with virtually no geometric distortion or chromatic aberration.
Advanced T XP Coating:* Provides exceptional flare resistance and deep blacks, even in high-glare environments.
LDS Integration: Built-in Lens Data System transmits real-time metadata (focus/iris) to the camera for VFX and post-production efficiency.
Mechanical Uniformity: Standardized 114mm front diameters and gear positions allow for lightning-fast lens swaps on set.
ARRI MASTER PRIME SET OF 7(J) cost: 60 000 EUR / 70 000 USD Wacław Mączyński waclaw@2k4k.pl +48 789 076 844 3-17-2026
Includes:
Cooke Panchro/i 18mm T2.2
Cooke Panchro/i 25mm T2.2
Cooke Panchro/i 35mm* T2.2
Cooke Panchro/i 50mm T2.2
Cooke Panchro/i 75mm T2.2
The Cooke Panchro/i Classic series is a modern reimagining of the legendary Speed Panchro lenses from the 1920s. This set—comprising the 18mm, 25mm, 35mm, 50mm, and 75mm focal lengths—retains the beloved “Cooke Look” (warmth, gentle contrast, and painterly fall-off) while integrating contemporary mechanics and metadata technology. Designed for high-end digital cinematography, these lenses offer a vintage aesthetic paired with the reliability, color matching, and full-frame coverage required for today’s PL-mount cameras.
Key Features:
The Cooke Look®: Delivers a classic vintage aesthetic with natural skin tones and a smooth, three-dimensional depth transition that is highly flattering for portraits.
/i Technology: Built-in metadata capture for focal length, iris, and focus distance streamlines VFX and post-production workflows.
Consistent T2.2 Speed: Most lenses in the set maintain a fast T2.2 aperture, ensuring consistent exposure and depth of field across the entire focal range.
Modern Reliability: Features a scratch-resistant PTFE finish and Academy Award® winning cam-style focus movement for smooth, backlash-free operation.
Standardized Mechanics: 110mm front diameters and consistent 0.8 MOD geared rings allow for rapid lens changes without re-adjusting follow focus or matte box setups.
Full-Frame Coverage: Specifically engineered to cover large-format sensors (up to a 46.3mm image circle) while maintaining vintage character at the edges.
Compact Form Factor: The lightweight and balanced design makes this set ideal for handheld, gimbal, and Steadicam work.
Universal Color Matching: Precisely color-balanced to match other Cooke series (like the S7/i or S4/i) for seamless multi-camera integration.
The ZEISS Ultra Prime set of six lenses (16mm, 24mm, 32mm, 50mm, 85mm, and 135mm) is widely regarded as the workhorse of the professional motion picture industry, offering a perfect balance of clinical precision and cinematic character. Developed in collaboration with ARRI, these Super 35mm primes are celebrated for their exceptional sharpness, high contrast, and virtually non-existent distortion, making them a reliable choice for everything from high-budget features to detailed commercial work. Covering a versatile range from the expansive 16mm wide-angle to the compressed 135mm telephoto, this set maintains a consistent T1.9 aperture across nearly the entire range, ensuring uniform exposure and depth-of-field control throughout your production.
Key Features:
Exceptional Optical Performance: Delivers razor-sharp imagery with high contrast and impressive color saturation across the frame.
Fast T1.9 Aperture: Provides excellent low-light capability and shallow depth-of-field control (T2.4 for the 135mm).
Robust, Lightweight Design: Engineered with a compact form factor that is ideal for handheld operation, gimbals, and Steadicam work.
Consistent Color Matching: Every lens in the set is meticulously calibrated to ensure a uniform look and seamless intercutting.
Minimal Focus Breathing: Designed to keep framing stable during significant focus pulls for a more professional aesthetic.
Standardized Gear Positions: Uniform focus and iris gear placement allows for rapid lens swaps without adjusting accessories.
Wide Focal Range: A curated selection from 16mm to 135mm that covers every essential narrative perspective.
Includes:
Carl Zeiss Jena 20mm Flektogon f/2.8
Carl Zeiss Jena 35mm Flektogon f/2.4
Carl Zeiss Jena 40mm Tessar f/2.8
Carl Zeiss Jena 80mm Biometar f/2.8
Carl Zeiss Jena 135mm Sonnar f/3.5
1x Shipping Case
The Carl Zeiss Jena set is a legendary collection of East German vintage lenses renowned for their “organic” image quality and exceptional character. Originally designed for M42 and Exakta mounts, these lenses have become a staple for filmmakers and photographers looking to achieve a classic cinematic look that modern, ultra-sharp lenses often lack.
Key Features:
Organic Rendering: Produces a “gentle” sharpness that is flattering for skin tones, reducing the clinical look of digital sensors.
Close Focus Capability: The Flektogon series (20mm and 35mm) allows for unique close-up shots that few vintage lenses can match.
Distinctive Bokeh: From the smooth “Biometar” fall-off to the “Sonnar” highlights, the background blur is artistic and textured.
Full-Frame Coverage: All lenses in this set easily cover modern full-frame and even some larger-format digital sensors.
Durable Build: All-metal construction designed to last for decades, often featuring the iconic “Zebra” stripe aesthetic.
